Autore |
Andersson Lars Gustaf
|
Edizione | [1st ed.] |
Pubbl/distr/stampa |
Bristol, Engalnd : , : Intellect, , [2019]
|
Descrizione fisica |
1 online resource (x, 159 pages)
|
Disciplina |
791.436552
|
Soggetto topico |
Emigration and immigration in motion pictures
Motion pictures - Sweden
|
ISBN |
1-78938-053-7
|
Formato |
Materiale a stampa |
Livello bibliografico |
Monografia |
Lingua di pubblicazione |
eng
|
Nota di contenuto |
Intro -- Half Title -- Title -- Copyright -- Contents -- Foreword -- Acknowledgements -- Introduction: The Cultural Practice of Immigrant Filmmaking -- Film and theory -- Minor cinemas, the public sphere and the production of locality -- Migration and diaspora: Notes on recent research -- Outline of the book -- Chapter 1: Migrants' Minor Cinemas: Beyond Accented and Exilic Cinema -- Accented cinema -- Minor cinema -- Beyond textual models of the accented and exilic -- Chapter 2: Conditions of Production: Immigrant's Associations and Workshops in Sweden -- Immigration and culture in post-war Sweden -- Establishing experimental film culture: The Independent Film Group -- Immigrant film as cultural policy: The Stockholm Film Workshop -- The momentary agency: Cineco (Cinecooperativo) -- To be or not to be a filmmaker: Kaleidoscope -- Do it yourself: The Tensta Film Association -- The production of film, the production of experience and the public -- Chapter 3: From Avant-Garde to Communion: Ten Films by Immigrant Filmmakers in Sweden -- Fabulations in the minor key -- Studie 1 (Uppvaknandet) by Peter Weiss (1952) -- Monos by the Tensta Film Association (1974) -- Vill du följa med mig Martha? by the Tensta Film Association (1980) -- Interference by Maureen Paley (1977) -- Jordmannen by Muammer Özer (1980) -- Hägringen by Guillermo Álvarez (1981) -- Havet är långt borta by Reza Bagher (1983) -- Löftet by Menelaos Carayannis (1984) -- La espera by Myriam Braniff (1989) -- Fem minuter för Amerikas döda/Pichqa minutukuna ilaqtanchispi wanuqkunamanta by César Galindo (1992) -- Projecting a public, creating a context -- Chapter 4: The Cultural Practice of Minor Immigrant Cinema Archiving -- The archival life of cinema -- The archival trajectories of the immigrant films -- The Stockholm Film Workshop and immigrant filmmaking -- Performing accidental archives.
Dispositif in the making, palimpsests of minor histories and the politics of recognition -- Conclusion: Immigrant Filmmaking as Minor Cinema Practice -- Bibliography -- Filmography -- Names Index -- Film Index -- Subject Index.
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Record Nr. | UNINA-9910324949803321 |