Moving image theory [[electronic resource] ] : ecological considerations / / edited by Joseph D. Anderson and Barbara Fisher Anderson ; with a foreword by David Bordwell |
Pubbl/distr/stampa | Carbondale, : Southern Illinois University Press, c2005 |
Descrizione fisica | 1 online resource (269 p.) |
Disciplina | 302.23/43 |
Altri autori (Persone) |
AndersonJoseph <1940->
AndersonBarbara Fisher <1951-> |
Soggetto topico |
Motion pictures - Psychological aspects
Motion picture audiences - Psychology |
Soggetto genere / forma | Electronic books. |
ISBN | 0-8093-8757-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Title Page; Copyright; Contents; Foreword; Preliminary Considerations; Part One. Information Available in Moving Images; 1. Perceiving Scenes in Film and in the World; 2. The Value of Oriented Geometry for Ecological Psychology and Moving Image Art; Part Two. Perception of Simulated Human Motion; 3. Creating Realistic Motion; 4. Perceiving Human Motion in Synthesized Images; Part Three. Acoustic Events; 5. Background Tracks in Recent Cinema; 6. Acoustic Specification of Object Properties; Part Four. Information in Facial Expression
7. Three Views of Facial Expression and Its Understandingin the Cinema8. Facial Motion as a Cue to Identity; Part Five. Coupling of Perception and Emotion; 9. Film Lighting and Mood; 10. Cinematic Creation of Emotion; Part Six. Appeals of Reality-Based Moving Images; 11. Documentary's Peculiar Appeals; 12. Reality Programming: Evolutionary Models of Film and Television Viewership; Part Seven. Events, Symbols, and Metaphors; 13. Through Alice's Glass: The Creation and Perception of Other Worlds in Movies, Pictures, and Virtual Reality; 14. Metaphors in Movies; Contributors; Index; Back Cover |
Record Nr. | UNINA-9910452699603321 |
Carbondale, : Southern Illinois University Press, c2005 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Moving image theory [[electronic resource] ] : ecological considerations / / edited by Joseph D. Anderson and Barbara Fisher Anderson ; with a foreword by David Bordwell |
Pubbl/distr/stampa | Carbondale, : Southern Illinois University Press, c2005 |
Descrizione fisica | 1 online resource (269 p.) |
Disciplina | 302.23/43 |
Altri autori (Persone) |
AndersonJoseph <1940->
AndersonBarbara Fisher <1951-> |
Soggetto topico |
Motion pictures - Psychological aspects
Motion picture audiences - Psychology |
ISBN | 0-8093-8757-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Title Page; Copyright; Contents; Foreword; Preliminary Considerations; Part One. Information Available in Moving Images; 1. Perceiving Scenes in Film and in the World; 2. The Value of Oriented Geometry for Ecological Psychology and Moving Image Art; Part Two. Perception of Simulated Human Motion; 3. Creating Realistic Motion; 4. Perceiving Human Motion in Synthesized Images; Part Three. Acoustic Events; 5. Background Tracks in Recent Cinema; 6. Acoustic Specification of Object Properties; Part Four. Information in Facial Expression
7. Three Views of Facial Expression and Its Understandingin the Cinema8. Facial Motion as a Cue to Identity; Part Five. Coupling of Perception and Emotion; 9. Film Lighting and Mood; 10. Cinematic Creation of Emotion; Part Six. Appeals of Reality-Based Moving Images; 11. Documentary's Peculiar Appeals; 12. Reality Programming: Evolutionary Models of Film and Television Viewership; Part Seven. Events, Symbols, and Metaphors; 13. Through Alice's Glass: The Creation and Perception of Other Worlds in Movies, Pictures, and Virtual Reality; 14. Metaphors in Movies; Contributors; Index; Back Cover |
Record Nr. | UNINA-9910779995003321 |
Carbondale, : Southern Illinois University Press, c2005 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Moving image theory [[electronic resource] ] : ecological considerations / / edited by Joseph D. Anderson and Barbara Fisher Anderson ; with a foreword by David Bordwell |
Pubbl/distr/stampa | Carbondale, : Southern Illinois University Press, c2005 |
Descrizione fisica | 1 online resource (269 p.) |
Disciplina | 302.23/43 |
Altri autori (Persone) |
AndersonJoseph <1940->
AndersonBarbara Fisher <1951-> |
Soggetto topico |
Motion pictures - Psychological aspects
Motion picture audiences - Psychology |
ISBN | 0-8093-8757-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Title Page; Copyright; Contents; Foreword; Preliminary Considerations; Part One. Information Available in Moving Images; 1. Perceiving Scenes in Film and in the World; 2. The Value of Oriented Geometry for Ecological Psychology and Moving Image Art; Part Two. Perception of Simulated Human Motion; 3. Creating Realistic Motion; 4. Perceiving Human Motion in Synthesized Images; Part Three. Acoustic Events; 5. Background Tracks in Recent Cinema; 6. Acoustic Specification of Object Properties; Part Four. Information in Facial Expression
7. Three Views of Facial Expression and Its Understandingin the Cinema8. Facial Motion as a Cue to Identity; Part Five. Coupling of Perception and Emotion; 9. Film Lighting and Mood; 10. Cinematic Creation of Emotion; Part Six. Appeals of Reality-Based Moving Images; 11. Documentary's Peculiar Appeals; 12. Reality Programming: Evolutionary Models of Film and Television Viewership; Part Seven. Events, Symbols, and Metaphors; 13. Through Alice's Glass: The Creation and Perception of Other Worlds in Movies, Pictures, and Virtual Reality; 14. Metaphors in Movies; Contributors; Index; Back Cover |
Record Nr. | UNINA-9910823850003321 |
Carbondale, : Southern Illinois University Press, c2005 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|