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Czerny the progressive / Clive Brown -- Beethoven's pedal marks revisited / Barry Cooper -- The case for un-notated arpeggiation in Beethoven's compositions for or involving the piano / Neal Peres Da Costa -- Beethoven's tied-note notation: an ongoing debate / Siân Derry -- Beethoven's indicators of expression in his piano works / Marten Noorduin -- A historically informed perspective of Beethoven's idiosyncratic dynamics and accents in his piano works / Yew Choong Cheong -- Beethoven's Piano quartets WoO 36: conservatism and evolution / Leonardo Miucci -- Publishers' practices and other happenings in the life of Beethoven's Quintet for piano and woodwinds, op. 16 / Sandra P. Rosenblum -- Beethoven's "concept": working manuscripts between sketch and fair copy / Susanne Cox -- Text, context, and creative process in Diabelli's Vaterländischer Künstlerverein / Mario Aschauer -- Beethoven's sketches for the last movement of the Sonata op. 106: thoughts on the creative process / Roberto Scoccimarro -- Hans Georg Nägeli as publisher and bookseller of piano music / Claudio Bacciagaluppi -- Beethoven's early approach to different types of keyboard instruments in Bonn and its lifelong aftermath / Michael Ladenburger -- Beethoven and the split damper pedal / Tilman Skowroneck -- Beethoven's Érard piano: a gift after all / Robert Adelson -- A gesture of expansion: the limited enlargement of the tessitura in Beethoven's Piano sonata op. 53 as a further development of procedures essayed in his early chamber music / Martin Skamletz.
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