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Choreographing difference [[electronic resource] ] : the body and identity in contemporary dance / / Ann Cooper Albright
| Choreographing difference [[electronic resource] ] : the body and identity in contemporary dance / / Ann Cooper Albright |
| Autore | Albright Ann Cooper |
| Pubbl/distr/stampa | Middletown, Conn., : Wesleyan University Press |
| Descrizione fisica | 1 online resource (247 p.) |
| Disciplina | 792.8 |
| Soggetto topico |
Modern dance - Social aspects
Modern dance - Psychological aspects Body image Identity (Psychology) Sex in dance |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-10948-4
9786613109484 0-8195-6991-7 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; CONTENTS; LIST OF ILLUSTRATIONS; ACKNOWLEDGMENTS; INTRODUCTION: WITNESSING DANCE; Mining the Dancefield: Feminist Theory and Contemporary Dance; Techno Bodies: Muscling with Gender in Contemporary Dance; Moving Across Difference: Dance and Disability; Incalculable Choreographies; Dancing Bodies and the Stories They Tell; Embodying History: Epic Narrative and Cultural Identity in African-American Dance; APPENDIX; NOTES; SELECTED BIBLIOGRAPHY; INDEX; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z |
| Record Nr. | UNINA-9910461182203321 |
Albright Ann Cooper
|
||
| Middletown, Conn., : Wesleyan University Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Choreographing difference : the body and identity in contemporary dance / / Ann Cooper Albright
| Choreographing difference : the body and identity in contemporary dance / / Ann Cooper Albright |
| Autore | Albright Ann Cooper |
| Pubbl/distr/stampa | Middletown, Conn. : , : Wesleyan University Press |
| Descrizione fisica | 1 online resource (247 pages) : illustrations |
| Disciplina | 792.8 |
| Soggetto topico |
Modern dance - Social aspects
Modern dance - Psychological aspects Body image Identity (Psychology) Sex in dance |
| ISBN |
1-283-10948-4
9786613109484 0-8195-6991-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; CONTENTS; LIST OF ILLUSTRATIONS; ACKNOWLEDGMENTS; INTRODUCTION: WITNESSING DANCE; Mining the Dancefield: Feminist Theory and Contemporary Dance; Techno Bodies: Muscling with Gender in Contemporary Dance; Moving Across Difference: Dance and Disability; Incalculable Choreographies; Dancing Bodies and the Stories They Tell; Embodying History: Epic Narrative and Cultural Identity in African-American Dance; APPENDIX; NOTES; SELECTED BIBLIOGRAPHY; INDEX |
| Record Nr. | UNINA-9910789986803321 |
|
Albright Ann Cooper
|
||
| Middletown, Conn. : , : Wesleyan University Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Engaging bodies : the politics and poetics of corporeality / / Ann Cooper Albright
| Engaging bodies : the politics and poetics of corporeality / / Ann Cooper Albright |
| Autore | Albright Ann Cooper |
| Pubbl/distr/stampa | Middletown, Connecticut : , : Wesleyan University Press, , [2013] |
| Descrizione fisica | 1 online resource (409 p.) |
| Disciplina | 792.8 |
| Soggetto topico |
Dance criticism
Dance - History Dance - Study and teaching Dance - Social aspects Human body - Social aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8195-7412-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Engaging Bodies; Title; Copyright; Dedication; Contents; Preface; Introduction: Situated Dancing; I PERFORMANCE WRITINGS; 1 Pooh Kaye and Eccentric Motions; 2 Johanna Boyce; 3 Improvisations by Simone Forti and Pooh Kaye; 4 Song of Lawino; 5 Joseph Holmes, Sizzle and Heat; 6 Performing across Identity; 7 In Dialogue with Firebird; 8 Dancing Bodies and the Stories They Tell; 9 Embodying History: The New Epic Dance; 10 Desire and Control: Performing Bodies in the Age of AIDS; II FEMINIST THEORIES; 11 Mining the Dancefield: Spectacle, Moving Subjects, and Feminist Theory
12 Writing the Moving Body: Nancy Stark Smith and the Hieroglyphs13 Auto-Body Stories: Blondell Cummings and Autobiography in Dance; 14 Femininity with a Vengeance: Strategies of Veiling and Unveiling in Loïe Fuller's Performances of Salomé; III DANCING HISTORIES; 15 The Long Afternoon of a Faun: Reconstructions and Discourses of Desire; 16 Embodying History: Epic Narrative and Cultural Identity in African-American Dance; 17 Matters of Tact: Writing History from the Inside Out; 18 The Tanagra Effect: Wrapping the Modern Body in the Folds of Ancient Greece; IV CONTACT IMPROVISATION 19 A Particular History: Contact Improvisation at Oberlin College20 Open Bodies: (X)changes of Identity in Capoeira and Contact Improvisation; 21 Present Tense: Contact Improvisation at Twenty-five; 22 Feeling In and Out: Contact Improvisation and the Politics of Empathy; V PEDAGOGY; 23 Dancing across Difference: Experience and Identity in the Classroom; 24 Channeling the Other: An Embodied Approach to Teaching across Cultures; 25 Training Bodies to Matter; VI OCCASIONAL PIECES; 26 The Mesh in the Mess; 27 Through Yours to Mine and Back Again: Reflections on Bodies in Motion 28 Physical Mindfulness29 Researching Bodies: The Politics and Poetics of Corporeality; 30 Strategic Abilities: Negotiating the Disabled Body in Dance; 31 Dancing in and out of Africa; 32 Rates of Exchange; 33 Moving Contexts: Dance and Difference in the Twenty-first Century; 34 Three Beginnings and a Manifesto; 35 Improvisation as Radical Politics; 36 Space and Subjectivity; 37 Strategic Practices; 38 Resurrecting the Future: Body/Image/Technology; 39 Falling; 40 The Tensions of Technē: On Heidegger and Screendance; 41 Falling; Afterword; Acknowledgments; Index; ABOUT THE AUTHOR |
| Record Nr. | UNINA-9910464352303321 |
|
Albright Ann Cooper
|
||
| Middletown, Connecticut : , : Wesleyan University Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Engaging bodies : the politics and poetics of corporeality / / Ann Cooper Albright
| Engaging bodies : the politics and poetics of corporeality / / Ann Cooper Albright |
| Autore | Albright Ann Cooper |
| Pubbl/distr/stampa | Middletown, Connecticut : , : Wesleyan University Press, , [2013] |
| Descrizione fisica | 1 online resource (409 p.) |
| Disciplina | 792.8 |
| Soggetto topico |
Dance criticism
Dance - History Dance - Study and teaching Dance - Social aspects Human body - Social aspects |
| ISBN | 0-8195-7412-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Engaging Bodies; Title; Copyright; Dedication; Contents; Preface; Introduction: Situated Dancing; I PERFORMANCE WRITINGS; 1 Pooh Kaye and Eccentric Motions; 2 Johanna Boyce; 3 Improvisations by Simone Forti and Pooh Kaye; 4 Song of Lawino; 5 Joseph Holmes, Sizzle and Heat; 6 Performing across Identity; 7 In Dialogue with Firebird; 8 Dancing Bodies and the Stories They Tell; 9 Embodying History: The New Epic Dance; 10 Desire and Control: Performing Bodies in the Age of AIDS; II FEMINIST THEORIES; 11 Mining the Dancefield: Spectacle, Moving Subjects, and Feminist Theory
12 Writing the Moving Body: Nancy Stark Smith and the Hieroglyphs13 Auto-Body Stories: Blondell Cummings and Autobiography in Dance; 14 Femininity with a Vengeance: Strategies of Veiling and Unveiling in Loïe Fuller's Performances of Salomé; III DANCING HISTORIES; 15 The Long Afternoon of a Faun: Reconstructions and Discourses of Desire; 16 Embodying History: Epic Narrative and Cultural Identity in African-American Dance; 17 Matters of Tact: Writing History from the Inside Out; 18 The Tanagra Effect: Wrapping the Modern Body in the Folds of Ancient Greece; IV CONTACT IMPROVISATION 19 A Particular History: Contact Improvisation at Oberlin College20 Open Bodies: (X)changes of Identity in Capoeira and Contact Improvisation; 21 Present Tense: Contact Improvisation at Twenty-five; 22 Feeling In and Out: Contact Improvisation and the Politics of Empathy; V PEDAGOGY; 23 Dancing across Difference: Experience and Identity in the Classroom; 24 Channeling the Other: An Embodied Approach to Teaching across Cultures; 25 Training Bodies to Matter; VI OCCASIONAL PIECES; 26 The Mesh in the Mess; 27 Through Yours to Mine and Back Again: Reflections on Bodies in Motion 28 Physical Mindfulness29 Researching Bodies: The Politics and Poetics of Corporeality; 30 Strategic Abilities: Negotiating the Disabled Body in Dance; 31 Dancing in and out of Africa; 32 Rates of Exchange; 33 Moving Contexts: Dance and Difference in the Twenty-first Century; 34 Three Beginnings and a Manifesto; 35 Improvisation as Radical Politics; 36 Space and Subjectivity; 37 Strategic Practices; 38 Resurrecting the Future: Body/Image/Technology; 39 Falling; 40 The Tensions of Technē: On Heidegger and Screendance; 41 Falling; Afterword; Acknowledgments; Index; ABOUT THE AUTHOR |
| Record Nr. | UNINA-9910789577003321 |
|
Albright Ann Cooper
|
||
| Middletown, Connecticut : , : Wesleyan University Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Engaging bodies : the politics and poetics of corporeality / / Ann Cooper Albright
| Engaging bodies : the politics and poetics of corporeality / / Ann Cooper Albright |
| Autore | Albright Ann Cooper |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Middletown, Connecticut : , : Wesleyan University Press, , [2013] |
| Descrizione fisica | 1 online resource (409 p.) |
| Disciplina |
792
792.8 |
| Soggetto topico |
Dance criticism
Dance - History Dance - Study and teaching Dance - Social aspects Human body - Social aspects |
| ISBN |
9780819574121
0819574120 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Engaging Bodies; Title; Copyright; Dedication; Contents; Preface; Introduction: Situated Dancing; I PERFORMANCE WRITINGS; 1 Pooh Kaye and Eccentric Motions; 2 Johanna Boyce; 3 Improvisations by Simone Forti and Pooh Kaye; 4 Song of Lawino; 5 Joseph Holmes, Sizzle and Heat; 6 Performing across Identity; 7 In Dialogue with Firebird; 8 Dancing Bodies and the Stories They Tell; 9 Embodying History: The New Epic Dance; 10 Desire and Control: Performing Bodies in the Age of AIDS; II FEMINIST THEORIES; 11 Mining the Dancefield: Spectacle, Moving Subjects, and Feminist Theory
12 Writing the Moving Body: Nancy Stark Smith and the Hieroglyphs13 Auto-Body Stories: Blondell Cummings and Autobiography in Dance; 14 Femininity with a Vengeance: Strategies of Veiling and Unveiling in Loïe Fuller's Performances of Salomé; III DANCING HISTORIES; 15 The Long Afternoon of a Faun: Reconstructions and Discourses of Desire; 16 Embodying History: Epic Narrative and Cultural Identity in African-American Dance; 17 Matters of Tact: Writing History from the Inside Out; 18 The Tanagra Effect: Wrapping the Modern Body in the Folds of Ancient Greece; IV CONTACT IMPROVISATION 19 A Particular History: Contact Improvisation at Oberlin College20 Open Bodies: (X)changes of Identity in Capoeira and Contact Improvisation; 21 Present Tense: Contact Improvisation at Twenty-five; 22 Feeling In and Out: Contact Improvisation and the Politics of Empathy; V PEDAGOGY; 23 Dancing across Difference: Experience and Identity in the Classroom; 24 Channeling the Other: An Embodied Approach to Teaching across Cultures; 25 Training Bodies to Matter; VI OCCASIONAL PIECES; 26 The Mesh in the Mess; 27 Through Yours to Mine and Back Again: Reflections on Bodies in Motion 28 Physical Mindfulness29 Researching Bodies: The Politics and Poetics of Corporeality; 30 Strategic Abilities: Negotiating the Disabled Body in Dance; 31 Dancing in and out of Africa; 32 Rates of Exchange; 33 Moving Contexts: Dance and Difference in the Twenty-first Century; 34 Three Beginnings and a Manifesto; 35 Improvisation as Radical Politics; 36 Space and Subjectivity; 37 Strategic Practices; 38 Resurrecting the Future: Body/Image/Technology; 39 Falling; 40 The Tensions of Technē: On Heidegger and Screendance; 41 Falling; Afterword; Acknowledgments; Index; ABOUT THE AUTHOR |
| Record Nr. | UNINA-9910960483203321 |
|
Albright Ann Cooper
|
||
| Middletown, Connecticut : , : Wesleyan University Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||