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When [[electronic resource] ] : the art of perfect timing / / Stuart Albert
| When [[electronic resource] ] : the art of perfect timing / / Stuart Albert |
| Autore | Albert Stuart <1941-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | San Francisco, : Jossey-Bass, 2013 |
| Descrizione fisica | 1 online resource (306 p.) |
| Disciplina | 650.1/1 |
| Soggetto topico | Time management |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-118-41950-2 |
| Classificazione | BUS000000 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright; Contents; Preface; Introduction; Why does Timing Elude Us?; Getting Beyond the Usual Suspects; Knowing When to Act; Managing Timing Risk; Discovering That Timing Matters; Choosing the Right Temporal Design; A Timing Analysis; The Structure of the Book; The Art of Timing; Chapter 1 Sequence; The Characteristics of Sequences; Order; Punctuation; Interval and Duration; Shape; Location; Extension; Sequence-Related Risks; Missing a Sequence; Inverting a Sequence Unwittingly; Failing to Look Downstream; Sequence Options and Opportunities; Deliberately Invert a Sequence
Choose the Right DurationCreate a Sequence; Choose a Different Location; Skip a Step; Give People a Choice; The Temporal Imagination; Chapter 2 Temporal Punctuation; Characteristics of Temporal Punctuation; Type; Strength; Objective or Subjective; Meaning; Location; Number; Spacing; Alignment; Temporal Punctuation Risks; Missing Punctuation; Conflicting Interests; Misreading Temporal Punctuation; Disregarding Temporal Punctuation (and Whether It Can Be Changed); Simultaneous Punctuation; Inserting a Period Too Soon; Spacing Risks; Pattern Risks; Misinterpreting Temporal Punctuation Temporal Punctuation Options and OpportunitiesCreate Exit Strategies; Speeding the Pace of Change: Subtract a Period; Choose the Right Location; Postponing Punctuation-Controlling Tension; Rethink Your Use of Punctuation; The Temporal Imagination; Chapter 3 Interval and Duration; The Characteristics of Intervals; Type; Size-the Interval Envelope; Objective or Subjective; Contents; Meaning; Number; Interval and Duration Risks; Language; Magnitude Thinking; Time Line Thinking; Cat-Point Thinking; Intervals That Are Too Long or Short; Elasticity; Norms; Content Risks; Misinterpreting Intervals Interval and Duration Options and OpportunitiesThe Temporal Imagination; Chapter 4 Rate; Characteristics of Rates; The Normal Rate; Size-the Rate Envelope; Duration; Direction-the Way Things Are Headed; Objective or Subjective: Know the Difference; Meaning; Number; Rate-Related Risks; Normal Rates; Direction; Size-the Rate Envelope; Duration; Objective and Subjective Rates; Meaning; Number; Rate Options and Opportunities; Questioning; Problem Solving; The Temporal Imagination; Chapter 5 Shape; An Abridged Catalogue of Shapes; The Point; Lines; Curves; The Helix; Tandemizing Shapes Shape-Related Risks and OpportunitiesThe Temporal Imagination; Chapter 6 Polyphony; Tracking Polyphony; Using the Polyphony Lens; Look Vertically: What Is Going on at the Same Time?; Look for Structure: How Are Events, Activities, and Processes Aligned Relative to Each Other?; Look for Influence: How Does One Parallel Process Affect, Cause, or Influence Others?; Polyphony-Related Risks; Polyphony Options and Opportunities; Adjust the Height; Modify the Structure; Use Influence; The Temporal Imagination; Chapter 7 Using the Lenses: The Timing of Dissent; The Sequence Lens; Reinvert; Rescale Claim Irrelevance |
| Record Nr. | UNINA-9910453000503321 |
Albert Stuart <1941->
|
||
| San Francisco, : Jossey-Bass, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
When [[electronic resource] ] : the art of perfect timing / / Stuart Albert
| When [[electronic resource] ] : the art of perfect timing / / Stuart Albert |
| Autore | Albert Stuart <1941-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | San Francisco, : Jossey-Bass, 2013 |
| Descrizione fisica | 1 online resource (306 p.) |
| Disciplina | 650.1/1 |
| Soggetto topico | Time management |
| ISBN |
1-118-42109-4
1-118-41950-2 |
| Classificazione | BUS000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright; Contents; Preface; Introduction; Why does Timing Elude Us?; Getting Beyond the Usual Suspects; Knowing When to Act; Managing Timing Risk; Discovering That Timing Matters; Choosing the Right Temporal Design; A Timing Analysis; The Structure of the Book; The Art of Timing; Chapter 1 Sequence; The Characteristics of Sequences; Order; Punctuation; Interval and Duration; Shape; Location; Extension; Sequence-Related Risks; Missing a Sequence; Inverting a Sequence Unwittingly; Failing to Look Downstream; Sequence Options and Opportunities; Deliberately Invert a Sequence
Choose the Right DurationCreate a Sequence; Choose a Different Location; Skip a Step; Give People a Choice; The Temporal Imagination; Chapter 2 Temporal Punctuation; Characteristics of Temporal Punctuation; Type; Strength; Objective or Subjective; Meaning; Location; Number; Spacing; Alignment; Temporal Punctuation Risks; Missing Punctuation; Conflicting Interests; Misreading Temporal Punctuation; Disregarding Temporal Punctuation (and Whether It Can Be Changed); Simultaneous Punctuation; Inserting a Period Too Soon; Spacing Risks; Pattern Risks; Misinterpreting Temporal Punctuation Temporal Punctuation Options and OpportunitiesCreate Exit Strategies; Speeding the Pace of Change: Subtract a Period; Choose the Right Location; Postponing Punctuation-Controlling Tension; Rethink Your Use of Punctuation; The Temporal Imagination; Chapter 3 Interval and Duration; The Characteristics of Intervals; Type; Size-the Interval Envelope; Objective or Subjective; Contents; Meaning; Number; Interval and Duration Risks; Language; Magnitude Thinking; Time Line Thinking; Cat-Point Thinking; Intervals That Are Too Long or Short; Elasticity; Norms; Content Risks; Misinterpreting Intervals Interval and Duration Options and OpportunitiesThe Temporal Imagination; Chapter 4 Rate; Characteristics of Rates; The Normal Rate; Size-the Rate Envelope; Duration; Direction-the Way Things Are Headed; Objective or Subjective: Know the Difference; Meaning; Number; Rate-Related Risks; Normal Rates; Direction; Size-the Rate Envelope; Duration; Objective and Subjective Rates; Meaning; Number; Rate Options and Opportunities; Questioning; Problem Solving; The Temporal Imagination; Chapter 5 Shape; An Abridged Catalogue of Shapes; The Point; Lines; Curves; The Helix; Tandemizing Shapes Shape-Related Risks and OpportunitiesThe Temporal Imagination; Chapter 6 Polyphony; Tracking Polyphony; Using the Polyphony Lens; Look Vertically: What Is Going on at the Same Time?; Look for Structure: How Are Events, Activities, and Processes Aligned Relative to Each Other?; Look for Influence: How Does One Parallel Process Affect, Cause, or Influence Others?; Polyphony-Related Risks; Polyphony Options and Opportunities; Adjust the Height; Modify the Structure; Use Influence; The Temporal Imagination; Chapter 7 Using the Lenses: The Timing of Dissent; The Sequence Lens; Reinvert; Rescale Claim Irrelevance |
| Record Nr. | UNINA-9910790590003321 |
|
Albert Stuart <1941->
|
||
| San Francisco, : Jossey-Bass, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
When : the art of perfect timing / / Stuart Albert
| When : the art of perfect timing / / Stuart Albert |
| Autore | Albert Stuart <1941-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | San Francisco, : Jossey-Bass, 2013 |
| Descrizione fisica | 1 online resource (306 p.) |
| Disciplina | 650.1/1 |
| Soggetto topico | Time management |
| ISBN |
9781118421093
1118421094 9781118419502 1118419502 |
| Classificazione | BUS000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright; Contents; Preface; Introduction; Why does Timing Elude Us?; Getting Beyond the Usual Suspects; Knowing When to Act; Managing Timing Risk; Discovering That Timing Matters; Choosing the Right Temporal Design; A Timing Analysis; The Structure of the Book; The Art of Timing; Chapter 1 Sequence; The Characteristics of Sequences; Order; Punctuation; Interval and Duration; Shape; Location; Extension; Sequence-Related Risks; Missing a Sequence; Inverting a Sequence Unwittingly; Failing to Look Downstream; Sequence Options and Opportunities; Deliberately Invert a Sequence
Choose the Right DurationCreate a Sequence; Choose a Different Location; Skip a Step; Give People a Choice; The Temporal Imagination; Chapter 2 Temporal Punctuation; Characteristics of Temporal Punctuation; Type; Strength; Objective or Subjective; Meaning; Location; Number; Spacing; Alignment; Temporal Punctuation Risks; Missing Punctuation; Conflicting Interests; Misreading Temporal Punctuation; Disregarding Temporal Punctuation (and Whether It Can Be Changed); Simultaneous Punctuation; Inserting a Period Too Soon; Spacing Risks; Pattern Risks; Misinterpreting Temporal Punctuation Temporal Punctuation Options and OpportunitiesCreate Exit Strategies; Speeding the Pace of Change: Subtract a Period; Choose the Right Location; Postponing Punctuation-Controlling Tension; Rethink Your Use of Punctuation; The Temporal Imagination; Chapter 3 Interval and Duration; The Characteristics of Intervals; Type; Size-the Interval Envelope; Objective or Subjective; Contents; Meaning; Number; Interval and Duration Risks; Language; Magnitude Thinking; Time Line Thinking; Cat-Point Thinking; Intervals That Are Too Long or Short; Elasticity; Norms; Content Risks; Misinterpreting Intervals Interval and Duration Options and OpportunitiesThe Temporal Imagination; Chapter 4 Rate; Characteristics of Rates; The Normal Rate; Size-the Rate Envelope; Duration; Direction-the Way Things Are Headed; Objective or Subjective: Know the Difference; Meaning; Number; Rate-Related Risks; Normal Rates; Direction; Size-the Rate Envelope; Duration; Objective and Subjective Rates; Meaning; Number; Rate Options and Opportunities; Questioning; Problem Solving; The Temporal Imagination; Chapter 5 Shape; An Abridged Catalogue of Shapes; The Point; Lines; Curves; The Helix; Tandemizing Shapes Shape-Related Risks and OpportunitiesThe Temporal Imagination; Chapter 6 Polyphony; Tracking Polyphony; Using the Polyphony Lens; Look Vertically: What Is Going on at the Same Time?; Look for Structure: How Are Events, Activities, and Processes Aligned Relative to Each Other?; Look for Influence: How Does One Parallel Process Affect, Cause, or Influence Others?; Polyphony-Related Risks; Polyphony Options and Opportunities; Adjust the Height; Modify the Structure; Use Influence; The Temporal Imagination; Chapter 7 Using the Lenses: The Timing of Dissent; The Sequence Lens; Reinvert; Rescale Claim Irrelevance |
| Altri titoli varianti | Art of perfect timing |
| Record Nr. | UNINA-9910970265503321 |
|
Albert Stuart <1941->
|
||
| San Francisco, : Jossey-Bass, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||