debbie tucker green : Critical Perspectives / / edited by Siân Adiseshiah, Jacqueline Bolton |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (355 pages) |
Disciplina |
791
822.92 |
Soggetto topico |
Theater
Performing arts Theater—Production and direction Actors Contemporary Theatre Performing Arts Theatre Direction and Production National/Regional Theatre and Performance Theatre Industry Performers and Practitioners |
ISBN | 3-030-34581-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter 1: ‘change ain’t fuckin polite, scuse my language’: situating debbie tucker green -- Part I: Dramaturgies of Resistance -- Chapter 2: Black Rage: Diasporic Empathy and Ritual in debbie tucker green’s hang -- Chapter 3: ‘What about the burn their bra bitches?’: debbie tucker green as the Willfully Emotional Subject -- Chapter 4: debbie tucker green and (the Dialectics of) Dispossession: Reframing the Ethical Encounter -- Chapter 5: Engaging with Human Rights: truth and reconciliation and hang -- Chapter 6: ‘I’m a black woman. I write black characters’: Black Mothers, the Police, and Social Justice in random and hang -- Chapter 7: ‘Almost, but not quite’: Reconciling debbie tucker green’s Dramaturgy with British Playwriting Studies -- Chapter 8: Yarns and Yearnings: Story-Layering, Signifyin’, and debbie tucker green’s Black-Feminist Anger -- Part II: Affective Encounters -- Chapter 9: sticking in the throat/keyword bitch: aesthetic discharge in debbie tucker green’s stoning mary and hang -- Chapter 10: Jumping to (and away from) Conclusions: Rhythm and Temporality in debbie tucker green’s Drama -- Chapter 11: Trading Voice and Voicing Trades: Musicality in debbie tucker green’s trade -- Chapter 12: ‘Hearing Voices’: Performing the Mind in debbie tucker green’s Dramatic-Poetics -- Chapter 13: Cartographies of Silence in debbie tucker green's truth and reconciliation -- Chapter 14: debbie tucker green and the Work of Mourning -- Chapter 15: Reflections on hang. |
Record Nr. | UNINA-9910484433603321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Twenty-First Century Drama [[electronic resource] ] : What Happens Now / / edited by Siân Adiseshiah, Louise LePage |
Edizione | [1st ed. 2016.] |
Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
Descrizione fisica | 1 online resource (XIV, 348 p.) |
Disciplina | 792.09 |
Soggetto topico |
Theater—History
Performing arts Theatre History Performing Arts |
Soggetto genere / forma | Criticism, interpretation, etc. |
ISBN | 1-137-48403-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction. What Happens Now; Siân Adiseshiah and Louise LePage -- PART I. Beyond Postmodernism -- 1. Room for Realism?; Elaine Aston -- 2. Beyond belief; Chris Megson -- 3. The Emancipated Shakespeare; Stephen Bottoms -- 4. The Twenty-First Century History Play; Paola Botham -- PART II. Austerity and Class Returns -- 5. Back to the Future; Louise Owen -- 6. Translating Austerity; Mark O’Thomas -- 7. ‘Chavs’, ‘Gyppos’ and ‘Scum’?; Siân Adiseshiah -- PART III. Borders, Race, Nation -- 8. These Green and Pleasant Lands; Nadine Holdsworth -- 9. ‘Sexy Kilts with Attitude’; Trish Reid -- 10. The Politics of Innocence in Contemporary Theatre About Refugees; Emma Cox -- Part IV. New Humans, New Dramaturgies, New Worlds -- 11. The New Genetics, Genocide, and Caryl Churchill; Mary Luckhurst -- 12. Twenty-First Century Casting; Marie Kelly -- 13. ‘Thinking Something Makes It So’; Louise LePage -- 14. Anthropo-Scenes; Una Chaudhuri -- Bibliography. |
Record Nr. | UNINA-9910255234003321 |
London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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