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New Orleans suite [[electronic resource] ] : music and culture in transition / / Lewis Watts and Eric Porter
| New Orleans suite [[electronic resource] ] : music and culture in transition / / Lewis Watts and Eric Porter |
| Autore | Watts Lewis <1946-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2013 |
| Descrizione fisica | 1 online resource (225 p.) |
| Disciplina | 306.4/84240976335 |
| Altri autori (Persone) | PorterEric (Eric C.) |
| Soggetto topico |
Popular music - Social aspects - Louisiana - New Orleans
Hurricane Katrina, 2005 - Social aspects |
| Soggetto non controllato |
african american
american community anthropology artists audience biopolitical brass band citizenship city life congo square creole creolization crowded cities cultural practices cultural scene cultural transformations cultural engaging entertainment industry historical history hurricane katrina jazz music music history music new orleans page turner performing arts pop culture regional studies social issues society sociology us cities visual evidence |
| ISBN | 0-520-95532-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | New Orleans, America, music -- Reflections on Jazz Fest 2006 -- Parading against violence -- Reconstruction's soundtrack -- To reinvent life. |
| Record Nr. | UNINA-9910812005803321 |
Watts Lewis <1946->
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| Berkeley, : University of California Press, c2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Ngoma : discourses of healing in Central and Southern Africa / / John M. Janzen
| Ngoma : discourses of healing in Central and Southern Africa / / John M. Janzen |
| Autore | Janzen John M. |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [1992] |
| Descrizione fisica | 1 online resource (274 p.) |
| Disciplina | 398/.353 |
| Collana | Comparative Studies of Health Systems and Medical Care |
| Soggetto topico |
Rites and ceremonies - Africa, Central
Rites and ceremonies - Africa, Southern Healing - Africa, Central Healing - Africa, Southern Traditional medicine - Africa, Central Traditional medicine - Africa, Southern |
| Soggetto non controllato |
africa
african studies anthropology bantu bone throwing capetown central africa dance dar es salaam disease divination drum ethnography folk belief folk medicine folklore healers healing cults healing illness kinshasa kinship mbabane medicine music ngoma nonfiction performance performing arts possession religion rite ritual healing social science sociology song south africa southern africa spirits tradition |
| ISBN |
1-282-35640-2
0-520-91085-0 9786612356407 0-585-12932-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Figures -- Photographs -- Preface -- Introduction -- 1. Settings and Samples in African Cults of Affliction -- 2. Identifying Ngoma -- 3. Core Features in Ngoma Therapy -- 4. Doing Ngoma -- 5. How Ngoma Works -- 6. How Ngoma Works -- Conclusion -- Appendix A -- Appendix B -- Appendix C -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910495866703321 |
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Janzen John M.
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| Berkeley, CA : , : University of California Press, , [1992] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Novel Approaches for Studying Creativity in Creative Cognition, Artistic Performance and Artistic Production
| Novel Approaches for Studying Creativity in Creative Cognition, Artistic Performance and Artistic Production |
| Autore | Fine Philip |
| Pubbl/distr/stampa | Frontiers Media SA, 2020 |
| Descrizione fisica | 1 electronic resource (374 p.) |
| Soggetto topico |
Science: general issues
Psychology |
| Soggetto non controllato |
creativity
methodology performing arts intellectual games insight interdisciplinarity |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910557703403321 |
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Fine Philip
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| Frontiers Media SA, 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Organic cinema : film, architecture, and the work of Béla Tarr / / Thorsten Botz-Bornstein
| Organic cinema : film, architecture, and the work of Béla Tarr / / Thorsten Botz-Bornstein |
| Autore | Botz-Bornstein Thorsten |
| Pubbl/distr/stampa | New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 |
| Descrizione fisica | 1 online resource (221 pages) : illustrations |
| Disciplina | 791.4302/33092 |
| Soggetto topico |
Tarr, Baela - Criticism and interpretation
PERFORMING ARTS / Film & Video / History & Criticism |
| Soggetto non controllato |
20th century
aesthetics architects architecture art artists beauty bela tarr buildings career cinema design engaging film analysis film criticism film school film studies filmmaking history criticism history hungarian filmmaker innovative study long take organic principles organic original analysis page turner performing arts philosophy realistic science and math slow cinema movement theater venerable concept |
| ISBN | 1-78533-567-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Introduction -- CHAPTER 1 Cinema, Architecture, Literature -- CHAPTER 2 Central Europe -- CHAPTER 3 What Is “Organic?” -- CHAPTER 4 The Melancholy of Evolution -- CHAPTER 5 Where Is the Center? -- CHAPTER 6 Modernism and Postmodernism -- CHAPTER 7 Organic Harmonies -- CHAPTER 8 Back to Humanism? -- CHAPTER 9 Politics of Harmony -- CHAPTER 10 The Spiritual -- CHAPTER 11 Organic Places -- CHAPTER 12 The Organic Camera Shot -- Conclusion -- Bibliography -- Index |
| Record Nr. | UNINA-9910792923203321 |
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Botz-Bornstein Thorsten
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| New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Organic cinema : film, architecture, and the work of Béla Tarr / / Thorsten Botz-Bornstein
| Organic cinema : film, architecture, and the work of Béla Tarr / / Thorsten Botz-Bornstein |
| Autore | Botz-Bornstein Thorsten |
| Pubbl/distr/stampa | New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 |
| Descrizione fisica | 1 online resource (221 pages) : illustrations |
| Disciplina | 791.4302/33092 |
| Soggetto topico |
Tarr, Baela - Criticism and interpretation
PERFORMING ARTS / Film & Video / History & Criticism |
| Soggetto non controllato |
20th century
aesthetics architects architecture art artists beauty bela tarr buildings career cinema design engaging film analysis film criticism film school film studies filmmaking history criticism history hungarian filmmaker innovative study long take organic principles organic original analysis page turner performing arts philosophy realistic science and math slow cinema movement theater venerable concept |
| ISBN | 1-78533-567-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Introduction -- CHAPTER 1 Cinema, Architecture, Literature -- CHAPTER 2 Central Europe -- CHAPTER 3 What Is “Organic?” -- CHAPTER 4 The Melancholy of Evolution -- CHAPTER 5 Where Is the Center? -- CHAPTER 6 Modernism and Postmodernism -- CHAPTER 7 Organic Harmonies -- CHAPTER 8 Back to Humanism? -- CHAPTER 9 Politics of Harmony -- CHAPTER 10 The Spiritual -- CHAPTER 11 Organic Places -- CHAPTER 12 The Organic Camera Shot -- Conclusion -- Bibliography -- Index |
| Record Nr. | UNINA-9910824247103321 |
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Botz-Bornstein Thorsten
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| New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Performing ethnomusicology [[electronic resource] ] : teaching and representation in world music ensembles / / edited by Ted Solís
| Performing ethnomusicology [[electronic resource] ] : teaching and representation in world music ensembles / / edited by Ted Solís |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (332 p.) |
| Disciplina | 780/.89 |
| Altri autori (Persone) | SolísTed |
| Soggetto topico |
Ethnomusicology
World music - Instruction and study Folk music groups |
| Soggetto non controllato |
academic world music ensembles
anthology anthropology creating ensembles cultural studies essay collection ethical issues ethnomusicologists ethnomusicology folklore historical musicology intercultural music transmission intergenerational music pedagogy music performance music scholars music students music teaching musicians performing arts practical issues public music performance representation teaching ensembles theoretical issues western music performers world music ensembles |
| ISBN |
9786612762932
0-520-93717-1 1-59734-803-1 1-282-76293-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction. Teaching What Cannot Be Taught: An Optimistic Overview -- Chapter 1. Subject, Object, and the Ethnomusicology Ensemble The Ethnomusicological "We" and "Them" -- Chapter 2. "A Bridge to Java" Four Decades Teaching Gamelan in America -- Chapter 3. Opportunity and Interaction The Gamelan from Java to Wesleyan -- Chapter 4. "Where's 'One'?" Musical Encounters of the Ensemble Kind -- Chapter 5. A Square Peg in a Round Hole Teaching Javanese Gamelan in the Ensemble Paradigm of the Academy -- Chapter 6. "No, Not 'Bali Hai'!" Challenges of Adaptation and Orientalism in Performing and Teaching Balinese Gamelan -- Chapter 7. Cultural Interactions in an Asian Context Chinese and Javanese Ensembles in Hong Kong -- Chapter 8. "Can't Help but Speak, Can't Help but Play" Dual Discourse in Arab Music Pedagogy -- Chapter 9. The African Ensemble in America Contradictions and Possibilities -- Chapter 10. Klez Goes to College -- Chapter 11. Creating a Community, Negotiating Among Communities Performing Middle Eastern Music for a Diverse Middle Eastern and American Public -- Chapter 12. Bilateral Negotiations in Bimusicality Insiders, Outsiders, and the "Real Version" in Middle Eastern Music Performance -- Chapter 13. Community of Comfort Negotiating a World of "Latin Marimba" -- Chapter 14. What's the "It" That We Learn to Perform? Teaching BaAka Music and Dance -- Chapter 15. "When Can We Improvise?" The Place of Creativity in Academic World Music Performance -- Afterword. Some Closing Thoughts from the First Voice -- Works Cites -- Contributors -- Index |
| Record Nr. | UNINA-9910783388303321 |
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Performing ethnomusicology [[electronic resource] ] : teaching and representation in world music ensembles / / edited by Ted Solís
| Performing ethnomusicology [[electronic resource] ] : teaching and representation in world music ensembles / / edited by Ted Solís |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (332 p.) |
| Disciplina | 780/.89 |
| Altri autori (Persone) | SolísTed |
| Soggetto topico |
Ethnomusicology
World music - Instruction and study Folk music groups |
| Soggetto non controllato |
academic world music ensembles
anthology anthropology creating ensembles cultural studies essay collection ethical issues ethnomusicologists ethnomusicology folklore historical musicology intercultural music transmission intergenerational music pedagogy music performance music scholars music students music teaching musicians performing arts practical issues public music performance representation teaching ensembles theoretical issues western music performers world music ensembles |
| ISBN |
9786612762932
0-520-93717-1 1-59734-803-1 1-282-76293-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction. Teaching What Cannot Be Taught: An Optimistic Overview -- Chapter 1. Subject, Object, and the Ethnomusicology Ensemble The Ethnomusicological "We" and "Them" -- Chapter 2. "A Bridge to Java" Four Decades Teaching Gamelan in America -- Chapter 3. Opportunity and Interaction The Gamelan from Java to Wesleyan -- Chapter 4. "Where's 'One'?" Musical Encounters of the Ensemble Kind -- Chapter 5. A Square Peg in a Round Hole Teaching Javanese Gamelan in the Ensemble Paradigm of the Academy -- Chapter 6. "No, Not 'Bali Hai'!" Challenges of Adaptation and Orientalism in Performing and Teaching Balinese Gamelan -- Chapter 7. Cultural Interactions in an Asian Context Chinese and Javanese Ensembles in Hong Kong -- Chapter 8. "Can't Help but Speak, Can't Help but Play" Dual Discourse in Arab Music Pedagogy -- Chapter 9. The African Ensemble in America Contradictions and Possibilities -- Chapter 10. Klez Goes to College -- Chapter 11. Creating a Community, Negotiating Among Communities Performing Middle Eastern Music for a Diverse Middle Eastern and American Public -- Chapter 12. Bilateral Negotiations in Bimusicality Insiders, Outsiders, and the "Real Version" in Middle Eastern Music Performance -- Chapter 13. Community of Comfort Negotiating a World of "Latin Marimba" -- Chapter 14. What's the "It" That We Learn to Perform? Teaching BaAka Music and Dance -- Chapter 15. "When Can We Improvise?" The Place of Creativity in Academic World Music Performance -- Afterword. Some Closing Thoughts from the First Voice -- Works Cites -- Contributors -- Index |
| Record Nr. | UNINA-9910816169603321 |
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Popular theater and society in Tsarist Russia [[electronic resource] /] / E. Anthony Swift
| Popular theater and society in Tsarist Russia [[electronic resource] /] / E. Anthony Swift |
| Autore | Swift Eugene Anthony |
| Pubbl/distr/stampa | Berkeley, Calif., : University of California Press, c2002 |
| Descrizione fisica | 1 online resource (367 p.) |
| Disciplina | 792/.0947 |
| Collana | Studies on the history of society and culture |
| Soggetto topico |
Theater - Russia - History
Popular culture - Russia |
| Soggetto non controllato |
actors
aesthetics audience response censorship consumer culture directors dissident factory workers imperial russia moscow peoples theater performance performing arts political change political reform politics popular culture popular theater protest reform resistance revolution russia russian culture russian history russian politics russian revolution russian theater serfs social change st petersburg theater critics theater theaters theatrical repertoire tsarist russia working class |
| ISBN |
1-282-35646-1
9786612356469 0-520-92587-4 1-59734-823-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- Note on Transliteration and Dates -- Introduction -- 1. The Urban Theatrical Landscape -- 2. People's Theater and Cultural Politics -- 3. Censorship and Repertoire -- 4. Theater, Temperance, and Popular Culture -- 5. Workers' Theater, Proletarian Culture, and Respectability -- 6. The People at the Theater: Audience Reception -- Conclusion -- Epilogue -- Appendix of Titles -- Notes -- Selected Bibliography -- Index |
| Record Nr. | UNINA-9910780375003321 |
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Swift Eugene Anthony
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| Berkeley, Calif., : University of California Press, c2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Popular theater and society in Tsarist Russia [[electronic resource] /] / E. Anthony Swift
| Popular theater and society in Tsarist Russia [[electronic resource] /] / E. Anthony Swift |
| Autore | Swift Eugene Anthony |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, Calif., : University of California Press, c2002 |
| Descrizione fisica | 1 online resource (367 p.) |
| Disciplina | 792/.0947 |
| Collana | Studies on the history of society and culture |
| Soggetto topico |
Theater - Russia - History
Popular culture - Russia |
| Soggetto non controllato |
actors
aesthetics audience response censorship consumer culture directors dissident factory workers imperial russia moscow peoples theater performance performing arts political change political reform politics popular culture popular theater protest reform resistance revolution russia russian culture russian history russian politics russian revolution russian theater serfs social change st petersburg theater critics theater theaters theatrical repertoire tsarist russia working class |
| ISBN |
1-282-35646-1
9786612356469 0-520-92587-4 1-59734-823-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- Note on Transliteration and Dates -- Introduction -- 1. The Urban Theatrical Landscape -- 2. People's Theater and Cultural Politics -- 3. Censorship and Repertoire -- 4. Theater, Temperance, and Popular Culture -- 5. Workers' Theater, Proletarian Culture, and Respectability -- 6. The People at the Theater: Audience Reception -- Conclusion -- Epilogue -- Appendix of Titles -- Notes -- Selected Bibliography -- Index |
| Record Nr. | UNINA-9910814605703321 |
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Swift Eugene Anthony
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| Berkeley, Calif., : University of California Press, c2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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A profile of the performing arts industry : culture and commerce / / David H. Gaylin
| A profile of the performing arts industry : culture and commerce / / David H. Gaylin |
| Autore | Gaylin David H. |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | New York, New York (222 East 46th Street, New York, NY 10017) : , : Business Expert Press, , 2016 |
| Descrizione fisica | 1 online resource (vi, 282 pages) |
| Disciplina | 792.0232 |
| Collana | Industry profiles collection |
| Soggetto topico | Performing arts - United States - Management |
| Soggetto genere / forma | Electronic books. |
| Soggetto non controllato |
arts management
Actors' Equity ballet Broadway classical music dance Metropolitan Opera musicians union nonprofit management opera orchestra performing arts theater |
| ISBN |
1-78684-372-2
1-60649-565-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Defining the arts and the industry -- 3. Historical background on the performing arts disciplines -- 4. The industry's development in America -- 5. Industry size, structure, and value chain -- 6. Performing artists and their unions -- 7. Theater, orchestra, opera, and dance companies -- 8. Audiences and tastes -- 9. Managing performing arts companies -- Notes -- References -- Index. |
| Record Nr. | UNINA-9910460647503321 |
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Gaylin David H.
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| New York, New York (222 East 46th Street, New York, NY 10017) : , : Business Expert Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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