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Music into fiction : composers writing, compositions imitated / / Theodore Ziolkowski [[electronic resource]]
| Music into fiction : composers writing, compositions imitated / / Theodore Ziolkowski [[electronic resource]] |
| Autore | Ziolkowski Theodore |
| Pubbl/distr/stampa | Rochester, NY : , : Camden House, , 2017 |
| Descrizione fisica | 1 online resource (xi, 248 pages) : digital, PDF file(s) |
| Disciplina | 780/.08 |
| Collana | Studies in German literature, linguistics, and culture |
| Soggetto topico |
Music and literature
Musicians as authors |
| Soggetto non controllato |
German literature
German music comparative literature moden composers music and literature music composition music theory musicology romanticism scholarship |
| ISBN | 1-78204-917-7 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preface -- Prelude: Introduction. First movement: Composers writing. Weber and Hoffmann -- Berlioz and Schumann -- Wagner -- Transition: Nietzsche and the post-Wagnerians. Burgess -- Second movement: compositions imitated. Compositional forms -- Specific compositions -- Finale: composers setting fictional compositions. Leverkuhn's compositions -- Coda: Conclusion. |
| Record Nr. | UNINA-9910162772403321 |
Ziolkowski Theodore
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| Rochester, NY : , : Camden House, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Musical meaning [[electronic resource] ] : toward a critical history / / Lawrence Kramer
| Musical meaning [[electronic resource] ] : toward a critical history / / Lawrence Kramer |
| Autore | Kramer Lawrence <1946-> |
| Pubbl/distr/stampa | Berkeley ; ; London, : University of California Press, c2002 |
| Descrizione fisica | 1 online resource (347 p.) |
| Disciplina | 781.17 |
| Soggetto topico |
Music - History and criticism
Music - Philosophy and aesthetics Music, Influence of Subjectivity in music |
| Soggetto non controllato |
academic
accessible beethoven composers cultural history cultural issues cultural theory easy to understand famous composer gender studies humanist humanistic identity moonlight sonata music culture music history music performance musical composition musical genres musicology scholarly social history social issues |
| ISBN |
0-520-92832-6
0-585-46624-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Sounding Out: Musical Meaning and Modern Experience -- 1. Hermeneutics and Musical History: A Primer without Rules, an Exercise with Schubert -- 2. Hands On, Lights Off: The "Moonlight" Sonata and the Birth of Sex at the Piano -- 3. Beyond Words and Music: An Essay on Songfulness -- 4. Franz Liszt and the Virtuoso Public Sphere: Sight and Sound in the Rise of Mass Entertainment -- 5. Rethinking Schumann's Carnaval: Identity, Meaning, and the Social Order -- 6. Glottis Envy: The Marx Brothers' A Night at the Opera -- 7. Hercules' Hautboys: Mixed Media and Musical Meaning -- 8. The Voice of Persephone: Musical Meaning and Mixed Media -- 9. Powers of Blackness: Jazz and the Blues in Modern Concert Music -- 10. Long Ride in a Slow Machine: The Alienation Effect from Weill to Shostakovich -- 11. Chiaroscuro: Coltrane's American Songbook -- 12. Ghost Stories: Cultural Memory, Mourning, and the Myth of Originality -- Notes -- Index |
| Record Nr. | UNINA-9910780378203321 |
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Kramer Lawrence <1946->
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| Berkeley ; ; London, : University of California Press, c2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Musical meaning [[electronic resource] ] : toward a critical history / / Lawrence Kramer
| Musical meaning [[electronic resource] ] : toward a critical history / / Lawrence Kramer |
| Autore | Kramer Lawrence <1946-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley ; ; London, : University of California Press, c2002 |
| Descrizione fisica | 1 online resource (347 p.) |
| Disciplina | 781.17 |
| Soggetto topico |
Music - History and criticism
Music - Philosophy and aesthetics Music, Influence of Subjectivity in music |
| Soggetto non controllato |
academic
accessible beethoven composers cultural history cultural issues cultural theory easy to understand famous composer gender studies humanist humanistic identity moonlight sonata music culture music history music performance musical composition musical genres musicology scholarly social history social issues |
| ISBN |
0-520-92832-6
0-585-46624-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Sounding Out: Musical Meaning and Modern Experience -- 1. Hermeneutics and Musical History: A Primer without Rules, an Exercise with Schubert -- 2. Hands On, Lights Off: The "Moonlight" Sonata and the Birth of Sex at the Piano -- 3. Beyond Words and Music: An Essay on Songfulness -- 4. Franz Liszt and the Virtuoso Public Sphere: Sight and Sound in the Rise of Mass Entertainment -- 5. Rethinking Schumann's Carnaval: Identity, Meaning, and the Social Order -- 6. Glottis Envy: The Marx Brothers' A Night at the Opera -- 7. Hercules' Hautboys: Mixed Media and Musical Meaning -- 8. The Voice of Persephone: Musical Meaning and Mixed Media -- 9. Powers of Blackness: Jazz and the Blues in Modern Concert Music -- 10. Long Ride in a Slow Machine: The Alienation Effect from Weill to Shostakovich -- 11. Chiaroscuro: Coltrane's American Songbook -- 12. Ghost Stories: Cultural Memory, Mourning, and the Myth of Originality -- Notes -- Index |
| Record Nr. | UNINA-9910809442703321 |
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Kramer Lawrence <1946->
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| Berkeley ; ; London, : University of California Press, c2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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A musicology of performance : theory and method based on Bach's solos for violin / / Dorottya Fabian
| A musicology of performance : theory and method based on Bach's solos for violin / / Dorottya Fabian |
| Autore | Fabian Dorottya |
| Pubbl/distr/stampa | Open Book Publishers |
| Descrizione fisica | 1 online resource (339 pages) : illustrations, music; digital, PDF file(s) |
| Disciplina | 780.92 |
| Soggetto topico |
Music - Performance
Violin - Performance |
| Soggetto non controllato |
music
musicology |
| ISBN |
1-78374-155-4
2-8218-8172-X 1-78374-154-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Dancing to Architecture?. 1.1. The Problems of Researching and Writing about Music Performance -- 1.2. Summary: Recordings, Aims and Method -- 2. Theoretical Matters. 2.1. Cultural Theories -- 2.2. Analytical Theories -- 2.3. Music Performance and Complex Systems -- 2.4. Performance Studies, Oral Culture and Academia -- 2.5. Conclusion -- 3. Violinists, Violin Schools and Emerging Trends -- 3.1. Violinists -- 3.2. Violin Schools -- 3.3. The Influence of HIP on MSP -- 3.4. Diversity within Trends and Global Styles -- 3.5. Overall Findings and Individual Cases -- 3.6. Conclusion -- 4. Analyses of Performance Features. 4.1. Tempo Choices -- 4.2. Vibrato -- 4.3. Ornamentation -- 4.4. Rhythm -- 4.5. Bowing, Articulation and Phrasing -- 4.6. Conclusions -- 5. Affect and Individual Difference: Towards a Holistic Account of Performance. 5.1. Differences within the MSP and within the HIP Styles -- 5.2. Multiple Recordings of Violinists -- 5.3. The Holistic Analysis of Interpretations -- 5.4. Idiosyncratic Versions and Listeners' Reactions -- 5.5. Conclusions -- 6. Conclusions and an Epilogue: The Complexity Model of Music Performance, Deleuze and Brain Laterality. 6.1. Summary -- 6.2. Where to from Here? -- Epilogue -- List of Audio Examples -- List of Tables -- List of Figures -- Discography -- References -- Index. |
| Record Nr. | UNINA-9910208951803321 |
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Fabian Dorottya
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| Open Book Publishers | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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On Counter-Enlightenment, Existential Irony, and Sanctification : Essays in the Sociology of Western Art Musics / / Judah Matras
| On Counter-Enlightenment, Existential Irony, and Sanctification : Essays in the Sociology of Western Art Musics / / Judah Matras |
| Autore | Matras Judah |
| Pubbl/distr/stampa | Boston : , : Academic Studies Press, , [2021] |
| Descrizione fisica | 1 online resource (306 pages) |
| Disciplina | 306.48428 |
| Soggetto topico |
Music - Social aspects
Enlightenment Irony in music |
| Soggetto non controllato |
Aboriginal populations
African American Atlantic Migrations Bourgeois Enlightenment Irony Israel Jewish Middlebrow Musicking Otherness Pandemic Romani Sanctification Social Demography Sociology covid hegemonies history musicology musics racism segregation subcultures |
| ISBN |
9781644697474
9781644697467 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgements -- 1 On Horizons and Research Agendas for the Sociology of Musics: Changes under the Pandemic and Social Distancing -- 1. On Horizons and Research Agendas for the Sociology of Musics: Changes under the Pandemic and Social Distancing -- 2. On “Ethno-Existential Irony” in Western Art Musics -- 3. Counter-Enlightenment, the Other, and Existential Irony -- 4. On Migration and the Social Demography of Western Art Musics -- 5. On the Sociology of Musics and Counter-Enlightenment in Israel -- 6. On Modern Jewish Atlantic Rim and Black Atlantic Migrations -- 7. On the Sanctification of Secular Western Art Musics -- 8. Sociological Perspectives on the Sanctification of Secular Musics -- References -- Index |
| Record Nr. | UNINA-9910795549103321 |
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Matras Judah
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| Boston : , : Academic Studies Press, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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On Counter-Enlightenment, Existential Irony, and Sanctification : Essays in the Sociology of Western Art Musics / / Judah Matras
| On Counter-Enlightenment, Existential Irony, and Sanctification : Essays in the Sociology of Western Art Musics / / Judah Matras |
| Autore | Matras Judah |
| Pubbl/distr/stampa | Boston : , : Academic Studies Press, , [2021] |
| Descrizione fisica | 1 online resource (306 pages) |
| Disciplina | 306.48428 |
| Soggetto topico |
Music - Social aspects
Enlightenment Irony in music |
| Soggetto non controllato |
Aboriginal populations
African American Atlantic Migrations Bourgeois Enlightenment Irony Israel Jewish Middlebrow Musicking Otherness Pandemic Romani Sanctification Social Demography Sociology covid hegemonies history musicology musics racism segregation subcultures |
| ISBN |
9781644697474
9781644697467 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgements -- 1 On Horizons and Research Agendas for the Sociology of Musics: Changes under the Pandemic and Social Distancing -- 1. On Horizons and Research Agendas for the Sociology of Musics: Changes under the Pandemic and Social Distancing -- 2. On “Ethno-Existential Irony” in Western Art Musics -- 3. Counter-Enlightenment, the Other, and Existential Irony -- 4. On Migration and the Social Demography of Western Art Musics -- 5. On the Sociology of Musics and Counter-Enlightenment in Israel -- 6. On Modern Jewish Atlantic Rim and Black Atlantic Migrations -- 7. On the Sanctification of Secular Western Art Musics -- 8. Sociological Perspectives on the Sanctification of Secular Musics -- References -- Index |
| Record Nr. | UNINA-9910824513803321 |
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Matras Judah
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| Boston : , : Academic Studies Press, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The persistence of sentiment [[electronic resource] ] : display and feeling in popular music of the 1970s / / Mitchell Morris
| The persistence of sentiment [[electronic resource] ] : display and feeling in popular music of the 1970s / / Mitchell Morris |
| Autore | Morris Mitchell <1961-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2013 |
| Descrizione fisica | 1 online resource (259 p.) |
| Disciplina | 781.640973/09047 |
| Soggetto topico |
Popular music - United States - 1971-1980 - History and criticism
Singers - United States |
| Soggetto non controllato |
1970s
american music american society class issues commercial success commerical music emotional display entertainment industry feelings and emotions gender issues minority appeal minority audiences music and culture music criticism music critics music historians music history music interpretation music performers music philosophy musical styles musicians musicology pop music popular music prejudice racial minorities sexual minorities social contexts united states |
| ISBN | 0-520-95505-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- 1. Introduction -- 2. Black Masculinity and the Sound of Wealth -- 3. Transport and Interiority in Soft Soul -- 4. The Audience and Barry Manilow -- 5. The Voice of Karen Carpenter -- 6. Cher's "Dark Ladies" -- 7. Crossing Over with Dolly Parton -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910779651403321 |
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Morris Mitchell <1961->
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| Berkeley, : University of California Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The persistence of sentiment [[electronic resource] ] : display and feeling in popular music of the 1970s / / Mitchell Morris
| The persistence of sentiment [[electronic resource] ] : display and feeling in popular music of the 1970s / / Mitchell Morris |
| Autore | Morris Mitchell <1961-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2013 |
| Descrizione fisica | 1 online resource (259 p.) |
| Disciplina | 781.640973/09047 |
| Soggetto topico |
Popular music - United States - 1971-1980 - History and criticism
Singers - United States |
| Soggetto non controllato |
1970s
american music american society class issues commercial success commerical music emotional display entertainment industry feelings and emotions gender issues minority appeal minority audiences music and culture music criticism music critics music historians music history music interpretation music performers music philosophy musical styles musicians musicology pop music popular music prejudice racial minorities sexual minorities social contexts united states |
| ISBN | 0-520-95505-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- 1. Introduction -- 2. Black Masculinity and the Sound of Wealth -- 3. Transport and Interiority in Soft Soul -- 4. The Audience and Barry Manilow -- 5. The Voice of Karen Carpenter -- 6. Cher's "Dark Ladies" -- 7. Crossing Over with Dolly Parton -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910811203303321 |
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Morris Mitchell <1961->
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| Berkeley, : University of California Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The queer composition of America's sound [[electronic resource] ] : gay modernists, American music, and national identity / / Nadine Hubbs
| The queer composition of America's sound [[electronic resource] ] : gay modernists, American music, and national identity / / Nadine Hubbs |
| Autore | Hubbs Nadine |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (295 p.) |
| Disciplina | 780/.86/640973 |
| Soggetto topico |
Music - United States - 20th century - History and criticism
National music - United States - History and criticism Gay composers - United States |
| Soggetto non controllato |
america
american culture american identity american music american sound art and music biographical composers famous musicians french culture gay composers gay modernists gender identity gender studies history of homosexuality homosexuality lgbtq manhattan modern america music and culture music historians music history music students music studies musicology national identity nonfiction queer studies self identification tonal music |
| ISBN |
0-520-93795-3
1-282-76306-7 1-59734-842-2 9786612763069 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Modernist abstraction and the abstract art : Four Saints and the queer composition of America's sound -- Being musical : gender, sexuality, and musical identity in twentieth-century America -- Intermezzo. My dear Freddy : identity excesses and evasions chez Paul Bowles -- A French connection : modernist codes in the musical closet -- Queerness, eruption, bursting : U.S. musical modernism at midcentury -- Coda. Composing oneself (reprise). |
| Record Nr. | UNINA-9910783386403321 |
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Hubbs Nadine
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| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The queer composition of America's sound : gay modernists, American music, and national identity / / Nadine Hubbs
| The queer composition of America's sound : gay modernists, American music, and national identity / / Nadine Hubbs |
| Autore | Hubbs Nadine |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (295 p.) |
| Disciplina | 780/.86/640973 |
| Soggetto topico |
Music - United States - 20th century - History and criticism
National music - United States - History and criticism Gay composers - United States |
| Soggetto non controllato |
america
american culture american identity american music american sound art and music biographical composers famous musicians french culture gay composers gay modernists gender identity gender studies history of homosexuality homosexuality lgbtq manhattan modern america music and culture music historians music history music students music studies musicology national identity nonfiction queer studies self identification tonal music |
| ISBN |
0-520-93795-3
1-282-76306-7 1-59734-842-2 9786612763069 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Modernist abstraction and the abstract art : Four Saints and the queer composition of America's sound -- Being musical : gender, sexuality, and musical identity in twentieth-century America -- Intermezzo. My dear Freddy : identity excesses and evasions chez Paul Bowles -- A French connection : modernist codes in the musical closet -- Queerness, eruption, bursting : U.S. musical modernism at midcentury -- Coda. Composing oneself (reprise). |
| Record Nr. | UNISA-996248185003316 |
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Hubbs Nadine
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| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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