Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Early Printed Music and Material Culture in Central and Western Europe / / edited by Andrea Lindmayr-Brandl and Grantley McDonald
| Early Printed Music and Material Culture in Central and Western Europe / / edited by Andrea Lindmayr-Brandl and Grantley McDonald |
| Autore | Lindmayr-Brandl Andrea |
| Pubbl/distr/stampa | Taylor & Francis, 2021 |
| Descrizione fisica | 1 online resource (xx, 333 pages) |
| Disciplina | 655.384 |
| Collana | Music and Material Culture |
| Soggetto topico | Music printing |
| Soggetto non controllato |
Baroque music
European music early modern Europe early modern music early modern music printing early modern print culture early music printing history of print materiality material culture musicology music history music printing Protestant Reformation polyphonic music print culture print studies Renaissance music Western music |
| ISBN |
1-000-38703-8
0-429-34284-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910476833803321 |
Lindmayr-Brandl Andrea
|
||
| Taylor & Francis, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Emblems of eloquence [[electronic resource] ] : opera and women's voices in seventeenth-century Venice / / Wendy Heller
| Emblems of eloquence [[electronic resource] ] : opera and women's voices in seventeenth-century Venice / / Wendy Heller |
| Autore | Heller Wendy Beth |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2003 |
| Descrizione fisica | 1 online resource (407 p.) |
| Disciplina | 782.1/082/094531 |
| Soggetto topico |
Opera - Italy - Venice - 17th century
Women in opera |
| Soggetto non controllato |
17th century
androgyny antiquity callisto carthage cavalli chastity classical classicism desire dido diodorus siculus drama empress erotic female characters female power female vocality feminism gender studies gender messalina monteverdi music musicology mythological women mythology nonfiction nymph octavia opera women opera ovid pallavicino performing arts purity semiramis sexuality tacitus theater transvestism venetian opera virgil women womens rights ziani |
| ISBN |
1-282-35669-0
0-520-91934-3 9786612356698 1-59734-592-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The emblematic woman -- Bizzarrie femminile : opera and the Accademia degli incogniti -- Didone and the voice of chastity -- 'Disprezzata regina' : woman and empire -- The nymph Calisto and the myth of female pleasure -- Semiramide and the conventions of musical transvestism -- Messalina la meretrice : envoicing the courtesan. |
| Record Nr. | UNINA-9910777355003321 |
|
Heller Wendy Beth
|
||
| Berkeley, : University of California Press, c2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Emblems of eloquence : opera and women's voices in seventeenth-century Venice / / Wendy Heller
| Emblems of eloquence : opera and women's voices in seventeenth-century Venice / / Wendy Heller |
| Autore | Heller Wendy Beth |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2003 |
| Descrizione fisica | 1 online resource (407 p.) |
| Disciplina | 782.1/082/094531 |
| Soggetto topico |
Opera - Italy - Venice - 17th century
Women in opera |
| Soggetto non controllato |
17th century
androgyny antiquity callisto carthage cavalli chastity classical classicism desire dido diodorus siculus drama empress erotic female characters female power female vocality feminism gender studies gender messalina monteverdi music musicology mythological women mythology nonfiction nymph octavia opera women opera ovid pallavicino performing arts purity semiramis sexuality tacitus theater transvestism venetian opera virgil women womens rights ziani |
| ISBN |
1-282-35669-0
0-520-91934-3 9786612356698 1-59734-592-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The emblematic woman -- Bizzarrie femminile : opera and the Accademia degli incogniti -- Didone and the voice of chastity -- 'Disprezzata regina' : woman and empire -- The nymph Calisto and the myth of female pleasure -- Semiramide and the conventions of musical transvestism -- Messalina la meretrice : envoicing the courtesan. |
| Record Nr. | UNINA-9910823919503321 |
|
Heller Wendy Beth
|
||
| Berkeley, : University of California Press, c2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Explorations in Schenkerian analysis / / edited by David Beach and Su Yin Mak [[electronic resource]]
| Explorations in Schenkerian analysis / / edited by David Beach and Su Yin Mak [[electronic resource]] |
| Pubbl/distr/stampa | Suffolk : , : Boydell & Brewer, , 2016 |
| Descrizione fisica | 1 online resource (xii, 359 pages) : digital, PDF file(s) |
| Disciplina | 780.9 |
| Collana | Eastman studies in music |
| Soggetto topico | Schenkerian analysis |
| Soggetto non controllato |
Edward Laufer
Schenkerian analysis classical music music analysis music composition music methodology music theory musicology orchestra symphony |
| ISBN | 1-78204-863-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A letter about the C-major fugue from The Well-tempered Clavier, Book 1 / Charles Burkhart -- The opening tonal complex of Bach's St. Matthew passion : a linear view / Mark Anson-Cartwright -- Recurrence and fantasy in C.P.E. Bach's Rondo in G major / Frank Samarotto -- Voice-leading procedures in galant expositions / L. Poundie Burstein -- The first movements of Anton Eberl's symphonies in E-flat major and D minor, and Beethoven's Eroica : toward "new" sonata forms? / Timothy L. Jackson -- Schubert's "Unfinished" symphony : analytical observations / David Beach -- Structural and form-functional ambiguities in the first movement of Schubert's Octet in F major, D. 803 / Su Yin Mak -- The form of Chopin's Prelude in B-flat major, op. 28, no. 21 / Roger Kamien -- "All that is solid melts into air" : Schumann's Overture to Manfred / William Rothstein -- Endings without resolution : the slow movement and finale of Schumann's Second symphony / Lauri Suurpèaèa -- Half-diminished-seventh openings in Brahms's lieder / Ryan McClelland -- Motivic enlargement in Dvoérâak's Symphony, op. 70 / Leslie Kinton -- Deliverance and compositional design in the "Libera me" of Verdi's Messa da Requiem / Don McLean -- Polyphony and cacophony? : A Schenkerian reading of Strauss's "Dance of the seven veils" / Matthew Brown -- A force of nature : Debussy and the chromatically displaced dominant / Boyd Pomeroy -- Appendix : An interview with Edward Laufer / Stephen Slottow. |
| Record Nr. | UNINA-9910163901903321 |
| Suffolk : , : Boydell & Brewer, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Jazz matters [[electronic resource] ] : sound, place, and time since bebop / / David Ake
| Jazz matters [[electronic resource] ] : sound, place, and time since bebop / / David Ake |
| Autore | Ake David Andrew <1961-> |
| Pubbl/distr/stampa | Berkeley, CA, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (211 p.) |
| Disciplina | 781.65/5 |
| Soggetto topico |
Jazz - History and criticism
Jazz - Social aspects |
| Soggetto non controllato |
20th century
american exceptionalism artists bebop historical improvisational music jazz age jazz culture jazz historians jazz music jazz musicians jazz scholars jazz scholarship jazz studies jazz styles jazz music and culture music historians music history music movements music pedagogy music venues music musicians musicology nonfiction postwar america retrospective united states urban clubs world war ii wwii |
| ISBN |
1-282-73251-X
9786612732515 0-520-94739-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Introduction -- Part one. Sound and Time -- Part two. Place and Time -- Acknowledgments -- Appendix one. Sample of American Jazz Musicians Born Since 1950 Who Studied Jazz at the College Level -- Appendix two. Interview Locations and Dates -- Notes -- Index |
| Record Nr. | UNINA-9910786713903321 |
|
Ake David Andrew <1961->
|
||
| Berkeley, CA, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Jazz matters [[electronic resource] ] : sound, place, and time since bebop / / David Ake
| Jazz matters [[electronic resource] ] : sound, place, and time since bebop / / David Ake |
| Autore | Ake David Andrew <1961-> |
| Pubbl/distr/stampa | Berkeley, CA, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (211 p.) |
| Disciplina | 781.65/5 |
| Soggetto topico |
Jazz - History and criticism
Jazz - Social aspects |
| Soggetto non controllato |
20th century
american exceptionalism artists bebop historical improvisational music jazz age jazz culture jazz historians jazz music jazz musicians jazz scholars jazz scholarship jazz studies jazz styles jazz music and culture music historians music history music movements music pedagogy music venues music musicians musicology nonfiction postwar america retrospective united states urban clubs world war ii wwii |
| ISBN |
1-282-73251-X
9786612732515 0-520-94739-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Introduction -- Part one. Sound and Time -- Part two. Place and Time -- Acknowledgments -- Appendix one. Sample of American Jazz Musicians Born Since 1950 Who Studied Jazz at the College Level -- Appendix two. Interview Locations and Dates -- Notes -- Index |
| Record Nr. | UNINA-9910813185803321 |
|
Ake David Andrew <1961->
|
||
| Berkeley, CA, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Listening as spiritual practice in early modern Italy [[electronic resource] /] / Andrew Dell'Antonio
| Listening as spiritual practice in early modern Italy [[electronic resource] /] / Andrew Dell'Antonio |
| Autore | Dell'Antonio Andrew |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2011 |
| Descrizione fisica | 1 online resource (232 p.) |
| Disciplina | 781.1/70945 |
| Soggetto topico | Music - Italy - 17th century - History and criticism |
| Soggetto non controllato |
17th century italy
17th century music accademia ancient roman history ancient rome culture ancient theology aristocratic music baroque culture catholic reformation catholicism and italy catholicism and music classical music cultural studies european history european music european visual arts history of music history of opera history of religion history of visual arts italian history music and religion music appreciation music musicology performing arts post tridentine rome renaissance culture |
| ISBN |
1-283-27838-3
9786613278388 0-520-95010-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Rapt attention -- Aural collecting -- Proper listening -- Noble and manly understanding -- Envoy : from Gusto to Goût. |
| Record Nr. | UNINA-9910781216103321 |
|
Dell'Antonio Andrew
|
||
| Berkeley, : University of California Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Listening as spiritual practice in early modern Italy [[electronic resource] /] / Andrew Dell'Antonio
| Listening as spiritual practice in early modern Italy [[electronic resource] /] / Andrew Dell'Antonio |
| Autore | Dell'Antonio Andrew |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2011 |
| Descrizione fisica | 1 online resource (232 p.) |
| Disciplina | 781.1/70945 |
| Soggetto topico | Music - Italy - 17th century - History and criticism |
| Soggetto non controllato |
17th century italy
17th century music accademia ancient roman history ancient rome culture ancient theology aristocratic music baroque culture catholic reformation catholicism and italy catholicism and music classical music cultural studies european history european music european visual arts history of music history of opera history of religion history of visual arts italian history music and religion music appreciation music musicology performing arts post tridentine rome renaissance culture |
| ISBN |
1-283-27838-3
9786613278388 0-520-95010-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Rapt attention -- Aural collecting -- Proper listening -- Noble and manly understanding -- Envoy : from Gusto to Goût. |
| Record Nr. | UNINA-9910819387103321 |
|
Dell'Antonio Andrew
|
||
| Berkeley, : University of California Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Medieval music and the art of memory [[electronic resource] /] / Anna Maria Busse Berger
| Medieval music and the art of memory [[electronic resource] /] / Anna Maria Busse Berger |
| Autore | Berger Anna Maria Busse |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2005 |
| Descrizione fisica | 1 online resource (305 p.) |
| Disciplina | 780/.9/02 |
| Soggetto topico |
Music - 500-1400 - History and criticism
Music - 15th century - History and criticism Composition (Music) - History Memory |
| Soggetto non controllato |
antiphons
art carolingian modes chant composers composition discant harmony improvisation intervals intonations isorhythmic motets literacy medieval history medieval music melismas memorization memory music history music theory music musicology nonfiction note progression notre dame polyphony oral composition oral transmission orality organum performing arts polyphonic music polyphony psalm tones pseudo chilston religious music rhythm tonaries transmission visualization |
| ISBN |
9786612357312
0-520-93064-9 1-282-35731-X 1-4237-3134-4 1-59875-803-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Prologue : the first great dead white male composer -- The construction of the memorial archive -- Tonaries : a tool for memorizing chant -- Basic theory treatises -- The memorization of organum, discant, and counterpoint treatises -- Compositional process in polyphonic music -- Compositional process and transmission of Notre Dame polyphony -- Visualization and the composition of polyphonic music. |
| Record Nr. | UNINA-9910783669903321 |
|
Berger Anna Maria Busse
|
||
| Berkeley, : University of California Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Medieval music and the art of memory [[electronic resource] /] / Anna Maria Busse Berger
| Medieval music and the art of memory [[electronic resource] /] / Anna Maria Busse Berger |
| Autore | Berger Anna Maria Busse |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2005 |
| Descrizione fisica | 1 online resource (305 p.) |
| Disciplina | 780/.9/02 |
| Soggetto topico |
Music - 500-1400 - History and criticism
Music - 15th century - History and criticism Composition (Music) - History Memory |
| Soggetto non controllato |
antiphons
art carolingian modes chant composers composition discant harmony improvisation intervals intonations isorhythmic motets literacy medieval history medieval music melismas memorization memory music history music theory music musicology nonfiction note progression notre dame polyphony oral composition oral transmission orality organum performing arts polyphonic music polyphony psalm tones pseudo chilston religious music rhythm tonaries transmission visualization |
| ISBN |
9786612357312
0-520-93064-9 1-282-35731-X 1-4237-3134-4 1-59875-803-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Prologue : the first great dead white male composer -- The construction of the memorial archive -- Tonaries : a tool for memorizing chant -- Basic theory treatises -- The memorization of organum, discant, and counterpoint treatises -- Compositional process in polyphonic music -- Compositional process and transmission of Notre Dame polyphony -- Visualization and the composition of polyphonic music. |
| Record Nr. | UNINA-9910810054803321 |
|
Berger Anna Maria Busse
|
||
| Berkeley, : University of California Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
