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Crossing Central Europe : Continuities and Transformations, 1900 and 2000 / / Carrie Smith-Prei, Helga Mitterbauer
| Crossing Central Europe : Continuities and Transformations, 1900 and 2000 / / Carrie Smith-Prei, Helga Mitterbauer |
| Autore | Mitterbauer Helga |
| Pubbl/distr/stampa | University of Toronto Press, 2017 |
| Descrizione fisica | 1 online resource (309 pages) |
| Disciplina | 943.0009/049 |
| Collana | German and European Studies |
| Soggetto topico | Civilization |
| Soggetto genere / forma | Electronic books. |
| Soggetto non controllato |
film
interdisciplinary studies intersectional media musicology transcultural |
| ISBN |
1-4426-1955-4
1-4426-1954-6 1-4875-1468-9 |
| Classificazione |
cci1icc
coll13 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
; Part One : 1900. Beyond aesthetic borders : theory -- media -- case study / Helga Mitterbauer -- The aesthetics of change : women writers of the Austro-Hungarian Monarchy / Agatha Schwartz and Helga Thorson -- Border, transborder, and unification : music and its divergent roles in the nineteenth-century Habsburg territories / Gregor Kokorz -- History without end(s): the aesthetics and politics of the reading play / Imre Szeman -- kitchen stories : literary and architectural reflections on modern kitchens in Central Europe / Sarah McGaughey.
; Part Two : 2000. Spaces of unhomeliness : rereading post-imperial urban heterotopias in East Central Europe / Irene Sywenky -- Interdependences : migration, (trans- )cultural codes and the writing of Central Europe in texts by Doron Rabinovici, Julya Rabinowich, and Vladimir Vertlib / Sandra Vlasta -- Cultures of memory, migration, and masculinity : Dimitre Dinev's Engelszungen / Michael Boehringer -- Remixing Central European culture : the case of Laibach / Stefan Simonek -- Bottled messages for Europe's future?: the Danube in contemporary transnational cinema / Matthew D. Miller -- Ilija Trojanow and the cosmopolitical public intellectual / Carrie Smith-Prei. |
| Record Nr. | UNISA-996580165903316 |
Mitterbauer Helga
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| University of Toronto Press, 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Dancing Queen : Marie de Médicis' Ballets at the Court of Henri IV / / Melinda Gough
| Dancing Queen : Marie de Médicis' Ballets at the Court of Henri IV / / Melinda Gough |
| Autore | Gough Melinda |
| Pubbl/distr/stampa | Toronto : , : University of Toronto Press, , [2019] |
| Descrizione fisica | 1 online resource (395 pages) |
| Disciplina | 944/.031092 |
| Soggetto topico | Ballet - France - History - 17th century |
| Soggetto genere / forma | History |
| Soggetto non controllato |
Bourbon monarchy
France French court ballets French Henri IV Louvre Queen Marie de Médicis dance studies literary studies musicology political history women’s and gender studies |
| ISBN |
1-4875-1847-1
1-4875-1846-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro; Contents; Illustrations; Acknowledgments; Abbreviations; Principles of Transcription and Translation; Introduction; Chapter One-Magnificence, Mistresses, and Marie's Dance of Maternity; Peace, Plenty, and the Pleasures of Courtly Pastimes Restored; Franco-Florentine Neoplatonism and the (Medicean) Magnificence of Bourbon Rule; Marie as (Virgin) Mother; Marie's Primitive Accumulation of (Marian) Cultural Capital; Chapter Two-Royal Women's Ballet and/as Royal Ceremonial; Threats to Dynastic Continuity and Images of Joint Rule, 1603-5
The Occasion, the On-stage Action, and the Ballet's Framing as Royal Ceremonial"Pour faire ranger tout le monde"; Casting Choices: "Those Who Could Make her Queen"; Sovereign yet Subject; Ceremonial Expressions of Political Partnership: Abstract Theory, Embodied Practice; Chapter Three-Alliances and Others; Civility's (Islamic) Others; Restoring "the seat of his [Thracian] empire"; Collaboration ... and Contestation; Chapter Four-Eros and "Absolutism"; Marie's Ballet of Diana and her Nymphs: The On-stage Action and Its "Directrice Absolue." (Dance) Lessons from a Queen: New Bourbon "Methodologies of Authority"Dance and/vs Song: Angelique Paulet and the Limits of Marie's (Proto)feminism; Eros Channeled to (Sovereign) Virtue: Marie Dances Diana; The April 1609 Ballet de Madame and the Limits of (Patriarchal) Absolutism; Chapter Five-Dances of Diplomacy: London, Valladolid, Paris; Two Queen's Masques, a Sarao, and the Treaty of London, 1604-5; "Hostipitality" at France's 1605 ballet de la reine; A Queen's Ballet, a Queen's Masque, and the Truce of Antwerp, 1609; Conclusion; Appendices; Appendix 1; Appendix 2; Appendix 3; Notes |
| Record Nr. | UNINA-9910793597403321 |
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Gough Melinda
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| Toronto : , : University of Toronto Press, , [2019] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Dancing Queen : Marie de Médicis' Ballets at the Court of Henri IV / / Melinda Gough
| Dancing Queen : Marie de Médicis' Ballets at the Court of Henri IV / / Melinda Gough |
| Autore | Gough Melinda |
| Pubbl/distr/stampa | Toronto : , : University of Toronto Press, , [2019] |
| Descrizione fisica | 1 online resource (395 pages) |
| Disciplina | 944.031092 |
| Soggetto topico | Ballet - France - History - 17th century |
| Soggetto genere / forma | History |
| Soggetto non controllato |
Bourbon monarchy
France French court ballets French Henri IV Louvre Queen Marie de Médicis dance studies literary studies musicology political history women’s and gender studies |
| ISBN |
1-4875-1847-1
1-4875-1846-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro; Contents; Illustrations; Acknowledgments; Abbreviations; Principles of Transcription and Translation; Introduction; Chapter One-Magnificence, Mistresses, and Marie's Dance of Maternity; Peace, Plenty, and the Pleasures of Courtly Pastimes Restored; Franco-Florentine Neoplatonism and the (Medicean) Magnificence of Bourbon Rule; Marie as (Virgin) Mother; Marie's Primitive Accumulation of (Marian) Cultural Capital; Chapter Two-Royal Women's Ballet and/as Royal Ceremonial; Threats to Dynastic Continuity and Images of Joint Rule, 1603-5
The Occasion, the On-stage Action, and the Ballet's Framing as Royal Ceremonial"Pour faire ranger tout le monde"; Casting Choices: "Those Who Could Make her Queen"; Sovereign yet Subject; Ceremonial Expressions of Political Partnership: Abstract Theory, Embodied Practice; Chapter Three-Alliances and Others; Civility's (Islamic) Others; Restoring "the seat of his [Thracian] empire"; Collaboration ... and Contestation; Chapter Four-Eros and "Absolutism"; Marie's Ballet of Diana and her Nymphs: The On-stage Action and Its "Directrice Absolue." (Dance) Lessons from a Queen: New Bourbon "Methodologies of Authority"Dance and/vs Song: Angelique Paulet and the Limits of Marie's (Proto)feminism; Eros Channeled to (Sovereign) Virtue: Marie Dances Diana; The April 1609 Ballet de Madame and the Limits of (Patriarchal) Absolutism; Chapter Five-Dances of Diplomacy: London, Valladolid, Paris; Two Queen's Masques, a Sarao, and the Treaty of London, 1604-5; "Hostipitality" at France's 1605 ballet de la reine; A Queen's Ballet, a Queen's Masque, and the Truce of Antwerp, 1609; Conclusion; Appendices; Appendix 1; Appendix 2; Appendix 3; Notes |
| Record Nr. | UNINA-9910814872203321 |
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Gough Melinda
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| Toronto : , : University of Toronto Press, , [2019] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The danger of music and other anti-utopian essays [[electronic resource] /] / Richard Taruskin
| The danger of music and other anti-utopian essays [[electronic resource] /] / Richard Taruskin |
| Autore | Taruskin Richard |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
| Descrizione fisica | 1 online resource (508 p.) |
| Disciplina | 780.9 |
| Soggetto topico |
Musical criticism
Music trade |
| Soggetto non controllato |
21st century art criticism
21st century music criticism aesthetics anti utopian thought art post 9/11 arts bach beethoven boris goudenow career classical music colonialism contemporary composition contemporary performance critics ethics ezra pound hindemith legacy historians lifetime modernism music musicology nationalism nature optimism performance political art politics public musicologist pundits sterility stravinsky terrorist attacks teutonic train wreck the new york times wagner |
| ISBN |
1-282-36081-7
9786612360817 0-520-94279-5 |
| Classificazione | LR 56800 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Preface: Against Utopia -- 1. Et in Arcadia Ego Or, I Didn't Know I Was Such a Pessimist until I Wrote This Thing -- 2. Only Time Will Cover the Taint -- 3. "Nationalism": Colonialism in Disguise? -- 4. Why Do They All Hate Horowitz? -- 5. Optimism amid the Rubble -- 6. A Survivor from the Teutonic Train Wreck -- 7. Does Nature Call the Tune? -- 8. Two Stabs at the Universe -- 9. In Search of the "Good" Hindemith Legacy -- 10. Six Times Six: A Bach Suite Selection -- 11. A Beethoven Season? -- 12. Dispelling the Contagious Wagnerian Mist -- 13. How Talented Composers Become Useless -- 14. Making a Stand against Sterility -- 15. A Sturdy Musical Bridge to the Twenty-first Century -- 16. Calling All Pundits: No More Predictions! -- 17. In The Rake's Progress, Love Conquers (Almost) All -- 18. Markevitch as Icarus -- 19. Let's Rescue Poor Schumann from His Rescuers -- 20. Early Music: Truly Old-Fashioned at Last? -- 21. Bartók and Stravinsky: Odd Couple Reunited? -- 22. Wagner's Antichrist Crashes a Pagan Party -- 23. A Surrealist Composer Comes to the Rescue of Modernism -- 24. Corraling a Herd of Musical Mavericks -- 25. Can We Give Poor Orff a Pass at Last? -- 26. The Danger of Music and the Case for Control -- 27. Ezra Pound: A Slim Sound Claim to Musical Immortality -- 28. Underneath the Dissonance Beat a Brahmsian Heart -- 29. Enter Boris Goudenow, Just 295 Years Late -- 30. The First Modernist -- 31. The Dark Side of the Moon -- 32. Of Kings and Divas -- 33. The Golden Age of Kitsch -- 34. No Ear for Music: The Scary Purity of John Cage -- 35. Sacred Entertainments -- 36. The Poietic Fallacy -- 37. The Musical Mystique: Defending Classical Music against Its Devotees -- 38. Revising Revision -- 39. Back to Whom? Neoclassicism as Ideology -- 40. She Do the Ring in Different Voices -- 41. Stravinsky and Us -- 42. Setting Limits (a talk) -- Index |
| Record Nr. | UNINA-9910777952803321 |
|
Taruskin Richard
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||
| Berkeley, : University of California Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The danger of music and other anti-utopian essays [[electronic resource] /] / Richard Taruskin
| The danger of music and other anti-utopian essays [[electronic resource] /] / Richard Taruskin |
| Autore | Taruskin Richard |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
| Descrizione fisica | 1 online resource (508 p.) |
| Disciplina | 780.9 |
| Soggetto topico |
Musical criticism
Music trade |
| Soggetto non controllato |
21st century art criticism
21st century music criticism aesthetics anti utopian thought art post 9/11 arts bach beethoven boris goudenow career classical music colonialism contemporary composition contemporary performance critics ethics ezra pound hindemith legacy historians lifetime modernism music musicology nationalism nature optimism performance political art politics public musicologist pundits sterility stravinsky terrorist attacks teutonic train wreck the new york times wagner |
| ISBN |
1-282-36081-7
9786612360817 0-520-94279-5 |
| Classificazione | LR 56800 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Preface: Against Utopia -- 1. Et in Arcadia Ego Or, I Didn't Know I Was Such a Pessimist until I Wrote This Thing -- 2. Only Time Will Cover the Taint -- 3. "Nationalism": Colonialism in Disguise? -- 4. Why Do They All Hate Horowitz? -- 5. Optimism amid the Rubble -- 6. A Survivor from the Teutonic Train Wreck -- 7. Does Nature Call the Tune? -- 8. Two Stabs at the Universe -- 9. In Search of the "Good" Hindemith Legacy -- 10. Six Times Six: A Bach Suite Selection -- 11. A Beethoven Season? -- 12. Dispelling the Contagious Wagnerian Mist -- 13. How Talented Composers Become Useless -- 14. Making a Stand against Sterility -- 15. A Sturdy Musical Bridge to the Twenty-first Century -- 16. Calling All Pundits: No More Predictions! -- 17. In The Rake's Progress, Love Conquers (Almost) All -- 18. Markevitch as Icarus -- 19. Let's Rescue Poor Schumann from His Rescuers -- 20. Early Music: Truly Old-Fashioned at Last? -- 21. Bartók and Stravinsky: Odd Couple Reunited? -- 22. Wagner's Antichrist Crashes a Pagan Party -- 23. A Surrealist Composer Comes to the Rescue of Modernism -- 24. Corraling a Herd of Musical Mavericks -- 25. Can We Give Poor Orff a Pass at Last? -- 26. The Danger of Music and the Case for Control -- 27. Ezra Pound: A Slim Sound Claim to Musical Immortality -- 28. Underneath the Dissonance Beat a Brahmsian Heart -- 29. Enter Boris Goudenow, Just 295 Years Late -- 30. The First Modernist -- 31. The Dark Side of the Moon -- 32. Of Kings and Divas -- 33. The Golden Age of Kitsch -- 34. No Ear for Music: The Scary Purity of John Cage -- 35. Sacred Entertainments -- 36. The Poietic Fallacy -- 37. The Musical Mystique: Defending Classical Music against Its Devotees -- 38. Revising Revision -- 39. Back to Whom? Neoclassicism as Ideology -- 40. She Do the Ring in Different Voices -- 41. Stravinsky and Us -- 42. Setting Limits (a talk) -- Index |
| Record Nr. | UNINA-9910809072003321 |
|
Taruskin Richard
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||
| Berkeley, : University of California Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The dawn of music semiology : essays in honor of Jean-Jacques Nattiez / / edited by Jonathan Dunsby and Jonathan Goldman [[electronic resource]]
| The dawn of music semiology : essays in honor of Jean-Jacques Nattiez / / edited by Jonathan Dunsby and Jonathan Goldman [[electronic resource]] |
| Pubbl/distr/stampa | Rochester, NY : , : University of Rochester Press, , 2017 |
| Descrizione fisica | 1 online resource (ix, 214 pages) : digital, PDF file(s) |
| Disciplina | 781.1/7 |
| Collana | Eastman studies in music |
| Soggetto topico |
Music - Semiotics
Music - Philosophy and aesthetics Symbolism in music |
| Soggetto non controllato |
Jean-Jacques Nattiez
eastman school of music ethnomusicology ethnotheory folk music music composition music history music semiology music studies music theory musicology psychology |
| ISBN | 1-78204-918-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Music and gesture / Jean Molino -- Music semiology in the mind of the musician / Jonathan Dunsby -- Against ethnotheory / Kofi Agawu -- From Georgian to Medieval polyphonies : analysis and modeling / Simha Arom -- Schenker's Inhalt, Schenkerian semiotics : a preliminary study / Nicolas Meeáus -- Music under the sign of modernism : from Wagner to Boulez, and Britten / Arnold Whittall -- Musical borrowings in the works of Bruno Maderna / Rossana Dalmonte -- Of doubles, groups, and rhymes : a seriation of works for spatialized orchestral groups (1958-60) / Jonathan Goldman -- The psychological organization of music listening : from spontaneous to learned perceptive processes / Iráene Deliáege. |
| Record Nr. | UNINA-9910163895503321 |
| Rochester, NY : , : University of Rochester Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Desire and pleasure in seventeenth-century music [[electronic resource] /] / Susan McClary
| Desire and pleasure in seventeenth-century music [[electronic resource] /] / Susan McClary |
| Autore | McClary Susan |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2012 |
| Descrizione fisica | 1 online resource (356 p.) |
| Disciplina | 780.9/032 |
| Soggetto topico |
Music - 17th century - History and criticism
Musical criticism |
| Soggetto non controllato |
17th century musicians
amarilli arias bach beethoven beethovens fifth classical composers classical music history clevelandclassical enlightening insights on music history of music composers history of music history of opera how to write music learning to play music leisure reads master piece music musical history musicians musicology ode to joy opera and sex religion renaissance era savant composers sex and music sex social and historical music timeless music vacation reads |
| ISBN |
1-280-11659-5
9786613520883 0-520-95206-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Prelude: The Music of Pleasure and Desire -- Part I. The Hydraulics of Musical Desire -- Part II. Gendering Voice -- Part III. Divine Love -- Part IV. Dancing Bodies -- Part V. La Mode Française -- Postlude: Toward Consolidation -- Notes -- Index |
| Record Nr. | UNINA-9910779087603321 |
|
McClary Susan
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| Berkeley, : University of California Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Desire and pleasure in seventeenth-century music [[electronic resource] /] / Susan McClary
| Desire and pleasure in seventeenth-century music [[electronic resource] /] / Susan McClary |
| Autore | McClary Susan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2012 |
| Descrizione fisica | 1 online resource (356 p.) |
| Disciplina | 780.9/032 |
| Soggetto topico |
Music - 17th century - History and criticism
Musical criticism |
| Soggetto non controllato |
17th century musicians
amarilli arias bach beethoven beethovens fifth classical composers classical music history clevelandclassical enlightening insights on music history of music composers history of music history of opera how to write music learning to play music leisure reads master piece music musical history musicians musicology ode to joy opera and sex religion renaissance era savant composers sex and music sex social and historical music timeless music vacation reads |
| ISBN |
1-280-11659-5
9786613520883 0-520-95206-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Prelude: The Music of Pleasure and Desire -- Part I. The Hydraulics of Musical Desire -- Part II. Gendering Voice -- Part III. Divine Love -- Part IV. Dancing Bodies -- Part V. La Mode Française -- Postlude: Toward Consolidation -- Notes -- Index |
| Record Nr. | UNINA-9910807194503321 |
|
McClary Susan
|
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| Berkeley, : University of California Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dreams of Germany : musical imaginaries from the concert hall to the dance floor / / edited by Neil Gregor and Thomas Irvine
| Dreams of Germany : musical imaginaries from the concert hall to the dance floor / / edited by Neil Gregor and Thomas Irvine |
| Pubbl/distr/stampa | New York ; ; Oxford : , : Berghahn, , 2019 |
| Descrizione fisica | 1 online resource (320 pages) |
| Disciplina | 780.9430904 |
| Collana | Spektrum : publications of the German studies association |
| Soggetto topico |
Music - Social aspects - Germany - History - 20th century
Music - Germany - 20th century - History and criticism National characteristics, German Music - German influences |
| Soggetto non controllato |
bavaria
berlin case studies dance engaging europe fascism female musicians german concert halls german culture german democratic republic german music scene german music german musicians german society germany hamburg historical history identity jewish music land of music live arts mass media modern german history munich national theater munich musicology mythology nazi past performing arts politics postwar germany rock and roll technological advances theater theatrical productions wagnerism war |
| ISBN | 1-78920-033-4 |
| Classificazione | LS 80100 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | "The German in the concert hall" : concert-going and belonging in the early twentieth century / Hansjakob Ziemer -- "Music made in Hamburg" : how one city's music scene helped make rock and roll the lingua franca of youth / Julia Sneeringer -- "With every inconceivable finesse, excess and good music" : sex, affect, and techno at Snax Club in Berlin / Luis-Manuel Garcia -- Bruckner, Munich, and the Longue Duree of musical listening between the imperial and post- war eras / Neil Gregor -- Female musicians and "Jewish" music in the Jewish Kulturbund in Bavaria, 1934-1938 / Dana Smith -- Pride of place : the 1963 rebuilding of the Munich Nationaltheater / Emily Richmond Pollock -- Was ist Japanisch? Wagnerism and dreams of nationhood in modern Japan / Brooke McCorkle -- Hubert Parry, Germany, and the "North" Thomas Irvine -- Between musicology and mythology at the Stunde Null : Austria's 950th "birthday" and the 50th anniversary of Bruckner's death / Lap-Kwan Kam -- Hearing the Nazi Past in the German Democratic Republic : antifascist fantasies, acoustic realities, and haunted memories in Georg Katzer's Aide-memoire (1983) / Martha Sprigge -- Sprockets + Autobahn : Kraftwerk parodies, German electronic music, and retro dreams in Amerika / Sean Nye. |
| Record Nr. | UNINA-9910793251503321 |
| New York ; ; Oxford : , : Berghahn, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dreams of Germany : musical imaginaries from the concert hall to the dance floor / / edited by Neil Gregor and Thomas Irvine
| Dreams of Germany : musical imaginaries from the concert hall to the dance floor / / edited by Neil Gregor and Thomas Irvine |
| Pubbl/distr/stampa | New York ; ; Oxford : , : Berghahn, , 2019 |
| Descrizione fisica | 1 online resource (320 pages) |
| Disciplina | 780.9430904 |
| Collana | Spektrum : publications of the German studies association |
| Soggetto topico |
Music - Social aspects - Germany - History - 20th century
Music - Germany - 20th century - History and criticism National characteristics, German Music - German influences |
| Soggetto non controllato |
bavaria
berlin case studies dance engaging europe fascism female musicians german concert halls german culture german democratic republic german music scene german music german musicians german society germany hamburg historical history identity jewish music land of music live arts mass media modern german history munich national theater munich musicology mythology nazi past performing arts politics postwar germany rock and roll technological advances theater theatrical productions wagnerism war |
| ISBN | 1-78920-033-4 |
| Classificazione | LS 80100 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | "The German in the concert hall" : concert-going and belonging in the early twentieth century / Hansjakob Ziemer -- "Music made in Hamburg" : how one city's music scene helped make rock and roll the lingua franca of youth / Julia Sneeringer -- "With every inconceivable finesse, excess and good music" : sex, affect, and techno at Snax Club in Berlin / Luis-Manuel Garcia -- Bruckner, Munich, and the Longue Duree of musical listening between the imperial and post- war eras / Neil Gregor -- Female musicians and "Jewish" music in the Jewish Kulturbund in Bavaria, 1934-1938 / Dana Smith -- Pride of place : the 1963 rebuilding of the Munich Nationaltheater / Emily Richmond Pollock -- Was ist Japanisch? Wagnerism and dreams of nationhood in modern Japan / Brooke McCorkle -- Hubert Parry, Germany, and the "North" Thomas Irvine -- Between musicology and mythology at the Stunde Null : Austria's 950th "birthday" and the 50th anniversary of Bruckner's death / Lap-Kwan Kam -- Hearing the Nazi Past in the German Democratic Republic : antifascist fantasies, acoustic realities, and haunted memories in Georg Katzer's Aide-memoire (1983) / Martha Sprigge -- Sprockets + Autobahn : Kraftwerk parodies, German electronic music, and retro dreams in Amerika / Sean Nye. |
| Record Nr. | UNINA-9910807225003321 |
| New York ; ; Oxford : , : Berghahn, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
