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Breaking rocks : music, ideology and economic collapse, from Paris to Kinshasa / / Joe Trapido
| Breaking rocks : music, ideology and economic collapse, from Paris to Kinshasa / / Joe Trapido |
| Autore | Trapido Joe |
| Pubbl/distr/stampa | New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 |
| Descrizione fisica | 1 online resource (272 pages) : illustrations, tables |
| Disciplina | 781.63096751 |
| Collana | Dislocations |
| Soggetto topico |
Popular music - Economic aspects - Congo (Democratic Republic)
Popular music - Social aspects - Congo (Democratic Republic) Music patronage - Congo (Democratic Republic) Congolese (Democratic Republic) - Europe - Social conditions |
| Soggetto non controllato |
angola
central africa congo kinshasa congo congolese music congolese popular music democratic republic of the congo diamond dealers dr congo drc economics europe fieldwork france francophone country gangsters globalization ideology kinshasa love song music musicians name check paris patronage payments patronage patrons performing arts political economy politicians politics post colonial africa postcolonialism power prestige song dedications the droc value zaire |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Bars, music, gender and politics -- Exchange, music, patronage -- Potlatch migrants : travelling to Europe, arriving in Kinshasa -- Rights, piracy and producers -- The president as gatekeeper, patronage as a class relationship. Elders and cadets Rey reproduced now -- Mikiliste economies -- Love and money -- Charismatic fetishism -- Conclusion. |
| Record Nr. | UNINA-9910792731703321 |
Trapido Joe
|
||
| New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Breaking rocks : music, ideology and economic collapse, from Paris to Kinshasa / / Joe Trapido
| Breaking rocks : music, ideology and economic collapse, from Paris to Kinshasa / / Joe Trapido |
| Autore | Trapido Joe |
| Pubbl/distr/stampa | New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 |
| Descrizione fisica | 1 online resource (272 pages) : illustrations, tables |
| Disciplina | 781.63096751 |
| Collana | Dislocations |
| Soggetto topico |
Popular music - Economic aspects - Congo (Democratic Republic)
Popular music - Social aspects - Congo (Democratic Republic) Music patronage - Congo (Democratic Republic) Congolese (Democratic Republic) - Europe - Social conditions |
| Soggetto non controllato |
angola
central africa congo kinshasa congo congolese music congolese popular music democratic republic of the congo diamond dealers dr congo drc economics europe fieldwork france francophone country gangsters globalization ideology kinshasa love song music musicians name check paris patronage payments patronage patrons performing arts political economy politicians politics post colonial africa postcolonialism power prestige song dedications the droc value zaire |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Bars, music, gender and politics -- Exchange, music, patronage -- Potlatch migrants : travelling to Europe, arriving in Kinshasa -- Rights, piracy and producers -- The president as gatekeeper, patronage as a class relationship. Elders and cadets Rey reproduced now -- Mikiliste economies -- Love and money -- Charismatic fetishism -- Conclusion. |
| Record Nr. | UNINA-9910828742703321 |
|
Trapido Joe
|
||
| New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Clark : the autobiography of Clark Terry / / with Gwen Terry ; with a preface by Quincy Jones, foreword by Bill Cosby, introduction by David Demsey
| Clark : the autobiography of Clark Terry / / with Gwen Terry ; with a preface by Quincy Jones, foreword by Bill Cosby, introduction by David Demsey |
| Autore | Terry Clark |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2011 |
| Descrizione fisica | 1 online resource (344 p.) |
| Disciplina |
788.9/2165092
B |
| Altri autori (Persone) |
TerryGwen
JonesQuincy <1933-> CosbyBill <1937-> DemseyDavid |
| Collana | George Gund Foundation imprint in African American studies |
| Soggetto topico |
Jazz musicians - United States
Trumpet players - United States |
| Soggetto non controllato |
20th century jazz
african american history african american musicians american music billie holiday count basie duke ellington ella fitzgerald grammy lifetime achievement award history of jazz influential african americans influential musicians jazz and blues jazz enthusiasts jazz icons jazz musician biography jazz trumpeter jim crow music during segregation music history music musicians overcoming prejudice overcoming racism quincy jones ray charles southern jazz tonight show trumpet players |
| ISBN |
1-283-27825-1
9786613278258 0-520-94978-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- Foreword -- Introduction -- 1. Big Dreams -- 2. First Instruments -- 3. Kicked Out -- 4. The Vashon High Swingsters -- 5. First Road Gig -- 6. Nigga -- 7. Ida Cox -- 8. Stranded -- 9. Lincoln Inn -- 10. On the Road Again -- 11. Tennis Shoe Pimp -- 12. Jailed -- 13. Len Bowden -- 14. Navy Days -- 15. Gray Clouds -- 16. The Big Apple -- 17. George Hudson -- 18. The Club Plantation -- 19. Galloping Dominoes -- 20. Tempting Offers -- 21. Lionel Hampton -- 22. Road Lessons -- 23. Pauline -- 24. Charlie Barnet -- 25. Count Basie -- 26. Big Debt -- 27. Duke Ellington -- 28. Leaving Basie -- 29. The University of Ellingtonia -- 30. Working with Duke -- 31. Duke's Team -- 32. Duke's Management Arts -- 33. Miles and Bird -- 34. Billy Strayhorn -- 35. Endurances -- 36. Flugelhorn -- 37. Europe -- 38. Norman Granz -- 39. Norman's Battles -- 40. Q -- 41. NBC -- 42. Jim and Andy's -- 43. Johnny and Ed -- 44. Mumbles -- 45. First House |
| Record Nr. | UNINA-9910789765803321 |
|
Terry Clark
|
||
| Berkeley, : University of California Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Clark : the autobiography of Clark Terry / / with Gwen Terry ; with a preface by Quincy Jones, foreword by Bill Cosby, introduction by David Demsey
| Clark : the autobiography of Clark Terry / / with Gwen Terry ; with a preface by Quincy Jones, foreword by Bill Cosby, introduction by David Demsey |
| Autore | Terry Clark |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2011 |
| Descrizione fisica | 1 online resource (344 p.) |
| Disciplina |
788.9/2165092
B |
| Altri autori (Persone) |
TerryGwen
JonesQuincy <1933-> CosbyBill <1937-> DemseyDavid |
| Collana | George Gund Foundation imprint in African American studies |
| Soggetto topico |
Jazz musicians - United States
Trumpet players - United States |
| Soggetto non controllato |
20th century jazz
african american history african american musicians american music billie holiday count basie duke ellington ella fitzgerald grammy lifetime achievement award history of jazz influential african americans influential musicians jazz and blues jazz enthusiasts jazz icons jazz musician biography jazz trumpeter jim crow music during segregation music history music musicians overcoming prejudice overcoming racism quincy jones ray charles southern jazz tonight show trumpet players |
| ISBN |
1-283-27825-1
9786613278258 0-520-94978-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- Foreword -- Introduction -- 1. Big Dreams -- 2. First Instruments -- 3. Kicked Out -- 4. The Vashon High Swingsters -- 5. First Road Gig -- 6. Nigga -- 7. Ida Cox -- 8. Stranded -- 9. Lincoln Inn -- 10. On the Road Again -- 11. Tennis Shoe Pimp -- 12. Jailed -- 13. Len Bowden -- 14. Navy Days -- 15. Gray Clouds -- 16. The Big Apple -- 17. George Hudson -- 18. The Club Plantation -- 19. Galloping Dominoes -- 20. Tempting Offers -- 21. Lionel Hampton -- 22. Road Lessons -- 23. Pauline -- 24. Charlie Barnet -- 25. Count Basie -- 26. Big Debt -- 27. Duke Ellington -- 28. Leaving Basie -- 29. The University of Ellingtonia -- 30. Working with Duke -- 31. Duke's Team -- 32. Duke's Management Arts -- 33. Miles and Bird -- 34. Billy Strayhorn -- 35. Endurances -- 36. Flugelhorn -- 37. Europe -- 38. Norman Granz -- 39. Norman's Battles -- 40. Q -- 41. NBC -- 42. Jim and Andy's -- 43. Johnny and Ed -- 44. Mumbles -- 45. First House |
| Record Nr. | UNINA-9910816374603321 |
|
Terry Clark
|
||
| Berkeley, : University of California Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Collaborative intimacies in music and dance : anthropologies of sound and movement / / edited by Evangelos Chrysagis and Panas Karampampas
| Collaborative intimacies in music and dance : anthropologies of sound and movement / / edited by Evangelos Chrysagis and Panas Karampampas |
| Pubbl/distr/stampa | New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 |
| Descrizione fisica | 1 online resource (272 pages) : illustrations |
| Disciplina | 306.4/84 |
| Collana | Dance and Performance Studies |
| Soggetto topico |
Music and dance
Music - Social aspects Dance - Anthropological aspects |
| Soggetto non controllato |
anthropology
artistic audience ballet bands case studies cultural attitudes cultural studies culture dance studies dance dancers drama education engaging ethnographic approach ethnographic writing greek goth scene japanese shakuhachi live entertainment movement music musical philosophy musicality musicians performance studies performing arts peruvian huayno sociology sound theater theatre theatrical world music |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations and Table -- Preface -- Introduction: Collaborative Intimacies -- PART I Sound, Meaning and Self-Awareness -- Chapter 1 Being in Sound: Reflections on Recording while Practising Aikido and Shakuhachi -- Chapter 2 Performing and Narrating Selves in and through Classical Music: Being ‘Japanese’ and Being a Professional Musician in London -- PART II Pedagogies of Bodily Movement -- Chapter 3 Kinaesthetic Intimacy in a Choreographic Practice -- Chapter 4 The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman -- PART III Music Practices and Ethical Selfhood -- Chapter 5 The Animador as Ethical Mediator: Stage Talk and Subject Formation at Peruvian Huayno Music Spectacles -- Chapter 6 A Sense of Togetherness: Music Promotion and Ethics in Glasgow -- PART IV Bodies Dancing in Time and across Space -- Chapter 7 Rumba: Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience -- Chapter 8 Cinematic Dance as a Local Critical Commentary on the ‘Economic Crisis’ in Greece Exploring Dance in Korydallos, Attica, Greece -- PART V Motion, Irony and the Making of Lifeworlds -- Chapter 9 Performing Irony on the Dance Floor: in the Athenian Goth Scene The Many Faces of Goth Irony in the Athenian Goth Scene -- Chapter 10 The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea) -- Index |
| Record Nr. | UNINA-9910792967203321 |
| New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Collaborative intimacies in music and dance : anthropologies of sound and movement / / edited by Evangelos Chrysagis and Panas Karampampas
| Collaborative intimacies in music and dance : anthropologies of sound and movement / / edited by Evangelos Chrysagis and Panas Karampampas |
| Pubbl/distr/stampa | New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 |
| Descrizione fisica | 1 online resource (272 pages) : illustrations |
| Disciplina | 306.4/84 |
| Collana | Dance and Performance Studies |
| Soggetto topico |
Music and dance
Music - Social aspects Dance - Anthropological aspects |
| Soggetto non controllato |
anthropology
artistic audience ballet bands case studies cultural attitudes cultural studies culture dance studies dance dancers drama education engaging ethnographic approach ethnographic writing greek goth scene japanese shakuhachi live entertainment movement music musical philosophy musicality musicians performance studies performing arts peruvian huayno sociology sound theater theatre theatrical world music |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations and Table -- Preface -- Introduction: Collaborative Intimacies -- PART I Sound, Meaning and Self-Awareness -- Chapter 1 Being in Sound: Reflections on Recording while Practising Aikido and Shakuhachi -- Chapter 2 Performing and Narrating Selves in and through Classical Music: Being ‘Japanese’ and Being a Professional Musician in London -- PART II Pedagogies of Bodily Movement -- Chapter 3 Kinaesthetic Intimacy in a Choreographic Practice -- Chapter 4 The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman -- PART III Music Practices and Ethical Selfhood -- Chapter 5 The Animador as Ethical Mediator: Stage Talk and Subject Formation at Peruvian Huayno Music Spectacles -- Chapter 6 A Sense of Togetherness: Music Promotion and Ethics in Glasgow -- PART IV Bodies Dancing in Time and across Space -- Chapter 7 Rumba: Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience -- Chapter 8 Cinematic Dance as a Local Critical Commentary on the ‘Economic Crisis’ in Greece Exploring Dance in Korydallos, Attica, Greece -- PART V Motion, Irony and the Making of Lifeworlds -- Chapter 9 Performing Irony on the Dance Floor: in the Athenian Goth Scene The Many Faces of Goth Irony in the Athenian Goth Scene -- Chapter 10 The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea) -- Index |
| Record Nr. | UNINA-9910808523103321 |
| New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Composing the citizen [[electronic resource] ] : music as public utility in Third Republic France / / Jann Pasler
| Composing the citizen [[electronic resource] ] : music as public utility in Third Republic France / / Jann Pasler |
| Autore | Pasler Jann |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
| Descrizione fisica | 1 online resource (813 p.) |
| Disciplina | 306.4/842094409034 |
| Collana | An Ahmanson foundation book in the humanities |
| Soggetto topico |
Music - Social aspects - France - History - 19th century
Music - Political aspects - France - History - 19th century |
| Soggetto non controllato |
1871
aesthetics artists democracy discussion books effect of music engaging france french people french society global politics modern history modern life modern music music history music musicians national identity national pride nonfiction performing arts political public policy public utility role of music theoretical third republic france thought provoking value of music western music western society |
| ISBN | 0-520-94387-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- Acknowledgments -- Introduction. Paris: A Walking Tour -- Part 1. Forming Public Spirit and Useful Citizens -- Part 2. Shaping Judgment and National Taste -- Part 3. Instituting Republican Culture -- Part 4. Shifting Notions of Utility: Between the Nation and the Self -- Coda -- Appendix A. Important Political and Musical Events in the Early Third Republic -- Appendix B. References in Ménestrel to Performances of French Operas Abroad, 1872-1888 -- Appendix C. Selected Publications on Revolutionary Music after 1870 -- Illustrations -- Musical Examples -- Illustration Credits -- Index |
| Record Nr. | UNINA-9910790257803321 |
|
Pasler Jann
|
||
| Berkeley, : University of California Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Composing the citizen [[electronic resource] ] : music as public utility in Third Republic France / / Jann Pasler
| Composing the citizen [[electronic resource] ] : music as public utility in Third Republic France / / Jann Pasler |
| Autore | Pasler Jann |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
| Descrizione fisica | 1 online resource (813 p.) |
| Disciplina | 306.4/842094409034 |
| Collana | An Ahmanson foundation book in the humanities |
| Soggetto topico |
Music - Social aspects - France - History - 19th century
Music - Political aspects - France - History - 19th century |
| Soggetto non controllato |
1871
aesthetics artists democracy discussion books effect of music engaging france french people french society global politics modern history modern life modern music music history music musicians national identity national pride nonfiction performing arts political public policy public utility role of music theoretical third republic france thought provoking value of music western music western society |
| ISBN | 0-520-94387-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- Acknowledgments -- Introduction. Paris: A Walking Tour -- Part 1. Forming Public Spirit and Useful Citizens -- Part 2. Shaping Judgment and National Taste -- Part 3. Instituting Republican Culture -- Part 4. Shifting Notions of Utility: Between the Nation and the Self -- Coda -- Appendix A. Important Political and Musical Events in the Early Third Republic -- Appendix B. References in Ménestrel to Performances of French Operas Abroad, 1872-1888 -- Appendix C. Selected Publications on Revolutionary Music after 1870 -- Illustrations -- Musical Examples -- Illustration Credits -- Index |
| Record Nr. | UNINA-9910824583903321 |
|
Pasler Jann
|
||
| Berkeley, : University of California Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Desire and pleasure in seventeenth-century music [[electronic resource] /] / Susan McClary
| Desire and pleasure in seventeenth-century music [[electronic resource] /] / Susan McClary |
| Autore | McClary Susan |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2012 |
| Descrizione fisica | 1 online resource (356 p.) |
| Disciplina | 780.9/032 |
| Soggetto topico |
Music - 17th century - History and criticism
Musical criticism |
| Soggetto non controllato |
17th century musicians
amarilli arias bach beethoven beethovens fifth classical composers classical music history clevelandclassical enlightening insights on music history of music composers history of music history of opera how to write music learning to play music leisure reads master piece music musical history musicians musicology ode to joy opera and sex religion renaissance era savant composers sex and music sex social and historical music timeless music vacation reads |
| ISBN |
1-280-11659-5
9786613520883 0-520-95206-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Prelude: The Music of Pleasure and Desire -- Part I. The Hydraulics of Musical Desire -- Part II. Gendering Voice -- Part III. Divine Love -- Part IV. Dancing Bodies -- Part V. La Mode Française -- Postlude: Toward Consolidation -- Notes -- Index |
| Record Nr. | UNINA-9910779087603321 |
|
McClary Susan
|
||
| Berkeley, : University of California Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Desire and pleasure in seventeenth-century music [[electronic resource] /] / Susan McClary
| Desire and pleasure in seventeenth-century music [[electronic resource] /] / Susan McClary |
| Autore | McClary Susan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2012 |
| Descrizione fisica | 1 online resource (356 p.) |
| Disciplina | 780.9/032 |
| Soggetto topico |
Music - 17th century - History and criticism
Musical criticism |
| Soggetto non controllato |
17th century musicians
amarilli arias bach beethoven beethovens fifth classical composers classical music history clevelandclassical enlightening insights on music history of music composers history of music history of opera how to write music learning to play music leisure reads master piece music musical history musicians musicology ode to joy opera and sex religion renaissance era savant composers sex and music sex social and historical music timeless music vacation reads |
| ISBN |
1-280-11659-5
9786613520883 0-520-95206-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Prelude: The Music of Pleasure and Desire -- Part I. The Hydraulics of Musical Desire -- Part II. Gendering Voice -- Part III. Divine Love -- Part IV. Dancing Bodies -- Part V. La Mode Française -- Postlude: Toward Consolidation -- Notes -- Index |
| Record Nr. | UNINA-9910807194503321 |
|
McClary Susan
|
||
| Berkeley, : University of California Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
