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The queer composition of America's sound [[electronic resource] ] : gay modernists, American music, and national identity / / Nadine Hubbs
| The queer composition of America's sound [[electronic resource] ] : gay modernists, American music, and national identity / / Nadine Hubbs |
| Autore | Hubbs Nadine |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (295 p.) |
| Disciplina | 780/.86/640973 |
| Soggetto topico |
Music - United States - 20th century - History and criticism
National music - United States - History and criticism Gay composers - United States |
| Soggetto non controllato |
america
american culture american identity american music american sound art and music biographical composers famous musicians french culture gay composers gay modernists gender identity gender studies history of homosexuality homosexuality lgbtq manhattan modern america music and culture music historians music history music students music studies musicology national identity nonfiction queer studies self identification tonal music |
| ISBN |
0-520-93795-3
1-282-76306-7 1-59734-842-2 9786612763069 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Modernist abstraction and the abstract art : Four Saints and the queer composition of America's sound -- Being musical : gender, sexuality, and musical identity in twentieth-century America -- Intermezzo. My dear Freddy : identity excesses and evasions chez Paul Bowles -- A French connection : modernist codes in the musical closet -- Queerness, eruption, bursting : U.S. musical modernism at midcentury -- Coda. Composing oneself (reprise). |
| Record Nr. | UNINA-9910783386403321 |
Hubbs Nadine
|
||
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The queer composition of America's sound : gay modernists, American music, and national identity / / Nadine Hubbs
| The queer composition of America's sound : gay modernists, American music, and national identity / / Nadine Hubbs |
| Autore | Hubbs Nadine |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (295 p.) |
| Disciplina | 780/.86/640973 |
| Soggetto topico |
Music - United States - 20th century - History and criticism
National music - United States - History and criticism Gay composers - United States |
| Soggetto non controllato |
america
american culture american identity american music american sound art and music biographical composers famous musicians french culture gay composers gay modernists gender identity gender studies history of homosexuality homosexuality lgbtq manhattan modern america music and culture music historians music history music students music studies musicology national identity nonfiction queer studies self identification tonal music |
| ISBN |
0-520-93795-3
1-282-76306-7 1-59734-842-2 9786612763069 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Modernist abstraction and the abstract art : Four Saints and the queer composition of America's sound -- Being musical : gender, sexuality, and musical identity in twentieth-century America -- Intermezzo. My dear Freddy : identity excesses and evasions chez Paul Bowles -- A French connection : modernist codes in the musical closet -- Queerness, eruption, bursting : U.S. musical modernism at midcentury -- Coda. Composing oneself (reprise). |
| Record Nr. | UNISA-996248185003316 |
|
Hubbs Nadine
|
||
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
The queer composition of America's sound : gay modernists, American music, and national identity / / Nadine Hubbs
| The queer composition of America's sound : gay modernists, American music, and national identity / / Nadine Hubbs |
| Autore | Hubbs Nadine |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (295 p.) |
| Disciplina | 780/.86/640973 |
| Soggetto topico |
Music - United States - 20th century - History and criticism
National music - United States - History and criticism Gay composers - United States |
| Soggetto non controllato |
america
american culture american identity american music american sound art and music biographical composers famous musicians french culture gay composers gay modernists gender identity gender studies history of homosexuality homosexuality lgbtq manhattan modern america music and culture music historians music history music students music studies musicology national identity nonfiction queer studies self identification tonal music |
| ISBN |
0-520-93795-3
1-282-76306-7 1-59734-842-2 9786612763069 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Modernist abstraction and the abstract art : Four Saints and the queer composition of America's sound -- Being musical : gender, sexuality, and musical identity in twentieth-century America -- Intermezzo. My dear Freddy : identity excesses and evasions chez Paul Bowles -- A French connection : modernist codes in the musical closet -- Queerness, eruption, bursting : U.S. musical modernism at midcentury -- Coda. Composing oneself (reprise). |
| Record Nr. | UNINA-9910816167603321 |
|
Hubbs Nadine
|
||
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Repeating ourselves [[electronic resource] ] : American minimal music as cultural practice / / Robert Fink
| Repeating ourselves [[electronic resource] ] : American minimal music as cultural practice / / Robert Fink |
| Autore | Fink Robert |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2005 |
| Descrizione fisica | 1 online resource (297 p.) |
| Disciplina | 781.3 |
| Soggetto topico |
Minimal music - History and criticism
Music - Social aspects |
| Soggetto non controllato |
advertising campaigns
america american music consumer society cultural practices disco easy listening hi fi technology mass consumerism mass media minimal music minimalism minimalist aesthetics music and culture music historians music studies musical minimalism musicians musicology nonfiction philip glass popular music studies postwar america repetitive music revisionist account steve reich terry riley united states |
| ISBN |
1-282-35817-0
0-520-93894-1 1-4237-2758-4 9786612358173 1-59875-785-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The culture of eros : repetition as desire creation -- Do it ('til you're satisfied) : repetitive musics and recombinant desires -- "A colorful installment in the twentieth-century drama of consumer subjectivity" : minimalism and the phenomenology of consumer desire -- The media sublime : minimalism, advertising, and television -- The culture of Thanatos : repetition as mood regulation -- "A pox on Manfredini" : the long-playing record, the baroque revival, and the birth of ambient music -- "I did this exercise 100,000 times" : zen, minimalism, and the Suzuki method. |
| Record Nr. | UNINA-9910783316603321 |
|
Fink Robert
|
||
| Berkeley, : University of California Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Repeating ourselves [[electronic resource] ] : American minimal music as cultural practice / / Robert Fink
| Repeating ourselves [[electronic resource] ] : American minimal music as cultural practice / / Robert Fink |
| Autore | Fink Robert |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2005 |
| Descrizione fisica | 1 online resource (297 p.) |
| Disciplina | 781.3 |
| Soggetto topico |
Minimal music - History and criticism
Music - Social aspects |
| Soggetto non controllato |
advertising campaigns
america american music consumer society cultural practices disco easy listening hi fi technology mass consumerism mass media minimal music minimalism minimalist aesthetics music and culture music historians music studies musical minimalism musicians musicology nonfiction philip glass popular music studies postwar america repetitive music revisionist account steve reich terry riley united states |
| ISBN |
1-282-35817-0
0-520-93894-1 1-4237-2758-4 9786612358173 1-59875-785-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The culture of eros : repetition as desire creation -- Do it ('til you're satisfied) : repetitive musics and recombinant desires -- "A colorful installment in the twentieth-century drama of consumer subjectivity" : minimalism and the phenomenology of consumer desire -- The media sublime : minimalism, advertising, and television -- The culture of Thanatos : repetition as mood regulation -- "A pox on Manfredini" : the long-playing record, the baroque revival, and the birth of ambient music -- "I did this exercise 100,000 times" : zen, minimalism, and the Suzuki method. |
| Record Nr. | UNINA-9910819772303321 |
|
Fink Robert
|
||
| Berkeley, : University of California Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Spaces of conflict, sounds of solidarity [[electronic resource] ] : music, race, and spatial entitlement in Los Angeles / / Gaye Theresa Johnson
| Spaces of conflict, sounds of solidarity [[electronic resource] ] : music, race, and spatial entitlement in Los Angeles / / Gaye Theresa Johnson |
| Autore | Johnson Gaye Theresa |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2013 |
| Descrizione fisica | 1 online resource (263 p.) |
| Disciplina | 979.4/94 |
| Collana | American crossroads |
| Soggetto topico |
Community development - California - Los Angeles - History
Minorities - Political activity - California - Los Angeles - History Minorities - California - Los Angeles - Social conditions Popular music - Social aspects - California - Los Angeles |
| Soggetto non controllato |
20th century
african americans anti racist alliances black americans chicanos cultural expressions historians institutional repression interracial alliances los angeles minority communities music and culture music historians music history postwar era power imbalances race and class issues race issues racial alliances regional music social repression spatial entitlement spatial politics us history working class |
| ISBN | 0-520-95485-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Introduction: The Future Has a Past -- Chapter 1. Luisa Moreno, Charlotta Bass, and the Constellations of Interethnic Working-Class Radicalism -- Chapter 2. Spatial Entitlement -- Chapter 3. Cold Wars and Counter WAR(s): Coalitional Politics in an Age of Violence -- Chapter 4. "Teeth-Gritting Harmony": Punk, Hip-Hop, and Sonic Spatial Politics -- Chapter 5. Space, Sound, and Shared Struggles -- Conclusion: In This Great Future . . . -- Acknowledgments -- Selected Bibliography -- Index |
| Record Nr. | UNINA-9910786186103321 |
|
Johnson Gaye Theresa
|
||
| Berkeley, : University of California Press, c2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Spaces of conflict, sounds of solidarity [[electronic resource] ] : music, race, and spatial entitlement in Los Angeles / / Gaye Theresa Johnson
| Spaces of conflict, sounds of solidarity [[electronic resource] ] : music, race, and spatial entitlement in Los Angeles / / Gaye Theresa Johnson |
| Autore | Johnson Gaye Theresa |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2013 |
| Descrizione fisica | 1 online resource (263 p.) |
| Disciplina | 979.4/94 |
| Collana | American crossroads |
| Soggetto topico |
Community development - California - Los Angeles - History
Minorities - Political activity - California - Los Angeles - History Minorities - California - Los Angeles - Social conditions Popular music - Social aspects - California - Los Angeles |
| Soggetto non controllato |
20th century
african americans anti racist alliances black americans chicanos cultural expressions historians institutional repression interracial alliances los angeles minority communities music and culture music historians music history postwar era power imbalances race and class issues race issues racial alliances regional music social repression spatial entitlement spatial politics us history working class |
| ISBN | 0-520-95485-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Introduction: The Future Has a Past -- Chapter 1. Luisa Moreno, Charlotta Bass, and the Constellations of Interethnic Working-Class Radicalism -- Chapter 2. Spatial Entitlement -- Chapter 3. Cold Wars and Counter WAR(s): Coalitional Politics in an Age of Violence -- Chapter 4. "Teeth-Gritting Harmony": Punk, Hip-Hop, and Sonic Spatial Politics -- Chapter 5. Space, Sound, and Shared Struggles -- Conclusion: In This Great Future . . . -- Acknowledgments -- Selected Bibliography -- Index |
| Record Nr. | UNINA-9910820556503321 |
|
Johnson Gaye Theresa
|
||
| Berkeley, : University of California Press, c2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
