Collaborative intimacies in music and dance : anthropologies of sound and movement / / edited by Evangelos Chrysagis and Panas Karampampas |
Pubbl/distr/stampa | New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 |
Descrizione fisica | 1 online resource (272 pages) : illustrations |
Disciplina | 306.4/84 |
Collana | Dance and Performance Studies |
Soggetto topico |
Music and dance
Music - Social aspects Dance - Anthropological aspects |
Soggetto non controllato |
anthropology
artistic audience ballet bands case studies cultural attitudes cultural studies culture dance studies dance dancers drama education engaging ethnographic approach ethnographic writing greek goth scene japanese shakuhachi live entertainment movement music musical philosophy musicality musicians performance studies performing arts peruvian huayno sociology sound theater theatre theatrical world music |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations and Table -- Preface -- Introduction: Collaborative Intimacies -- PART I Sound, Meaning and Self-Awareness -- Chapter 1 Being in Sound: Reflections on Recording while Practising Aikido and Shakuhachi -- Chapter 2 Performing and Narrating Selves in and through Classical Music: Being ‘Japanese’ and Being a Professional Musician in London -- PART II Pedagogies of Bodily Movement -- Chapter 3 Kinaesthetic Intimacy in a Choreographic Practice -- Chapter 4 The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman -- PART III Music Practices and Ethical Selfhood -- Chapter 5 The Animador as Ethical Mediator: Stage Talk and Subject Formation at Peruvian Huayno Music Spectacles -- Chapter 6 A Sense of Togetherness: Music Promotion and Ethics in Glasgow -- PART IV Bodies Dancing in Time and across Space -- Chapter 7 Rumba: Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience -- Chapter 8 Cinematic Dance as a Local Critical Commentary on the ‘Economic Crisis’ in Greece Exploring Dance in Korydallos, Attica, Greece -- PART V Motion, Irony and the Making of Lifeworlds -- Chapter 9 Performing Irony on the Dance Floor: in the Athenian Goth Scene The Many Faces of Goth Irony in the Athenian Goth Scene -- Chapter 10 The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea) -- Index |
Record Nr. | UNINA-9910792967203321 |
New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Collaborative intimacies in music and dance : anthropologies of sound and movement / / edited by Evangelos Chrysagis and Panas Karampampas |
Pubbl/distr/stampa | New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 |
Descrizione fisica | 1 online resource (272 pages) : illustrations |
Disciplina | 306.4/84 |
Collana | Dance and Performance Studies |
Soggetto topico |
Music and dance
Music - Social aspects Dance - Anthropological aspects |
Soggetto non controllato |
anthropology
artistic audience ballet bands case studies cultural attitudes cultural studies culture dance studies dance dancers drama education engaging ethnographic approach ethnographic writing greek goth scene japanese shakuhachi live entertainment movement music musical philosophy musicality musicians performance studies performing arts peruvian huayno sociology sound theater theatre theatrical world music |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations and Table -- Preface -- Introduction: Collaborative Intimacies -- PART I Sound, Meaning and Self-Awareness -- Chapter 1 Being in Sound: Reflections on Recording while Practising Aikido and Shakuhachi -- Chapter 2 Performing and Narrating Selves in and through Classical Music: Being ‘Japanese’ and Being a Professional Musician in London -- PART II Pedagogies of Bodily Movement -- Chapter 3 Kinaesthetic Intimacy in a Choreographic Practice -- Chapter 4 The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman -- PART III Music Practices and Ethical Selfhood -- Chapter 5 The Animador as Ethical Mediator: Stage Talk and Subject Formation at Peruvian Huayno Music Spectacles -- Chapter 6 A Sense of Togetherness: Music Promotion and Ethics in Glasgow -- PART IV Bodies Dancing in Time and across Space -- Chapter 7 Rumba: Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience -- Chapter 8 Cinematic Dance as a Local Critical Commentary on the ‘Economic Crisis’ in Greece Exploring Dance in Korydallos, Attica, Greece -- PART V Motion, Irony and the Making of Lifeworlds -- Chapter 9 Performing Irony on the Dance Floor: in the Athenian Goth Scene The Many Faces of Goth Irony in the Athenian Goth Scene -- Chapter 10 The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea) -- Index |
Record Nr. | UNINA-9910808523103321 |
New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Composing the citizen [[electronic resource] ] : music as public utility in Third Republic France / / Jann Pasler |
Autore | Pasler Jann |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
Descrizione fisica | 1 online resource (813 p.) |
Disciplina | 306.4/842094409034 |
Collana | An Ahmanson foundation book in the humanities |
Soggetto topico |
Music - Social aspects - France - History - 19th century
Music - Political aspects - France - History - 19th century |
Soggetto non controllato |
1871
aesthetics artists democracy discussion books effect of music engaging france french people french society global politics modern history modern life modern music music history music musicians national identity national pride nonfiction performing arts political public policy public utility role of music theoretical third republic france thought provoking value of music western music western society |
ISBN | 0-520-94387-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Preface -- Acknowledgments -- Introduction. Paris: A Walking Tour -- Part 1. Forming Public Spirit and Useful Citizens -- Part 2. Shaping Judgment and National Taste -- Part 3. Instituting Republican Culture -- Part 4. Shifting Notions of Utility: Between the Nation and the Self -- Coda -- Appendix A. Important Political and Musical Events in the Early Third Republic -- Appendix B. References in Ménestrel to Performances of French Operas Abroad, 1872-1888 -- Appendix C. Selected Publications on Revolutionary Music after 1870 -- Illustrations -- Musical Examples -- Illustration Credits -- Index |
Record Nr. | UNINA-9910790257803321 |
Pasler Jann
![]() |
||
Berkeley, : University of California Press, c2009 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Composing the citizen [[electronic resource] ] : music as public utility in Third Republic France / / Jann Pasler |
Autore | Pasler Jann |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
Descrizione fisica | 1 online resource (813 p.) |
Disciplina | 306.4/842094409034 |
Collana | An Ahmanson foundation book in the humanities |
Soggetto topico |
Music - Social aspects - France - History - 19th century
Music - Political aspects - France - History - 19th century |
Soggetto non controllato |
1871
aesthetics artists democracy discussion books effect of music engaging france french people french society global politics modern history modern life modern music music history music musicians national identity national pride nonfiction performing arts political public policy public utility role of music theoretical third republic france thought provoking value of music western music western society |
ISBN | 0-520-94387-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Preface -- Acknowledgments -- Introduction. Paris: A Walking Tour -- Part 1. Forming Public Spirit and Useful Citizens -- Part 2. Shaping Judgment and National Taste -- Part 3. Instituting Republican Culture -- Part 4. Shifting Notions of Utility: Between the Nation and the Self -- Coda -- Appendix A. Important Political and Musical Events in the Early Third Republic -- Appendix B. References in Ménestrel to Performances of French Operas Abroad, 1872-1888 -- Appendix C. Selected Publications on Revolutionary Music after 1870 -- Illustrations -- Musical Examples -- Illustration Credits -- Index |
Record Nr. | UNINA-9910824583903321 |
Pasler Jann
![]() |
||
Berkeley, : University of California Press, c2009 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Construire le monde du hardcore |
Autore | Mueller Alain |
Pubbl/distr/stampa | Seismo, 2019 |
Descrizione fisica | 1 online resource (257) |
Soggetto topico | Social & cultural anthropology, ethnography |
Soggetto non controllato |
punk
radicalization anthropology underground scene hardcore music ethnography subculture |
ISBN | 2-88351-082-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | fre |
Record Nr. | UNINA-9910341839803321 |
Mueller Alain
![]() |
||
Seismo, 2019 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Cultures in motion / / edited by Daniel T. Rodgers, Bhavani Raman, and Helmut Reimitz |
Edizione | [Course Book] |
Pubbl/distr/stampa | Princeton : , : Princeton University Press, , [2014] |
Descrizione fisica | 1 online resource (383 p.) |
Disciplina | 306.09 |
Altri autori (Persone) |
RodgersDaniel T
RamanBhavani ReimitzHelmut |
Collana | Publications in partnership with the Shelby Cullom Davis Center at Princeton University |
Soggetto topico |
Cross-cultural studies
Culture Civilization |
Soggetto non controllato |
African dance
African emigrants Ah Jake Alcoa Andreas Cleyer Betty Friedan California Caribbean Chinese medicine Chinese workers Domitila Barrios de Chungara Europe Germany International Women's Year Irish dance Irish emigrants Lanka Latin West Mexico City Michel Boym New York City Niklas Luhmann North American feminism Singer Sewing Machine Company Singer sewing machine Sir John Floyer Third World feminine Leftism William Wotton air power alchemical formula aluminum bauxite mining blood challenge dance competitions challenge dance charity choral festivals choral societies civic charity civilizing mission collective identity consumer market cross-cultural relations cultural exchange cultural motion cultural nationalism cultural practices cultural space culture cultures dance early modern Europe empire gift-giving globalization gold immobility itinerancy justice knowledge transmission labor network labor language lizards market imaginary marketing matter medical knowledge misunderstandings mo mobility modernity murder trial music musical culture musical itinerancy nation building nationalism pastoral power pidgin place poverty power pulse race red pigments science sewing machine social imagination social relations society taverns temporality tourism translation transnational feminism traveling musicians vermillion wealth |
ISBN |
0-691-17617-5
1-4008-4989-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | pt. 1. The circulation of cultural practices -- pt. 2. Objects in transit -- pt. 3. Translations. |
Record Nr. | UNINA-9910790755403321 |
Princeton : , : Princeton University Press, , [2014] | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Cultures in motion / / edited by Daniel T. Rodgers, Bhavani Raman, and Helmut Reimitz |
Edizione | [Course Book] |
Pubbl/distr/stampa | Princeton : , : Princeton University Press, , [2014] |
Descrizione fisica | 1 online resource (383 p.) |
Disciplina | 306.09 |
Altri autori (Persone) |
RodgersDaniel T
RamanBhavani ReimitzHelmut |
Collana | Publications in partnership with the Shelby Cullom Davis Center at Princeton University |
Soggetto topico |
Cross-cultural studies
Culture Civilization |
Soggetto non controllato |
African dance
African emigrants Ah Jake Alcoa Andreas Cleyer Betty Friedan California Caribbean Chinese medicine Chinese workers Domitila Barrios de Chungara Europe Germany International Women's Year Irish dance Irish emigrants Lanka Latin West Mexico City Michel Boym New York City Niklas Luhmann North American feminism Singer Sewing Machine Company Singer sewing machine Sir John Floyer Third World feminine Leftism William Wotton air power alchemical formula aluminum bauxite mining blood challenge dance competitions challenge dance charity choral festivals choral societies civic charity civilizing mission collective identity consumer market cross-cultural relations cultural exchange cultural motion cultural nationalism cultural practices cultural space culture cultures dance early modern Europe empire gift-giving globalization gold immobility itinerancy justice knowledge transmission labor network labor language lizards market imaginary marketing matter medical knowledge misunderstandings mo mobility modernity murder trial music musical culture musical itinerancy nation building nationalism pastoral power pidgin place poverty power pulse race red pigments science sewing machine social imagination social relations society taverns temporality tourism translation transnational feminism traveling musicians vermillion wealth |
ISBN |
0-691-17617-5
1-4008-4989-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | pt. 1. The circulation of cultural practices -- pt. 2. Objects in transit -- pt. 3. Translations. |
Record Nr. | UNINA-9910814428603321 |
Princeton : , : Princeton University Press, , [2014] | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
The danger of music and other anti-utopian essays [[electronic resource] /] / Richard Taruskin |
Autore | Taruskin Richard |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
Descrizione fisica | 1 online resource (508 p.) |
Disciplina | 780.9 |
Soggetto topico |
Musical criticism
Music trade |
Soggetto non controllato |
21st century art criticism
21st century music criticism aesthetics anti utopian thought art post 9/11 arts bach beethoven boris goudenow career classical music colonialism contemporary composition contemporary performance critics ethics ezra pound hindemith legacy historians lifetime modernism music musicology nationalism nature optimism performance political art politics public musicologist pundits sterility stravinsky terrorist attacks teutonic train wreck the new york times wagner |
ISBN |
1-282-36081-7
9786612360817 0-520-94279-5 |
Classificazione | LR 56800 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Preface: Against Utopia -- 1. Et in Arcadia Ego Or, I Didn't Know I Was Such a Pessimist until I Wrote This Thing -- 2. Only Time Will Cover the Taint -- 3. "Nationalism": Colonialism in Disguise? -- 4. Why Do They All Hate Horowitz? -- 5. Optimism amid the Rubble -- 6. A Survivor from the Teutonic Train Wreck -- 7. Does Nature Call the Tune? -- 8. Two Stabs at the Universe -- 9. In Search of the "Good" Hindemith Legacy -- 10. Six Times Six: A Bach Suite Selection -- 11. A Beethoven Season? -- 12. Dispelling the Contagious Wagnerian Mist -- 13. How Talented Composers Become Useless -- 14. Making a Stand against Sterility -- 15. A Sturdy Musical Bridge to the Twenty-first Century -- 16. Calling All Pundits: No More Predictions! -- 17. In The Rake's Progress, Love Conquers (Almost) All -- 18. Markevitch as Icarus -- 19. Let's Rescue Poor Schumann from His Rescuers -- 20. Early Music: Truly Old-Fashioned at Last? -- 21. Bartók and Stravinsky: Odd Couple Reunited? -- 22. Wagner's Antichrist Crashes a Pagan Party -- 23. A Surrealist Composer Comes to the Rescue of Modernism -- 24. Corraling a Herd of Musical Mavericks -- 25. Can We Give Poor Orff a Pass at Last? -- 26. The Danger of Music and the Case for Control -- 27. Ezra Pound: A Slim Sound Claim to Musical Immortality -- 28. Underneath the Dissonance Beat a Brahmsian Heart -- 29. Enter Boris Goudenow, Just 295 Years Late -- 30. The First Modernist -- 31. The Dark Side of the Moon -- 32. Of Kings and Divas -- 33. The Golden Age of Kitsch -- 34. No Ear for Music: The Scary Purity of John Cage -- 35. Sacred Entertainments -- 36. The Poietic Fallacy -- 37. The Musical Mystique: Defending Classical Music against Its Devotees -- 38. Revising Revision -- 39. Back to Whom? Neoclassicism as Ideology -- 40. She Do the Ring in Different Voices -- 41. Stravinsky and Us -- 42. Setting Limits (a talk) -- Index |
Record Nr. | UNINA-9910777952803321 |
Taruskin Richard
![]() |
||
Berkeley, : University of California Press, c2009 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
The danger of music and other anti-utopian essays [[electronic resource] /] / Richard Taruskin |
Autore | Taruskin Richard |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
Descrizione fisica | 1 online resource (508 p.) |
Disciplina | 780.9 |
Soggetto topico |
Musical criticism
Music trade |
Soggetto non controllato |
21st century art criticism
21st century music criticism aesthetics anti utopian thought art post 9/11 arts bach beethoven boris goudenow career classical music colonialism contemporary composition contemporary performance critics ethics ezra pound hindemith legacy historians lifetime modernism music musicology nationalism nature optimism performance political art politics public musicologist pundits sterility stravinsky terrorist attacks teutonic train wreck the new york times wagner |
ISBN |
1-282-36081-7
9786612360817 0-520-94279-5 |
Classificazione | LR 56800 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Preface: Against Utopia -- 1. Et in Arcadia Ego Or, I Didn't Know I Was Such a Pessimist until I Wrote This Thing -- 2. Only Time Will Cover the Taint -- 3. "Nationalism": Colonialism in Disguise? -- 4. Why Do They All Hate Horowitz? -- 5. Optimism amid the Rubble -- 6. A Survivor from the Teutonic Train Wreck -- 7. Does Nature Call the Tune? -- 8. Two Stabs at the Universe -- 9. In Search of the "Good" Hindemith Legacy -- 10. Six Times Six: A Bach Suite Selection -- 11. A Beethoven Season? -- 12. Dispelling the Contagious Wagnerian Mist -- 13. How Talented Composers Become Useless -- 14. Making a Stand against Sterility -- 15. A Sturdy Musical Bridge to the Twenty-first Century -- 16. Calling All Pundits: No More Predictions! -- 17. In The Rake's Progress, Love Conquers (Almost) All -- 18. Markevitch as Icarus -- 19. Let's Rescue Poor Schumann from His Rescuers -- 20. Early Music: Truly Old-Fashioned at Last? -- 21. Bartók and Stravinsky: Odd Couple Reunited? -- 22. Wagner's Antichrist Crashes a Pagan Party -- 23. A Surrealist Composer Comes to the Rescue of Modernism -- 24. Corraling a Herd of Musical Mavericks -- 25. Can We Give Poor Orff a Pass at Last? -- 26. The Danger of Music and the Case for Control -- 27. Ezra Pound: A Slim Sound Claim to Musical Immortality -- 28. Underneath the Dissonance Beat a Brahmsian Heart -- 29. Enter Boris Goudenow, Just 295 Years Late -- 30. The First Modernist -- 31. The Dark Side of the Moon -- 32. Of Kings and Divas -- 33. The Golden Age of Kitsch -- 34. No Ear for Music: The Scary Purity of John Cage -- 35. Sacred Entertainments -- 36. The Poietic Fallacy -- 37. The Musical Mystique: Defending Classical Music against Its Devotees -- 38. Revising Revision -- 39. Back to Whom? Neoclassicism as Ideology -- 40. She Do the Ring in Different Voices -- 41. Stravinsky and Us -- 42. Setting Limits (a talk) -- Index |
Record Nr. | UNINA-9910809072003321 |
Taruskin Richard
![]() |
||
Berkeley, : University of California Press, c2009 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Digging : the Afro-American soul of American classical music / / Amiri Baraka |
Autore | Baraka Amiri <1934-2014.> |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
Descrizione fisica | 1 online resource (425 p.) |
Disciplina | 780.89/96073 |
Collana | Music of the African diaspora |
Soggetto topico |
African Americans - Music - History and criticism
Music - History and criticism African American musicians |
Soggetto non controllato |
african american culture
african american history african american music alan shorter america popular song american classical music autobiography black aesthetic blues aesthetic bruce springsteen charlie parker duke ellington fred hopkins great american song book jazz criticism jazz music jazz john coltrane jon jang malachi thompson max roach miles davis music musical analysis musicians political commentary political history rhythm social change wynton marsalis |
ISBN |
1-282-36086-8
9786612360862 0-520-94309-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Digging -- Frontmatter -- MUSIC OF THE AFRICAN DIASPORA -- Contents -- Introduction -- Part One: Essays -- 1. Griot/Djali: Poetry, Music, History, Message -- 2. Miles Later -- 3. The "Blues Aesthetic" and the "Black Aesthetic": Aesthetics as the Continuing Political History of a Culture -- 4. Blues People: Looking Both Ways -- 5. Rhythm -- 6. The American Popular Song: "The Great American Song Book" -- 7. Blues Line -- 8. Cosby and the Music -- 9. Nina Returns -- 10. Jazz Criticism and Its Effect on the Music -- 11. Not "the Boss": Bruce Springsteen -- 12. Wynton Marsalis: Black Codes (from the Underground) -- 13. "The International Business of Jazz" and the Need for the Cooperative and Collective Self-Development of an International People's Culture -- 14. Newark's' "Coast" and the Hidden Legacy of Urban Culture -- 15. Black Music as a Force for Social Change -- 16. What You Mean, Du Wop? -- 17. Classical American Music -- 18. Singers and the Music: A Theater Piece -- 19. Newark's Influence on American Music -- 20. Ritual and Performance -- 21. Bopera Theory -- 22. "Jazz and the White Critic": Thirty Years Later -- 23. Random Notes on the Last Decade -- Part Two: Great Musicians -- 24. Panthalassa: Miles Davis -- 25. When Miles Split! -- 26. David Murray, Ming's Samba -- 27. David Murray, Fo Deuk Revue -- 28. David Murray, Addenda to a Concert -- 29. On Reissuing Trane -- 30. John Coltrane: Why His Legacy Continues -- 31. Some Memories of Alan Shorter: Interview with Wayne Shorter -- 32. High Art: Art Tatum -- 33. Max Roach at the Iridium -- 34. Paris Max -- 35. The Great Max Roach -- 36. Billie Holiday -- 37. The High Priest of BeBop -- 38. Eric Dolphy: A Note -- 39. Jackie Mc -- 40. It Ain't about You -- 41. You Ever Hear Albert Ayler? -- 42. Albert's Will -- 43. Sassy Was Definitely Not the Avon Lady -- 44. Fred -- 45. Fred Hopkins's Memorial -- 46. Duke Ellington: The Music's "Great Spirit" -- 47. Duke Was a Very Great Pianist! -- 48. Blind Tom: The Continuity of Americana -- 49. Don Pullen Leaves Us -- 50. Black History Month Rediscovers "the Music" in New York City -- 51. Black History Month Rediscovers "the Music," Part 2: The Charles Tolliver Big Band at the Jazz Standard -- 52. Wonderful Stevie -- 53. Abbey Lincoln -- 54. Four Tough Good-byes: Jackie McLean, John Hicks, Hilton Ruiz, Halim Suliman -- Part Three: Notes, Reviews, and Observations -- 55. Impulse Sampler, Act on Impulse -- 56. Ralph Peterson -- 57. Andrew Cyrille, Good to Go -- 58. Odean Pope Saxophone Choir, Epitome -- 59. Ravi Coltrane, Moving Pictures -- 60. Donal Fox and David Murray, Ugly Beauty -- 61. Tyrone Jefferson, Connections -- 62. James Moody -- 63. Barry Harris: In the Tradition -- 64. Pharoah Sanders, Shukuru -- 65. Don Pullen-George Adams Quartet, Breakthrough -- 66. Von and Chico Freeman, Freeman and Freeman -- 67. Alan Shorter, Orgasm -- 68. The Work Man: Reggie Workman -- 69. Roscoe Mitchell and the Note Factory -- 70. Jimmy Scott, But Beautiful -- 71. Malachi Thompson, Talking Horns -- 72. The Nexus Orchestra, Seize the Time -- 73. Three Fresh Ticklers -- 74. Rodney Kendrick, Last Chance for Common Sense -- 75. Jazz Times Review, Multiple Artists -- 76. More Young Bloods to the Rescue! -- 77. Vijay Iyer, Memorophilia -- 78. TriFactor, If You Believe -- 79. Live Lessons -- 80. New York Art Quintet -- 81. Peter Brötzmann, Nipples, and Joe McPhee, Nation Time -- 82. Jon Jang and David Murray, River of Life -- 83. Trio Three, Encounter -- 84. Jackie Mc-Coming and Going |
Record Nr. | UNINA-9910778420503321 |
Baraka Amiri <1934-2014.>
![]() |
||
Berkeley, : University of California Press, c2009 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|