The castrato : reflections on natures and kinds / / Martha Feldman |
Autore | Feldman Martha |
Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2015 |
Descrizione fisica | 1 online resource (496 p.) |
Disciplina | 782.8/6 |
Collana | Ernest Bloch Lectures |
Soggetto topico | Castrati |
Soggetto non controllato |
16th century practices
bel canto bodily mutations castrated for music castrated males castrated singers castrati and eunuchs castrati musicians castrati vocalists castrati castration castrato voices castrato catholic blood sacrifice cavalli eunuch singers handel high male voices historical body mutations history of castration history of music history of singing mozart music history music nonsexual castration pergolesi pulcinella rossini |
ISBN |
0-520-29244-8
0-520-96203-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Preface -- Note on Textual Transcription, Translations, Lexicon, and Musical Nomenclature -- 1. Of Strange Births and Comic Kin -- 2 The Man Who Pretended to Be Who He Was -- 3. Red Hot Voice -- 4 Castrato De Luxe -- 5. Cold Man, Money Man, Big Man Too -- 6. Shadow Voices, Castrato and Non -- Acknowledgments -- Abbreviations -- Notes -- Bibliography -- Illustrations -- Index |
Record Nr. | UNINA-9910787222003321 |
Feldman Martha
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Oakland, California : , : University of California Press, , 2015 | ||
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Lo trovi qui: Univ. Federico II | ||
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The castrato : reflections on natures and kinds / / Martha Feldman |
Autore | Feldman Martha |
Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2015 |
Descrizione fisica | 1 online resource (496 p.) |
Disciplina | 782.8/6 |
Collana | Ernest Bloch Lectures |
Soggetto topico | Castrati |
Soggetto non controllato |
16th century practices
bel canto bodily mutations castrated for music castrated males castrated singers castrati and eunuchs castrati musicians castrati vocalists castrati castration castrato voices castrato catholic blood sacrifice cavalli eunuch singers handel high male voices historical body mutations history of castration history of music history of singing mozart music history music nonsexual castration pergolesi pulcinella rossini |
ISBN |
0-520-29244-8
0-520-96203-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Preface -- Note on Textual Transcription, Translations, Lexicon, and Musical Nomenclature -- 1. Of Strange Births and Comic Kin -- 2 The Man Who Pretended to Be Who He Was -- 3. Red Hot Voice -- 4 Castrato De Luxe -- 5. Cold Man, Money Man, Big Man Too -- 6. Shadow Voices, Castrato and Non -- Acknowledgments -- Abbreviations -- Notes -- Bibliography -- Illustrations -- Index |
Record Nr. | UNINA-9910819177503321 |
Feldman Martha
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Oakland, California : , : University of California Press, , 2015 | ||
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Lo trovi qui: Univ. Federico II | ||
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Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
Descrizione fisica | 1 online resource (525 p.) |
Disciplina | 781.5/4209 |
Soggetto topico |
Motion picture music
Symphony |
Soggetto non controllato |
aesthetics
art history auteurs commercial pressure digital age early sound films elmer bernstein erich korngold film criticism film history film music film studies hollywood scores howard shore jerry goldsmith max steiner movie criticism movie studies music and film music for film music history music popular music postmodern film serialism technological innovations the silent film writings |
ISBN |
1-283-27727-1
9786613277275 0-520-94743-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Celluloid Symphonies -- Front matter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index |
Record Nr. | UNINA-9910785691503321 |
Berkeley, CA : , : University of California Press, , [2011] | ||
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Lo trovi qui: Univ. Federico II | ||
|
Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
Descrizione fisica | 1 online resource (525 p.) |
Disciplina | 781.5/4209 |
Soggetto topico |
Motion picture music
Symphony |
Soggetto non controllato |
aesthetics
art history auteurs commercial pressure digital age early sound films elmer bernstein erich korngold film criticism film history film music film studies hollywood scores howard shore jerry goldsmith max steiner movie criticism movie studies music and film music for film music history music popular music postmodern film serialism technological innovations the silent film writings |
ISBN |
1-283-27727-1
9786613277275 0-520-94743-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Celluloid Symphonies -- Front matter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index |
Record Nr. | UNINA-9910825955803321 |
Berkeley, CA : , : University of California Press, , [2011] | ||
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Lo trovi qui: Univ. Federico II | ||
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Chanteuse in the city [[electronic resource] ] : the realist singer in French film / / Kelley Conway |
Autore | Conway Kelley <1963-> |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
Descrizione fisica | 1 online resource (277 p.) |
Disciplina | 782.42164/082/0944 |
Soggetto topico |
Popular music - France - History and criticism
Motion picture music - France - History and criticism Women singers - France Motion pictures - France - History |
Soggetto non controllato |
1930s
beauty belle epoque music hall cafe concert cinema lovers cinemaphiles cultural implications cultural roles cultural studies female desire femininity film and culture film historians france french cinema french culture french film gender roles golden era music hall careers music paris popular entertainment popular music realist performance realist singer singers theatre women in film womens roles working class life |
ISBN |
9786612763182
0-520-93857-7 1-282-76318-0 1-59734-527-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- Caf-conc' : the rise of the unruly woman -- Music hall Miss -- Voices from the past -- The revue star and the realist singer : the return of the unruly woman -- Violent spectatorship : mechanical reproduction, the female voice, and the imaginary of intimacy -- Conclusion. |
Record Nr. | UNINA-9910783386103321 |
Conway Kelley <1963->
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Berkeley, : University of California Press, c2004 | ||
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Lo trovi qui: Univ. Federico II | ||
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Chanteuse in the city : the realist singer in French film / / Kelley Conway |
Autore | Conway Kelley <1963-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
Descrizione fisica | 1 online resource (277 p.) |
Disciplina | 782.42164/082/0944 |
Soggetto topico |
Popular music - France - History and criticism
Motion picture music - France - History and criticism Women singers - France Motion pictures - France - History |
Soggetto non controllato |
1930s
beauty belle epoque music hall cafe concert cinema lovers cinemaphiles cultural implications cultural roles cultural studies female desire femininity film and culture film historians france french cinema french culture french film gender roles golden era music hall careers music paris popular entertainment popular music realist performance realist singer singers theatre women in film womens roles working class life |
ISBN |
9786612763182
0-520-93857-7 1-282-76318-0 1-59734-527-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- Caf-conc' : the rise of the unruly woman -- Music hall Miss -- Voices from the past -- The revue star and the realist singer : the return of the unruly woman -- Violent spectatorship : mechanical reproduction, the female voice, and the imaginary of intimacy -- Conclusion. |
Record Nr. | UNINA-9910816780203321 |
Conway Kelley <1963->
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Berkeley, : University of California Press, c2004 | ||
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Lo trovi qui: Univ. Federico II | ||
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Chanting down the new Jerusalem [[electronic resource] ] : calypso, Christianity, and capitalism in the Caribbean / / Francio Guadeloupe |
Autore | Guadeloupe Francio <1971-> |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
Descrizione fisica | 1 online resource (271 p.) |
Disciplina | 305.80097297/6 |
Collana | Anthropology of Christianity |
Soggetto topico |
Ethnology - Saint Martin (West Indies)
Ethnicity - Saint Martin (West Indies) Anthropology of religion - Saint Martin (West Indies) Religion and culture - Saint Martin (West Indies) Disc jockeys - Social aspects - Saint Martin (West Indies) Music - Social aspects - Saint Martin (West Indies) |
Soggetto non controllato |
anthropology
attitude binational caribbean island calypso capitalism capitalist survival caribbean sea caribbean christian faith christianity cultural studies dj cimarron dj shadow ethnography ethos hip hop music multiethnic island nation multireligious island nation music musical creativity politics radio disc jockey rastafari individuality rastafarian religious anthropology saint martin sint maarten social classes spiritual tolerance tourism |
ISBN |
1-282-77246-5
9786612772467 0-520-94263-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- Introduction: A New Jerusalem in the Caribbean Sea -- Chapter 1. So Many Men, So Many Histories: The History that Matters to the Islanders -- Chapter 2. Performing Identities on Saint Martin and Sint Maarten -- Chapter 3. Christianity as a Metalanguage of Inclusiveness -- Chapter 4. Clarke's Two Vitamin C's for Successful Living -- Chapter 5. DJ Shadow's Prescription for Rastafari Individuality -- Chapter 6. The Hip-Hop- and Christian-Inspired Metaphysics of DJ Cimarron -- Conclusion -- Notes -- References -- Index |
Record Nr. | UNINA-9910788801803321 |
Guadeloupe Francio <1971->
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Berkeley, : University of California Press, c2009 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Chanting down the new Jerusalem [[electronic resource] ] : calypso, Christianity, and capitalism in the Caribbean / / Francio Guadeloupe |
Autore | Guadeloupe Francio <1971-> |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
Descrizione fisica | 1 online resource (271 p.) |
Disciplina | 305.80097297/6 |
Collana | Anthropology of Christianity |
Soggetto topico |
Ethnology - Saint Martin (West Indies)
Ethnicity - Saint Martin (West Indies) Anthropology of religion - Saint Martin (West Indies) Religion and culture - Saint Martin (West Indies) Disc jockeys - Social aspects - Saint Martin (West Indies) Music - Social aspects - Saint Martin (West Indies) |
Soggetto non controllato |
anthropology
attitude binational caribbean island calypso capitalism capitalist survival caribbean sea caribbean christian faith christianity cultural studies dj cimarron dj shadow ethnography ethos hip hop music multiethnic island nation multireligious island nation music musical creativity politics radio disc jockey rastafari individuality rastafarian religious anthropology saint martin sint maarten social classes spiritual tolerance tourism |
ISBN |
1-282-77246-5
9786612772467 0-520-94263-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- Introduction: A New Jerusalem in the Caribbean Sea -- Chapter 1. So Many Men, So Many Histories: The History that Matters to the Islanders -- Chapter 2. Performing Identities on Saint Martin and Sint Maarten -- Chapter 3. Christianity as a Metalanguage of Inclusiveness -- Chapter 4. Clarke's Two Vitamin C's for Successful Living -- Chapter 5. DJ Shadow's Prescription for Rastafari Individuality -- Chapter 6. The Hip-Hop- and Christian-Inspired Metaphysics of DJ Cimarron -- Conclusion -- Notes -- References -- Index |
Record Nr. | UNINA-9910825612403321 |
Guadeloupe Francio <1971->
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Berkeley, : University of California Press, c2009 | ||
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Lo trovi qui: Univ. Federico II | ||
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Clark : the autobiography of Clark Terry / / with Gwen Terry ; with a preface by Quincy Jones, foreword by Bill Cosby, introduction by David Demsey |
Autore | Terry Clark |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2011 |
Descrizione fisica | 1 online resource (344 p.) |
Disciplina |
788.9/2165092
B |
Altri autori (Persone) |
TerryGwen
JonesQuincy <1933-> CosbyBill <1937-> DemseyDavid |
Collana | George Gund Foundation imprint in African American studies |
Soggetto topico |
Jazz musicians - United States
Trumpet players - United States |
Soggetto non controllato |
20th century jazz
african american history african american musicians american music billie holiday count basie duke ellington ella fitzgerald grammy lifetime achievement award history of jazz influential african americans influential musicians jazz and blues jazz enthusiasts jazz icons jazz musician biography jazz trumpeter jim crow music during segregation music history music musicians overcoming prejudice overcoming racism quincy jones ray charles southern jazz tonight show trumpet players |
ISBN |
1-283-27825-1
9786613278258 0-520-94978-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Preface -- Foreword -- Introduction -- 1. Big Dreams -- 2. First Instruments -- 3. Kicked Out -- 4. The Vashon High Swingsters -- 5. First Road Gig -- 6. Nigga -- 7. Ida Cox -- 8. Stranded -- 9. Lincoln Inn -- 10. On the Road Again -- 11. Tennis Shoe Pimp -- 12. Jailed -- 13. Len Bowden -- 14. Navy Days -- 15. Gray Clouds -- 16. The Big Apple -- 17. George Hudson -- 18. The Club Plantation -- 19. Galloping Dominoes -- 20. Tempting Offers -- 21. Lionel Hampton -- 22. Road Lessons -- 23. Pauline -- 24. Charlie Barnet -- 25. Count Basie -- 26. Big Debt -- 27. Duke Ellington -- 28. Leaving Basie -- 29. The University of Ellingtonia -- 30. Working with Duke -- 31. Duke's Team -- 32. Duke's Management Arts -- 33. Miles and Bird -- 34. Billy Strayhorn -- 35. Endurances -- 36. Flugelhorn -- 37. Europe -- 38. Norman Granz -- 39. Norman's Battles -- 40. Q -- 41. NBC -- 42. Jim and Andy's -- 43. Johnny and Ed -- 44. Mumbles -- 45. First House |
Record Nr. | UNINA-9910789765803321 |
Terry Clark
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Berkeley, : University of California Press, c2011 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Clark : the autobiography of Clark Terry / / with Gwen Terry ; with a preface by Quincy Jones, foreword by Bill Cosby, introduction by David Demsey |
Autore | Terry Clark |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2011 |
Descrizione fisica | 1 online resource (344 p.) |
Disciplina |
788.9/2165092
B |
Altri autori (Persone) |
TerryGwen
JonesQuincy <1933-> CosbyBill <1937-> DemseyDavid |
Collana | George Gund Foundation imprint in African American studies |
Soggetto topico |
Jazz musicians - United States
Trumpet players - United States |
Soggetto non controllato |
20th century jazz
african american history african american musicians american music billie holiday count basie duke ellington ella fitzgerald grammy lifetime achievement award history of jazz influential african americans influential musicians jazz and blues jazz enthusiasts jazz icons jazz musician biography jazz trumpeter jim crow music during segregation music history music musicians overcoming prejudice overcoming racism quincy jones ray charles southern jazz tonight show trumpet players |
ISBN |
1-283-27825-1
9786613278258 0-520-94978-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Preface -- Foreword -- Introduction -- 1. Big Dreams -- 2. First Instruments -- 3. Kicked Out -- 4. The Vashon High Swingsters -- 5. First Road Gig -- 6. Nigga -- 7. Ida Cox -- 8. Stranded -- 9. Lincoln Inn -- 10. On the Road Again -- 11. Tennis Shoe Pimp -- 12. Jailed -- 13. Len Bowden -- 14. Navy Days -- 15. Gray Clouds -- 16. The Big Apple -- 17. George Hudson -- 18. The Club Plantation -- 19. Galloping Dominoes -- 20. Tempting Offers -- 21. Lionel Hampton -- 22. Road Lessons -- 23. Pauline -- 24. Charlie Barnet -- 25. Count Basie -- 26. Big Debt -- 27. Duke Ellington -- 28. Leaving Basie -- 29. The University of Ellingtonia -- 30. Working with Duke -- 31. Duke's Team -- 32. Duke's Management Arts -- 33. Miles and Bird -- 34. Billy Strayhorn -- 35. Endurances -- 36. Flugelhorn -- 37. Europe -- 38. Norman Granz -- 39. Norman's Battles -- 40. Q -- 41. NBC -- 42. Jim and Andy's -- 43. Johnny and Ed -- 44. Mumbles -- 45. First House |
Record Nr. | UNINA-9910816374603321 |
Terry Clark
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Berkeley, : University of California Press, c2011 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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