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Film criticism, the Cold War, and the blacklist : reading the Hollywood Reds / / Jeff Smith
| Film criticism, the Cold War, and the blacklist : reading the Hollywood Reds / / Jeff Smith |
| Autore | Smith Jeff <1962 December 17-> |
| Pubbl/distr/stampa | Berkeley, California : , : University of California Press, , 2014 |
| Descrizione fisica | 1 online resource (365 p.) |
| Disciplina | 791.43/6582825 |
| Soggetto topico |
Motion pictures - Political aspects - United States
Motion pictures - United States - History - 20th century Cold War in motion pictures Communism and motion pictures - United States Blacklisting of entertainers - United States - History - 20th century |
| Soggetto non controllato |
20th century american culture
20th century american history allegory american entertainment culture american films anti communist propaganda cold war communism critical lens entertainment blacklist film and television film criticism film history historical films hollywood blacklist hollywood house committee on un american activities huac literary allegory movie studies police procedures political politics postwar period propaganda films propaganda science fiction films villains westerns |
| ISBN |
0-520-28068-7
0-520-95851-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Tables -- Acknowledgments -- Introduction: What More Can Be Said about the Hollywood Blacklist? -- 1. A Bifocal View of Hollywood during the Blacklist Period: Film as Propaganda and Allegory -- 2. I Was a Communist for RKO: Hollywood Anti-Communism and the Problem of Representing Political Beliefs -- 3. Reds and Blacks: Representing Race in Anti-Communist Films -- 4. Stoolies, Cheese-Eaters, and Tie Sellers: Genre, Allegory, and the HUAC Informer -- 5. The Cross and the Sickle: Allegorical Representations of the Blacklist in Historical Films -- 6. Roaming the Plains along the "New Frontier": The Western as Allegory of the Blacklist and the Cold War -- 7. Loving the Alien: Science Fiction Cinema as Cold War Allegory -- Conclusion: Old Wounds and the Texas Sharpshooter -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910790960603321 |
Smith Jeff <1962 December 17->
|
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| Berkeley, California : , : University of California Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Film criticism, the Cold War, and the blacklist : reading the Hollywood Reds / / Jeff Smith
| Film criticism, the Cold War, and the blacklist : reading the Hollywood Reds / / Jeff Smith |
| Autore | Smith Jeff <1962 December 17-> |
| Pubbl/distr/stampa | Berkeley, California : , : University of California Press, , 2014 |
| Descrizione fisica | 1 online resource (365 p.) |
| Disciplina | 791.43/6582825 |
| Soggetto topico |
Motion pictures - Political aspects - United States
Motion pictures - United States - History - 20th century Cold War in motion pictures Communism and motion pictures - United States Blacklisting of entertainers - United States - History - 20th century |
| Soggetto non controllato |
20th century american culture
20th century american history allegory american entertainment culture american films anti communist propaganda cold war communism critical lens entertainment blacklist film and television film criticism film history historical films hollywood blacklist hollywood house committee on un american activities huac literary allegory movie studies police procedures political politics postwar period propaganda films propaganda science fiction films villains westerns |
| ISBN |
0-520-28068-7
0-520-95851-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Tables -- Acknowledgments -- Introduction: What More Can Be Said about the Hollywood Blacklist? -- 1. A Bifocal View of Hollywood during the Blacklist Period: Film as Propaganda and Allegory -- 2. I Was a Communist for RKO: Hollywood Anti-Communism and the Problem of Representing Political Beliefs -- 3. Reds and Blacks: Representing Race in Anti-Communist Films -- 4. Stoolies, Cheese-Eaters, and Tie Sellers: Genre, Allegory, and the HUAC Informer -- 5. The Cross and the Sickle: Allegorical Representations of the Blacklist in Historical Films -- 6. Roaming the Plains along the "New Frontier": The Western as Allegory of the Blacklist and the Cold War -- 7. Loving the Alien: Science Fiction Cinema as Cold War Allegory -- Conclusion: Old Wounds and the Texas Sharpshooter -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910816881103321 |
|
Smith Jeff <1962 December 17->
|
||
| Berkeley, California : , : University of California Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hollywood be thy name [[electronic resource] ] : African American religion in American film, 1929-1949 / / Judith Weisenfeld
| Hollywood be thy name [[electronic resource] ] : African American religion in American film, 1929-1949 / / Judith Weisenfeld |
| Autore | Weisenfeld Judith |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2007 |
| Descrizione fisica | 1 online resource (357 p.) |
| Disciplina | 791.43/652996073 |
| Collana | A George Gund Foundation book in African American studies |
| Soggetto topico |
African Americans in motion pictures
Religion in motion pictures Motion pictures - United States |
| Soggetto non controllato |
african american films
african american religion african american religious practices american citizenship american film culture american film history american identity censorship records cinema cultural studies film history film studies film history hollywood studios hollywood independent filmmakers moral landscape movie history movie studies movies race films race in america racial authenticity religion and film religious sound film studio production films wartime |
| ISBN |
1-282-36023-X
9786612360237 0-520-94066-0 |
| Classificazione | AP 59783 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- 1. "'Taint What You Was, It's What You Is Today": Hallelujah and the Politics of Racial Authenticity -- 2. "'De Lawd' a Natchel Man": The Green Pastures in the American Cultural Imagination -- 3. "A Mighty Epic of Modern Morals": Black-Audience Religious Films -- 4. "Saturday Sinners and Sunday Saints": Urban Commercial Culture and the Reconstruction of Black Religious Leadership -- 5. "A Long, Long Way": Religion and African American Wartime Morale -- 6. "Why Didn't They Tell Me I'm a Negro?": Lost Boundaries and the Moral Landscape of Race -- Conclusion -- Filmography -- Notes -- Select Bibliography -- Index |
| Record Nr. | UNINA-9910780637503321 |
|
Weisenfeld Judith
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||
| Berkeley, : University of California Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hollywood be thy name : African American religion in American film, 1929-1949 / / Judith Weisenfeld
| Hollywood be thy name : African American religion in American film, 1929-1949 / / Judith Weisenfeld |
| Autore | Weisenfeld Judith |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2007 |
| Descrizione fisica | 1 online resource (357 p.) |
| Disciplina | 791.43/652996073 |
| Collana | A George Gund Foundation book in African American studies |
| Soggetto topico |
African Americans in motion pictures
Religion in motion pictures Motion pictures - United States |
| Soggetto non controllato |
african american films
african american religion african american religious practices american citizenship american film culture american film history american identity censorship records cinema cultural studies film history film studies film history hollywood studios hollywood independent filmmakers moral landscape movie history movie studies movies race films race in america racial authenticity religion and film religious sound film studio production films wartime |
| ISBN |
1-282-36023-X
9786612360237 0-520-94066-0 |
| Classificazione | AP 59783 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- 1. "'Taint What You Was, It's What You Is Today": Hallelujah and the Politics of Racial Authenticity -- 2. "'De Lawd' a Natchel Man": The Green Pastures in the American Cultural Imagination -- 3. "A Mighty Epic of Modern Morals": Black-Audience Religious Films -- 4. "Saturday Sinners and Sunday Saints": Urban Commercial Culture and the Reconstruction of Black Religious Leadership -- 5. "A Long, Long Way": Religion and African American Wartime Morale -- 6. "Why Didn't They Tell Me I'm a Negro?": Lost Boundaries and the Moral Landscape of Race -- Conclusion -- Filmography -- Notes -- Select Bibliography -- Index |
| Record Nr. | UNINA-9910819661203321 |
|
Weisenfeld Judith
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| Berkeley, : University of California Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hollywood in the neighborhood [[electronic resource] ] : historical case studies of local moviegoing / / edited by Kathryn H. Fuller-Seeley
| Hollywood in the neighborhood [[electronic resource] ] : historical case studies of local moviegoing / / edited by Kathryn H. Fuller-Seeley |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2008 |
| Descrizione fisica | 1 online resource (284 p.) |
| Disciplina | 791.430973 |
| Altri autori (Persone) | Fuller-SeeleyKathryn |
| Soggetto topico |
Motion pictures - United States - History
Motion picture audiences - United States - History Motion picture theaters - United States - History |
| Soggetto non controllato |
20th century american films
american audiences american films american heartland american midwest early film exhibition entertainment industry ethnography film audiences film industry film studies film government film exhibition great depression history of hollywood history hollywood local moviegoing media studies motion pictures movie show movie studies movies national mass media political race in film regional cultures religion in film retrospective small town theatre united states of america |
| ISBN |
0-520-94022-9
1-281-38560-3 9786611385606 1-4356-5361-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- 1.Introduction: Researching And Writing The History Of Local Moviegoing -- 2.Decente Ring Historical Audience Studies: A Modest Proposal -- 3.The Itinerant Movie Show And The Development Of The Film Industry -- 4.Early Film Exhibition In Wilmington, North Carolina -- 5.Building Movie Audiences In Placerville, California, 1908-1915 -- 6.Cinema Virtue, Cinema Vice: Race, Religion, And Film Exhibition In Norfolk, Virginia, 1908-1922 -- 7.The Movies In A "Not So Visible Place": Des Moines, Iowa, 1911-1914 -- 8.Digging The Finest Potatoes From Their Acre: Government Film Exhibition In Rural Ontario, 1917-1934 -- 9.At The Movies In The "Biggest Little City In Wisconsin" -- 10.Imagining And Promoting The Small-Town Theater -- 11.What The Picture Did For Me": Small-Town Exhibitors' Strategies For Surviving The Great Depression -- 12."Something For Nothing": Bank Night And The Refashioning Of The American Dream -- 13.Bad Sound And Sticky Floors: An Ethnographic Look At The Symbolic Value Of Historic Small-Town Movie Theaters -- 14.Conclusion: When Theory Hits The Road -- Contributors -- Selected Bibliography -- Index |
| Record Nr. | UNINA-9910782160603321 |
| Berkeley, : University of California Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hollywood in the neighborhood : historical case studies of local moviegoing / / edited by Kathryn H. Fuller-Seeley
| Hollywood in the neighborhood : historical case studies of local moviegoing / / edited by Kathryn H. Fuller-Seeley |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2008 |
| Descrizione fisica | 1 online resource (284 p.) |
| Disciplina | 791.430973 |
| Altri autori (Persone) | Fuller-SeeleyKathryn |
| Soggetto topico |
Motion pictures - United States - History
Motion picture audiences - United States - History Motion picture theaters - United States - History |
| Soggetto non controllato |
20th century american films
american audiences american films american heartland american midwest early film exhibition entertainment industry ethnography film audiences film industry film studies film government film exhibition great depression history of hollywood history hollywood local moviegoing media studies motion pictures movie show movie studies movies national mass media political race in film regional cultures religion in film retrospective small town theatre united states of america |
| ISBN |
0-520-94022-9
1-281-38560-3 9786611385606 1-4356-5361-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- 1.Introduction: Researching And Writing The History Of Local Moviegoing -- 2.Decente Ring Historical Audience Studies: A Modest Proposal -- 3.The Itinerant Movie Show And The Development Of The Film Industry -- 4.Early Film Exhibition In Wilmington, North Carolina -- 5.Building Movie Audiences In Placerville, California, 1908-1915 -- 6.Cinema Virtue, Cinema Vice: Race, Religion, And Film Exhibition In Norfolk, Virginia, 1908-1922 -- 7.The Movies In A "Not So Visible Place": Des Moines, Iowa, 1911-1914 -- 8.Digging The Finest Potatoes From Their Acre: Government Film Exhibition In Rural Ontario, 1917-1934 -- 9.At The Movies In The "Biggest Little City In Wisconsin" -- 10.Imagining And Promoting The Small-Town Theater -- 11.What The Picture Did For Me": Small-Town Exhibitors' Strategies For Surviving The Great Depression -- 12."Something For Nothing": Bank Night And The Refashioning Of The American Dream -- 13.Bad Sound And Sticky Floors: An Ethnographic Look At The Symbolic Value Of Historic Small-Town Movie Theaters -- 14.Conclusion: When Theory Hits The Road -- Contributors -- Selected Bibliography -- Index |
| Record Nr. | UNINA-9910816029103321 |
| Berkeley, : University of California Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
James Ivory in conversation [[electronic resource] ] : how Merchant Ivory makes its movies / / Robert Emmet Long ; foreword by Janet Maslin
| James Ivory in conversation [[electronic resource] ] : how Merchant Ivory makes its movies / / Robert Emmet Long ; foreword by Janet Maslin |
| Autore | Ivory James |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2005 |
| Descrizione fisica | 1 online resource (352 p.) |
| Disciplina | 791.4302/33/092 |
| Altri autori (Persone) | LongRobert Emmet |
| Soggetto topico | PERFORMING ARTS / Film & Video / General |
| Soggetto non controllato |
a room with a view
american director american filmmaker american producer american screenwriter art of making movies art biographical career documentary films em forster entertainment industry film criticism film studies independent filmmaker india international filmmaking ismail merchant james ivory jessica tandy merchant ivory pictures miss birdseye movie studies movies mr and mrs bridge picasso family ruth prawer jhabvala the bostonians the remains of the day thomas jefferson scholars |
| ISBN |
1-282-35879-0
9786612358791 1-59875-787-3 0-520-94036-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Foreword -- Setting the scene -- The early years -- Documentaries, 1952-1972 -- India -- America -- England -- France -- Index -- Photography credits |
| Record Nr. | UNINA-9910786713003321 |
|
Ivory James
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||
| Berkeley, : University of California Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
James Ivory in conversation : how Merchant Ivory makes its movies / / Robert Emmet Long ; foreword by Janet Maslin
| James Ivory in conversation : how Merchant Ivory makes its movies / / Robert Emmet Long ; foreword by Janet Maslin |
| Autore | Ivory James |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2005 |
| Descrizione fisica | 1 online resource (352 p.) |
| Disciplina | 791.4302/33/092 |
| Altri autori (Persone) | LongRobert Emmet |
| Soggetto topico | PERFORMING ARTS / Film & Video / General |
| Soggetto non controllato |
a room with a view
american director american filmmaker american producer american screenwriter art of making movies art biographical career documentary films em forster entertainment industry film criticism film studies independent filmmaker india international filmmaking ismail merchant james ivory jessica tandy merchant ivory pictures miss birdseye movie studies movies mr and mrs bridge picasso family ruth prawer jhabvala the bostonians the remains of the day thomas jefferson scholars |
| ISBN |
1-282-35879-0
9786612358791 1-59875-787-3 0-520-94036-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Foreword -- Setting the scene -- The early years -- Documentaries, 1952-1972 -- India -- America -- England -- France -- Index -- Photography credits |
| Record Nr. | UNISA-996248230403316 |
|
Ivory James
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||
| Berkeley, : University of California Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
James Ivory in conversation : how Merchant Ivory makes its movies / / Robert Emmet Long ; foreword by Janet Maslin
| James Ivory in conversation : how Merchant Ivory makes its movies / / Robert Emmet Long ; foreword by Janet Maslin |
| Autore | Ivory James |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2005 |
| Descrizione fisica | 1 online resource (352 p.) |
| Disciplina | 791.4302/33/092 |
| Altri autori (Persone) | LongRobert Emmet |
| Soggetto topico | PERFORMING ARTS / Film & Video / General |
| Soggetto non controllato |
a room with a view
american director american filmmaker american producer american screenwriter art of making movies art biographical career documentary films em forster entertainment industry film criticism film studies independent filmmaker india international filmmaking ismail merchant james ivory jessica tandy merchant ivory pictures miss birdseye movie studies movies mr and mrs bridge picasso family ruth prawer jhabvala the bostonians the remains of the day thomas jefferson scholars |
| ISBN |
1-282-35879-0
9786612358791 1-59875-787-3 0-520-94036-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Foreword -- Setting the scene -- The early years -- Documentaries, 1952-1972 -- India -- America -- England -- France -- Index -- Photography credits |
| Record Nr. | UNINA-9910827945003321 |
|
Ivory James
|
||
| Berkeley, : University of California Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Moving viewers [[electronic resource] ] : American film and the spectator's experience / / Carl Plantinga
| Moving viewers [[electronic resource] ] : American film and the spectator's experience / / Carl Plantinga |
| Autore | Plantinga Carl R |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
| Descrizione fisica | 1 online resource (295 p.) |
| Disciplina | 302.23/43 |
| Soggetto topico |
Motion picture audiences - Psychology
Motion pictures - United States |
| Soggetto non controllato |
american film
audience theory cinema and film cognitive science cultural studies desires emotional experience film criticism film studies film hollywood films mainstream narratives media studies movie criticism movie studies movie watching movies and emotions movies moving viewers negative emotions philosophical aesthetics pleasures psychology of spectatorship ritualistic fantasy sensual films spectators sympathetic narratives synesthesia the paradox of negative emotion watching a movie |
| ISBN |
1-282-77262-7
9786612772627 0-520-94391-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- Introduction: Affect and the Movies -- 1. Pleasures, Desires, Fantasies -- 2. Movies and Emotions -- 3. Stories and Sympathies -- 4. The Sensual Medium -- 5. Affective Trajectories and Synesthesia -- 6. Negative Emotions and Sympathetic Narratives -- 7. The Rhetoric of Emotion -- Conclusion: Moving Viewers -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910788998403321 |
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Plantinga Carl R
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| Berkeley, : University of California Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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