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Shaping jazz [[electronic resource] ] : cities, labels, and the global emergence of an art form / / Damon J. Phillips
| Shaping jazz [[electronic resource] ] : cities, labels, and the global emergence of an art form / / Damon J. Phillips |
| Autore | Phillips Damon J. <1968-> |
| Edizione | [Core Textbook] |
| Pubbl/distr/stampa | Princeton, NJ, : Princeton University Press, 2013 |
| Descrizione fisica | 1 online resource (233 p.) |
| Disciplina | 781.6509 |
| Soggetto topico |
Jazz - Social aspects
Jazz - History and criticism |
| Soggetto non controllato |
African Americans
Berlin German jazz Milenburg Joys New York Victorian-era firms Weimar Germany adoption narratives anti-jazz sentiments authenticity black musicians bottled water consumers critics cultural elites cultural markets cultural objects cultural products diffusion discographical canon disconnected cities disconnectedness geographic mobility geography green technology identity sequences identity threats identity incumbents jazz music jazz recordings jazz standards jazz legitimacy markets mobility networks musicians nanotechnology organizational role identities product appeal production pseudonyms race re-recording reception record company deception record company record labels recording industry recording location social congruence social systems sociological congruence software |
| ISBN | 1-4008-4648-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction. Sociological Congruence and the Shaping of Recorded Jazz -- Chapter 1. The Puzzle of Geographical Disconnectedness -- Chapter 2. Further Exploring the Salience of Geography -- Chapter 3. Sociological Congruence and the Puzzle of Early German Jazz -- Chapter 4. Sociological Congruence and Record Company Comparative Advantage -- Chapter 5. The Sociological Congruence of Record Company Deception -- Chapter 6. The Sociological Congruence of Identity Sequences and Adoption Narratives -- Chapter 7. Pulling It Together and Stretching It Beyond -- Appendix -- Notes -- References -- Index |
| Record Nr. | UNINA-9910786967803321 |
Phillips Damon J. <1968->
|
||
| Princeton, NJ, : Princeton University Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Shaping jazz [[electronic resource] ] : cities, labels, and the global emergence of an art form / / Damon J. Phillips
| Shaping jazz [[electronic resource] ] : cities, labels, and the global emergence of an art form / / Damon J. Phillips |
| Autore | Phillips Damon J. <1968-> |
| Edizione | [Core Textbook] |
| Pubbl/distr/stampa | Princeton, NJ, : Princeton University Press, 2013 |
| Descrizione fisica | 1 online resource (233 p.) |
| Disciplina | 781.6509 |
| Soggetto topico |
Jazz - Social aspects
Jazz - History and criticism |
| Soggetto non controllato |
African Americans
Berlin German jazz Milenburg Joys New York Victorian-era firms Weimar Germany adoption narratives anti-jazz sentiments authenticity black musicians bottled water consumers critics cultural elites cultural markets cultural objects cultural products diffusion discographical canon disconnected cities disconnectedness geographic mobility geography green technology identity sequences identity threats identity incumbents jazz music jazz recordings jazz standards jazz legitimacy markets mobility networks musicians nanotechnology organizational role identities product appeal production pseudonyms race re-recording reception record company deception record company record labels recording industry recording location social congruence social systems sociological congruence software |
| ISBN | 1-4008-4648-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction. Sociological Congruence and the Shaping of Recorded Jazz -- Chapter 1. The Puzzle of Geographical Disconnectedness -- Chapter 2. Further Exploring the Salience of Geography -- Chapter 3. Sociological Congruence and the Puzzle of Early German Jazz -- Chapter 4. Sociological Congruence and Record Company Comparative Advantage -- Chapter 5. The Sociological Congruence of Record Company Deception -- Chapter 6. The Sociological Congruence of Identity Sequences and Adoption Narratives -- Chapter 7. Pulling It Together and Stretching It Beyond -- Appendix -- Notes -- References -- Index |
| Record Nr. | UNINA-9910814519703321 |
|
Phillips Damon J. <1968->
|
||
| Princeton, NJ, : Princeton University Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
What is this thing called jazz? [[electronic resource] ] : African American musicians as artists, critics, and activists / / Eric Porter
| What is this thing called jazz? [[electronic resource] ] : African American musicians as artists, critics, and activists / / Eric Porter |
| Autore | Porter Eric (Eric C.) |
| Pubbl/distr/stampa | Berkeley, Calif., : University of California Press, c2002 |
| Descrizione fisica | 1 online resource (442 p.) |
| Disciplina | 781.65/089/96073 |
| Collana | Music of the African diaspora |
| Soggetto topico |
Jazz - History and criticism
African American jazz musicians African Americans - Intellectual life - 20th century |
| Soggetto non controllato |
1920s
1930s african american musicians african american american music anthony braxton black artists black musicians class cultural studies duke ellington essay collection experimental jazz experimental music gender jazz music jazz musicians louis armstrong marion brown music analysis music genres music history music theory musical musicians social class social studies |
| ISBN |
1-282-75904-3
9786612759048 0-520-92840-7 1-59734-997-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A marvel of paradox : jazz and African American modernity -- Dizzy atmosphere : the challenge of bebop -- Passions of a man : the poetics and politics of Charles Mingus -- Straight ahead : Abbey Lincoln and the challenge of jazz singing -- Practicing "creative music" : the black arts imperative in the jazz community -- Writing "creative music" : theorizing the art and politics of improvisation -- The majesty of the blues : Wynton Marsalis's jazz canon. |
| Record Nr. | UNINA-9910783293903321 |
|
Porter Eric (Eric C.)
|
||
| Berkeley, Calif., : University of California Press, c2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
What is this thing called jazz? [[electronic resource] ] : African American musicians as artists, critics, and activists / / Eric Porter
| What is this thing called jazz? [[electronic resource] ] : African American musicians as artists, critics, and activists / / Eric Porter |
| Autore | Porter Eric (Eric C.) |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, Calif., : University of California Press, c2002 |
| Descrizione fisica | 1 online resource (442 p.) |
| Disciplina | 781.65/089/96073 |
| Collana | Music of the African diaspora |
| Soggetto topico |
Jazz - History and criticism
African American jazz musicians African Americans - Intellectual life - 20th century |
| Soggetto non controllato |
1920s
1930s african american musicians african american american music anthony braxton black artists black musicians class cultural studies duke ellington essay collection experimental jazz experimental music gender jazz music jazz musicians louis armstrong marion brown music analysis music genres music history music theory musical musicians social class social studies |
| ISBN |
1-282-75904-3
9786612759048 0-520-92840-7 1-59734-997-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A marvel of paradox : jazz and African American modernity -- Dizzy atmosphere : the challenge of bebop -- Passions of a man : the poetics and politics of Charles Mingus -- Straight ahead : Abbey Lincoln and the challenge of jazz singing -- Practicing "creative music" : the black arts imperative in the jazz community -- Writing "creative music" : theorizing the art and politics of improvisation -- The majesty of the blues : Wynton Marsalis's jazz canon. |
| Record Nr. | UNINA-9910816420703321 |
|
Porter Eric (Eric C.)
|
||
| Berkeley, Calif., : University of California Press, c2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
