The Musical Artistry of Bheki Mseleku / Andrew Lilley |
Autore | Lilley Andrew |
Pubbl/distr/stampa | Cape Town, : African Minds, 2020 |
Descrizione fisica | 1 online resource (xxiii, 247 pages) : : music |
Disciplina | 781.650968 |
Soggetto topico |
Jazz - South Africa - History and criticism
Jazz musicians - South Africa |
Soggetto genere / forma | Electronic books. |
Soggetto non controllato |
Music
history jazz South Africa |
ISBN | 1-928331-67-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Cycles -- Lineage -- Roots -- Blueprints -- Aesthetic -- Considerations for analysis -- Solo transcriptions. |
Record Nr. | UNINA-9910427559303321 |
Lilley Andrew
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Cape Town, : African Minds, 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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Shaping jazz [[electronic resource] ] : cities, labels, and the global emergence of an art form / / Damon J. Phillips |
Autore | Phillips Damon J. <1968-> |
Edizione | [Core Textbook] |
Pubbl/distr/stampa | Princeton, NJ, : Princeton University Press, 2013 |
Descrizione fisica | 1 online resource (233 p.) |
Disciplina | 781.6509 |
Soggetto topico |
Jazz - Social aspects
Jazz - History and criticism |
Soggetto non controllato |
African Americans
Berlin German jazz Milenburg Joys New York Victorian-era firms Weimar Germany adoption narratives anti-jazz sentiments authenticity black musicians bottled water consumers critics cultural elites cultural markets cultural objects cultural products diffusion discographical canon disconnected cities disconnectedness geographic mobility geography green technology identity sequences identity threats identity incumbents jazz music jazz recordings jazz standards jazz legitimacy markets mobility networks musicians nanotechnology organizational role identities product appeal production pseudonyms race re-recording reception record company deception record company record labels recording industry recording location social congruence social systems sociological congruence software |
ISBN | 1-4008-4648-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction. Sociological Congruence and the Shaping of Recorded Jazz -- Chapter 1. The Puzzle of Geographical Disconnectedness -- Chapter 2. Further Exploring the Salience of Geography -- Chapter 3. Sociological Congruence and the Puzzle of Early German Jazz -- Chapter 4. Sociological Congruence and Record Company Comparative Advantage -- Chapter 5. The Sociological Congruence of Record Company Deception -- Chapter 6. The Sociological Congruence of Identity Sequences and Adoption Narratives -- Chapter 7. Pulling It Together and Stretching It Beyond -- Appendix -- Notes -- References -- Index |
Record Nr. | UNINA-9910786967803321 |
Phillips Damon J. <1968->
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Princeton, NJ, : Princeton University Press, 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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Shaping jazz [[electronic resource] ] : cities, labels, and the global emergence of an art form / / Damon J. Phillips |
Autore | Phillips Damon J. <1968-> |
Edizione | [Core Textbook] |
Pubbl/distr/stampa | Princeton, NJ, : Princeton University Press, 2013 |
Descrizione fisica | 1 online resource (233 p.) |
Disciplina | 781.6509 |
Soggetto topico |
Jazz - Social aspects
Jazz - History and criticism |
Soggetto non controllato |
African Americans
Berlin German jazz Milenburg Joys New York Victorian-era firms Weimar Germany adoption narratives anti-jazz sentiments authenticity black musicians bottled water consumers critics cultural elites cultural markets cultural objects cultural products diffusion discographical canon disconnected cities disconnectedness geographic mobility geography green technology identity sequences identity threats identity incumbents jazz music jazz recordings jazz standards jazz legitimacy markets mobility networks musicians nanotechnology organizational role identities product appeal production pseudonyms race re-recording reception record company deception record company record labels recording industry recording location social congruence social systems sociological congruence software |
ISBN | 1-4008-4648-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction. Sociological Congruence and the Shaping of Recorded Jazz -- Chapter 1. The Puzzle of Geographical Disconnectedness -- Chapter 2. Further Exploring the Salience of Geography -- Chapter 3. Sociological Congruence and the Puzzle of Early German Jazz -- Chapter 4. Sociological Congruence and Record Company Comparative Advantage -- Chapter 5. The Sociological Congruence of Record Company Deception -- Chapter 6. The Sociological Congruence of Identity Sequences and Adoption Narratives -- Chapter 7. Pulling It Together and Stretching It Beyond -- Appendix -- Notes -- References -- Index |
Record Nr. | UNINA-9910814519703321 |
Phillips Damon J. <1968->
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Princeton, NJ, : Princeton University Press, 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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Sounds from the Other Side : Afro–South Asian Collaborations in Black Popular Music / / Elliott H. Powell |
Autore | Powell Elliott H. |
Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, 2020 |
Descrizione fisica | 1 online resource (202 pages) |
Disciplina | 780.8996073 |
Soggetto topico |
Popular music - South Asian influences
Popular music African Americans - Music Popular music - United States - History and criticism Popular music - United States - South Asian influences African Americans - Music - History and criticism |
Soggetto genere / forma |
Criticism, interpretation, etc.
Electronic books. |
Soggetto non controllato |
Music
Afro-South Asian music African American music hip-hop jazz rap |
ISBN | 1-5179-1004-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | A Desi Love Supreme : John Coltrane, James Baldwin, and the Life Side of Afro-South Asian Music -- Corner Politics : The Queer and South Asian Coalitional Black Politics of Miles Davis -- Punks, Freaks, OutKasts, and ATLiens : The Afro-South Asian Imaginings of Rick James and Andre -- Recovering Addict(ive) : The Afro-South Asian Sexual Politics of Truth Hurts's "Addictive" -- Do(ing) Something Different : Cross-Cultural Collaboration in the Work of Timbaland and Raje Shwari. |
Record Nr. | UNINA-9910524681003321 |
Powell Elliott H.
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Minneapolis, : University of Minnesota Press, 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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Tunes for 'toons [[electronic resource] ] : music and the Hollywood cartoon / / Daniel Goldmark |
Autore | Goldmark Daniel |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2005 |
Descrizione fisica | 1 online resource |
Disciplina | 781.5/42 |
Soggetto topico | Animated film music - History and criticism |
Soggetto non controllato |
20th century american film history
20th century animation history american culture animation carl stalling cartoon opera cartoons classical music cue sheets entertainment industry film studies golden age of animation hollywood animated cartoons hollywood animation studios jazz lantz mgm music and animation music studies music musicality opera popular music scott bradley silly symphonies swing culture the fleischers theatrical cartoons warner bros whats opera doc |
ISBN |
1-282-36038-8
1-4237-3040-2 9786612360381 0-520-94120-9 1-59875-797-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Carl Stalling and popular music in the Warner Bros. cartoons -- "You really do beat the shit out of that cat" : Scott Bradley's (violent) music for M-G-M -- Jungle jive : animation, jazz music, and swing culture -- Corny concertos and silly symphonies : classical music and cartoons -- What's opera, doc? and cartoon opera. |
Record Nr. | UNINA-9910783318203321 |
Goldmark Daniel
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Berkeley, : University of California Press, c2005 | ||
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Lo trovi qui: Univ. Federico II | ||
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Tunes for 'toons [[electronic resource] ] : music and the Hollywood cartoon / / Daniel Goldmark |
Autore | Goldmark Daniel |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2005 |
Descrizione fisica | 1 online resource |
Disciplina | 781.5/42 |
Soggetto topico | Animated film music - History and criticism |
Soggetto non controllato |
20th century american film history
20th century animation history american culture animation carl stalling cartoon opera cartoons classical music cue sheets entertainment industry film studies golden age of animation hollywood animated cartoons hollywood animation studios jazz lantz mgm music and animation music studies music musicality opera popular music scott bradley silly symphonies swing culture the fleischers theatrical cartoons warner bros whats opera doc |
ISBN |
1-282-36038-8
1-4237-3040-2 9786612360381 0-520-94120-9 1-59875-797-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Carl Stalling and popular music in the Warner Bros. cartoons -- "You really do beat the shit out of that cat" : Scott Bradley's (violent) music for M-G-M -- Jungle jive : animation, jazz music, and swing culture -- Corny concertos and silly symphonies : classical music and cartoons -- What's opera, doc? and cartoon opera. |
Record Nr. | UNINA-9910807872003321 |
Goldmark Daniel
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Berkeley, : University of California Press, c2005 | ||
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Lo trovi qui: Univ. Federico II | ||
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