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The Musical Artistry of Bheki Mseleku / Andrew Lilley
The Musical Artistry of Bheki Mseleku / Andrew Lilley
Autore Lilley Andrew
Pubbl/distr/stampa Cape Town, : African Minds, 2020
Descrizione fisica 1 online resource (xxiii, 247 pages) : : music
Disciplina 781.650968
Soggetto topico Jazz - South Africa - History and criticism
Jazz musicians - South Africa
Soggetto genere / forma Electronic books.
Soggetto non controllato Music
history
jazz
South Africa
ISBN 1-928331-67-X
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Cycles -- Lineage -- Roots -- Blueprints -- Aesthetic -- Considerations for analysis -- Solo transcriptions.
Record Nr. UNINA-9910427559303321
Lilley Andrew  
Cape Town, : African Minds, 2020
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Shaping jazz [[electronic resource] ] : cities, labels, and the global emergence of an art form / / Damon J. Phillips
Shaping jazz [[electronic resource] ] : cities, labels, and the global emergence of an art form / / Damon J. Phillips
Autore Phillips Damon J. <1968->
Edizione [Core Textbook]
Pubbl/distr/stampa Princeton, NJ, : Princeton University Press, 2013
Descrizione fisica 1 online resource (233 p.)
Disciplina 781.6509
Soggetto topico Jazz - Social aspects
Jazz - History and criticism
Soggetto non controllato African Americans
Berlin
German jazz
Milenburg Joys
New York
Victorian-era firms
Weimar Germany
adoption narratives
anti-jazz sentiments
authenticity
black musicians
bottled water
consumers
critics
cultural elites
cultural markets
cultural objects
cultural products
diffusion
discographical canon
disconnected cities
disconnectedness
geographic mobility
geography
green technology
identity sequences
identity threats
identity
incumbents
jazz music
jazz recordings
jazz standards
jazz
legitimacy
markets
mobility networks
musicians
nanotechnology
organizational role identities
product appeal
production
pseudonyms
race
re-recording
reception
record company deception
record company
record labels
recording industry
recording location
social congruence
social systems
sociological congruence
software
ISBN 1-4008-4648-X
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Front matter -- Contents -- Acknowledgments -- Introduction. Sociological Congruence and the Shaping of Recorded Jazz -- Chapter 1. The Puzzle of Geographical Disconnectedness -- Chapter 2. Further Exploring the Salience of Geography -- Chapter 3. Sociological Congruence and the Puzzle of Early German Jazz -- Chapter 4. Sociological Congruence and Record Company Comparative Advantage -- Chapter 5. The Sociological Congruence of Record Company Deception -- Chapter 6. The Sociological Congruence of Identity Sequences and Adoption Narratives -- Chapter 7. Pulling It Together and Stretching It Beyond -- Appendix -- Notes -- References -- Index
Record Nr. UNINA-9910786967803321
Phillips Damon J. <1968->  
Princeton, NJ, : Princeton University Press, 2013
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Shaping jazz [[electronic resource] ] : cities, labels, and the global emergence of an art form / / Damon J. Phillips
Shaping jazz [[electronic resource] ] : cities, labels, and the global emergence of an art form / / Damon J. Phillips
Autore Phillips Damon J. <1968->
Edizione [Core Textbook]
Pubbl/distr/stampa Princeton, NJ, : Princeton University Press, 2013
Descrizione fisica 1 online resource (233 p.)
Disciplina 781.6509
Soggetto topico Jazz - Social aspects
Jazz - History and criticism
Soggetto non controllato African Americans
Berlin
German jazz
Milenburg Joys
New York
Victorian-era firms
Weimar Germany
adoption narratives
anti-jazz sentiments
authenticity
black musicians
bottled water
consumers
critics
cultural elites
cultural markets
cultural objects
cultural products
diffusion
discographical canon
disconnected cities
disconnectedness
geographic mobility
geography
green technology
identity sequences
identity threats
identity
incumbents
jazz music
jazz recordings
jazz standards
jazz
legitimacy
markets
mobility networks
musicians
nanotechnology
organizational role identities
product appeal
production
pseudonyms
race
re-recording
reception
record company deception
record company
record labels
recording industry
recording location
social congruence
social systems
sociological congruence
software
ISBN 1-4008-4648-X
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Front matter -- Contents -- Acknowledgments -- Introduction. Sociological Congruence and the Shaping of Recorded Jazz -- Chapter 1. The Puzzle of Geographical Disconnectedness -- Chapter 2. Further Exploring the Salience of Geography -- Chapter 3. Sociological Congruence and the Puzzle of Early German Jazz -- Chapter 4. Sociological Congruence and Record Company Comparative Advantage -- Chapter 5. The Sociological Congruence of Record Company Deception -- Chapter 6. The Sociological Congruence of Identity Sequences and Adoption Narratives -- Chapter 7. Pulling It Together and Stretching It Beyond -- Appendix -- Notes -- References -- Index
Record Nr. UNINA-9910814519703321
Phillips Damon J. <1968->  
Princeton, NJ, : Princeton University Press, 2013
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Sounds from the Other Side : Afro–South Asian Collaborations in Black Popular Music / / Elliott H. Powell
Sounds from the Other Side : Afro–South Asian Collaborations in Black Popular Music / / Elliott H. Powell
Autore Powell Elliott H.
Pubbl/distr/stampa Minneapolis, : University of Minnesota Press, 2020
Descrizione fisica 1 online resource (202 pages)
Disciplina 780.8996073
Soggetto topico Popular music - South Asian influences
Popular music
African Americans - Music
Popular music - United States - History and criticism
Popular music - United States - South Asian influences
African Americans - Music - History and criticism
Soggetto genere / forma Criticism, interpretation, etc.
Electronic books.
Soggetto non controllato Music
Afro-South Asian music
African American music
hip-hop
jazz
rap
ISBN 1-5179-1004-8
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto A Desi Love Supreme : John Coltrane, James Baldwin, and the Life Side of Afro-South Asian Music -- Corner Politics : The Queer and South Asian Coalitional Black Politics of Miles Davis -- Punks, Freaks, OutKasts, and ATLiens : The Afro-South Asian Imaginings of Rick James and Andre -- Recovering Addict(ive) : The Afro-South Asian Sexual Politics of Truth Hurts's "Addictive" -- Do(ing) Something Different : Cross-Cultural Collaboration in the Work of Timbaland and Raje Shwari.
Record Nr. UNINA-9910524681003321
Powell Elliott H.  
Minneapolis, : University of Minnesota Press, 2020
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Tunes for 'toons [[electronic resource] ] : music and the Hollywood cartoon / / Daniel Goldmark
Tunes for 'toons [[electronic resource] ] : music and the Hollywood cartoon / / Daniel Goldmark
Autore Goldmark Daniel
Pubbl/distr/stampa Berkeley, : University of California Press, c2005
Descrizione fisica 1 online resource
Disciplina 781.5/42
Soggetto topico Animated film music - History and criticism
Soggetto non controllato 20th century american film history
20th century animation history
american culture
animation
carl stalling
cartoon opera
cartoons
classical music
cue sheets
entertainment industry
film studies
golden age of animation
hollywood animated cartoons
hollywood animation studios
jazz
lantz
mgm
music and animation
music studies
music
musicality
opera
popular music
scott bradley
silly symphonies
swing culture
the fleischers
theatrical cartoons
warner bros
whats opera doc
ISBN 1-282-36038-8
1-4237-3040-2
9786612360381
0-520-94120-9
1-59875-797-0
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Carl Stalling and popular music in the Warner Bros. cartoons -- "You really do beat the shit out of that cat" : Scott Bradley's (violent) music for M-G-M -- Jungle jive : animation, jazz music, and swing culture -- Corny concertos and silly symphonies : classical music and cartoons -- What's opera, doc? and cartoon opera.
Record Nr. UNINA-9910783318203321
Goldmark Daniel  
Berkeley, : University of California Press, c2005
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Tunes for 'toons [[electronic resource] ] : music and the Hollywood cartoon / / Daniel Goldmark
Tunes for 'toons [[electronic resource] ] : music and the Hollywood cartoon / / Daniel Goldmark
Autore Goldmark Daniel
Edizione [1st ed.]
Pubbl/distr/stampa Berkeley, : University of California Press, c2005
Descrizione fisica 1 online resource
Disciplina 781.5/42
Soggetto topico Animated film music - History and criticism
Soggetto non controllato 20th century american film history
20th century animation history
american culture
animation
carl stalling
cartoon opera
cartoons
classical music
cue sheets
entertainment industry
film studies
golden age of animation
hollywood animated cartoons
hollywood animation studios
jazz
lantz
mgm
music and animation
music studies
music
musicality
opera
popular music
scott bradley
silly symphonies
swing culture
the fleischers
theatrical cartoons
warner bros
whats opera doc
ISBN 1-282-36038-8
1-4237-3040-2
9786612360381
0-520-94120-9
1-59875-797-0
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Carl Stalling and popular music in the Warner Bros. cartoons -- "You really do beat the shit out of that cat" : Scott Bradley's (violent) music for M-G-M -- Jungle jive : animation, jazz music, and swing culture -- Corny concertos and silly symphonies : classical music and cartoons -- What's opera, doc? and cartoon opera.
Record Nr. UNINA-9910807872003321
Goldmark Daniel  
Berkeley, : University of California Press, c2005
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui