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Great Directors at Work : Stanislavsky, Brecht, Kazan, Brook / / David Richard Jones
| Great Directors at Work : Stanislavsky, Brecht, Kazan, Brook / / David Richard Jones |
| Autore | Jones David Richard |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [1986] |
| Descrizione fisica | 1 online resource (300 p.) |
| Disciplina |
792.023
792.02330722 792/.0233/0922 |
| Soggetto topico |
Brecht, Bertolt, 1898-1956 -- Knowledge -- Performing arts
Brecht, Bertolt, 1898-1956 Brook, Peter Chaika Chekhov, Anton Pavlovich, 1860-1904 Kazan, Elia Mutter Courage und ihre Kinder Stanislavsky, Konstantin, 1863-1938 Streetcar named Desire Theater - Production and direction Theater -- Production and direction Theatrical producers and directors - Biography Theatrical producers and directors -- Biography Verfolgung und Ermordung Jean Paul Marats Weiss, Peter, 1916-1982 Williams, Tennessee, 1911-1983 |
| Soggetto non controllato |
20th century
anton chekhov auteur bertolt brecht cinema history cinema studies contemporary film contemporary theatre culture directing plays directing director drama elia kazan famous directors film history film making filmmaking history of cinema history of film history of theatre konstantin stanislavsky modern film modern plays modern theatre mother courage peter brook plays playwright stage director stage productions stage streetcar named desire theatre directing theatre theatrical |
| ISBN |
1-282-35535-X
9786612355356 0-520-90857-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Konstantin Stanislavsky and The Seagull: The Paper Stage -- 2. Bertolt Brecht and Couragemodell 1949: Meaning in Detail -- 3. Elia Kazan and A Streetcar Named Desire: A Director at Work -- 4. Peter Brook and Marat/Sade: Workshop and Production -- Notes -- Index |
| Record Nr. | UNINA-9910822094803321 |
Jones David Richard
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| Berkeley, CA : , : University of California Press, , [1986] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Hitchcock on Hitchcock . Volume 2 : selected writings and interviews / / edited by Sidney Gottlieb
| Hitchcock on Hitchcock . Volume 2 : selected writings and interviews / / edited by Sidney Gottlieb |
| Autore | Hitchcock Alfred <1899-1980, > |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2015 |
| Descrizione fisica | 1 online resource (738 p.) |
| Disciplina | 791.430233092 |
| Soggetto topico |
Motion pictures - Production and direction
Motion pictures |
| Soggetto non controllato |
20th century film history
alfred hitchcock art of cinema art artists career cinema collection of interviews dial m for murder directors early fiction english film director english producer film industry film filmmakers filmmaking techniques filmmaking history of cinema hitchcockian influential directors innovative insightful master of suspense movies north by northwest originality psycho pure cinema rear window strangers on a train vertigo |
| ISBN |
0-520-27960-3
0-520-96039-4 |
| Classificazione | HN 4446 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Hitchcock on Hitchcock, Volume 2 -- Front matter -- CONTENTS -- Acknowledgments -- Introduction -- STORIES AND SUSPENSE -- Introduction -- The Henley Telegraph Stories -- Good-night, Nurse! (c. 1922-23) -- Hitchcock on Stories (1937) -- Lights! Action!-but Mostly Camera! (1941) -- Hitchcock, Master Maker of Mystery (1941) -- Introduction to Intrigue: Four Great Spy Novels of Eric Ambler (1943) -- The Quality of Suspense (1945) -- The Film Thriller (1946) -- Death in the Crystal Ball (1950) -- The Wise Man of Kumin (1951) -- The Chloroform Clue: My Favorite True Mystery (1953) -- "It's the Manner of Telling": An Interview with Alfred Hitchcock (1976) -- PURE CINEMA AND THE HITCHCOCK TOUCH -- Introduction -- Titles-Artistic and Otherwise (1921) -- How a Talking Film Is Made (1929) -- Why I Make Melodramas (1937) -- Some Thoughts on Color (1937) -- The "Hitch" Touch (1946) -- Encounter with Alfred Hitchcock (1956) -- Alfred Hitchcock Murders a Blonde (1958) -- My Favorite Film Character Is-ME! (1959) -- A Lesson in PSYCHO-logy (1960) -- Rear Window (1968) -- ON DIRECTORS AND DIRECTING -- Introduction -- An Autocrat of the Film Studio (1928) -- A New "Chair" Which a Woman Might Fill (1929) -- A Columbus of the Screen (1931) -- Britain Must Be Great (1932) -- The Man Who Knew Too Much (1956) -- Hitchcock on Truffaut (1962) -- Declaration of Alfred Hitchcock (1967) -- Interview with Alfred Hitchcock (1973) -- HITCHCOCK AT WORK -- Introduction -- Making Murder! (1930) -- Hitchcock's Notes on Stage Fright (c. 1950) -- Interview with Alfred Hitchcock (1955) -- Alfred Hitchcock Brings His Directing Techniques to the Medium of Television (1955) -- Hitch: I Wish I Didn't Have to Shoot the Picture (1966) -- HITCHCOCK SPEAKS -- Introduction -- Hitchcock Speaking (1956) -- Women (1959) -- Alfred Hitchcock Resents (1962) -- The Chairman of the Board (1964) -- John Player Lecture (1967) -- Interview: Alfred Hitchcock (1978) -- Selected Bibliography -- Acknowledgments of Permissions -- Index |
| Record Nr. | UNINA-9910787298803321 |
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Hitchcock Alfred <1899-1980, >
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| Oakland, California : , : University of California Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Hitchcock on Hitchcock . Volume 2 : selected writings and interviews / / edited by Sidney Gottlieb
| Hitchcock on Hitchcock . Volume 2 : selected writings and interviews / / edited by Sidney Gottlieb |
| Autore | Hitchcock Alfred <1899-1980, > |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2015 |
| Descrizione fisica | 1 online resource (738 p.) |
| Disciplina | 791.430233092 |
| Soggetto topico |
Motion pictures - Production and direction
Motion pictures |
| Soggetto non controllato |
20th century film history
alfred hitchcock art of cinema art artists career cinema collection of interviews dial m for murder directors early fiction english film director english producer film industry film filmmakers filmmaking techniques filmmaking history of cinema hitchcockian influential directors innovative insightful master of suspense movies north by northwest originality psycho pure cinema rear window strangers on a train vertigo |
| ISBN |
0-520-27960-3
0-520-96039-4 |
| Classificazione | HN 4446 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Hitchcock on Hitchcock, Volume 2 -- Front matter -- CONTENTS -- Acknowledgments -- Introduction -- STORIES AND SUSPENSE -- Introduction -- The Henley Telegraph Stories -- Good-night, Nurse! (c. 1922-23) -- Hitchcock on Stories (1937) -- Lights! Action!-but Mostly Camera! (1941) -- Hitchcock, Master Maker of Mystery (1941) -- Introduction to Intrigue: Four Great Spy Novels of Eric Ambler (1943) -- The Quality of Suspense (1945) -- The Film Thriller (1946) -- Death in the Crystal Ball (1950) -- The Wise Man of Kumin (1951) -- The Chloroform Clue: My Favorite True Mystery (1953) -- "It's the Manner of Telling": An Interview with Alfred Hitchcock (1976) -- PURE CINEMA AND THE HITCHCOCK TOUCH -- Introduction -- Titles-Artistic and Otherwise (1921) -- How a Talking Film Is Made (1929) -- Why I Make Melodramas (1937) -- Some Thoughts on Color (1937) -- The "Hitch" Touch (1946) -- Encounter with Alfred Hitchcock (1956) -- Alfred Hitchcock Murders a Blonde (1958) -- My Favorite Film Character Is-ME! (1959) -- A Lesson in PSYCHO-logy (1960) -- Rear Window (1968) -- ON DIRECTORS AND DIRECTING -- Introduction -- An Autocrat of the Film Studio (1928) -- A New "Chair" Which a Woman Might Fill (1929) -- A Columbus of the Screen (1931) -- Britain Must Be Great (1932) -- The Man Who Knew Too Much (1956) -- Hitchcock on Truffaut (1962) -- Declaration of Alfred Hitchcock (1967) -- Interview with Alfred Hitchcock (1973) -- HITCHCOCK AT WORK -- Introduction -- Making Murder! (1930) -- Hitchcock's Notes on Stage Fright (c. 1950) -- Interview with Alfred Hitchcock (1955) -- Alfred Hitchcock Brings His Directing Techniques to the Medium of Television (1955) -- Hitch: I Wish I Didn't Have to Shoot the Picture (1966) -- HITCHCOCK SPEAKS -- Introduction -- Hitchcock Speaking (1956) -- Women (1959) -- Alfred Hitchcock Resents (1962) -- The Chairman of the Board (1964) -- John Player Lecture (1967) -- Interview: Alfred Hitchcock (1978) -- Selected Bibliography -- Acknowledgments of Permissions -- Index |
| Record Nr. | UNINA-9910828109703321 |
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Hitchcock Alfred <1899-1980, >
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| Oakland, California : , : University of California Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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An invention without a future : essays on cinema / / James Naremore
| An invention without a future : essays on cinema / / James Naremore |
| Autore | Naremore James |
| Pubbl/distr/stampa | Berkeley : , : University of California Press, , [2014] |
| Descrizione fisica | 1 online resource (369 p.) |
| Disciplina | 791.43 |
| Soggetto topico | Motion pictures |
| Soggetto non controllato |
acting
adaptation alfred hitchcock american cinema andrew sarris authorship cinema in the digital age cinema death of cinema digital age film and television film criticism film filmmaking history of cinema howard hawks humanities james agee john huston jonathan rosenbaum literary studies manny farber mediascape modernism modernity and film movies orson welles postmodernism and film postmodernity print journalism stanley kubrick technology vincente minnelli |
| ISBN |
0-520-27974-3
0-520-95794-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: An invention without a future -- Part 1. Issues -- Authorship, auteurism, and cultural politics -- The reign of adaptation -- Notes on acting in cinema -- Imitation, eccentricity, and impersonation in movie acting -- The death and rebirth of rhetoric -- Part 2. Authors, actors, adaptations -- Hawks, Chandler, Bogart, Bacall: The big sleep -- Uptown folk: blackness and entertainment in Cabin in the sky -- Hitchcock and humor -- Hitchcock at the margins of noir -- Spies and lovers: North by Northwest -- Welles, Hollywood, and Heart of darkness -- Orson Welles and movie acting -- Welles and Kubrick: two forms of exile -- The treasure of the Sierra Madre -- The return of the dead -- Part 3. In defense of criticism -- James Agee -- Manny Farber -- Andrew Sarris -- Jonathan Rosenbaum -- Years as a critic: 2007-2010. |
| Record Nr. | UNINA-9910790843303321 |
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Naremore James
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| Berkeley : , : University of California Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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An invention without a future : essays on cinema / / James Naremore
| An invention without a future : essays on cinema / / James Naremore |
| Autore | Naremore James |
| Pubbl/distr/stampa | Berkeley : , : University of California Press, , [2014] |
| Descrizione fisica | 1 online resource (369 p.) |
| Disciplina | 791.43 |
| Soggetto topico | Motion pictures |
| Soggetto non controllato |
acting
adaptation alfred hitchcock american cinema andrew sarris authorship cinema in the digital age cinema death of cinema digital age film and television film criticism film filmmaking history of cinema howard hawks humanities james agee john huston jonathan rosenbaum literary studies manny farber mediascape modernism modernity and film movies orson welles postmodernism and film postmodernity print journalism stanley kubrick technology vincente minnelli |
| ISBN |
0-520-27974-3
0-520-95794-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: An invention without a future -- Part 1. Issues -- Authorship, auteurism, and cultural politics -- The reign of adaptation -- Notes on acting in cinema -- Imitation, eccentricity, and impersonation in movie acting -- The death and rebirth of rhetoric -- Part 2. Authors, actors, adaptations -- Hawks, Chandler, Bogart, Bacall: The big sleep -- Uptown folk: blackness and entertainment in Cabin in the sky -- Hitchcock and humor -- Hitchcock at the margins of noir -- Spies and lovers: North by Northwest -- Welles, Hollywood, and Heart of darkness -- Orson Welles and movie acting -- Welles and Kubrick: two forms of exile -- The treasure of the Sierra Madre -- The return of the dead -- Part 3. In defense of criticism -- James Agee -- Manny Farber -- Andrew Sarris -- Jonathan Rosenbaum -- Years as a critic: 2007-2010. |
| Record Nr. | UNINA-9910819551803321 |
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Naremore James
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| Berkeley : , : University of California Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Invisible storytellers : voice-over narration in American fiction film / / Sarah Kozloff
| Invisible storytellers : voice-over narration in American fiction film / / Sarah Kozloff |
| Autore | Kozloff Sarah |
| Pubbl/distr/stampa | Berkeley : , : University of California Press, , 1988 |
| Descrizione fisica | 1 online resource (178 pages) : illustrations |
| Disciplina | 791.43/0973 |
| Soggetto topico |
Voice-overs
Motion picture plays, American - History and criticism Motion pictures - United States |
| Soggetto non controllato |
adaptation theory
adaptations all about eve annie hall barry lyndon book to movie documentary film double indemnity exposition film adaptation film criticism film interpretation film studies film technique film theory film filmmaking how green was my valley literature media naked city narration narrative theory narrative newsreels nonfiction opening frames platoon popular culture radio red river silent film storytelling television tv voice over wuthering heights |
| ISBN |
1-282-35560-0
9786612355608 0-520-90966-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. The Prejudices against Voice-Over Narration -- 2. Ancestors, Influences, and Development -- 3. First-Person Narrators -- 4. Third-Person Narrators -- 5. Irony in Voice-Over Films -- Conclusion -- Notes -- Filmography -- Bibliography of Works Cited -- Index |
| Record Nr. | UNINA-9910778470603321 |
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Kozloff Sarah
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| Berkeley : , : University of California Press, , 1988 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Invisible storytellers : voice-over narration in American fiction film / / Sarah Kozloff
| Invisible storytellers : voice-over narration in American fiction film / / Sarah Kozloff |
| Autore | Kozloff Sarah |
| Pubbl/distr/stampa | Berkeley : , : University of California Press, , 1988 |
| Descrizione fisica | 1 online resource (178 pages) : illustrations |
| Disciplina | 791.43/0973 |
| Soggetto topico |
Voice-overs
Motion picture plays, American - History and criticism Motion pictures - United States |
| Soggetto non controllato |
adaptation theory
adaptations all about eve annie hall barry lyndon book to movie documentary film double indemnity exposition film adaptation film criticism film interpretation film studies film technique film theory film filmmaking how green was my valley literature media naked city narration narrative theory narrative newsreels nonfiction opening frames platoon popular culture radio red river silent film storytelling television tv voice over wuthering heights |
| ISBN |
1-282-35560-0
9786612355608 0-520-90966-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. The Prejudices against Voice-Over Narration -- 2. Ancestors, Influences, and Development -- 3. First-Person Narrators -- 4. Third-Person Narrators -- 5. Irony in Voice-Over Films -- Conclusion -- Notes -- Filmography -- Bibliography of Works Cited -- Index |
| Record Nr. | UNINA-9910814628903321 |
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Kozloff Sarah
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| Berkeley : , : University of California Press, , 1988 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Masters of light [[electronic resource] ] : conversations with contemporary cinematographers / / Dennis Schaefer and Larry Salvato
| Masters of light [[electronic resource] ] : conversations with contemporary cinematographers / / Dennis Schaefer and Larry Salvato |
| Autore | Schaefer Dennis |
| Pubbl/distr/stampa | Berkeley, Calif. ; ; London, : University of California Press, 2013 |
| Descrizione fisica | 1 online resource (377 p.) |
| Disciplina | 778.5/3/0922 |
| Altri autori (Persone) | SalvatoLarry |
| Soggetto topico |
Cinematographers
Motion picture industry |
| Soggetto non controllato |
actors
art instruction art artistic artists bootleggers career cinema cinematographer cinematographers cinematography conversations creative director of photography documentary engaging film industry film making direction film making film related film studies film theory film filmmaking guide to cinematography interviews live arts media movies page turner performing arts photography theatre theatrical |
| ISBN | 0-520-95649-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Foreword -- Preface -- Introduction -- I. Nestor Almendros -- 2. John Alonzo -- 3. John Bailey -- 4. Bill Butler -- 5. Michael Chapman -- 6. Bill Fraker -- 7. Conrad Hall -- 8. Laszlo Kovacs -- 9. Owen Roizman -- 10. Vittorio Storaro -- 11. MarioTosi -- 12. Haskell Wexler -- 13. Billy Williams -- 14. Gordon Willis -- 15. Vilmos Zsigmond -- Glossary -- Index |
| Record Nr. | UNINA-9910786228203321 |
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Schaefer Dennis
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| Berkeley, Calif. ; ; London, : University of California Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Masters of light [[electronic resource] ] : conversations with contemporary cinematographers / / Dennis Schaefer and Larry Salvato
| Masters of light [[electronic resource] ] : conversations with contemporary cinematographers / / Dennis Schaefer and Larry Salvato |
| Autore | Schaefer Dennis |
| Pubbl/distr/stampa | Berkeley, Calif. ; ; London, : University of California Press, 2013 |
| Descrizione fisica | 1 online resource (377 p.) |
| Disciplina | 778.5/3/0922 |
| Altri autori (Persone) | SalvatoLarry |
| Soggetto topico |
Cinematographers
Motion picture industry |
| Soggetto non controllato |
actors
art instruction art artistic artists bootleggers career cinema cinematographer cinematographers cinematography conversations creative director of photography documentary engaging film industry film making direction film making film related film studies film theory film filmmaking guide to cinematography interviews live arts media movies page turner performing arts photography theatre theatrical |
| ISBN | 0-520-95649-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Foreword -- Preface -- Introduction -- I. Nestor Almendros -- 2. John Alonzo -- 3. John Bailey -- 4. Bill Butler -- 5. Michael Chapman -- 6. Bill Fraker -- 7. Conrad Hall -- 8. Laszlo Kovacs -- 9. Owen Roizman -- 10. Vittorio Storaro -- 11. MarioTosi -- 12. Haskell Wexler -- 13. Billy Williams -- 14. Gordon Willis -- 15. Vilmos Zsigmond -- Glossary -- Index |
| Record Nr. | UNINA-9910827320203321 |
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Schaefer Dennis
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| Berkeley, Calif. ; ; London, : University of California Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Organic cinema : film, architecture, and the work of Béla Tarr / / Thorsten Botz-Bornstein
| Organic cinema : film, architecture, and the work of Béla Tarr / / Thorsten Botz-Bornstein |
| Autore | Botz-Bornstein Thorsten |
| Pubbl/distr/stampa | New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 |
| Descrizione fisica | 1 online resource (221 pages) : illustrations |
| Disciplina | 791.4302/33092 |
| Soggetto topico |
Tarr, Baela - Criticism and interpretation
PERFORMING ARTS / Film & Video / History & Criticism |
| Soggetto non controllato |
20th century
aesthetics architects architecture art artists beauty bela tarr buildings career cinema design engaging film analysis film criticism film school film studies filmmaking history criticism history hungarian filmmaker innovative study long take organic principles organic original analysis page turner performing arts philosophy realistic science and math slow cinema movement theater venerable concept |
| ISBN | 1-78533-567-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Introduction -- CHAPTER 1 Cinema, Architecture, Literature -- CHAPTER 2 Central Europe -- CHAPTER 3 What Is “Organic?” -- CHAPTER 4 The Melancholy of Evolution -- CHAPTER 5 Where Is the Center? -- CHAPTER 6 Modernism and Postmodernism -- CHAPTER 7 Organic Harmonies -- CHAPTER 8 Back to Humanism? -- CHAPTER 9 Politics of Harmony -- CHAPTER 10 The Spiritual -- CHAPTER 11 Organic Places -- CHAPTER 12 The Organic Camera Shot -- Conclusion -- Bibliography -- Index |
| Record Nr. | UNINA-9910792923203321 |
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Botz-Bornstein Thorsten
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| New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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