Invisible storytellers : voice-over narration in American fiction film / / Sarah Kozloff |
Autore | Kozloff Sarah |
Pubbl/distr/stampa | Berkeley : , : University of California Press, , 1988 |
Descrizione fisica | 1 online resource (178 pages) : illustrations |
Disciplina | 791.43/0973 |
Soggetto topico |
Voice-overs
Motion picture plays, American - History and criticism Motion pictures - United States |
Soggetto non controllato |
adaptation theory
adaptations all about eve annie hall barry lyndon book to movie documentary film double indemnity exposition film adaptation film criticism film interpretation film studies film technique film theory film filmmaking how green was my valley literature media naked city narration narrative theory narrative newsreels nonfiction opening frames platoon popular culture radio red river silent film storytelling television tv voice over wuthering heights |
ISBN |
1-282-35560-0
9786612355608 0-520-90966-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. The Prejudices against Voice-Over Narration -- 2. Ancestors, Influences, and Development -- 3. First-Person Narrators -- 4. Third-Person Narrators -- 5. Irony in Voice-Over Films -- Conclusion -- Notes -- Filmography -- Bibliography of Works Cited -- Index |
Record Nr. | UNINA-9910814628903321 |
Kozloff Sarah
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Berkeley : , : University of California Press, , 1988 | ||
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Lo trovi qui: Univ. Federico II | ||
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James Ivory in conversation [[electronic resource] ] : how Merchant Ivory makes its movies / / Robert Emmet Long ; foreword by Janet Maslin |
Autore | Ivory James |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2005 |
Descrizione fisica | 1 online resource (352 p.) |
Disciplina | 791.4302/33/092 |
Altri autori (Persone) | LongRobert Emmet |
Soggetto topico | PERFORMING ARTS / Film & Video / General |
Soggetto non controllato |
a room with a view
american director american filmmaker american producer american screenwriter art of making movies art biographical career documentary films em forster entertainment industry film criticism film studies independent filmmaker india international filmmaking ismail merchant james ivory jessica tandy merchant ivory pictures miss birdseye movie studies movies mr and mrs bridge picasso family ruth prawer jhabvala the bostonians the remains of the day thomas jefferson scholars |
ISBN |
1-282-35879-0
9786612358791 1-59875-787-3 0-520-94036-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Foreword -- Setting the scene -- The early years -- Documentaries, 1952-1972 -- India -- America -- England -- France -- Index -- Photography credits |
Record Nr. | UNINA-9910786713003321 |
Ivory James
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Berkeley, : University of California Press, c2005 | ||
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Lo trovi qui: Univ. Federico II | ||
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James Ivory in conversation : how Merchant Ivory makes its movies / / Robert Emmet Long ; foreword by Janet Maslin |
Autore | Ivory James |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2005 |
Descrizione fisica | 1 online resource (352 p.) |
Disciplina | 791.4302/33/092 |
Altri autori (Persone) | LongRobert Emmet |
Soggetto topico | PERFORMING ARTS / Film & Video / General |
Soggetto non controllato |
a room with a view
american director american filmmaker american producer american screenwriter art of making movies art biographical career documentary films em forster entertainment industry film criticism film studies independent filmmaker india international filmmaking ismail merchant james ivory jessica tandy merchant ivory pictures miss birdseye movie studies movies mr and mrs bridge picasso family ruth prawer jhabvala the bostonians the remains of the day thomas jefferson scholars |
ISBN |
1-282-35879-0
9786612358791 1-59875-787-3 0-520-94036-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Foreword -- Setting the scene -- The early years -- Documentaries, 1952-1972 -- India -- America -- England -- France -- Index -- Photography credits |
Record Nr. | UNISA-996248230403316 |
Ivory James
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Berkeley, : University of California Press, c2005 | ||
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Lo trovi qui: Univ. di Salerno | ||
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James Ivory in conversation : how Merchant Ivory makes its movies / / Robert Emmet Long ; foreword by Janet Maslin |
Autore | Ivory James |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2005 |
Descrizione fisica | 1 online resource (352 p.) |
Disciplina | 791.4302/33/092 |
Altri autori (Persone) | LongRobert Emmet |
Soggetto topico | PERFORMING ARTS / Film & Video / General |
Soggetto non controllato |
a room with a view
american director american filmmaker american producer american screenwriter art of making movies art biographical career documentary films em forster entertainment industry film criticism film studies independent filmmaker india international filmmaking ismail merchant james ivory jessica tandy merchant ivory pictures miss birdseye movie studies movies mr and mrs bridge picasso family ruth prawer jhabvala the bostonians the remains of the day thomas jefferson scholars |
ISBN |
1-282-35879-0
9786612358791 1-59875-787-3 0-520-94036-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Foreword -- Setting the scene -- The early years -- Documentaries, 1952-1972 -- India -- America -- England -- France -- Index -- Photography credits |
Record Nr. | UNINA-9910827945003321 |
Ivory James
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Berkeley, : University of California Press, c2005 | ||
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Lo trovi qui: Univ. Federico II | ||
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Japanese Transnational Cinema |
Autore | Centeno Marcos |
Pubbl/distr/stampa | Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2020 |
Descrizione fisica | 1 electronic resource (134 p.) |
Soggetto topico |
The arts
Films, cinema |
Soggetto non controllato |
Shakespeare
Kurosawa Macbeth films translation transcultural Noh tragedy fate guilt contemporary Japanese cinema cultural blending intertextuality mise en abyme Nobuhiro Suwa transculturality (trans)national cinema national cinema transnational Japanese film taiyōzoku mukokuseki 'kimono effect' youth icons postwar film festivals cartoon movie Japan and Spain transnational imagery film studies ideological analysis ideology Japanese cinema nation New Left New Wave Nuberu Bagu Yoshida Kiju Naomi Kawase cinema of place women directors art cinema international film festivals female authorship auteur metamorphosis animation Franz Kafka cinematic picture film aesthetics theory of beauty ikebana kire geidō film philosophy Japanese aesthetics transcultural thinking Ri Koran Li Xianglan Yamaguchi Yoshiko transnationality Japanese Empire propaganda films |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910557402803321 |
Centeno Marcos
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Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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Killer tapes and shattered screens [[electronic resource] ] : video spectatorship from VHS to file sharing / / Caetlin Benson-Allott |
Autore | Benson-Allott Caetlin Anne |
Pubbl/distr/stampa | Berkeley, CA, : University of California Press, 2013 |
Descrizione fisica | 1 online resource (312 p.) |
Disciplina | 791.43/656 |
Soggetto topico |
Cinematography - Technological innovations
Digital video - Production and direction - Data processing Horror films - History and criticism Motion picture audiences Technology in motion pictures Video recordings industry Video recordings - Production and direction - Data processing |
Soggetto non controllato |
apparatus theory
blu ray box office case studies digital video dvd file sharing film and culture film audiences film critics film industry film scholars film studies home viewing horror movies media studies motion pictures movie culture movies nonfiction piracy post cinematic postmodern philosophy prerecorded video psychoanalysis spectatorship streaming services thrillers united states vhs video on demand video platforms video revenues |
ISBN | 0-520-95449-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Opening Up to Home Video -- 1. Distributing the Dead Video Spectatorship in the Movies of George A. Romero -- 2. Addressing the "New Flesh" Videodrome's Format War -- 3. Reprotechnophobia Putting an End to Analog Abjection with The Ring -- 4. Going, Going, Grindhouse Simulacral Cinematicity and Postcinematic Spectatorship -- 5. Paranormal Spectatorship Faux Footage Horror and the P2P Spectator -- Conclusion. Power Play -- Notes -- Bibliography -- Filmography, Videography, and Gameography -- Index |
Record Nr. | UNINA-9910779540003321 |
Benson-Allott Caetlin Anne
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Berkeley, CA, : University of California Press, 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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Killer tapes and shattered screens [[electronic resource] ] : video spectatorship from VHS to file sharing / / Caetlin Benson-Allott |
Autore | Benson-Allott Caetlin Anne |
Pubbl/distr/stampa | Berkeley, CA, : University of California Press, 2013 |
Descrizione fisica | 1 online resource (312 p.) |
Disciplina | 791.43/656 |
Soggetto topico |
Cinematography - Technological innovations
Digital video - Production and direction - Data processing Horror films - History and criticism Motion picture audiences Technology in motion pictures Video recordings industry Video recordings - Production and direction - Data processing |
Soggetto non controllato |
apparatus theory
blu ray box office case studies digital video dvd file sharing film and culture film audiences film critics film industry film scholars film studies home viewing horror movies media studies motion pictures movie culture movies nonfiction piracy post cinematic postmodern philosophy prerecorded video psychoanalysis spectatorship streaming services thrillers united states vhs video on demand video platforms video revenues |
ISBN | 0-520-95449-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Opening Up to Home Video -- 1. Distributing the Dead Video Spectatorship in the Movies of George A. Romero -- 2. Addressing the "New Flesh" Videodrome's Format War -- 3. Reprotechnophobia Putting an End to Analog Abjection with The Ring -- 4. Going, Going, Grindhouse Simulacral Cinematicity and Postcinematic Spectatorship -- 5. Paranormal Spectatorship Faux Footage Horror and the P2P Spectator -- Conclusion. Power Play -- Notes -- Bibliography -- Filmography, Videography, and Gameography -- Index |
Record Nr. | UNINA-9910826753503321 |
Benson-Allott Caetlin Anne
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Berkeley, CA, : University of California Press, 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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L. A. Rebellion : creating a new black cinema / / edited by Allyson Nadia Field, Jan-Christopher Horak, and Jacqueline Najuma Stewart |
Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2015 |
Descrizione fisica | 1 online resource (xxviii, 454p.) |
Disciplina | 791.43089/96073 |
Soggetto topico |
African American motion picture producers and directors - California - Los Angeles - History - 20th century
Independent filmmakers - California - Los Angeles - History - 20th century Independent films - California - Los Angeles - History - 20th century Experimental films - California - Los Angeles - History - 20th century |
Soggetto non controllato |
20th century american film
african american filmmakers african filmmakers alternative film american cinema archival work billy woodberry black cinema black experience black visual culture caribbean filmmakers charles burnett cinema critical analysis film and television film studies filmography haile gerima hollywood jamaa fanaka julie dash la rebellion movie theory new black cinema political postwar art rebellion ucla university of california los angeles video artists zeinabu irene davis |
ISBN | 0-520-96043-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Preface: Once upon a Time in the West . . . L.A. Rebellion -- Acknowledgements -- INTRODUCTION -- 1. Threads and Nets -- 2. Rebellious Unlearning -- 3. Tough Enough -- 4. Anticipations of the Rebellion -- 5. Re/soundings -- 6. Struggles for the Sign in the Black Atlantic -- 7. Bruising Moments -- 8. The L.A. Rebellion Plays Itself -- 9. Encountering the Rebellion -- 10. L.A. Rebellion Oral Histories -- Filmography -- Selected Bibliography -- Contributors -- Index |
Record Nr. | UNINA-9910797784703321 |
Oakland, California : , : University of California Press, , 2015 | ||
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Lo trovi qui: Univ. Federico II | ||
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L. A. Rebellion : creating a new black cinema / / edited by Allyson Nadia Field, Jan-Christopher Horak, and Jacqueline Najuma Stewart |
Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2015 |
Descrizione fisica | 1 online resource (xxviii, 454p.) |
Disciplina | 791.43089/96073 |
Soggetto topico |
African American motion picture producers and directors - California - Los Angeles - History - 20th century
Independent filmmakers - California - Los Angeles - History - 20th century Independent films - California - Los Angeles - History - 20th century Experimental films - California - Los Angeles - History - 20th century |
Soggetto non controllato |
20th century american film
african american filmmakers african filmmakers alternative film american cinema archival work billy woodberry black cinema black experience black visual culture caribbean filmmakers charles burnett cinema critical analysis film and television film studies filmography haile gerima hollywood jamaa fanaka julie dash la rebellion movie theory new black cinema political postwar art rebellion ucla university of california los angeles video artists zeinabu irene davis |
ISBN | 0-520-96043-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Preface: Once upon a Time in the West . . . L.A. Rebellion -- Acknowledgements -- INTRODUCTION -- 1. Threads and Nets -- 2. Rebellious Unlearning -- 3. Tough Enough -- 4. Anticipations of the Rebellion -- 5. Re/soundings -- 6. Struggles for the Sign in the Black Atlantic -- 7. Bruising Moments -- 8. The L.A. Rebellion Plays Itself -- 9. Encountering the Rebellion -- 10. L.A. Rebellion Oral Histories -- Filmography -- Selected Bibliography -- Contributors -- Index |
Record Nr. | UNINA-9910812716603321 |
Oakland, California : , : University of California Press, , 2015 | ||
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Lo trovi qui: Univ. Federico II | ||
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Latin American cinema : a comparative history / / Paul A. Schroeder Rodríguez |
Autore | Schroeder Rodríguez Paul A. <1968-> |
Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2016 |
Descrizione fisica | 1 online resource : illustrations |
Disciplina | 791.43098 |
Soggetto topico |
Motion pictures - Latin America - History
Motion picture industry - Latin America - History |
Soggetto non controllato |
american cinema
art cinema comparative cinema contemporary cinema contemporary latin american cinema film and cinema film studies film theory latin american cinema latin american cinematography latin american motion pictures latin american silent cinema latin american studio cinema latinx cinema neorealism latin american cinema new latin american cinema silent films studio films the church and latin american cinema |
ISBN | 0-520-96353-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- Part One. Silent Cinema -- Part Two. Studio Cinema -- Part Three. Neorealism and Art Cinema -- Part Four. New Latin American Cinema -- Part Five. Contemporary Cinema -- Conclusion: A Triangulated Cinema -- Appendix: Discourses of Modernity in Latin America -- Notes -- Index |
Record Nr. | UNINA-9910797977303321 |
Schroeder Rodríguez Paul A. <1968->
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Oakland, California : , : University of California Press, , 2016 | ||
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Lo trovi qui: Univ. Federico II | ||
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