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Film as Embodied Art : Bodily Meaning in the Cinema of Stanley Kubrick / / Maarten Coëgnarts
| Film as Embodied Art : Bodily Meaning in the Cinema of Stanley Kubrick / / Maarten Coëgnarts |
| Autore | Coëgnarts Maarten |
| Pubbl/distr/stampa | Boston, MA : , : Academic Studies Press, , [2019] |
| Descrizione fisica | 1 online resource (264 p.) |
| Disciplina | 791.430233092 |
| Soggetto topico | Film theory & criticism |
| Soggetto genere / forma | Electronic books. |
| Soggetto non controllato |
2001: A Space Odyssey
20th century film Barry Lyndon Eyes Wide Shut Paths of Glory Stanley Kubrick The Shining aesthetics artistic intention cinema studies cognitive film theory cognitive linguistics communication directing embodied cognitive science embodied meaning evolutionary theory film as language film scores film semiotics film studies film filmmaking metaphor methodology music perception philosophy psychoanalysis screenwriting semiotics twentieth century film |
| ISBN | 1-64469-113-2 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction. The Theoretical Context of This Study -- Chapter 1. Identifying the Meaning: In Search of the Concepts of Kubrick's Films -- Chapter 2. Embodying the Meaning: The Role of Image Schemas, Metaphors, and Metonymies -- Chapter 3. Setting the Conditions of Embodied Meaning-Making in Film: The Role of Film Style and Acting -- Chapter 4. Fleshing Out the Embodied Meaning Visually: The Art of Kubrick -- Chapter 5. Seeing and Listening to Kubrick's Films: The Embodied Film Viewer -- Appendix -- Glossary -- Filmography -- Discography -- Bibliography -- Index |
| Record Nr. | UNISA-996333144103316 |
Coëgnarts Maarten
|
||
| Boston, MA : , : Academic Studies Press, , [2019] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Film manifestos and global cinema cultures [[electronic resource] ] : a critical anthology / / Scott MacKenzie
| Film manifestos and global cinema cultures [[electronic resource] ] : a critical anthology / / Scott MacKenzie |
| Autore | MacKenzie Scott <1967-> |
| Pubbl/distr/stampa | Berkeley ; ; London : , : University of California Press, , [2014] |
| Descrizione fisica | 1 online resource (675 p.) |
| Disciplina | 791.4301 |
| Soggetto topico |
Motion pictures - Philosophy
Motion pictures Culture in motion pictures |
| Soggetto non controllato |
american film
australian film avant garde canadian film cinema colonialism cultural studies culture european filmmakers film and digital media film archives film culture film manifestos film studies film filmmaking films from the soviet union french film gender and women studies global cinema global film global history of cinema hollywood international cinema italian film japanese film latin america third cinema motion picture production code national cinema pornography radical film russian film |
| ISBN | 0-520-95741-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Film Manifestos and Global Cinema Cultures -- Front matter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- 1. THE AVANT-GARDE(S) -- THE FUTURIST CINEMA (Italy, 1916) -- LENIN DECREE (USSR, 1919) -- THE ABCs OF CINEMA (France, 1917-1921) -- WE: VARIANT OF A MANIFESTO (USSR, 1922) -- THE METHOD OF MAKING WORKERS' FILMS (USSR, 1925) -- CONSTRUCTIVISM IN THE CINEMA (USSR, 1928) -- PREFACE: UN CHIEN ANDALOU (France, 1928) -- MANIFESTO OF THE SURREALISTS CONCERNING L'AGE D'OR (France, 1930) -- MANIFESTO ON "QUE VIVA MEXICO" (USA, 1933) -- SPIRIT OF TRUTH (France, 1933) -- AN OPEN LETTER TO THE FILM INDUSTRY AND TO ALL WHO ARE INTERESTED IN THE EVOLUTION OF THE GOOD FILM (Hungary, 1934) -- LIGHT*FORM*MOVEMENT *SOUND (USA, 1935) -- PROLEGOMENA FOR ALL FUTURE CINEMA (France, 1952) -- NO MORE FLAT FEET! (France, 1952) -- THE LETTRISTES DISAVOW THE INSULTERS OF CHAPLIN (France, 1952) -- THE ONLY DYNAMIC ART (USA, 1953) -- A STATEMENT OF PRINCIPLES (USA, 1961) -- THE FIRST STATEMENT OF THE NEW AMERICAN CINEMA GROUP (USA, 1961) -- FOUNDATION FOR THE INVENTION AND CREATION OF ABSURD MOVIES (USA, 1962) -- FROM METAPHORS ON VISION (USA, 1963) -- KUCHAR 8mm FILM MANIFESTO (USA, 1964) -- FILM ANDEPANDAN [INDEPENDENTS] MANIFESTO (Japan, 1964) -- DISCONTINUOUS FILMS (Canada, 1967) -- HAND-MADE FILMS MANIFESTO (Australia, 1968) -- CINEMA MANIFESTO (Australia, 1971) -- FOR A METAHISTORY OF FILM: COMMONPLACE NOTES AND HYPOTHESES (USA, 1971) -- ELEMENTS OF THE VOID (Greece, 1972) -- SMALL GAUGE MANIFESTO (USA, 1980) -- CINEMA OF TRANSGRESSION MANIFESTO (USA, 1985) -- MODERN, ALL TOO MODERN (USA, 1988) -- OPEN LETTER TO THE EXPERIMENTAL FILM CONGRESS: LET'S SET THE RECORD STRAIGHT (Canada, 1989) -- ANTI-100 YEARS OF CINEMA MANIFESTO (USA, 1996) -- THE DECALOGUE (Czech Republic, 1999) -- YOUR FILM FARM MANIFESTO ON PROCESS CINEMA (Canada, 2012) -- 2. NATIONAL AND TRANSNATIONAL CINEMAS -- FROM "THE GLASS EYE" (Italy, 1933) -- THE ARCHERS' MANIFESTO (UK, 1942) -- WHAT IS WRONG WITH INDIAN FILMS? (India, 1948) -- BUÑUEL THE POET (Mexico, 1951) -- FRENCH CINEMA IS OVER (France, 1952) -- SOME IDEAS ON THE CINEMA (Italy, 1953) -- A CERTAIN TENDENCY IN FRENCH CINEMA (France, 1954) -- SALAMANCA MANIFESTO & CONCLUSIONS OF THE CONGRESS OF SALAMANCA (Spain, 1955) -- FREE CINEMA MANIFESTOS (UK, 1956-1959) -- THE OBERHAUSEN MANIFESTO (West Germany, 1962) -- UNTITLED [OBERHAUSEN 1965] (West Germany, 1965) -- THE MANNHEIM DECLARATION (West Germany, 1967) -- SITGES MANIFESTO (Spain, 1967) -- HOW TO MAKE A CANADIAN FILM (Canada, 1967) -- HOW TO NOT MAKE A CANADIAN FILM (Canada, 1967) -- FROM "THE ESTATES GENERAL OF THE FRENCH CINEMA, MAY 1968" (France, 1968) -- MANIFESTO OF THE NEW CINEMA MOVEMENT (India, 1968) -- WHAT IS TO BE DONE? (France, 1970) -- THE WINNIPEG MANIFESTO (Canada, 1974) -- HAMBURG DECLARATION OF GERMAN FILMMAKERS (West Germany, 1979) -- MANIFESTO I (Denmark, 1984) -- MANIFESTO II (Denmark, 1987) -- MANIFESTO III: I CONFESS! (Denmark, 1990) -- THE CINEMA WE NEED (Canada, 1985) -- PATHWAYS TO THE ESTABLISHMENT OF A NIGERIAN FILM INDUSTRY (Nigeria, 1985) -- MANIFESTO OF 1988 (German Democratic Republic, 1988) -- IN PRAISE OF A POOR CINEMA (Scotland, 1993) -- DOGME '95 MANIFESTO AND VOW OF CHASTITY (Denmark, 1995) -- I SINEMA MANIFESTO (Indonesia, 1999) -- 3. THIRD CINEMAS, COLONIALISM, DECOLONIZATION, AND POSTCOLONIALISM -- MANIFESTO OF THE NEW CINEMA GROUP (Mexico, 1961) -- CINEMA AND UNDERDEVELOPMENT (Argentina, 1962) -- THE AESTHETICS OF HUNGER (Brazil, 1965) -- FOR AN IMPERFECT CINEMA (Cuba, 1969) -- TOWARDS A THIRD CINEMA: NOTES AND EXPERIENCES FOR THE DEVELOPMENT OF A CINEMA OF LIBERATION IN THE THIRD WORLD (Argentina, 1969) -- FILM MAKERS AND THE POPULAR GOVERNMENT POLITICAL MANIFESTO (Chile, 1970) -- CONSCIOUSNESS OF A NEED (Uruguay, 1970) -- MILITANT CINEMA: AN INTERNAL CATEGORY OF THIRD CINEMA (Argentina, 1971) -- FOR COLOMBIA 1971: MILITANCY AND CINEMA (Colombia, 1971) -- THE CINEMA: ANOTHER FACE OF COLONISED QUÉBEC (Canada, 1971) -- 8 MILLIMETERS VERSUS 8 MILLIONS (Mexico, 1972) -- MANIFESTO OF THE PALESTINIAN CINEMA GROUP (Palestine, 1973) -- RESOLUTIONS OF THE THIRD WORLD FILMMAKERS MEETING (Algeria, 1973) -- THE LUZ E AÇÃO MANIFESTO (Brazil, 1973) -- PROBLEMS OF FORM AND CONTENT IN REVOLUTIONARY CINEMA (Bolivia, 1976) -- MANIFESTO OF THE NATIONAL FRONT OF CINEMATOGRAPHERS (Mexico, 1975) -- THE ALGIERS CHARTER ON AFRICAN CINEMA (Algeria, 1975) -- DECLARATION OF PRINCIPLES AND GOALS OF THE NICARAGUAN INSTITUTE OF CINEMA (Nicaragua, 1979) -- WHAT IS THE CINEMA FOR US? (Mauritania, 1979) -- NIAMEY MANIFESTO OF AFRICAN FILMMAKERS (Niger, 1982) -- BLACK INDEPENDENT FILMMAKING: A STATEMENT BY THE BLACK AUDIO FILM COLLECTIVE (UK, 1983) -- FROM BIRTH CERTIFICATE OF THE INTERNATIONAL SCHOOL OF CINEMA AND TELEVISION IN SAN ANTONIO DE LOS BAÑOS, CUBA, NICKNAMED THE SCHOOL OF THREE WORLDS (Cuba, 1986) -- FeC AViP MANIFESTO (France, 1990) -- FINAL COMMUNIQUE OF THE FIRST FRONTLINE FILM FESTIVAL AND WORKSHOP (Zimbabwe, 1990) -- POCHA MANIFESTO #1 (USA, 1994) -- POOR CINEMA MANIFESTO (Cuba, 2004) -- JOLLYWOOD MANIFESTO (Haiti, 2008) -- THE TORONTO DECLARATION: NO CELEBRATION OF OCCUPATION (Canada, 2009) -- 4. GENDER, FEMINIST, QUEER, SEXUALITY, AND PORN MANIFESTOS -- WOMAN'S PLACE IN PHOTOPLAY PRODUCTION (USA, 1914) -- HANDS OFF LOVE (France, 1927) -- THE PERFECT FILMIC APPOSITENESS OF MARIA MONTEZ (USA, 1962) -- ON FILM NO. 4 (IN TAKING THE BOTTOMS OF 365 SAINTS OF OUR TIME) (UK, 1967) -- STATEMENT (USA, 1969) -- WET DREAM FILM FESTIVAL MANIFESTO (The Netherlands, 1970) -- WOMEN'S CINEMA AS COUNTERCINEMA (UK, 1973) -- MANIFESTO FOR A NON-SEXIST CINEMA (Canada, 1974) -- WOMANIFESTO (USA, 1975) -- VISUAL PLEASURE AND NARRATIVE CINEMA (UK, 1975) -- AN EGRET IN THE PORNO SWAMP: NOTES OF SEX IN THE CINEMA (Sweden, 1977) -- FOR THE SELF-EXPRESSION OF THE ARAB WOMAN (France, 1978) -- MANIFESTO OF THE WOMEN FILMMAKERS (West Germany, 1979) -- WIMMIN'S FIRE BRIGADE COMMUNIQUÉ (Canada, 1982) -- THOUGHTS ON WOMEN'S CINEMA: EATING WORDS, VOICING STRUGGLES (USA, 1986) -- THE POST PORN MODERNIST MANIFESTO (USA, 1989) -- STATEMENT OF AFRICAN WOMEN PROFESSIONALS OF CINEMA, TELEVISION AND VIDEO (Burkina Faso, 1991) -- PUZZY POWER MANIFESTO: THOUGHTS ON WOMEN AND PORNOGRAPHY (Denmark, 1998) -- CINEMA WITH TITS (Spain, 1998) -- MY PORN MANIFESTO (France, 2002) -- NO MORE MR. NICE GAY: A MANIFESTO (USA, 2009) -- BAREFOOT FILMMAKING MANIFESTO (UK, 2009) -- DIRTY DIARIES MANIFESTO (Sweden, 2009) -- 5. MILITATING HOLLYWOOD -- CODE TO GOVERN THE MAKING OF TALKING, SYNCHRONIZED AND SILENT MOTION PICTURES (MOTION PICTURE PRODUCTION CODE) (USA, 1930) -- RED FILMS: SOVIETS SPREADING DOCTRINE IN U.S. THEATRES (USA, 1935) -- STATEMENT OF PRINCIPLES (USA, 1944) -- SCREEN GUIDE FOR AMERICANS (USA, 1947) -- WHITE ELEPHANT ART VS. TERMITE ART (USA, 1962) -- SUPER FLY: A SUMMARY OF OBJECTIONS BY THE KUUMBA WORKSHOP (USA, 1972) -- FULL FRONTAL MANIFESTO (USA, 2001) -- 6. THE CREATIVE TREATMENT OF ACTUALITY -- TOWARDS A SOCIAL CINEMA (France, 1930) -- FROM "FIRST PRINCIPLES OF DOCUMENTARY" (UK, 1932) -- MANIFESTO ON THE DOCUMENTARY FILM (UK, 1933) -- DECLARATION OF THE GROUP OF THIRTY (France, 1953) -- INITIAL STATEMENT OF THE NEWSREEL (USA, 1967) -- NOWSREEL, OR THE POTENTIALITIES OF A POLITICAL CINEMA (USA, 1970) -- DOCUMENTARY FILMMAKERS MAKE THEIR CASE (Poland, 1971) -- THE ASIAN FILMMAKERS AT YAMAGATA YIDFF MANIFESTO (Japan, 1989) -- MINNESOTA DECLARATION: TRUTH AND FACT IN DOCUMENTARY CINEMA (Germany, 1999) -- DEFOCUS MANIFESTO (Denmark, 2000) -- KILL THE DOCUMENTARY AS WE KNOW IT (USA, 2002) -- ETHNOGRAPHIC CINEMA (EC): A MANIFESTO / A PROVOCATION (USA, 2003) -- REALITY CINEMA MANIFESTO (Russia, 2005) -- DOCUMENTARY MANIFESTO (USA, 2008) -- CHINA INDEPENDENT FILM FESTIVAL MANIFESTO: SHAMANS * ANIMALS (People's Republic of China, 2011) -- 7.
STATES, DICTATORSHIPS, THE COMINTERN, AND THEOCRACIES -- CAPTURE THE FILM! HINTS ON THE USE OF, OUT OF THE USE OF, PROLETARIAN FILM PROPAGANDA (USA, 1925) -- THE LEGION OF DECENCY PLEDGE (USA, 1934) -- CREATIVE FILM (Germany, 1935) -- VIGILANTI CURA: ON MOTION PICTURES (Vatican City, 1936) -- FOUR CARDINAL POINTS OF A REVOLUÇÃO DE MAIO (Portugal, 1937) -- FROM ON THE ART OF CINEMA (North Korea, 1973) -- 8. ARCHIVES, MUSEUMS, FESTIVALS, AND CINEMATHEQUES -- A NEW SOURCE OF HISTORY: THE CREATION OF A DEPOSITORY FOR HISTORICAL CINEMATOGRAPHY (Poland/France, 1898) -- THE FILM PRAYER (USA, c. 1920) -- THE FILM SOCIETY (UK, 1925) -- FILMLIGA MANIFESTO (The Netherlands, 1927) -- STATEMENT OF PURPOSES (USA, 1948) -- THE IMPORTANCE OF FILM ARCHIVES (UK, 1948) -- A PLEA FOR A CANADIAN FILM ARCHIVE (Canada, 1949) -- OPEN LETTER TO FILM-MAKERS OF THE WORLD (USA, 1966) -- A DECLARATION FROM THE COMMITTEE FOR THE DEFENSE OF LA CINÉMATHÈQUE FRANÇAISE (France, 1968) -- FILMMAKERS VERSUS THE MUSEUM OF MODERN ART (USA, 1969) -- ANTHOLOGY FILM ARCHIVES MANIFESTO (USA, 1970) -- TOWARD AN ETHNOGRAPHIC FILM ARCHIVE (USA, 1971) -- BROOKLYN BABYLON CINEMA MANIFESTO (USA, 1998) -- DON'T THROW FILM AWAY: THE FIAF 70th ANNIVERSARY MANIFESTO (France, 2008) -- THE LINDGREN MANIFESTO: THE FILM CURATOR OF THE FUTURE (Italy, 2010) -- FILM FESTIVAL FORM: A MANIFESTO (UK, 2012) -- 9. SOUNDS AND SILENCE -- A STATEMENT ON SOUND (USSR, 1928) -- A REJECTION OF THE TALKIES (USA, 1931) -- A DIALOGUE ON SOUND: A MANIFESTO (UK, 1934) -- AMALFI MANIFESTO (Italy, 1967) -- 10. THE DIGITAL REVOLUTION -- CULTURE: INTERCOM AND EXPANDED CINEMA: A PROPOSAL AND MANIFESTO (USA, 1966) -- THE DIGITAL REVOLUTION AND THE FUTURE CINEMA (Iran, 2000) -- THE PLUGINMANIFESTO (UK, 2001) -- DIGITAL DEKALOGO: A MANIFESTO FOR A FILMLESS PHILIPPINES (The Philippines, 2003) -- 11. AESTHETICS AND THE FUTURES OF THE CINEMA -- THE BIRTH OF THE SIXTH ART (France, 1911) -- THE BIRTH OF A NEW AVANT GARDE: LA CAMÉRA-STYLO (France, 1948) -- FROM PREFACE TO FILM (UK, 1954) -- THE SNAKESKIN (Sweden, 1965) -- MANIFESTO (Italy, 1965) -- MANIFESTO ON THE RELEASE OF LA CHINOISE (France, 1967) -- DIRECT ACTION CINEMA MANIFESTO (USA, 1985) -- REMODERNIST FILM MANIFESTO (USA, 2008) -- THE AGE OF AMATEUR CINEMA WILL RETURN (People's Republic of China, 2010) -- APPENDIX -- NOTES -- ACKNOWLEDGMENTS OF PERMISSIONS -- INDEX |
| Record Nr. | UNINA-9910789286303321 |
|
MacKenzie Scott <1967->
|
||
| Berkeley ; ; London : , : University of California Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Film manifestos and global cinema cultures [[electronic resource] ] : a critical anthology / / Scott MacKenzie
| Film manifestos and global cinema cultures [[electronic resource] ] : a critical anthology / / Scott MacKenzie |
| Autore | MacKenzie Scott <1967-> |
| Pubbl/distr/stampa | Berkeley ; ; London : , : University of California Press, , [2014] |
| Descrizione fisica | 1 online resource (675 p.) |
| Disciplina | 791.4301 |
| Soggetto topico |
Motion pictures - Philosophy
Motion pictures Culture in motion pictures |
| Soggetto non controllato |
american film
australian film avant garde canadian film cinema colonialism cultural studies culture european filmmakers film and digital media film archives film culture film manifestos film studies film filmmaking films from the soviet union french film gender and women studies global cinema global film global history of cinema hollywood international cinema italian film japanese film latin america third cinema motion picture production code national cinema pornography radical film russian film |
| ISBN | 0-520-95741-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Film Manifestos and Global Cinema Cultures -- Front matter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- 1. THE AVANT-GARDE(S) -- THE FUTURIST CINEMA (Italy, 1916) -- LENIN DECREE (USSR, 1919) -- THE ABCs OF CINEMA (France, 1917-1921) -- WE: VARIANT OF A MANIFESTO (USSR, 1922) -- THE METHOD OF MAKING WORKERS' FILMS (USSR, 1925) -- CONSTRUCTIVISM IN THE CINEMA (USSR, 1928) -- PREFACE: UN CHIEN ANDALOU (France, 1928) -- MANIFESTO OF THE SURREALISTS CONCERNING L'AGE D'OR (France, 1930) -- MANIFESTO ON "QUE VIVA MEXICO" (USA, 1933) -- SPIRIT OF TRUTH (France, 1933) -- AN OPEN LETTER TO THE FILM INDUSTRY AND TO ALL WHO ARE INTERESTED IN THE EVOLUTION OF THE GOOD FILM (Hungary, 1934) -- LIGHT*FORM*MOVEMENT *SOUND (USA, 1935) -- PROLEGOMENA FOR ALL FUTURE CINEMA (France, 1952) -- NO MORE FLAT FEET! (France, 1952) -- THE LETTRISTES DISAVOW THE INSULTERS OF CHAPLIN (France, 1952) -- THE ONLY DYNAMIC ART (USA, 1953) -- A STATEMENT OF PRINCIPLES (USA, 1961) -- THE FIRST STATEMENT OF THE NEW AMERICAN CINEMA GROUP (USA, 1961) -- FOUNDATION FOR THE INVENTION AND CREATION OF ABSURD MOVIES (USA, 1962) -- FROM METAPHORS ON VISION (USA, 1963) -- KUCHAR 8mm FILM MANIFESTO (USA, 1964) -- FILM ANDEPANDAN [INDEPENDENTS] MANIFESTO (Japan, 1964) -- DISCONTINUOUS FILMS (Canada, 1967) -- HAND-MADE FILMS MANIFESTO (Australia, 1968) -- CINEMA MANIFESTO (Australia, 1971) -- FOR A METAHISTORY OF FILM: COMMONPLACE NOTES AND HYPOTHESES (USA, 1971) -- ELEMENTS OF THE VOID (Greece, 1972) -- SMALL GAUGE MANIFESTO (USA, 1980) -- CINEMA OF TRANSGRESSION MANIFESTO (USA, 1985) -- MODERN, ALL TOO MODERN (USA, 1988) -- OPEN LETTER TO THE EXPERIMENTAL FILM CONGRESS: LET'S SET THE RECORD STRAIGHT (Canada, 1989) -- ANTI-100 YEARS OF CINEMA MANIFESTO (USA, 1996) -- THE DECALOGUE (Czech Republic, 1999) -- YOUR FILM FARM MANIFESTO ON PROCESS CINEMA (Canada, 2012) -- 2. NATIONAL AND TRANSNATIONAL CINEMAS -- FROM "THE GLASS EYE" (Italy, 1933) -- THE ARCHERS' MANIFESTO (UK, 1942) -- WHAT IS WRONG WITH INDIAN FILMS? (India, 1948) -- BUÑUEL THE POET (Mexico, 1951) -- FRENCH CINEMA IS OVER (France, 1952) -- SOME IDEAS ON THE CINEMA (Italy, 1953) -- A CERTAIN TENDENCY IN FRENCH CINEMA (France, 1954) -- SALAMANCA MANIFESTO & CONCLUSIONS OF THE CONGRESS OF SALAMANCA (Spain, 1955) -- FREE CINEMA MANIFESTOS (UK, 1956-1959) -- THE OBERHAUSEN MANIFESTO (West Germany, 1962) -- UNTITLED [OBERHAUSEN 1965] (West Germany, 1965) -- THE MANNHEIM DECLARATION (West Germany, 1967) -- SITGES MANIFESTO (Spain, 1967) -- HOW TO MAKE A CANADIAN FILM (Canada, 1967) -- HOW TO NOT MAKE A CANADIAN FILM (Canada, 1967) -- FROM "THE ESTATES GENERAL OF THE FRENCH CINEMA, MAY 1968" (France, 1968) -- MANIFESTO OF THE NEW CINEMA MOVEMENT (India, 1968) -- WHAT IS TO BE DONE? (France, 1970) -- THE WINNIPEG MANIFESTO (Canada, 1974) -- HAMBURG DECLARATION OF GERMAN FILMMAKERS (West Germany, 1979) -- MANIFESTO I (Denmark, 1984) -- MANIFESTO II (Denmark, 1987) -- MANIFESTO III: I CONFESS! (Denmark, 1990) -- THE CINEMA WE NEED (Canada, 1985) -- PATHWAYS TO THE ESTABLISHMENT OF A NIGERIAN FILM INDUSTRY (Nigeria, 1985) -- MANIFESTO OF 1988 (German Democratic Republic, 1988) -- IN PRAISE OF A POOR CINEMA (Scotland, 1993) -- DOGME '95 MANIFESTO AND VOW OF CHASTITY (Denmark, 1995) -- I SINEMA MANIFESTO (Indonesia, 1999) -- 3. THIRD CINEMAS, COLONIALISM, DECOLONIZATION, AND POSTCOLONIALISM -- MANIFESTO OF THE NEW CINEMA GROUP (Mexico, 1961) -- CINEMA AND UNDERDEVELOPMENT (Argentina, 1962) -- THE AESTHETICS OF HUNGER (Brazil, 1965) -- FOR AN IMPERFECT CINEMA (Cuba, 1969) -- TOWARDS A THIRD CINEMA: NOTES AND EXPERIENCES FOR THE DEVELOPMENT OF A CINEMA OF LIBERATION IN THE THIRD WORLD (Argentina, 1969) -- FILM MAKERS AND THE POPULAR GOVERNMENT POLITICAL MANIFESTO (Chile, 1970) -- CONSCIOUSNESS OF A NEED (Uruguay, 1970) -- MILITANT CINEMA: AN INTERNAL CATEGORY OF THIRD CINEMA (Argentina, 1971) -- FOR COLOMBIA 1971: MILITANCY AND CINEMA (Colombia, 1971) -- THE CINEMA: ANOTHER FACE OF COLONISED QUÉBEC (Canada, 1971) -- 8 MILLIMETERS VERSUS 8 MILLIONS (Mexico, 1972) -- MANIFESTO OF THE PALESTINIAN CINEMA GROUP (Palestine, 1973) -- RESOLUTIONS OF THE THIRD WORLD FILMMAKERS MEETING (Algeria, 1973) -- THE LUZ E AÇÃO MANIFESTO (Brazil, 1973) -- PROBLEMS OF FORM AND CONTENT IN REVOLUTIONARY CINEMA (Bolivia, 1976) -- MANIFESTO OF THE NATIONAL FRONT OF CINEMATOGRAPHERS (Mexico, 1975) -- THE ALGIERS CHARTER ON AFRICAN CINEMA (Algeria, 1975) -- DECLARATION OF PRINCIPLES AND GOALS OF THE NICARAGUAN INSTITUTE OF CINEMA (Nicaragua, 1979) -- WHAT IS THE CINEMA FOR US? (Mauritania, 1979) -- NIAMEY MANIFESTO OF AFRICAN FILMMAKERS (Niger, 1982) -- BLACK INDEPENDENT FILMMAKING: A STATEMENT BY THE BLACK AUDIO FILM COLLECTIVE (UK, 1983) -- FROM BIRTH CERTIFICATE OF THE INTERNATIONAL SCHOOL OF CINEMA AND TELEVISION IN SAN ANTONIO DE LOS BAÑOS, CUBA, NICKNAMED THE SCHOOL OF THREE WORLDS (Cuba, 1986) -- FeC AViP MANIFESTO (France, 1990) -- FINAL COMMUNIQUE OF THE FIRST FRONTLINE FILM FESTIVAL AND WORKSHOP (Zimbabwe, 1990) -- POCHA MANIFESTO #1 (USA, 1994) -- POOR CINEMA MANIFESTO (Cuba, 2004) -- JOLLYWOOD MANIFESTO (Haiti, 2008) -- THE TORONTO DECLARATION: NO CELEBRATION OF OCCUPATION (Canada, 2009) -- 4. GENDER, FEMINIST, QUEER, SEXUALITY, AND PORN MANIFESTOS -- WOMAN'S PLACE IN PHOTOPLAY PRODUCTION (USA, 1914) -- HANDS OFF LOVE (France, 1927) -- THE PERFECT FILMIC APPOSITENESS OF MARIA MONTEZ (USA, 1962) -- ON FILM NO. 4 (IN TAKING THE BOTTOMS OF 365 SAINTS OF OUR TIME) (UK, 1967) -- STATEMENT (USA, 1969) -- WET DREAM FILM FESTIVAL MANIFESTO (The Netherlands, 1970) -- WOMEN'S CINEMA AS COUNTERCINEMA (UK, 1973) -- MANIFESTO FOR A NON-SEXIST CINEMA (Canada, 1974) -- WOMANIFESTO (USA, 1975) -- VISUAL PLEASURE AND NARRATIVE CINEMA (UK, 1975) -- AN EGRET IN THE PORNO SWAMP: NOTES OF SEX IN THE CINEMA (Sweden, 1977) -- FOR THE SELF-EXPRESSION OF THE ARAB WOMAN (France, 1978) -- MANIFESTO OF THE WOMEN FILMMAKERS (West Germany, 1979) -- WIMMIN'S FIRE BRIGADE COMMUNIQUÉ (Canada, 1982) -- THOUGHTS ON WOMEN'S CINEMA: EATING WORDS, VOICING STRUGGLES (USA, 1986) -- THE POST PORN MODERNIST MANIFESTO (USA, 1989) -- STATEMENT OF AFRICAN WOMEN PROFESSIONALS OF CINEMA, TELEVISION AND VIDEO (Burkina Faso, 1991) -- PUZZY POWER MANIFESTO: THOUGHTS ON WOMEN AND PORNOGRAPHY (Denmark, 1998) -- CINEMA WITH TITS (Spain, 1998) -- MY PORN MANIFESTO (France, 2002) -- NO MORE MR. NICE GAY: A MANIFESTO (USA, 2009) -- BAREFOOT FILMMAKING MANIFESTO (UK, 2009) -- DIRTY DIARIES MANIFESTO (Sweden, 2009) -- 5. MILITATING HOLLYWOOD -- CODE TO GOVERN THE MAKING OF TALKING, SYNCHRONIZED AND SILENT MOTION PICTURES (MOTION PICTURE PRODUCTION CODE) (USA, 1930) -- RED FILMS: SOVIETS SPREADING DOCTRINE IN U.S. THEATRES (USA, 1935) -- STATEMENT OF PRINCIPLES (USA, 1944) -- SCREEN GUIDE FOR AMERICANS (USA, 1947) -- WHITE ELEPHANT ART VS. TERMITE ART (USA, 1962) -- SUPER FLY: A SUMMARY OF OBJECTIONS BY THE KUUMBA WORKSHOP (USA, 1972) -- FULL FRONTAL MANIFESTO (USA, 2001) -- 6. THE CREATIVE TREATMENT OF ACTUALITY -- TOWARDS A SOCIAL CINEMA (France, 1930) -- FROM "FIRST PRINCIPLES OF DOCUMENTARY" (UK, 1932) -- MANIFESTO ON THE DOCUMENTARY FILM (UK, 1933) -- DECLARATION OF THE GROUP OF THIRTY (France, 1953) -- INITIAL STATEMENT OF THE NEWSREEL (USA, 1967) -- NOWSREEL, OR THE POTENTIALITIES OF A POLITICAL CINEMA (USA, 1970) -- DOCUMENTARY FILMMAKERS MAKE THEIR CASE (Poland, 1971) -- THE ASIAN FILMMAKERS AT YAMAGATA YIDFF MANIFESTO (Japan, 1989) -- MINNESOTA DECLARATION: TRUTH AND FACT IN DOCUMENTARY CINEMA (Germany, 1999) -- DEFOCUS MANIFESTO (Denmark, 2000) -- KILL THE DOCUMENTARY AS WE KNOW IT (USA, 2002) -- ETHNOGRAPHIC CINEMA (EC): A MANIFESTO / A PROVOCATION (USA, 2003) -- REALITY CINEMA MANIFESTO (Russia, 2005) -- DOCUMENTARY MANIFESTO (USA, 2008) -- CHINA INDEPENDENT FILM FESTIVAL MANIFESTO: SHAMANS * ANIMALS (People's Republic of China, 2011) -- 7.
STATES, DICTATORSHIPS, THE COMINTERN, AND THEOCRACIES -- CAPTURE THE FILM! HINTS ON THE USE OF, OUT OF THE USE OF, PROLETARIAN FILM PROPAGANDA (USA, 1925) -- THE LEGION OF DECENCY PLEDGE (USA, 1934) -- CREATIVE FILM (Germany, 1935) -- VIGILANTI CURA: ON MOTION PICTURES (Vatican City, 1936) -- FOUR CARDINAL POINTS OF A REVOLUÇÃO DE MAIO (Portugal, 1937) -- FROM ON THE ART OF CINEMA (North Korea, 1973) -- 8. ARCHIVES, MUSEUMS, FESTIVALS, AND CINEMATHEQUES -- A NEW SOURCE OF HISTORY: THE CREATION OF A DEPOSITORY FOR HISTORICAL CINEMATOGRAPHY (Poland/France, 1898) -- THE FILM PRAYER (USA, c. 1920) -- THE FILM SOCIETY (UK, 1925) -- FILMLIGA MANIFESTO (The Netherlands, 1927) -- STATEMENT OF PURPOSES (USA, 1948) -- THE IMPORTANCE OF FILM ARCHIVES (UK, 1948) -- A PLEA FOR A CANADIAN FILM ARCHIVE (Canada, 1949) -- OPEN LETTER TO FILM-MAKERS OF THE WORLD (USA, 1966) -- A DECLARATION FROM THE COMMITTEE FOR THE DEFENSE OF LA CINÉMATHÈQUE FRANÇAISE (France, 1968) -- FILMMAKERS VERSUS THE MUSEUM OF MODERN ART (USA, 1969) -- ANTHOLOGY FILM ARCHIVES MANIFESTO (USA, 1970) -- TOWARD AN ETHNOGRAPHIC FILM ARCHIVE (USA, 1971) -- BROOKLYN BABYLON CINEMA MANIFESTO (USA, 1998) -- DON'T THROW FILM AWAY: THE FIAF 70th ANNIVERSARY MANIFESTO (France, 2008) -- THE LINDGREN MANIFESTO: THE FILM CURATOR OF THE FUTURE (Italy, 2010) -- FILM FESTIVAL FORM: A MANIFESTO (UK, 2012) -- 9. SOUNDS AND SILENCE -- A STATEMENT ON SOUND (USSR, 1928) -- A REJECTION OF THE TALKIES (USA, 1931) -- A DIALOGUE ON SOUND: A MANIFESTO (UK, 1934) -- AMALFI MANIFESTO (Italy, 1967) -- 10. THE DIGITAL REVOLUTION -- CULTURE: INTERCOM AND EXPANDED CINEMA: A PROPOSAL AND MANIFESTO (USA, 1966) -- THE DIGITAL REVOLUTION AND THE FUTURE CINEMA (Iran, 2000) -- THE PLUGINMANIFESTO (UK, 2001) -- DIGITAL DEKALOGO: A MANIFESTO FOR A FILMLESS PHILIPPINES (The Philippines, 2003) -- 11. AESTHETICS AND THE FUTURES OF THE CINEMA -- THE BIRTH OF THE SIXTH ART (France, 1911) -- THE BIRTH OF A NEW AVANT GARDE: LA CAMÉRA-STYLO (France, 1948) -- FROM PREFACE TO FILM (UK, 1954) -- THE SNAKESKIN (Sweden, 1965) -- MANIFESTO (Italy, 1965) -- MANIFESTO ON THE RELEASE OF LA CHINOISE (France, 1967) -- DIRECT ACTION CINEMA MANIFESTO (USA, 1985) -- REMODERNIST FILM MANIFESTO (USA, 2008) -- THE AGE OF AMATEUR CINEMA WILL RETURN (People's Republic of China, 2010) -- APPENDIX -- NOTES -- ACKNOWLEDGMENTS OF PERMISSIONS -- INDEX |
| Record Nr. | UNINA-9910821412003321 |
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MacKenzie Scott <1967->
|
||
| Berkeley ; ; London : , : University of California Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Film rhythm after sound : technology, music, and performance / / Lea Jacobs
| Film rhythm after sound : technology, music, and performance / / Lea Jacobs |
| Autore | Jacobs Lea |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2015 |
| Descrizione fisica | 1 online resource (281 p.) |
| Disciplina | 791.43/6578 |
| Soggetto topico |
Sound in motion pictures
Motion picture music Dialogue in motion pictures Motion pictures - Production and direction Rhythm |
| Soggetto non controllato |
animated films
animation case studies dialogue disneys silly symphonies eisenstein-prokofiev collaboration film and television film editing film history film music film rhythm film studies film filmmaking first talkies ivan the terrible mickey mouse cartoons movement in film movies music track musicals pacing performance and sound rhythm sound film practices sound in film sound studies sound technologies sound synchronized sound technology tempo |
| ISBN |
0-520-27965-4
0-520-96001-7 |
| Classificazione | LR 53509 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Online Film Clips -- Acknowledgments -- Contents -- 1. Introduction -- 2. A Lesson with Eisenstein -- 3. Mickey Mousing Reconsidered -- 4. Lubitsch and Mamoulian -- 5. Dialogue Timing and Performance in Hawks -- 6. Afterword -- Notes -- Bibliography -- Filmography -- Index |
| Record Nr. | UNINA-9910796472703321 |
|
Jacobs Lea
|
||
| Oakland, California : , : University of California Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Film rhythm after sound : technology, music, and performance / / Lea Jacobs
| Film rhythm after sound : technology, music, and performance / / Lea Jacobs |
| Autore | Jacobs Lea |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2015 |
| Descrizione fisica | 1 online resource (281 p.) |
| Disciplina | 791.43/6578 |
| Soggetto topico |
Sound in motion pictures
Motion picture music Dialogue in motion pictures Motion pictures - Production and direction Rhythm |
| Soggetto non controllato |
animated films
animation case studies dialogue disneys silly symphonies eisenstein-prokofiev collaboration film and television film editing film history film music film rhythm film studies film filmmaking first talkies ivan the terrible mickey mouse cartoons movement in film movies music track musicals pacing performance and sound rhythm sound film practices sound in film sound studies sound technologies sound synchronized sound technology tempo |
| ISBN |
0-520-27965-4
0-520-96001-7 |
| Classificazione | LR 53509 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Online Film Clips -- Acknowledgments -- Contents -- 1. Introduction -- 2. A Lesson with Eisenstein -- 3. Mickey Mousing Reconsidered -- 4. Lubitsch and Mamoulian -- 5. Dialogue Timing and Performance in Hawks -- 6. Afterword -- Notes -- Bibliography -- Filmography -- Index |
| Record Nr. | UNINA-9910810408703321 |
|
Jacobs Lea
|
||
| Oakland, California : , : University of California Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
First cut 2 [[electronic resource] ] : more conversations with film editors / / Gabriella Oldham
| First cut 2 [[electronic resource] ] : more conversations with film editors / / Gabriella Oldham |
| Autore | Oldham Gabriella |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2012 |
| Descrizione fisica | 1 online resource (310 p.) |
| Disciplina | 777/.55 |
| Soggetto topico |
Motion pictures - Editing
Motion picture editors |
| Soggetto non controllato |
21st century
aspiring filmmakers award winners cinema and film cinematic insights digital age documentary film editing editorial process film buffs film editing film editors film historians film history film industry film production film scholars film students film studies film theory filmmaking process independent filmmakers interviews media studies modern film movie buffs nonfiction psychology theatrical productions |
| ISBN |
1-280-79266-3
0-520-95399-1 9786613703057 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Keeping Beats -- 2. Pushing the Envelope -- 3. Cutting from the Gut -- 4. Sensing Psychology -- 5. Capturing the Feeling -- 6. Speaking Cinema -- 7. Editing the Self -- 8. Pointing to the Middle -- 9. Honoring Lives -- 10. Weighing the Gold -- 11. Making It Work -- 12. Striking the Balance -- Bibliography -- Index |
| Altri titoli varianti | First cut two |
| Record Nr. | UNINA-9910779251803321 |
|
Oldham Gabriella
|
||
| Berkeley, : University of California Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
First cut 2 : more conversations with film editors / / Gabriella Oldham
| First cut 2 : more conversations with film editors / / Gabriella Oldham |
| Autore | Oldham Gabriella |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2012 |
| Descrizione fisica | 1 online resource (310 p.) |
| Disciplina | 777/.55 |
| Soggetto topico |
Motion pictures - Editing
Motion picture editors |
| Soggetto non controllato |
21st century
aspiring filmmakers award winners cinema and film cinematic insights digital age documentary film editing editorial process film buffs film editing film editors film historians film history film industry film production film scholars film students film studies film theory filmmaking process independent filmmakers interviews media studies modern film movie buffs nonfiction psychology theatrical productions |
| ISBN |
1-280-79266-3
0-520-95399-1 9786613703057 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Keeping Beats -- 2. Pushing the Envelope -- 3. Cutting from the Gut -- 4. Sensing Psychology -- 5. Capturing the Feeling -- 6. Speaking Cinema -- 7. Editing the Self -- 8. Pointing to the Middle -- 9. Honoring Lives -- 10. Weighing the Gold -- 11. Making It Work -- 12. Striking the Balance -- Bibliography -- Index |
| Altri titoli varianti | First cut two |
| Record Nr. | UNINA-9910823899403321 |
|
Oldham Gabriella
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||
| Berkeley, : University of California Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The garden in the machine [[electronic resource] ] : a field guide to independent films about place / / Scott MacDonald
| The garden in the machine [[electronic resource] ] : a field guide to independent films about place / / Scott MacDonald |
| Autore | MacDonald Scott <1942-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2001 |
| Descrizione fisica | 1 online resource (505 p.) |
| Disciplina | 791.43/611 |
| Soggetto topico |
Experimental films - History and criticism
Motion pictures - Setting and scenery |
| Soggetto non controllato |
1900s
19th century 20th century academic american history avant garde film bruce baillie carolee schneemann central park easy to understand ernie gehr film history film studies filmmakers geography hollis frampton james benning kenneth anger landscape painting landscape larry gottheim literature location mainstream film modern film nathaniel dorsky natural world nature painting peter hutton photographer photography place regional san francisco scholarly stan brakhage walden |
| ISBN |
1-280-49204-X
9786613587275 0-520-92645-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Introduction -- 1. The Garden in the Machine -- 2. Voyages of Life -- 3. Avant-Gardens -- 4. Re-envisioning the American West -- 5. From the Sublime to the Vernacular -- 6. The City as Motion Picture -- 7. The Country in the City -- 8. Rural (and Urban) Hours -- 9. Expulsion from the Garden -- 10. Satan's National Park -- 11. Benedictions/New Frontiers -- Appendix. Distribution Sources for Films and Videos -- Notes -- Index |
| Record Nr. | UNINA-9910790287803321 |
|
MacDonald Scott <1942->
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||
| Berkeley, : University of California Press, 2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The garden in the machine : a field guide to independent films about place / / Scott MacDonald
| The garden in the machine : a field guide to independent films about place / / Scott MacDonald |
| Autore | MacDonald Scott <1942-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2001 |
| Descrizione fisica | 1 online resource (505 p.) |
| Disciplina | 791.43/611 |
| Soggetto topico |
Experimental films - History and criticism
Motion pictures - Setting and scenery |
| Soggetto non controllato |
1900s
19th century 20th century academic american history avant garde film bruce baillie carolee schneemann central park easy to understand ernie gehr film history film studies filmmakers geography hollis frampton james benning kenneth anger landscape painting landscape larry gottheim literature location mainstream film modern film nathaniel dorsky natural world nature painting peter hutton photographer photography place regional san francisco scholarly stan brakhage walden |
| ISBN |
1-280-49204-X
9786613587275 0-520-92645-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Introduction -- 1. The Garden in the Machine -- 2. Voyages of Life -- 3. Avant-Gardens -- 4. Re-envisioning the American West -- 5. From the Sublime to the Vernacular -- 6. The City as Motion Picture -- 7. The Country in the City -- 8. Rural (and Urban) Hours -- 9. Expulsion from the Garden -- 10. Satan's National Park -- 11. Benedictions/New Frontiers -- Appendix. Distribution Sources for Films and Videos -- Notes -- Index |
| Record Nr. | UNINA-9910810636903321 |
|
MacDonald Scott <1942->
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||
| Berkeley, : University of California Press, 2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
High anxieties [[electronic resource] ] : cultural studies in addiction / / Janet Farrell Brodie and Marc Redfield, editors
| High anxieties [[electronic resource] ] : cultural studies in addiction / / Janet Farrell Brodie and Marc Redfield, editors |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2002 |
| Descrizione fisica | 1 online resource (244 p.) |
| Disciplina | 394.1/4 |
| Altri autori (Persone) |
BrodieJanet Farrell
RedfieldMarc <1958-> |
| Soggetto topico |
Alcoholism in literature
Alcoholism in motion pictures Drugs and literature Drugs and motion pictures Substance abuse - Social aspects Virtual reality - Social aspects |
| Soggetto non controllato |
academic
addiction addicts alcohol anxiety cinema studies cultural history cultural studies cyberspace desire drugs empire essay anthology essay collection film studies mental health native american opium orient pleasure repression resistance rhetoric scholarly social history social media social studies terminal illness trauma victorian period virtual reality |
| ISBN |
1-59734-654-3
0-520-93570-5 9786612359453 1-282-35945-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGMENTS -- Introduction -- 1. Addiction and the Ends of Desire -- 2. A Terminal Case -- 3. Narrating National Addictions -- 4. Victorian Highs -- 5. The Rhetoric of Addiction -- 6. Firewater Legacy -- 7. Smoking, Addiction, and the Making of Time -- 8. An Intoxicated Screen -- 9. Welcome to the Pharmacy -- 10. If "Reality Is the Best Metaphor," It Must Be Virtual -- NOTES -- ABOUT THE CONTRIBUTORS -- INDEX |
| Record Nr. | UNINA-9910449968403321 |
| Berkeley, : University of California Press, c2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
