Beyond classical narration : transmedial and unnatural challenges / / edited by Jan Alber, Per Krogh Hansen |
Pubbl/distr/stampa | Berlin ; ; Boston : , : De Gruyter, , [2014] |
Descrizione fisica | 1 online resource (285 p.) |
Disciplina | 302.23 |
Collana | Narratologia : contributions to narrative theory |
Soggetto topico |
Mass media
Narration (Rhetoric) Storytelling in mass media Discourse analysis, Narrative Mass media and language |
Soggetto non controllato |
Narrative theory
film studies literary studies media studies |
ISBN |
3-11-037683-0
3-11-035324-5 |
Classificazione | EC 4500 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Introduction: Transmedial and Unnatural Narratology / Alber, Jan / Hansen, Per Krogh -- The Selection and Concretization of Elements in Verbal and Filmic Narration / Schmid, Wolf -- Toward a Transmedial Narratology: On Narrators in Contemporary Graphic Novels, Feature Films, and Computer Games / Thon, Jan-Noël -- From Ironic Distance to Unexpected Plot Twists: Unreliable Narration in Literature and Film / Brütsch, Matthias -- Narratorial Strategies in Drama and Theatre: A Contribution to Transmedial Narratology / Martens, Gunther / Elshout, Helena -- Building Stories around Contemporary Performing Arts: The Case of Romeo Castellucci's Tragedia Endogonidia / Hennaut, Benoît -- Narrative Journalism from a Transdisciplinary Perspective: A Narratological Analysis of Award-Winning Literary Reportages / Berning, Nora -- Web Series between User-Generated Aesthetics and Self- Reflexive Narration: On the Diversification of Audiovisual Narration on the Internet / Kuhn, Markus -- Emergent Narrative, Collaborative Storytelling: Toward a Narratological Analysis of Alternate Reality Games / Meifert-Menhard, Felicitas -- Photography and Narrative: The Representation of the Atomic Bomb in Photographs of Nagasaki from 1945 to 1995 / Tsuchiyama, Yoko -- Musical Narratology: An Outline / Pawłowska, Małgorzata -- Flow-Stoppers and Frame-Breakers: The Cognitive Complexities of the Film Musical Exemplified by Lars von Trier's Dancer in the Dark (2000) / Hansen, Per Krogh -- The Unnatural in E. A. Poe's "The Oval Portrait" / Nielsen, Henrik Skov -- Postmodernist Impossibilities, the Creation of New Cognitive Frames, and Attempts at Interpretation / Alber, Jan -- Notes on Contributors |
Record Nr. | UNINA-9910819884203321 |
Berlin ; ; Boston : , : De Gruyter, , [2014] | ||
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Lo trovi qui: Univ. Federico II | ||
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Beyond the multiplex [[electronic resource] ] : cinema, new technologies, and the home / / Barbara Klinger |
Autore | Klinger Barbara <1951-> |
Edizione | [Reprint 2019] |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2006 |
Descrizione fisica | 1 online resource (323 p.) |
Disciplina | 302.23/45 |
Soggetto topico |
Home theaters
Motion pictures and television Television - Social aspects Television - Technological innovations |
Soggetto non controllato |
america
cable television cinema aesthetics cinema historians cinemaphiles contemporary film cultural analysis dvd entertainment media entertainment technology ethnography film industry film parodies film reception film studies hollywood home theaters home viewers ideological perspective internet films internet media media studies movie theaters movies and culture nonfiction post theatrical venues social presence theoretical us households vhs |
ISBN |
1-4237-5548-0
0-520-93907-7 1-59875-918-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The new media aristocrats -- The contemporary cinephile -- Remembrance of films past -- Once is not enough -- To infinity and beyond. |
Record Nr. | UNINA-9910783669703321 |
Klinger Barbara <1951->
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Berkeley, : University of California Press, c2006 | ||
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Lo trovi qui: Univ. Federico II | ||
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Beyond the multiplex : cinema, new technologies, and the home / / Barbara Klinger |
Autore | Klinger Barbara <1951-> |
Edizione | [Reprint 2019] |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2006 |
Descrizione fisica | 1 online resource (323 p.) |
Disciplina | 302.23/45 |
Soggetto topico |
Home theaters
Motion pictures and television Television - Social aspects Television - Technological innovations |
Soggetto non controllato |
america
cable television cinema aesthetics cinema historians cinemaphiles contemporary film cultural analysis dvd entertainment media entertainment technology ethnography film industry film parodies film reception film studies hollywood home theaters home viewers ideological perspective internet films internet media media studies movie theaters movies and culture nonfiction post theatrical venues social presence theoretical us households vhs |
ISBN |
1-4237-5548-0
0-520-93907-7 1-59875-918-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The new media aristocrats -- The contemporary cinephile -- Remembrance of films past -- Once is not enough -- To infinity and beyond. |
Record Nr. | UNINA-9910825232803321 |
Klinger Barbara <1951->
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Berkeley, : University of California Press, c2006 | ||
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Lo trovi qui: Univ. Federico II | ||
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Boro, l'île d'amour : the films of Walerian Borowczyk / / edited by Kamila Kuc, Kuba Mikurda, and Michał Oleszczyk |
Pubbl/distr/stampa | New York, [New York] ; ; Oxford, [England] : , : Berghahn, , 2015 |
Descrizione fisica | 1 online resource (210 p.) |
Disciplina | 791.4302/33092 |
Soggetto topico |
Situation comedies (Television programs) - Germany (West)
Situation comedies (Television programs) - Great Britain Situation comedies (Television programs) - United States Television - Social aspects - Germany (West) - History - 20th century Television - Social aspects - Great Britain - History - 20th century Television - Social aspects - United States - History - 20th century PERFORMING ARTS / Individual Director (see also BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts) |
Soggetto non controllato |
academia
academics archival archive art cinema art artistic artsy film avant garde career map cinematography classic comprehensive cult favorite essential companion experimental film experimental media famous directors film history film studies textbook film studies filmography france french art guide to borowczyk impressionistic literary and digital studies movie history polish film director polish movies research scholar students and teachers wide ranging survey |
ISBN | 1-78238-702-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Boro, l'Île d'Amour ; Contents; List of Illustrations ; Acknowledgments; Introduction; Chapter 1 Boro; Chapter 2 Borowczyk's Kunstkamera ; Chapter 3 Animated Bodies; Chapter 4 Cruel Imagination; Chapter 5 The Postcard Never Sent; Chapter 6 Boro; Chapter 7 Borowczyk's Serial Labyrinth; Chapter 8 Immoral Toys; Chapter 9 The Beast with Two Backs; Chapter 10 Laugh in the Doll House; Chapter 11 Enjoying Excess; Chapter 12 The Beach, the Bubble, and the Boudoir; Chapter 13 Sex and the Sacred; Chapter 14 Reflecting on The Strange Case of Dr. Jekyll and Miss Osbourne (1981)
Chapter 15 The Perils of EmmanuelleChapter 16 Revisiting Love Rites (1988) ; Walerian Borowczyk Filmography ; Index |
Record Nr. | UNINA-9910797659603321 |
New York, [New York] ; ; Oxford, [England] : , : Berghahn, , 2015 | ||
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Lo trovi qui: Univ. Federico II | ||
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Boro, l'île d'amour : the films of Walerian Borowczyk / / edited by Kamila Kuc, Kuba Mikurda, and Michał Oleszczyk |
Pubbl/distr/stampa | New York, [New York] ; ; Oxford, [England] : , : Berghahn, , 2015 |
Descrizione fisica | 1 online resource (210 p.) |
Disciplina | 791.4302/33092 |
Soggetto topico |
Situation comedies (Television programs) - Germany (West)
Situation comedies (Television programs) - Great Britain Situation comedies (Television programs) - United States Television - Social aspects - Germany (West) - History - 20th century Television - Social aspects - Great Britain - History - 20th century Television - Social aspects - United States - History - 20th century PERFORMING ARTS / Individual Director (see also BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts) |
Soggetto non controllato |
academia
academics archival archive art cinema art artistic artsy film avant garde career map cinematography classic comprehensive cult favorite essential companion experimental film experimental media famous directors film history film studies textbook film studies filmography france french art guide to borowczyk impressionistic literary and digital studies movie history polish film director polish movies research scholar students and teachers wide ranging survey |
ISBN | 1-78238-702-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Boro, l'Île d'Amour ; Contents; List of Illustrations ; Acknowledgments; Introduction; Chapter 1 Boro; Chapter 2 Borowczyk's Kunstkamera ; Chapter 3 Animated Bodies; Chapter 4 Cruel Imagination; Chapter 5 The Postcard Never Sent; Chapter 6 Boro; Chapter 7 Borowczyk's Serial Labyrinth; Chapter 8 Immoral Toys; Chapter 9 The Beast with Two Backs; Chapter 10 Laugh in the Doll House; Chapter 11 Enjoying Excess; Chapter 12 The Beach, the Bubble, and the Boudoir; Chapter 13 Sex and the Sacred; Chapter 14 Reflecting on The Strange Case of Dr. Jekyll and Miss Osbourne (1981)
Chapter 15 The Perils of EmmanuelleChapter 16 Revisiting Love Rites (1988) ; Walerian Borowczyk Filmography ; Index |
Record Nr. | UNINA-9910815253903321 |
New York, [New York] ; ; Oxford, [England] : , : Berghahn, , 2015 | ||
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Lo trovi qui: Univ. Federico II | ||
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Carnal thoughts [[electronic resource] ] : embodiment and moving image culture / / Vivian Sobchack |
Autore | Sobchack Vivian Carol |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
Descrizione fisica | 1 online resource (341 p.) |
Disciplina | 791.43/01/5 |
Soggetto topico |
Motion pictures - Philosophy
Motion pictures - Psychological aspects |
Soggetto non controllato |
carnality
cinema media studies cinema scholars cinematic experiences contemporary culture corporeal selves emotional experiences essay collection film studies film theory image saturated world media consumption mind body split modern culture modern philosophy moving image culture nonfiction essays nonfiction phenomenological philosophy photographic spaces physical experiences sense making sensory experiences subjects and objects thoughts and senses |
ISBN |
0-520-93782-1
9786613303943 1-283-30394-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- PART I. Sensible Scenes -- PART II. Responsible Visions -- Index |
Record Nr. | UNINA-9910783386303321 |
Sobchack Vivian Carol
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Berkeley, : University of California Press, c2004 | ||
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Lo trovi qui: Univ. Federico II | ||
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Carnal thoughts : embodiment and moving image culture / / Vivian Sobchack |
Autore | Sobchack Vivian Carol |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
Descrizione fisica | 1 online resource (341 p.) |
Disciplina | 791.43/01/5 |
Soggetto topico |
Motion pictures - Philosophy
Motion pictures - Psychological aspects |
Soggetto non controllato |
carnality
cinema media studies cinema scholars cinematic experiences contemporary culture corporeal selves emotional experiences essay collection film studies film theory image saturated world media consumption mind body split modern culture modern philosophy moving image culture nonfiction essays nonfiction phenomenological philosophy photographic spaces physical experiences sense making sensory experiences subjects and objects thoughts and senses |
ISBN |
0-520-93782-1
9786613303943 1-283-30394-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- PART I. Sensible Scenes -- PART II. Responsible Visions -- Index |
Record Nr. | UNINA-9910816780403321 |
Sobchack Vivian Carol
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Berkeley, : University of California Press, c2004 | ||
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Lo trovi qui: Univ. Federico II | ||
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Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
Descrizione fisica | 1 online resource (525 p.) |
Disciplina | 781.5/4209 |
Soggetto topico |
Motion picture music
Symphony |
Soggetto non controllato |
aesthetics
art history auteurs commercial pressure digital age early sound films elmer bernstein erich korngold film criticism film history film music film studies hollywood scores howard shore jerry goldsmith max steiner movie criticism movie studies music and film music for film music history music popular music postmodern film serialism technological innovations the silent film writings |
ISBN |
1-283-27727-1
9786613277275 0-520-94743-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Celluloid Symphonies -- Front matter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index |
Record Nr. | UNINA-9910785691503321 |
Berkeley, CA : , : University of California Press, , [2011] | ||
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Lo trovi qui: Univ. Federico II | ||
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Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
Descrizione fisica | 1 online resource (525 p.) |
Disciplina | 781.5/4209 |
Soggetto topico |
Motion picture music
Symphony |
Soggetto non controllato |
aesthetics
art history auteurs commercial pressure digital age early sound films elmer bernstein erich korngold film criticism film history film music film studies hollywood scores howard shore jerry goldsmith max steiner movie criticism movie studies music and film music for film music history music popular music postmodern film serialism technological innovations the silent film writings |
ISBN |
1-283-27727-1
9786613277275 0-520-94743-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Celluloid Symphonies -- Front matter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index |
Record Nr. | UNINA-9910825955803321 |
Berkeley, CA : , : University of California Press, , [2011] | ||
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Lo trovi qui: Univ. Federico II | ||
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Cinema and fascism [[electronic resource] ] : Italian film and society, 1922-1943 / / Steven Ricci |
Autore | Ricci Steven |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2008 |
Descrizione fisica | 1 online resource (249 p.) |
Disciplina | 791.43/094509041 |
Soggetto topico |
Motion pictures - Italy - History
Fascism and motion pictures - Italy - History Motion pictures - Social aspects - Italy |
Soggetto non controllato |
anti fascism
class differences cultural studies fascism fascist era fascist sports film history film industry film studies historical memory historiography hollywood ideology industrialization interwar years italian cinema italian fascist regime italian film history italian film italian filmmaking italy leisure time movie studies mussolini national body national identity neorealism political politics propaganda readership regional differences spectatorship totalitarian government |
ISBN |
1-282-77230-9
9786612772306 0-520-94128-4 |
Classificazione | 24.32 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Illustrations -- Preface -- Introduction -- 1. Amnesia and Historical Memory -- 2. The Political Economy of Italian Cinema, 1922-1943 -- 3. Leisure Time, Historiography, and Spectatorship -- 4. Italy and America: Fascination and (Re)Negotiation -- 5. The Fascist Codex -- Notes -- Selected Bibliography -- Index |
Record Nr. | UNINA-9910789000603321 |
Ricci Steven
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Berkeley, : University of California Press, c2008 | ||
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Lo trovi qui: Univ. Federico II | ||
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