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Inventing falsehood, making truth : Vico and Neapolitan painting / / Malcolm Bull
| Inventing falsehood, making truth : Vico and Neapolitan painting / / Malcolm Bull |
| Autore | Bull Malcolm |
| Edizione | [Course Book] |
| Pubbl/distr/stampa | Princeton, New Jersey : , : Princeton University Press, , [2013] |
| Descrizione fisica | 1 online resource (161 p.) |
| Disciplina | 759.5/73 |
| Collana |
Essays in the Arts
Essays in the arts |
| Soggetto topico |
Painting - Philosophy
Art and philosophy - Italy - History - 18th century Painting, Italian - Italy - Naples - 18th century Painting, Baroque - Italy - Naples Truth |
| Soggetto non controllato |
Aesthetics
Analogy Andrea Vaccaro Andrea del Sarto Anecdote Annibale Carracci Anthropomorphism Atheism Atomism Augury Bad Painting Baroque painting Caravaggio Caravaggisti Carlo Maratta Cartesianism Catherine of Siena Certainty Certosa di San Martino Chiaroscuro Cimabue Classical mythology Classicism Consciousness Cubism Daniello Bartoli Democritus Depiction Divine Truth Divine judgment Divine providence Domenichino Drapery Epicurus Exorcism Fall of Simon Magus (Pompeo Batoni) Falsity Flagellation of Christ Francesco Solimena Giambattista Vico Giotto God the Father Guido Reni Henri Bergson Iconoclasm Iconography Illustration Jules Michelet Las Meninas Libri Carolini Lodovico Dolce Luca Giordano Lucretius Ludovico Carracci Mannerism Metaphor Metonymy Michelangelo Museo del Prado Neoplatonism Painting Paragone Parmigianino Penitential Pentimento Petrarch Philosopher Philosophical skepticism Philosophy Pietro Aretino Pietro da Cortona Poetry Putto Religion Rhetoric Roman Baroque Sacristy Saint Dominic Saint Francis Receiving the Stigmata (van Eyck) Salvator Rosa San Domenico Maggiore San Gregorio Armeno Scientific skepticism Simon Magus Skepticism Spanish art Still life Tenebrism The Carracci The Expulsion of Heliodorus from the Temple The Gay Science The New Science The Philosopher Theology Thomas Aquinas Tintoretto Titian Tommaso Campanella Truth Zeuxis |
| ISBN | 1-4008-4974-8 |
| Classificazione | ART015030ART015090HIS020000PHI000000 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Prologue -- One. Vico -- Two. Icastic Painting -- Three. Fantastic Painting -- Four. Theological Painting -- Epilogue -- Notes -- Index |
| Record Nr. | UNINA-9910813698803321 |
Bull Malcolm
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| Princeton, New Jersey : , : Princeton University Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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La Cerámica Ática y su Historiografía
| La Cerámica Ática y su Historiografía |
| Autore | Diana Rodríguez Pérez |
| Pubbl/distr/stampa | Coimbra, Portugal, : Coimbra University Press, 2019 |
| Descrizione fisica | 1 electronic resource (198 pages.) : illustrations (some color), photographs, portraits (black and white) |
| Collana | Classica Digitalia: Classica Instrumenta |
| Soggetto topico |
Art, Greek
Vases, Red-figured Attic Greek dialect Vases, Black-figured Art |
| Soggetto non controllato |
Scholarship
Iconography |
| ISBN | 989-26-1534-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | spa |
| Record Nr. | UNINA-9910404225603321 |
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Diana Rodríguez Pérez
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| Coimbra, Portugal, : Coimbra University Press, 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The melancholy art [[electronic resource] /] / Michael Ann Holly
| The melancholy art [[electronic resource] /] / Michael Ann Holly |
| Autore | Holly Michael Ann |
| Edizione | [Course Book] |
| Pubbl/distr/stampa | Princeton, New Jersey, : Princeton University Press, 2013 |
| Descrizione fisica | 1 online resource (225 p.) |
| Disciplina | 707.2/2 |
| Collana | Essays in the arts |
| Soggetto topico |
Art - Historiography
Melancholy |
| Soggetto non controllato |
Aby Warburg
Aestheticism Aesthetics Allegory Alois Riegl Anachronism Analytic confidence Ancient art Aphorism Art criticism Art history Arthur Schopenhauer Artistic merit Ben Nicholson Bernard Berenson Bernard Bosanquet (philosopher) Beyond the Pleasure Principle Caspar David Friedrich Christopher Bollas Classicism Connoisseur Consciousness Contemporary art Criticism Critique of Judgment Death drive Deconstruction Ernst Gombrich Erwin Panofsky Explanation Fra Angelico Friedrich Nietzsche Fritz Saxl Garry Wills Georg Wilhelm Friedrich Hegel George Steiner Giovanni Morelli Hannah Arendt Hans Ulrich Gumbrecht Hayden White Iconography Illusionism (art) Isabella Stewart Gardner Museum Jacques Derrida Jacques Lacan Jacques-Alain Miller James Strachey Jan van Eyck Johann Joachim Winckelmann Josef Strzygowski Julia Kristeva Linguistic turn Literary theory Marion Milner Marsilio Ficino Martin Heidegger Maurice Blanchot Melanie Klein Metahistory Metonymy Meyer Schapiro Michael Baxandall Minima Moralia Modernism Modernity Museum Oceanic feeling Oskar Kokoschka Overpainting Paul de Man Petrarch Philosopher Philosophy Positivism Post-structuralism Postmodernism Psychoanalysis Putto Rainer Maria Rilke Renaissance art Rhetoric Richard Wollheim Romanticism Saint Francis Receiving the Stigmata (van Eyck) Sandro Botticelli Simone Martini Svetlana Alpers The Art of Memory The Gaze of Orpheus The Origin of German Tragic Drama The Philosopher Theses on the Philosophy of History Thought Tintoretto Unthought known W. G. Sebald Walter Benjamin Walter Pater Work of art Writing |
| ISBN |
1-299-05141-3
1-4008-4495-9 |
| Classificazione | EC 2440 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- Acknowledgments -- 1. The Melancholy Art -- 2. Viennese Ghosts -- 3. Stones of Solace -- 4. Patterns in the Shadows -- 5. Mourning and Method -- Postscript -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910786008203321 |
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Holly Michael Ann
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| Princeton, New Jersey, : Princeton University Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The melancholy art [[electronic resource] /] / Michael Ann Holly
| The melancholy art [[electronic resource] /] / Michael Ann Holly |
| Autore | Holly Michael Ann |
| Edizione | [Course Book] |
| Pubbl/distr/stampa | Princeton, New Jersey, : Princeton University Press, 2013 |
| Descrizione fisica | 1 online resource (225 p.) |
| Disciplina | 707.2/2 |
| Collana | Essays in the arts |
| Soggetto topico |
Art - Historiography
Melancholy |
| Soggetto non controllato |
Aby Warburg
Aestheticism Aesthetics Allegory Alois Riegl Anachronism Analytic confidence Ancient art Aphorism Art criticism Art history Arthur Schopenhauer Artistic merit Ben Nicholson Bernard Berenson Bernard Bosanquet (philosopher) Beyond the Pleasure Principle Caspar David Friedrich Christopher Bollas Classicism Connoisseur Consciousness Contemporary art Criticism Critique of Judgment Death drive Deconstruction Ernst Gombrich Erwin Panofsky Explanation Fra Angelico Friedrich Nietzsche Fritz Saxl Garry Wills Georg Wilhelm Friedrich Hegel George Steiner Giovanni Morelli Hannah Arendt Hans Ulrich Gumbrecht Hayden White Iconography Illusionism (art) Isabella Stewart Gardner Museum Jacques Derrida Jacques Lacan Jacques-Alain Miller James Strachey Jan van Eyck Johann Joachim Winckelmann Josef Strzygowski Julia Kristeva Linguistic turn Literary theory Marion Milner Marsilio Ficino Martin Heidegger Maurice Blanchot Melanie Klein Metahistory Metonymy Meyer Schapiro Michael Baxandall Minima Moralia Modernism Modernity Museum Oceanic feeling Oskar Kokoschka Overpainting Paul de Man Petrarch Philosopher Philosophy Positivism Post-structuralism Postmodernism Psychoanalysis Putto Rainer Maria Rilke Renaissance art Rhetoric Richard Wollheim Romanticism Saint Francis Receiving the Stigmata (van Eyck) Sandro Botticelli Simone Martini Svetlana Alpers The Art of Memory The Gaze of Orpheus The Origin of German Tragic Drama The Philosopher Theses on the Philosophy of History Thought Tintoretto Unthought known W. G. Sebald Walter Benjamin Walter Pater Work of art Writing |
| ISBN |
1-299-05141-3
1-4008-4495-9 |
| Classificazione | EC 2440 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- Acknowledgments -- 1. The Melancholy Art -- 2. Viennese Ghosts -- 3. Stones of Solace -- 4. Patterns in the Shadows -- 5. Mourning and Method -- Postscript -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910815622103321 |
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Holly Michael Ann
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| Princeton, New Jersey, : Princeton University Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The mimetic strand in the cello literature : within the context of history, instrument design, iconography and cello performance / / Urszula Mizia ; translated by John Comber
| The mimetic strand in the cello literature : within the context of history, instrument design, iconography and cello performance / / Urszula Mizia ; translated by John Comber |
| Autore | Mizia Urszula |
| Pubbl/distr/stampa | Bern, : Peter Lang International Academic Publishing Group, 2020 |
| Descrizione fisica | 1 online resource (336 pages) |
| Disciplina | 787.4092 |
| Collana | Ars musica (Frankfurt am Main, Germany) |
| Soggetto topico | Cello music - History and criticism |
| Soggetto non controllato |
Akant
budowy Cello Cello construction Cello history Cello iconography Cello performance and emancipation Cello transcriptions Context Design historii History Iconography ikonografii Instrument instrumentu kontekście Literature literaturze Mimesis Mimetic mimetyczny Mizia Nurt oraz Performance Strand Trend wiolonczelowego wiolonczelowej Wydawnictwo wykonawstwa |
| ISBN |
3-631-82629-X
3-631-82628-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910508710003321 |
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Mizia Urszula
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| Bern, : Peter Lang International Academic Publishing Group, 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Saints and signs [[electronic resource] ] : a semiotic reading of conversion in early modern Catholicism / / Massimo Leone
| Saints and signs [[electronic resource] ] : a semiotic reading of conversion in early modern Catholicism / / Massimo Leone |
| Autore | Leone Massimo <1975-> |
| Pubbl/distr/stampa | Berlin ; ; New York, : De Gruyter, c2010 |
| Descrizione fisica | 1 online resource (664 p.) |
| Disciplina | 282.09/03 |
| Collana | Religion and society |
| Soggetto topico |
Christian saints
Idols and images Hagiography Christian art and symbolism |
| Soggetto non controllato |
Early Modern Catholicism
Iconography Religious Conversion Saints Semiotics |
| ISBN |
1-282-78413-7
9786612784132 3-11-022952-8 |
| Classificazione | BO 5530 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- Acknowledgments -- 1. Introduction -- 2. Ignatius of Loyola as a sign: religious conversion between divine grace and human will -- 3. Philip Neri as a sign: religious conversion between internal and external missions -- 4. Francis Xavier as a sign: conversion between sameness and otherness -- 5. Therese of Avila as a sign: religious conversion between the cloister and the world -- 6. Conclusions -- Backmatter |
| Record Nr. | UNINA-9910785153403321 |
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Leone Massimo <1975->
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| Berlin ; ; New York, : De Gruyter, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Saints and signs [[electronic resource] ] : a semiotic reading of conversion in early modern Catholicism / / Massimo Leone
| Saints and signs [[electronic resource] ] : a semiotic reading of conversion in early modern Catholicism / / Massimo Leone |
| Autore | Leone Massimo <1975-> |
| Pubbl/distr/stampa | Berlin ; ; New York, : De Gruyter, c2010 |
| Descrizione fisica | 1 online resource (664 p.) |
| Disciplina | 282.09/03 |
| Collana | Religion and society |
| Soggetto topico |
Christian saints
Idols and images Hagiography Christian art and symbolism |
| Soggetto non controllato |
Early Modern Catholicism
Iconography Religious Conversion Saints Semiotics |
| ISBN |
1-282-78413-7
9786612784132 3-11-022952-8 |
| Classificazione | BO 5530 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- Acknowledgments -- 1. Introduction -- 2. Ignatius of Loyola as a sign: religious conversion between divine grace and human will -- 3. Philip Neri as a sign: religious conversion between internal and external missions -- 4. Francis Xavier as a sign: conversion between sameness and otherness -- 5. Therese of Avila as a sign: religious conversion between the cloister and the world -- 6. Conclusions -- Backmatter |
| Record Nr. | UNINA-9910810684103321 |
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Leone Massimo <1975->
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| Berlin ; ; New York, : De Gruyter, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Ästhetische Eigenlogiken des europäischen Genrebildes : Temporalität, Ambiguität, Latenz / / hrsg. von Dominik Brabant, Britta Hochkirchen
| Ästhetische Eigenlogiken des europäischen Genrebildes : Temporalität, Ambiguität, Latenz / / hrsg. von Dominik Brabant, Britta Hochkirchen |
| Pubbl/distr/stampa | Bielefeld : , : Bielefeld University Press, , [2023] |
| Descrizione fisica | 1 online resource (360 p.) |
| Soggetto topico | ART / History / General |
| Soggetto non controllato |
Aesthetics of Reception
Aesthetics Ambiguity Art History of the 19th Century Art History Art Bielefeld University Press Early Modernity European Art Genre Picture Genre History Painting Iconography Image Theory Image Modernity Temporality Visual Studies |
| ISBN | 3-8394-6898-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter -- Inhalt -- Ästhetische Eigenlogiken des europäischen Genrebildes: Temporalität, Ambiguität, Latenz -- Trinken, Vergnügen, Elternzeit -- Der latente Prodigus -- Antike Gattungstheorie, die implizite Gattungsreflexion der frühen italienischen Genrebilder und Annibale Carraccis Knabenbilder -- Vieldeutige Begegnungen und latente Wirkkräfte -- Kritische Bildkonstellationen -- Frei/Zeit/Bild -- Aufgeteilte Sichtbarkeit -- Skulpturale Lebendigkeit im Zeitalter der Aufklärung -- Genremalerei als Operation des »Romantisierens«? -- Augenblick und Fragment in Adolph Menzels Genremalerei -- Öffentliche Privatheit -- Rosemary’s Baby und Blue Velvet -- Autorinnen und Autoren |
| Record Nr. | UNISA-996552369803316 |
| Bielefeld : , : Bielefeld University Press, , [2023] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Ästhetische Eigenlogiken des europäischen Genrebildes : Temporalität, Ambiguität, Latenz / / hrsg. von Dominik Brabant, Britta Hochkirchen
| Ästhetische Eigenlogiken des europäischen Genrebildes : Temporalität, Ambiguität, Latenz / / hrsg. von Dominik Brabant, Britta Hochkirchen |
| Pubbl/distr/stampa | Bielefeld : , : Bielefeld University Press, , [2023] |
| Descrizione fisica | 1 online resource (360 p.) |
| Soggetto topico | ART / History / General |
| Soggetto non controllato |
Aesthetics of Reception
Aesthetics Ambiguity Art History of the 19th Century Art History Art Bielefeld University Press Early Modernity European Art Genre Picture Genre History Painting Iconography Image Theory Image Modernity Temporality Visual Studies |
| ISBN | 3-8394-6898-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter -- Inhalt -- Ästhetische Eigenlogiken des europäischen Genrebildes: Temporalität, Ambiguität, Latenz -- Trinken, Vergnügen, Elternzeit -- Der latente Prodigus -- Antike Gattungstheorie, die implizite Gattungsreflexion der frühen italienischen Genrebilder und Annibale Carraccis Knabenbilder -- Vieldeutige Begegnungen und latente Wirkkräfte -- Kritische Bildkonstellationen -- Frei/Zeit/Bild -- Aufgeteilte Sichtbarkeit -- Skulpturale Lebendigkeit im Zeitalter der Aufklärung -- Genremalerei als Operation des »Romantisierens«? -- Augenblick und Fragment in Adolph Menzels Genremalerei -- Öffentliche Privatheit -- Rosemary’s Baby und Blue Velvet -- Autorinnen und Autoren |
| Record Nr. | UNINA-9910746986503321 |
| Bielefeld : , : Bielefeld University Press, , [2023] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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