Die Obsession der Puppe in der Fotografie : Hans Bellmer, Pierre Molinier, Cindy Sherman / Birgit Käufer |
Autore | Käufer Birgit |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
Descrizione fisica | 1 online resource (332) |
Collana | Kultur- und Medientheorie |
Soggetto topico | Puppe; Fotografie; Hans Bellmer; Pierre Molinier; Cindy Sherman; Kunst; Kunstgeschichte des 20. Jahrhunderts; Kunstgeschichte des 21. Jahrhunderts; Körper; Kunstwissenschaft; Photography; Arts; Art History of the 20th Century; Art History of the 21st Century; Body; Fine Arts |
Soggetto non controllato |
Art History of the 20th Century
Art History of the 21st Century Arts Body Fine Arts |
ISBN | 3-8394-0501-7 |
Classificazione | AP 94500 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter 1 INHALT 5 DANKSAGUNG 7 TRUE BODIES? VON DER SUCHE NACH DEM ECHTEN KÖRPER UND DEM FINDEN DER KUNSTFIGUR 9 PUPPE - FOTOGRAFIE - GESCHLECHT: EINE VERBINDUNG DER UNHEIMLICHEN ART 23 HANS BELLMER 43 PIERRE MOLINIER 145 CINDY SHERMAN 209 ALTE MEDIEN - ZWEIFELHAFTE KÖRPER - UND DIE UTOPIE VON DER DIGITALEN REVOLUTION 293 LITERATURVERZEICHNIS 299 ABBILDUNGSVERZEICHNIS 317 Backmatter 329 |
Record Nr. | UNISA-996308811903316 |
Käufer Birgit
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Bielefeld, : transcript Verlag, 2015 | ||
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Lo trovi qui: Univ. di Salerno | ||
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Operatic Pasticcios in 18th-Century Europe : Contexts, Materials and Aesthetics / Berthold Over, Gesa zur Nieden |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2021 |
Descrizione fisica | 1 online resource (798 p.) |
Disciplina | 782.109033 |
Collana | Mainzer Historische Kulturwissenschaften |
Soggetto topico | Opera; Pastiche; Work Concept; Music Aesthetics; Arts; Cultural History; Art; Art History; European Art; Fine Arts |
Soggetto non controllato |
Art History
Art Arts Cultural History European Art Fine Arts Music Aesthetics Pastiche Work Concept |
ISBN | 3-8394-4885-9 |
Classificazione | LR 54171 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Editorial -- Content -- Introduction -- The World of Pasticcio Reflections on Pre-Existing T ext and Music -- Italian Pasticcio Opera, 1700-1750 Practices and Repertoires -- 1. Pasticcio Principles in Different Arts -- Antoine Watteau’s pasticci -- Pasticcio Practice in 18th-Century German Theater -- Adaptations of Stage Directions and Stage Designs in Pietro Metastasio’ s drammi per musica -- Between Dwarfs and Giants. Aesthetics of the Pasticcio between London and Hamburg -- 2. Pasticcio vs. Pastiche -- The Musical pasticcio: A Plea for a Readymade Ontology for the Musical Work -- Pasticcio en littérature? -- On the New Significance of the Pastiche in Copyright Law -- 3. Traveling Musicians – Traveling Music? -- A Voice of Two Cities: Francesco Borosini between the Habsburg Court and the Royal Academy -- Debts and Destiny New Findings on Antonio Maria Peruzzi and the Origin of His Opera Touring Business -- Italian operisti, Repertoire and the aria di baule: Insights from the Pirker Correspondence -- Dido Abandoned? Shifts of Focus and Artistic Choices in Didone Pasticcios of the Mingotti Opera T roupe -- Palladio as a Tool for opera buffa Research. Mapping Opera Troupes and opera buffa Outside of Italy (1745-1765) -- 4. Local Conditions of Pasticcio Production and Reception -- Collaboration, Arrangement, ‘Dressing’: The Different Recipes for the pasticcio alla napoletana in the First Half of the 18th Century -- Production of Opera Pasticcios in Venice in the Early 18th Century. The Impresario’s Role -- Artaserse (Rome, 1721), Nicola Porpora’s First Pasticcio -- Singers of the V iennese Kärntnertortheater in the 1730s in the Light of Aria Substitutions and Pasticcios -- The Book of Pasticcios: Listening to Ormisda’s Material Texts -- Borrowed Voices. Legal Ownership of Insertion Arias in 18th-Century London -- Local Conditions of Pasticcio Production and Reception: Between Prague, W rocław and Moravia -- The Graz 1740 Pasticcio Amor, odio e pentimento: A Special Case or Mingottis’ s Common Practice? -- A Granted Royal Wish, or Carlo Goldoni’ s La buona figliuola with Music by Niccolò Piccinni and Il mercato di Malmantile with Music by Domenico Fischietti, Staged in Warsaw in 1765 -- 5. Pasticcio Practices Beyond Opera -- Bad Habits in Theater – Late Forms of Operatic Pasticcios in Vienna Around 1800 -- Dance in Pasticcios – Pasticcios in Dance -- Ballet Performance as Motivation for Pasticcio Practices – Gluck’ s and Berton’s Cythère assiégée (1775) -- The Use of Extracts of Mozart’ s Operas in Polish Sacred Music -- Pasticcio da chiesa: Transforming Opera Arias into an Oratorio The Case of Contrafacted Oratorios in Wrocław and Żagań from the Mid-18th Century -- 6. Pasticcio Between Philology and Materiality -- Apostolo Zeno’s Venceslao (Venice 1703) and its Pasticcio Version Vincislao re di Polonia (London 1717) A Case Study with Stops in Florence, Milan and Naples -- The Musical and Physical Mobility of Material in Handel Sources -- Pasticcios in Darmstadt? Christoph Graupner and the Use of Non-domestic Librettos in the Early 18th Century -- Gluck’s Contribution to the Pasticcios Arsace and La finta schiava -- Digital Music Editions Beyond [Edited] Musical Text -- The pasticci Tree: Manual and Computing Solutions -- Ways of Replacement – Loss and Enrichment -- Epilogue -- List of Contributors -- Index of Persons -- Index of Places |
Record Nr. | UNINA-9910642294903321 |
Bielefeld, : transcript Verlag, 2021 | ||
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Lo trovi qui: Univ. Federico II | ||
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Operatic Pasticcios in 18th-Century Europe : Contexts, Materials and Aesthetics / Berthold Over, Gesa zur Nieden |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2021 |
Descrizione fisica | 1 online resource (798 p.) |
Disciplina | 782.109033 |
Collana | Mainzer Historische Kulturwissenschaften |
Soggetto topico | Opera; Pastiche; Work Concept; Music Aesthetics; Arts; Cultural History; Art; Art History; European Art; Fine Arts |
Soggetto non controllato |
Art History
Art Arts Cultural History European Art Fine Arts Music Aesthetics Pastiche Work Concept |
ISBN | 3-8394-4885-9 |
Classificazione | LR 54171 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Editorial -- Content -- Introduction -- The World of Pasticcio Reflections on Pre-Existing T ext and Music -- Italian Pasticcio Opera, 1700-1750 Practices and Repertoires -- 1. Pasticcio Principles in Different Arts -- Antoine Watteau’s pasticci -- Pasticcio Practice in 18th-Century German Theater -- Adaptations of Stage Directions and Stage Designs in Pietro Metastasio’ s drammi per musica -- Between Dwarfs and Giants. Aesthetics of the Pasticcio between London and Hamburg -- 2. Pasticcio vs. Pastiche -- The Musical pasticcio: A Plea for a Readymade Ontology for the Musical Work -- Pasticcio en littérature? -- On the New Significance of the Pastiche in Copyright Law -- 3. Traveling Musicians – Traveling Music? -- A Voice of Two Cities: Francesco Borosini between the Habsburg Court and the Royal Academy -- Debts and Destiny New Findings on Antonio Maria Peruzzi and the Origin of His Opera Touring Business -- Italian operisti, Repertoire and the aria di baule: Insights from the Pirker Correspondence -- Dido Abandoned? Shifts of Focus and Artistic Choices in Didone Pasticcios of the Mingotti Opera T roupe -- Palladio as a Tool for opera buffa Research. Mapping Opera Troupes and opera buffa Outside of Italy (1745-1765) -- 4. Local Conditions of Pasticcio Production and Reception -- Collaboration, Arrangement, ‘Dressing’: The Different Recipes for the pasticcio alla napoletana in the First Half of the 18th Century -- Production of Opera Pasticcios in Venice in the Early 18th Century. The Impresario’s Role -- Artaserse (Rome, 1721), Nicola Porpora’s First Pasticcio -- Singers of the V iennese Kärntnertortheater in the 1730s in the Light of Aria Substitutions and Pasticcios -- The Book of Pasticcios: Listening to Ormisda’s Material Texts -- Borrowed Voices. Legal Ownership of Insertion Arias in 18th-Century London -- Local Conditions of Pasticcio Production and Reception: Between Prague, W rocław and Moravia -- The Graz 1740 Pasticcio Amor, odio e pentimento: A Special Case or Mingottis’ s Common Practice? -- A Granted Royal Wish, or Carlo Goldoni’ s La buona figliuola with Music by Niccolò Piccinni and Il mercato di Malmantile with Music by Domenico Fischietti, Staged in Warsaw in 1765 -- 5. Pasticcio Practices Beyond Opera -- Bad Habits in Theater – Late Forms of Operatic Pasticcios in Vienna Around 1800 -- Dance in Pasticcios – Pasticcios in Dance -- Ballet Performance as Motivation for Pasticcio Practices – Gluck’ s and Berton’s Cythère assiégée (1775) -- The Use of Extracts of Mozart’ s Operas in Polish Sacred Music -- Pasticcio da chiesa: Transforming Opera Arias into an Oratorio The Case of Contrafacted Oratorios in Wrocław and Żagań from the Mid-18th Century -- 6. Pasticcio Between Philology and Materiality -- Apostolo Zeno’s Venceslao (Venice 1703) and its Pasticcio Version Vincislao re di Polonia (London 1717) A Case Study with Stops in Florence, Milan and Naples -- The Musical and Physical Mobility of Material in Handel Sources -- Pasticcios in Darmstadt? Christoph Graupner and the Use of Non-domestic Librettos in the Early 18th Century -- Gluck’s Contribution to the Pasticcios Arsace and La finta schiava -- Digital Music Editions Beyond [Edited] Musical Text -- The pasticci Tree: Manual and Computing Solutions -- Ways of Replacement – Loss and Enrichment -- Epilogue -- List of Contributors -- Index of Persons -- Index of Places |
Record Nr. | UNISA-996509963903316 |
Bielefeld, : transcript Verlag, 2021 | ||
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Lo trovi qui: Univ. di Salerno | ||
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Die Ordnung der Klänge : Das Wechselspiel der Künste vom Bauhaus zum Black Mountain College / Andi Schoon |
Autore | Schoon Andi |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
Descrizione fisica | 1 online resource (216) |
Disciplina | 700 |
Collana | Kultur- und Medientheorie |
Soggetto topico | Bauhaus; Black Mountain College; Interdisziplinarität; Medienkunst; Performance; Kunst; Musik; Architektur; Kunstgeschichte des 20. Jahrhunderts; Musikwissenschaft; Medienästhetik; Media Art; Arts; Music; Architecture; Art History of the 20th Century; Musicology; Media Aesthetics |
Soggetto non controllato |
Architecture
Art History of the 20th Century Arts Media Aesthetics Music Musicology |
ISBN | 3-8394-0450-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter 1 Inhalt 5 Einleitung: Das Prinzip Bauhaus 7 1. Verflechtungen von Musik und Kunst - Linien, die zum Bauhaus führen 13 2. Das Streben nach Kontrolle - Musik am Bauhaus 31 3. Die Suche nach der offenen Form - Musik am Black Mountain College 89 4. Formen und Funktionen - Linien, die vom Bauhaus ausgehen 153 5. Fazit: Ein Labor für visionäres Scheitern 177 Nachschrift 191 Literatur- und Quellenverzeichnis 199 Backmatter 214 |
Record Nr. | UNINA-9910372804803321 |
Schoon Andi
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Bielefeld, : transcript Verlag, 2015 | ||
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Lo trovi qui: Univ. Federico II | ||
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Die Ordnung der Klänge : Das Wechselspiel der Künste vom Bauhaus zum Black Mountain College / Andi Schoon |
Autore | Schoon Andi |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
Descrizione fisica | 1 online resource (216) |
Disciplina | 700 |
Collana | Kultur- und Medientheorie |
Soggetto topico | Bauhaus; Black Mountain College; Interdisziplinarität; Medienkunst; Performance; Kunst; Musik; Architektur; Kunstgeschichte des 20. Jahrhunderts; Musikwissenschaft; Medienästhetik; Media Art; Arts; Music; Architecture; Art History of the 20th Century; Musicology; Media Aesthetics |
Soggetto non controllato |
Architecture
Art History of the 20th Century Arts Media Aesthetics Music Musicology |
ISBN | 3-8394-0450-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter 1 Inhalt 5 Einleitung: Das Prinzip Bauhaus 7 1. Verflechtungen von Musik und Kunst - Linien, die zum Bauhaus führen 13 2. Das Streben nach Kontrolle - Musik am Bauhaus 31 3. Die Suche nach der offenen Form - Musik am Black Mountain College 89 4. Formen und Funktionen - Linien, die vom Bauhaus ausgehen 153 5. Fazit: Ein Labor für visionäres Scheitern 177 Nachschrift 191 Literatur- und Quellenverzeichnis 199 Backmatter 214 |
Record Nr. | UNISA-996308809103316 |
Schoon Andi
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Bielefeld, : transcript Verlag, 2015 | ||
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Lo trovi qui: Univ. di Salerno | ||
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Die Ordnung des Theaters : Eine Soziologie der Regie / Denis Hänzi |
Autore | Hänzi Denis |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2014 |
Descrizione fisica | 1 online resource (455 pages) |
Disciplina | 792 |
Collana | Theater |
Soggetto topico | Beruf; Charisma; Gender; Kunst; Theaterregie; Habitus; Feld; Bourdieu; Theater; Theaterwissenschaft; Kultursoziologie; Gender Studies; Arts; Theatre; Theatre Studies; Sociology of Culture |
Soggetto non controllato |
Arts
Gender Studies Sociology of Culture Theatre Studies Theatre |
ISBN | 3-8394-2342-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | 1 Inhalt 5 Präludium 11 Zur Anlage der Studie 21 Entwicklungen und Verworrenheiten der Theaterregie 67 Spielfeld, Spielgeld & Co. 163 Geheiligt werde Dein Name 257 Dispositionen und Passungsverhältnisse 335 Schlussbetrachtung 411 Bibliografie 421 Linkliste 447 Dank 449 451 |
Record Nr. | UNINA-9910139133703321 |
Hänzi Denis
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Bielefeld, : transcript Verlag, 2014 | ||
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Lo trovi qui: Univ. Federico II | ||
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Die Ordnung des Theaters : Eine Soziologie der Regie / Denis Hänzi |
Autore | Hänzi Denis |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2014 |
Descrizione fisica | 1 online resource (455 pages) |
Disciplina | 792 |
Collana | Theater |
Soggetto topico | Beruf; Charisma; Gender; Kunst; Theaterregie; Habitus; Feld; Bourdieu; Theater; Theaterwissenschaft; Kultursoziologie; Gender Studies; Arts; Theatre; Theatre Studies; Sociology of Culture |
Soggetto non controllato |
Arts
Gender Studies Sociology of Culture Theatre Studies Theatre |
ISBN | 3-8394-2342-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | 1 Inhalt 5 Präludium 11 Zur Anlage der Studie 21 Entwicklungen und Verworrenheiten der Theaterregie 67 Spielfeld, Spielgeld & Co. 163 Geheiligt werde Dein Name 257 Dispositionen und Passungsverhältnisse 335 Schlussbetrachtung 411 Bibliografie 421 Linkliste 447 Dank 449 451 |
Record Nr. | UNISA-996308773603316 |
Hänzi Denis
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Bielefeld, : transcript Verlag, 2014 | ||
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Lo trovi qui: Univ. di Salerno | ||
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Der Orient, die Fremde : Positionen zeitgenössischer Kunst und Literatur / Regina Göckede, Alexandra Karentzos |
Autore | Göckede Regina |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
Descrizione fisica | 1 online resource (214) |
Disciplina |
700
800 |
Collana | Kultur- und Medientheorie |
Soggetto topico | Orientalismus; Gender; Zeitgenössische Kunst; Literatur; Postkolonialismus; Orient; Kunst; Allgemeine Literaturwissenschaft; Kunstgeschichte des 20. Jahrhunderts; Cultural Studies; Kulturwissenschaft; Literature; Postcolonialism; Arts; General Literature Studies; Art History of the 20th Century |
Soggetto non controllato |
Art History of the 20th Century
Arts Cultural Studies General Literature Studies Postcolonialism |
ISBN | 3-8394-0487-8 |
Classificazione | EC 5197 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter 1 Inhalt 5 Vorwort 7 Einleitung: Der Orient, die Fremde 9 Das Fremde. Anmerkungen zu seinem Auftritt in Kultur und Wissenschaft 21 Orientalismus, Gender und die binäre Matrix kultureller Repräsentationen 39 Globale Konflikte. Anmerkungen zur Rushdie-Affaire 67 Mein Istanbul, mein Berlin. Emine Sevgi Özdamar's literary re-negotiations of Turkish-German division 83 Zwischen Wort und Bild. Iranische Literatur und Kunst der Gegenwart im Austausch 101 Andersdenkende 121 Unterscheiden des Unterscheidens. Ironische Techniken in der Kunst Parastou Forouhars 127 ›Nahe Ferne‹ - ›ferne Nähe‹. Anmerkungen zu einem orientalistischen Topos in der zeitgenössischen Kunst 139 Notizbuch Samarkand. Skizzen einer Stadt von Rebecca Horn 165 Zweifelhafte Dokumente. Zeitgenössische arabische Kunst, Walid Raad und die Frage der Re-Präsentation 185 Zu den Autorinnen und Autoren 205 Abbildungsnachweis 209 Backmatter 211 |
Record Nr. | UNINA-9910372803803321 |
Göckede Regina
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Bielefeld, : transcript Verlag, 2015 | ||
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Lo trovi qui: Univ. Federico II | ||
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Der Orient, die Fremde : Positionen zeitgenössischer Kunst und Literatur / Regina Göckede, Alexandra Karentzos |
Autore | Göckede Regina |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
Descrizione fisica | 1 online resource (214) |
Disciplina |
700
800 |
Collana | Kultur- und Medientheorie |
Soggetto topico | Orientalismus; Gender; Zeitgenössische Kunst; Literatur; Postkolonialismus; Orient; Kunst; Allgemeine Literaturwissenschaft; Kunstgeschichte des 20. Jahrhunderts; Cultural Studies; Kulturwissenschaft; Literature; Postcolonialism; Arts; General Literature Studies; Art History of the 20th Century |
Soggetto non controllato |
Art History of the 20th Century
Arts Cultural Studies General Literature Studies Postcolonialism |
ISBN | 3-8394-0487-8 |
Classificazione | EC 5197 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter 1 Inhalt 5 Vorwort 7 Einleitung: Der Orient, die Fremde 9 Das Fremde. Anmerkungen zu seinem Auftritt in Kultur und Wissenschaft 21 Orientalismus, Gender und die binäre Matrix kultureller Repräsentationen 39 Globale Konflikte. Anmerkungen zur Rushdie-Affaire 67 Mein Istanbul, mein Berlin. Emine Sevgi Özdamar's literary re-negotiations of Turkish-German division 83 Zwischen Wort und Bild. Iranische Literatur und Kunst der Gegenwart im Austausch 101 Andersdenkende 121 Unterscheiden des Unterscheidens. Ironische Techniken in der Kunst Parastou Forouhars 127 ›Nahe Ferne‹ - ›ferne Nähe‹. Anmerkungen zu einem orientalistischen Topos in der zeitgenössischen Kunst 139 Notizbuch Samarkand. Skizzen einer Stadt von Rebecca Horn 165 Zweifelhafte Dokumente. Zeitgenössische arabische Kunst, Walid Raad und die Frage der Re-Präsentation 185 Zu den Autorinnen und Autoren 205 Abbildungsnachweis 209 Backmatter 211 |
Record Nr. | UNISA-996308811003316 |
Göckede Regina
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Bielefeld, : transcript Verlag, 2015 | ||
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Lo trovi qui: Univ. di Salerno | ||
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Paradoxien der Entscheidung : Wahl/Selektion in Kunst, Literatur und Medien / Friedrich Balke, Gregor Schwering, Urs Stäheli |
Autore | Balke Friedrich |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
Descrizione fisica | 1 online resource (248) |
Disciplina | 153.4/4 |
Collana | Masse und Medium |
Soggetto topico | Wahl/Selektion; Medien; Medienästhetik; Kulturtheorie; Kunst; Literaturwissenschaft; Medienwissenschaft; Media; Media Aesthetics; Cultural Theory; Arts; Literary Studies; Media Studies |
Soggetto non controllato |
Arts
Cultural Theory Literary Studies Media Aesthetics Media Studies |
ISBN | 3-8394-0148-8 |
Classificazione | AP 13500 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter 1 Editorial 2 Inhalt 5 Vorbemerkung 7 Die Paradoxie des Entscheidens 17 Die Ordnung der Sandkörner. Zu Christian Wolff und Barthold Heinrich Brockes 57 Fiktive Wahllosigkeit. Die Kunst der Orientierung in J.L. Borges' »Garten der Pfade, die sich verzweigen« 87 8448 verschiedene Jeans. Zu Wahl und Selektion im Internet 117 »Ich sehe was, was du nicht siehst « Zur Paradoxie der Medienwertung 139 Unsichtbare Rahmen. Zur Interaktion von Kino und Fernsehen 153 Selektives Sehen im Kamerafokus. Peter Campus' »Double Vision« 177 Es ist Ihre Entscheidung! Die Hypostasierung der Wahl in Ratgeberbüchern 211 Die Autorinnen und Autoren 243 Backmatter 246 |
Record Nr. | UNINA-9910372812803321 |
Balke Friedrich
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Bielefeld, : transcript Verlag, 2015 | ||
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Lo trovi qui: Univ. Federico II | ||
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