Feeling beauty : the neuroscience of aesthetic experience / / G. Gabrielle Starr |
Autore | Starr G. Gabrielle <1974-> |
Pubbl/distr/stampa | Cambridge, Massachusetts ; ; London, England : , : The MIT Press, , [2013] |
Descrizione fisica | 1 online resource (297 p.) |
Disciplina | 700.1/9 |
Soggetto topico |
Neurosciences and the arts
Aesthetics |
Soggetto non controllato |
ARTS/General
COGNITIVE SCIENCES/General |
ISBN |
0-262-31545-9
0-262-52744-8 0-262-31544-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Aesthetics, Neuroaesthetics, and the Sister Arts -- Seen and Heard: A Model for the Sister Arts -- Aesthetics Beyond the Mind's Eye: Imagery and the Sister Arts -- Toward a Dynamic Aesthetics: the Sister Arts and Beyond. |
Altri titoli varianti | Neuroscience of aesthetic experience |
Record Nr. | UNINA-9910779702503321 |
Starr G. Gabrielle <1974-> | ||
Cambridge, Massachusetts ; ; London, England : , : The MIT Press, , [2013] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Feeling beauty : the neuroscience of aesthetic experience / / G. Gabrielle Starr |
Autore | Starr G. Gabrielle <1974-> |
Pubbl/distr/stampa | Cambridge, Massachusetts ; ; London, England : , : The MIT Press, , [2013] |
Descrizione fisica | 1 online resource (297 p.) |
Disciplina | 700.1/9 |
Soggetto topico |
Neurosciences and the arts
Aesthetics |
Soggetto non controllato |
ARTS/General
COGNITIVE SCIENCES/General |
ISBN |
0-262-31545-9
0-262-52744-8 0-262-31544-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Aesthetics, Neuroaesthetics, and the Sister Arts -- Seen and Heard: A Model for the Sister Arts -- Aesthetics Beyond the Mind's Eye: Imagery and the Sister Arts -- Toward a Dynamic Aesthetics: the Sister Arts and Beyond. |
Altri titoli varianti | Neuroscience of aesthetic experience |
Record Nr. | UNINA-9910824338503321 |
Starr G. Gabrielle <1974-> | ||
Cambridge, Massachusetts ; ; London, England : , : The MIT Press, , [2013] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The hidden sense : synesthesia in art and science / / Cretien van Campen |
Autore | Campen Crétien van |
Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, ©2008 |
Descrizione fisica | 1 online resource (200 p.) |
Disciplina | 152.1/89 |
Collana | Leonardo |
Soggetto topico | Synesthesia |
Soggetto non controllato |
PHILOSOPHY/Philosophy of Mind/Perception
ARTS/General COGNITIVE SCIENCES/Psychology/Cognitive Psychology |
ISBN |
0-262-26500-1
1-282-10054-8 9786612100543 0-262-28540-1 0-262-22081-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Perception -- Thought -- Insight. |
Record Nr. | UNINA-9910780430503321 |
Campen Crétien van | ||
Cambridge, Mass., : MIT Press, ©2008 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The hidden sense : synesthesia in art and science / / Cretien van Campen |
Autore | Campen Crétien van |
Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, ©2008 |
Descrizione fisica | 1 online resource (200 p.) |
Disciplina | 152.1/89 |
Collana | Leonardo |
Soggetto topico | Synesthesia |
Soggetto non controllato |
PHILOSOPHY/Philosophy of Mind/Perception
ARTS/General COGNITIVE SCIENCES/Psychology/Cognitive Psychology |
ISBN |
0-262-26500-1
1-282-10054-8 9786612100543 0-262-28540-1 0-262-22081-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Perception -- Thought -- Insight. |
Record Nr. | UNINA-9910826943703321 |
Campen Crétien van | ||
Cambridge, Mass., : MIT Press, ©2008 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Imagery in the 21st century / / edited by Oliver Grau with Thomas Veigl |
Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, ©2011 |
Descrizione fisica | 1 online resource (433 p.) |
Disciplina | 302.23 |
Altri autori (Persone) |
GrauOliver
VeiglThomas |
Soggetto topico |
New media art
Visual sociology |
Soggetto non controllato |
DIGITAL HUMANITIES & NEW MEDIA/New Media Art
ARTS/General CULTURAL STUDIES/Popular Culture |
ISBN |
0-262-29742-6
0-262-31515-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
""Cover ""; ""Contents""; ""1 Introduction""; ""I Image Phenomena of the 21st Century""; ""2 Current Screens""; ""3 The Unmasking of Images""; ""4 Bio Art""; ""5 Machinima""; ""6 Steps toward Collaborative Video""; ""7 Imaging Science""; ""8 Toward New Conventions for Visualizing Blood Flow in the Era of Fascination with Visibility and Imagery""; ""9 Visual Practices across the University""; ""II Critical Terms of the 21st Century""; ""10 On Sourcery, or Code as Fetish""; ""11 Cultural Interfaces""; ""12 Feeling the Image""; ""13 Web 2.0 and the Museum""; ""14 Kawaii""
""15 Universal Synthesizer and Window""""16 Interdependence and Consequence""; ""III New Tools for Us""; ""17 Visualizing Change""; ""18 “God Is in the Details,� or The Filing Box Answers""; ""19 Media Art�s Challenge to Our Societies""; ""IV Coda""; ""20 In and Out of Time""; ""Contributors""; ""Index""; ""Plates"" |
Record Nr. | UNINA-9910452905503321 |
Cambridge, Mass., : MIT Press, ©2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Imagery in the 21st century / / edited by Oliver Grau with Thomas Veigl |
Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, ©2011 |
Descrizione fisica | 1 online resource (433 p.) |
Disciplina | 302.23 |
Altri autori (Persone) |
GrauOliver
VeiglThomas |
Soggetto topico |
New media art
Visual sociology |
Soggetto non controllato |
DIGITAL HUMANITIES & NEW MEDIA/New Media Art
ARTS/General CULTURAL STUDIES/Popular Culture |
ISBN |
0-262-29742-6
0-262-31515-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
""Cover ""; ""Contents""; ""1 Introduction""; ""I Image Phenomena of the 21st Century""; ""2 Current Screens""; ""3 The Unmasking of Images""; ""4 Bio Art""; ""5 Machinima""; ""6 Steps toward Collaborative Video""; ""7 Imaging Science""; ""8 Toward New Conventions for Visualizing Blood Flow in the Era of Fascination with Visibility and Imagery""; ""9 Visual Practices across the University""; ""II Critical Terms of the 21st Century""; ""10 On Sourcery, or Code as Fetish""; ""11 Cultural Interfaces""; ""12 Feeling the Image""; ""13 Web 2.0 and the Museum""; ""14 Kawaii""
""15 Universal Synthesizer and Window""""16 Interdependence and Consequence""; ""III New Tools for Us""; ""17 Visualizing Change""; ""18 “God Is in the Details,� or The Filing Box Answers""; ""19 Media Art�s Challenge to Our Societies""; ""IV Coda""; ""20 In and Out of Time""; ""Contributors""; ""Index""; ""Plates"" |
Altri titoli varianti | Imagery in the twenty-first century |
Record Nr. | UNINA-9910790424503321 |
Cambridge, Mass., : MIT Press, ©2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Imagery in the 21st century / / edited by Oliver Grau with Thomas Veigl |
Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, ©2011 |
Descrizione fisica | 1 online resource (433 p.) |
Disciplina | 302.23 |
Altri autori (Persone) |
GrauOliver
VeiglThomas |
Soggetto topico |
New media art
Visual sociology |
Soggetto non controllato |
DIGITAL HUMANITIES & NEW MEDIA/New Media Art
ARTS/General CULTURAL STUDIES/Popular Culture |
ISBN |
0-262-29742-6
0-262-31515-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
""Cover ""; ""Contents""; ""1 Introduction""; ""I Image Phenomena of the 21st Century""; ""2 Current Screens""; ""3 The Unmasking of Images""; ""4 Bio Art""; ""5 Machinima""; ""6 Steps toward Collaborative Video""; ""7 Imaging Science""; ""8 Toward New Conventions for Visualizing Blood Flow in the Era of Fascination with Visibility and Imagery""; ""9 Visual Practices across the University""; ""II Critical Terms of the 21st Century""; ""10 On Sourcery, or Code as Fetish""; ""11 Cultural Interfaces""; ""12 Feeling the Image""; ""13 Web 2.0 and the Museum""; ""14 Kawaii""
""15 Universal Synthesizer and Window""""16 Interdependence and Consequence""; ""III New Tools for Us""; ""17 Visualizing Change""; ""18 “God Is in the Details,� or The Filing Box Answers""; ""19 Media Art�s Challenge to Our Societies""; ""IV Coda""; ""20 In and Out of Time""; ""Contributors""; ""Index""; ""Plates"" |
Altri titoli varianti | Imagery in the twenty-first century |
Record Nr. | UNINA-9910807971703321 |
Cambridge, Mass., : MIT Press, ©2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
No medium / / Craig Dworkin |
Autore | Dworkin Craig Douglas |
Pubbl/distr/stampa | Cambridge, MA, : MIT Press, 2013 |
Descrizione fisica | 1 online resource (228 p.) |
Disciplina | 701/.8 |
Soggetto topico |
Arts, Modern - 20th century - Themes, motives
Nothing (Philosophy) in art Arts - Experimental methods - History - 20th century |
Soggetto non controllato |
ARTS/General
ARTS/Music & Sound Studies SOCIAL SCIENCES/Media Studies |
ISBN |
0-262-31271-9
1-299-22070-3 0-262-31270-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Acknowledgments; 1 The Logic of Substrate; 2 Cenography; 3 Textual Prostheses; 4 Hard Core / Soft Focus; 5 The Dative of Form; 6 Tangent; 7 Signal to Noise; 8 Further Listening; Notes; Index |
Record Nr. | UNINA-9910792078903321 |
Dworkin Craig Douglas | ||
Cambridge, MA, : MIT Press, 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
No medium / / Craig Dworkin |
Autore | Dworkin Craig Douglas |
Pubbl/distr/stampa | Cambridge, MA, : MIT Press, 2013 |
Descrizione fisica | 1 online resource (228 p.) |
Disciplina | 701/.8 |
Soggetto topico |
Arts, Modern - 20th century - Themes, motives
Nothing (Philosophy) in art Arts - Experimental methods - History - 20th century |
Soggetto non controllato |
ARTS/General
ARTS/Music & Sound Studies SOCIAL SCIENCES/Media Studies |
ISBN |
0-262-31271-9
1-299-22070-3 0-262-31270-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Acknowledgments; 1 The Logic of Substrate; 2 Cenography; 3 Textual Prostheses; 4 Hard Core / Soft Focus; 5 The Dative of Form; 6 Tangent; 7 Signal to Noise; 8 Further Listening; Notes; Index |
Record Nr. | UNINA-9910820565803321 |
Dworkin Craig Douglas | ||
Cambridge, MA, : MIT Press, 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Noise, water, meat : a history of sound in the arts / / Douglas Kahn |
Autore | Kahn Douglas <1951-> |
Pubbl/distr/stampa | Cambridge, Mass. ; ; London, : MIT Press, 2001 |
Descrizione fisica | 1 online resource (ix, 455 pages) : illustrations |
Disciplina | 700 |
Soggetto topico |
Sound in art
Arts, Modern - 20th century |
Soggetto non controllato | ARTS/General |
ISBN |
0-262-27667-4
1-282-09991-4 0-585-25598-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Listening through history; prelude: modernism; explanations and qualifications pt. I. Significant noises. Immersed in noise. Noises of the avant-garde pt. II. Drawing the line: music, noise, and phonography. Concerning the line. The sound of music. Ubiquitous recording pt. III. The impossible inaudible. John Cage: silence and silencing. Nondissipative sounds and the impossible inaudible. The parameters of all sound pt. IV. Water flows and flux. A short art history of water sound. In the wake of dripping: New York at midcentury pt. V. Meat voices. Two sounds of the virus: William Burroughs's pure meat method. Cruelty and the beast: Antonin Artaud and Michael McClure |
Record Nr. | UNINA-9910778886703321 |
Kahn Douglas <1951-> | ||
Cambridge, Mass. ; ; London, : MIT Press, 2001 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|