Staging spectatorship in the plays of Philip Massinger / / Joanne Rochester |
Autore | Rochester Joanne |
Pubbl/distr/stampa | London : , : Routledge, , 2016 |
Descrizione fisica | 1 online resource (183 p.) |
Disciplina | 822/.3 |
Collana | Studies in performance and early modern drama |
Soggetto topico |
Theater audiences in literature
Visual perception in literature Theater audiences - England - History - 17th century |
ISBN |
1-351-89818-3
1-351-89819-1 1-315-24248-6 1-282-52493-3 9786612524936 0-7546-9938-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Cover; Contents; List of Figures; Acknowledgements; Introduction; 1 "What Doe wee acte to day?" Plays within the Play: The Roman Actor; 2 "For your sport / You shall see a masterpiece": Masques-within in The Picture, The Guardian and The City Madam; 3 "Speculations / On cheating pictures": Visual Art as Dramatic Inset: The Picture; Conclusion: "Make your howse the stage on which weel act / Our comick sceane"; Bibliography; Index |
Record Nr. | UNINA-9910814024803321 |
Rochester Joanne | ||
London : , : Routledge, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Textual & visual selves [[electronic resource] ] : photography, film, and comic art in French autobiography / / edited by Natalie Edwards, Amy L. Hubbell, and Ann Miller |
Pubbl/distr/stampa | Lincoln [Neb.], : University of Nebraska Press, c2011 |
Descrizione fisica | 1 online resource (286 p.) |
Disciplina | 840.9/35 |
Altri autori (Persone) |
EdwardsNatalie
HubbellAmy L MillerAnn <1949 Sept. 1-> |
Soggetto topico |
French prose literature - History and criticism
Authors, French - Biography - History and criticism Art in literature Autobiography - Authorship Visual perception in literature Literature and photography - France Self in literature |
Soggetto genere / forma | Electronic books. |
ISBN |
1-280-49776-9
9786613592996 0-8032-3799-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Title Page; Copyright Page; Contents; Illustrations; Acknowledgments; Introduction: Textual and Visual Selves; 1. Beyond Autobiography; 2. Chronicles of Intimacy: Photography in Autobiographical Projects; 3. The Absent Body: Photography and Autobiography in Hélène Cixous's Photos de racines and Annie Ernaux andMarc Marie's L'Usage de la photo; 4. The Photobiographical Today: Signs of an Identity Crisis?; 5. Reclaiming the Void: The Cinematographic Aesthetic of Marguerite Duras's Autobiographical Novels
6. Illustration Revisited: Phototextual Exchange and Resistance in Sophie Calle's Suite vénitienne7. Viewing the Past through a "Nostalgeric" Len s: Pied-Noir Photodocumentaries; 8. Georges Perec, Memory, and Photography; 9. The Self-Portrait in French Cinema: Reflections on Theory and on Agnès Varda'sLes Glaneurs et la glaneuse; 10. Autobiography in Bande Dessinée; Contributors; Index |
Altri titoli varianti | Textual and visual selves |
Record Nr. | UNINA-9910461081003321 |
Lincoln [Neb.], : University of Nebraska Press, c2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Textual & visual selves [[electronic resource] ] : photography, film, and comic art in French autobiography / / edited by Natalie Edwards, Amy L. Hubbell, and Ann Miller |
Pubbl/distr/stampa | Lincoln [Neb.], : University of Nebraska Press, c2011 |
Descrizione fisica | 1 online resource (286 p.) |
Disciplina | 840.9/35 |
Altri autori (Persone) |
EdwardsNatalie
HubbellAmy L MillerAnn <1949 Sept. 1-> |
Soggetto topico |
French prose literature - History and criticism
Authors, French - Biography - History and criticism Art in literature Autobiography - Authorship Visual perception in literature Literature and photography - France Self in literature |
ISBN |
1-280-49776-9
9786613592996 0-8032-3799-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Title Page; Copyright Page; Contents; Illustrations; Acknowledgments; Introduction: Textual and Visual Selves; 1. Beyond Autobiography; 2. Chronicles of Intimacy: Photography in Autobiographical Projects; 3. The Absent Body: Photography and Autobiography in Hélène Cixous's Photos de racines and Annie Ernaux andMarc Marie's L'Usage de la photo; 4. The Photobiographical Today: Signs of an Identity Crisis?; 5. Reclaiming the Void: The Cinematographic Aesthetic of Marguerite Duras's Autobiographical Novels
6. Illustration Revisited: Phototextual Exchange and Resistance in Sophie Calle's Suite vénitienne7. Viewing the Past through a "Nostalgeric" Len s: Pied-Noir Photodocumentaries; 8. Georges Perec, Memory, and Photography; 9. The Self-Portrait in French Cinema: Reflections on Theory and on Agnès Varda'sLes Glaneurs et la glaneuse; 10. Autobiography in Bande Dessinée; Contributors; Index |
Altri titoli varianti | Textual and visual selves |
Record Nr. | UNINA-9910790117203321 |
Lincoln [Neb.], : University of Nebraska Press, c2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Textual & visual selves [[electronic resource] ] : photography, film, and comic art in French autobiography / / edited by Natalie Edwards, Amy L. Hubbell, and Ann Miller |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Lincoln [Neb.], : University of Nebraska Press, c2011 |
Descrizione fisica | 1 online resource (286 p.) |
Disciplina | 840.9/35 |
Altri autori (Persone) |
EdwardsNatalie
HubbellAmy L MillerAnn <1949 Sept. 1-> |
Soggetto topico |
French prose literature - History and criticism
Authors, French - Biography - History and criticism Art in literature Autobiography - Authorship Visual perception in literature Literature and photography - France Self in literature |
ISBN |
1-280-49776-9
9786613592996 0-8032-3799-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Title Page; Copyright Page; Contents; Illustrations; Acknowledgments; Introduction: Textual and Visual Selves; 1. Beyond Autobiography; 2. Chronicles of Intimacy: Photography in Autobiographical Projects; 3. The Absent Body: Photography and Autobiography in Hélène Cixous's Photos de racines and Annie Ernaux andMarc Marie's L'Usage de la photo; 4. The Photobiographical Today: Signs of an Identity Crisis?; 5. Reclaiming the Void: The Cinematographic Aesthetic of Marguerite Duras's Autobiographical Novels
6. Illustration Revisited: Phototextual Exchange and Resistance in Sophie Calle's Suite vénitienne7. Viewing the Past through a "Nostalgeric" Len s: Pied-Noir Photodocumentaries; 8. Georges Perec, Memory, and Photography; 9. The Self-Portrait in French Cinema: Reflections on Theory and on Agnès Varda'sLes Glaneurs et la glaneuse; 10. Autobiography in Bande Dessinée; Contributors; Index |
Altri titoli varianti | Textual and visual selves |
Record Nr. | UNINA-9910808382803321 |
Lincoln [Neb.], : University of Nebraska Press, c2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
A Thousand Words : Portraiture, Style, and Queer Modernism / / Jaime Hovey |
Autore | Hovey Jaime |
Pubbl/distr/stampa | Columbus : , : Ohio State University Press, , 2006 |
Descrizione fisica | 1 online resource (ix, 136 p.) : : ill., ports. ; |
Disciplina | 820.9/357 |
Soggetto topico |
Portraits in literature
Visual perception in literature Description (Rhetoric) - History - 20th century Modernism (Literature) - English-speaking countries American literature - 20th century - History and criticism Art and literature - English-speaking countries - History - 20th century Homosexuality and literature - English-speaking countries - History - 20th century English literature - 20th century - History and criticism |
Soggetto genere / forma | Electronic books. |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Picturing Yourself -- Talking Pictures -- Caricature Studies -- Forgery, or, Faking It. |
Record Nr. | UNINA-9910524870803321 |
Hovey Jaime | ||
Columbus : , : Ohio State University Press, , 2006 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Through the negative : the photographic image and the written word in nineteenth-century American literature / / Megan Rowley Williams |
Autore | Williams Megan Rowley <1969, > |
Pubbl/distr/stampa | New York : , : Routledge, , 2003 |
Descrizione fisica | 1 online resource (260 p.) |
Disciplina | 813/.309 |
Collana | Literary criticism and cultural theory |
Soggetto topico |
American fiction - 19th century - History and criticism
Literature and photography - United States - History - 19th century Photography - United States - History - 19th century Description (Rhetoric) - History - 19th century Visual perception in literature Photography in literature |
Soggetto genere / forma | Electronic books. |
ISBN |
1-135-88741-1
0-429-23382-5 1-280-17575-3 0-203-50220-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
CONTENTS; List of Illustrations; Acknowledgments; Introduction: Still Narration; One: Daguerreotype Images of a Disposable Past inNathaniel Hawthorne's The House of the Seven Gables; Two: Mapping the Literal: The Pastoral Tradition of the Rural Cemetery Movement and Frederick Law Olmsted; Three: Sacred Relics and Renewed Landscapes: The CulturalWork of the Civil War Photograph; Four: "Sounding the Wilderness": Representations of theHeroic in Herman Melville's Battle-Pieces and Aspectsof the War
Five: Seeing in Circles: The Moving Panorama and Imagesof a Sanitized History in Mark Twain's Life On theMississippiSix: Snapshot Memory and Flashes of History in StephenCrane's The Red Badge of Courage; Epilogue: Foundations of Dust and Stone; Notes; Works Consulted; Index |
Record Nr. | UNINA-9910450603803321 |
Williams Megan Rowley <1969, > | ||
New York : , : Routledge, , 2003 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Through the negative : the photographic image and the written word in nineteenth-century American literature / / Megan Rowley Williams |
Autore | Williams Megan Rowley <1969, > |
Pubbl/distr/stampa | New York : , : Routledge, , 2003 |
Descrizione fisica | 1 online resource (260 p.) |
Disciplina | 813/.309 |
Collana | Literary criticism and cultural theory |
Soggetto topico |
American fiction - 19th century - History and criticism
Literature and photography - United States - History - 19th century Photography - United States - History - 19th century Description (Rhetoric) - History - 19th century Visual perception in literature Photography in literature |
ISBN |
1-135-88740-3
1-135-88741-1 0-429-23382-5 1-280-17575-3 0-203-50220-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
CONTENTS; List of Illustrations; Acknowledgments; Introduction: Still Narration; One: Daguerreotype Images of a Disposable Past inNathaniel Hawthorne's The House of the Seven Gables; Two: Mapping the Literal: The Pastoral Tradition of the Rural Cemetery Movement and Frederick Law Olmsted; Three: Sacred Relics and Renewed Landscapes: The CulturalWork of the Civil War Photograph; Four: "Sounding the Wilderness": Representations of theHeroic in Herman Melville's Battle-Pieces and Aspectsof the War
Five: Seeing in Circles: The Moving Panorama and Imagesof a Sanitized History in Mark Twain's Life On theMississippiSix: Snapshot Memory and Flashes of History in StephenCrane's The Red Badge of Courage; Epilogue: Foundations of Dust and Stone; Notes; Works Consulted; Index |
Record Nr. | UNINA-9910783804903321 |
Williams Megan Rowley <1969, > | ||
New York : , : Routledge, , 2003 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Through the negative : the photographic image and the written word in nineteenth-century American literature / / Megan Rowley Williams |
Autore | Williams Megan Rowley <1969, > |
Pubbl/distr/stampa | New York : , : Routledge, , 2003 |
Descrizione fisica | 1 online resource (260 p.) |
Disciplina | 813/.309 |
Collana | Literary criticism and cultural theory |
Soggetto topico |
American fiction - 19th century - History and criticism
Literature and photography - United States - History - 19th century Photography - United States - History - 19th century Description (Rhetoric) - History - 19th century Visual perception in literature Photography in literature |
ISBN |
1-135-88740-3
1-135-88741-1 0-429-23382-5 1-280-17575-3 0-203-50220-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
CONTENTS; List of Illustrations; Acknowledgments; Introduction: Still Narration; One: Daguerreotype Images of a Disposable Past inNathaniel Hawthorne's The House of the Seven Gables; Two: Mapping the Literal: The Pastoral Tradition of the Rural Cemetery Movement and Frederick Law Olmsted; Three: Sacred Relics and Renewed Landscapes: The CulturalWork of the Civil War Photograph; Four: "Sounding the Wilderness": Representations of theHeroic in Herman Melville's Battle-Pieces and Aspectsof the War
Five: Seeing in Circles: The Moving Panorama and Imagesof a Sanitized History in Mark Twain's Life On theMississippiSix: Snapshot Memory and Flashes of History in StephenCrane's The Red Badge of Courage; Epilogue: Foundations of Dust and Stone; Notes; Works Consulted; Index |
Record Nr. | UNINA-9910823726203321 |
Williams Megan Rowley <1969, > | ||
New York : , : Routledge, , 2003 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Victorian literature and the Victorian visual imagination |
Pubbl/distr/stampa | [Place of publication not identified], : University of California Press, 1995 |
Soggetto topico |
English literature - History and criticism - 19th century - Great Britain
Art and literature - History - 19th century - Great Britain Illustration of books - Illustrations - 19th century - Great Britain English literature - 19th century Illustration of books, Victorian - 19th century Visual perception in literature Art, British English Literature English Languages & Literatures |
ISBN | 0-585-11648-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910495892503321 |
[Place of publication not identified], : University of California Press, 1995 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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The visual dominant in eighteenth-century Russia / / Marcus C. Levitt ; Shaun Allshouse, design |
Autore | Levitt Marcus C. <1954-> |
Pubbl/distr/stampa | DeKalb, Illinois : , : NIU Press, , 2011 |
Descrizione fisica | 1 online resource (357 p.) |
Disciplina | 891.709/002 |
Collana | NIU Series in Slavic, East European, and Eurasian Studies |
Soggetto topico |
Russian literature - History and criticism - 18th century
Visual perception in literature Vision in literature |
Soggetto genere / forma | Electronic books. |
Soggetto non controllato | indigenous roots in Russian Orthodox culture and theology, sight in eighteenth-century Russian, effects of visuals on formation of early modern Russian culture and identity, Russian quest for visibility, intersections of Russian literature and the visual |
ISBN |
1-5017-5798-9
1-60909-026-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction: An archaeology of vision -- Prolegomena: Making Russia visible -- The moment of the muses: Lomonosov's odes -- Bogovidenie: Orthodox vision and the odes -- The staging of the self -- Virtue must advertise: The ethics of vision -- The seen, the unseen, and the obvious -- The icon that started a riot -- The dialectic of vision in Radishchev's journey -- Conclusion: Russian culture as a mirage. |
Record Nr. | UNINA-9910459674703321 |
Levitt Marcus C. <1954-> | ||
DeKalb, Illinois : , : NIU Press, , 2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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