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Essentials of stage management / / Peter Maccoy
| Essentials of stage management / / Peter Maccoy |
| Autore | Maccoy Peter |
| Pubbl/distr/stampa | London : , : A. & C. Black, , 2004 |
| Descrizione fisica | 1 online resource (493 p.) |
| Disciplina | 792.023 |
| Collana | Backstage |
| Soggetto topico |
Stage management
Theater - Production and direction |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-4081-4969-9
1-4081-1679-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Title Page; Dedication; Contents; List of illustrations; Foreword by Nicholas Hytner; Introduction; 1. The Role of Stage Management; 2. The Stage Manager as Manager; 3. Research and Preparation; 4. Preparing for Rehearsal; 5. The Rehearsal Period; 6. The Production Period; 7. The Performance and Beyond; 8. Stage Properties; 9. Safe Practice; 10. Contemporary Practice; Bibliography; Appendices; Acknowledgements; Imprint |
| Record Nr. | UNINA-9910459569003321 |
Maccoy Peter
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| London : , : A. & C. Black, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Fifty key theatre directors / / edited by Shomit Mitter and Maria Shevtsova
| Fifty key theatre directors / / edited by Shomit Mitter and Maria Shevtsova |
| Pubbl/distr/stampa | London : , : Routledge, , 2005 |
| Descrizione fisica | 1 online resource (305 p.) |
| Disciplina | 792.02330922 |
| Altri autori (Persone) |
MitterShomit <1960->
ShevtsovaMaria |
| Collana | Routledge key guides |
| Soggetto topico |
Theatrical producers and directors
Theater - Production and direction |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-134-66196-7
1-280-15838-7 0-203-48201-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | BOOK COVER; TITLE; COPYRIGHT; CHRONOLOGICAL LIST OF CONTENTS; ALPHABETICAL LIST OF CONTENTS; CONTRIBUTORS; INTRODUCTION; FIFTY KEY THEATRE DIRECTORS; INDEX; |
| Record Nr. | UNINA-9910457306803321 |
| London : , : Routledge, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Fifty key theatre directors / / edited by Shomit Mitter and Maria Shevtsova
| Fifty key theatre directors / / edited by Shomit Mitter and Maria Shevtsova |
| Pubbl/distr/stampa | London : , : Routledge, , 2005 |
| Descrizione fisica | 1 online resource (305 p.) |
| Disciplina | 792.02330922 |
| Altri autori (Persone) |
MitterShomit <1960->
ShevtsovaMaria |
| Collana | Routledge key guides |
| Soggetto topico |
Theatrical producers and directors
Theater - Production and direction |
| ISBN |
1-134-66195-9
1-134-66196-7 1-280-15838-7 0-203-48201-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | BOOK COVER; TITLE; COPYRIGHT; CHRONOLOGICAL LIST OF CONTENTS; ALPHABETICAL LIST OF CONTENTS; CONTRIBUTORS; INTRODUCTION; FIFTY KEY THEATRE DIRECTORS; INDEX; |
| Record Nr. | UNINA-9910784588603321 |
| London : , : Routledge, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Fifty key theatre directors / / edited by Shomit Mitter and Maria Shevtsova
| Fifty key theatre directors / / edited by Shomit Mitter and Maria Shevtsova |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London : , : Routledge, , 2005 |
| Descrizione fisica | 1 online resource (305 p.) |
| Disciplina | 792.02330922 |
| Altri autori (Persone) |
MitterShomit <1960->
ShevtsovaMaria |
| Collana | Routledge key guides |
| Soggetto topico |
Theatrical producers and directors
Theater - Production and direction |
| ISBN |
1-134-66195-9
1-134-66196-7 1-280-15838-7 0-203-48201-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | BOOK COVER; TITLE; COPYRIGHT; CHRONOLOGICAL LIST OF CONTENTS; ALPHABETICAL LIST OF CONTENTS; CONTRIBUTORS; INTRODUCTION; FIFTY KEY THEATRE DIRECTORS; INDEX; |
| Record Nr. | UNINA-9910826580303321 |
| London : , : Routledge, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Ghost light [[electronic resource] ] : an introductory handbook for dramaturgy / / Michael Mark Chemers
| Ghost light [[electronic resource] ] : an introductory handbook for dramaturgy / / Michael Mark Chemers |
| Autore | Chemers Michael M |
| Pubbl/distr/stampa | Carbondale, : Southern Illinois University Press, 2010 |
| Descrizione fisica | 1 online resource (233 p.) |
| Disciplina | 792.02/3 |
| Collana | Theater in the Americas |
| Soggetto topico |
Theater - Production and direction
Drama - Technique |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-69765-2
9786613674616 0-8093-8571-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Philosophy. What the #$%@ is a dramaturg? Asking questions -- What kind of person becomes a dramaturg? -- Forking paths and ghost lights -- Historicizing dramaturgy -- Origins -- Dramaturgy in history -- Exercises -- Power plays -- Drama as dialectic -- Theory capsules -- Exercises -- Analysis. The twelve-step program for script analysts -- The steps -- Exercises -- Form follows function -- Comedy -- Ovidian (episodic) -- Diffused crisis -- Exercises -- Why this play now? doing preliminary research (and a web warning!) -- Writing a production history -- Writing a performance review -- Exercises -- Practice -- New plays -- Working with playwrights: forging an alliance -- Maintaining boundaries -- Devised theatre -- Documentary theatre -- Adaptation -- Exercises -- The company -- Working with the artistic director -- Mission statements -- Representation in rehearsal -- Season selection -- Creating a dossier -- Working with the director -- Working with designers -- Working with actors -- Sidebar: rehearsal etiquette and protocols -- Table work -- Exercises -- Audiences -- The front line -- Publicity -- Education -- Program notes -- Lobby displays -- Preshows and postshow talkbacks -- Blogs -- Exercises. |
| Record Nr. | UNINA-9910457138703321 |
|
Chemers Michael M
|
||
| Carbondale, : Southern Illinois University Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Ghost light [[electronic resource] ] : an introductory handbook for dramaturgy / / Michael Mark Chemers
| Ghost light [[electronic resource] ] : an introductory handbook for dramaturgy / / Michael Mark Chemers |
| Autore | Chemers Michael M |
| Pubbl/distr/stampa | Carbondale, : Southern Illinois University Press, 2010 |
| Descrizione fisica | 1 online resource (233 p.) |
| Disciplina | 792.02/3 |
| Collana | Theater in the Americas |
| Soggetto topico |
Theater - Production and direction
Drama - Technique |
| ISBN |
1-280-69765-2
9786613674616 0-8093-8571-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Philosophy. What the #$%@ is a dramaturg? Asking questions -- What kind of person becomes a dramaturg? -- Forking paths and ghost lights -- Historicizing dramaturgy -- Origins -- Dramaturgy in history -- Exercises -- Power plays -- Drama as dialectic -- Theory capsules -- Exercises -- Analysis. The twelve-step program for script analysts -- The steps -- Exercises -- Form follows function -- Comedy -- Ovidian (episodic) -- Diffused crisis -- Exercises -- Why this play now? doing preliminary research (and a web warning!) -- Writing a production history -- Writing a performance review -- Exercises -- Practice -- New plays -- Working with playwrights: forging an alliance -- Maintaining boundaries -- Devised theatre -- Documentary theatre -- Adaptation -- Exercises -- The company -- Working with the artistic director -- Mission statements -- Representation in rehearsal -- Season selection -- Creating a dossier -- Working with the director -- Working with designers -- Working with actors -- Sidebar: rehearsal etiquette and protocols -- Table work -- Exercises -- Audiences -- The front line -- Publicity -- Education -- Program notes -- Lobby displays -- Preshows and postshow talkbacks -- Blogs -- Exercises. |
| Record Nr. | UNINA-9910781128903321 |
|
Chemers Michael M
|
||
| Carbondale, : Southern Illinois University Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Ghost light : an introductory handbook for dramaturgy / / Michael Mark Chemers
| Ghost light : an introductory handbook for dramaturgy / / Michael Mark Chemers |
| Autore | Chemers Michael M |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Carbondale, : Southern Illinois University Press, 2010 |
| Descrizione fisica | 1 online resource (233 p.) |
| Disciplina | 792.02/3 |
| Collana | Theater in the Americas |
| Soggetto topico |
Theater - Production and direction
Drama - Technique |
| ISBN |
1-280-69765-2
9786613674616 0-8093-8571-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Philosophy. What the #$%@ is a dramaturg? Asking questions -- What kind of person becomes a dramaturg? -- Forking paths and ghost lights -- Historicizing dramaturgy -- Origins -- Dramaturgy in history -- Exercises -- Power plays -- Drama as dialectic -- Theory capsules -- Exercises -- Analysis. The twelve-step program for script analysts -- The steps -- Exercises -- Form follows function -- Comedy -- Ovidian (episodic) -- Diffused crisis -- Exercises -- Why this play now? doing preliminary research (and a web warning!) -- Writing a production history -- Writing a performance review -- Exercises -- Practice -- New plays -- Working with playwrights: forging an alliance -- Maintaining boundaries -- Devised theatre -- Documentary theatre -- Adaptation -- Exercises -- The company -- Working with the artistic director -- Mission statements -- Representation in rehearsal -- Season selection -- Creating a dossier -- Working with the director -- Working with designers -- Working with actors -- Sidebar: rehearsal etiquette and protocols -- Table work -- Exercises -- Audiences -- The front line -- Publicity -- Education -- Program notes -- Lobby displays -- Preshows and postshow talkbacks -- Blogs -- Exercises. |
| Record Nr. | UNINA-9910808709203321 |
|
Chemers Michael M
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||
| Carbondale, : Southern Illinois University Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Gorilla theatre : a practical guide to performing the new outdoor theatre anytime, anywhere / / Christopher Carter Sanderson
| Gorilla theatre : a practical guide to performing the new outdoor theatre anytime, anywhere / / Christopher Carter Sanderson |
| Autore | Sanderson Christopher Carter <1965-, > |
| Pubbl/distr/stampa | New York : , : Routledge, , 2003 |
| Descrizione fisica | 1 online resource (209 p.) |
| Disciplina | 792/.028 |
| Soggetto topico |
Acting
Theater - Production and direction |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-87830-171-2
1-315-05995-9 1-135-87066-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover ; Half-title; Title Page; Copyright Page; Dedication ; Table of Contents; Foreword ; Acknowledgments; Introduction: About Gorilla Repertory Theatre Company, Inc; 1. Concept and Location; Inspiration; Read Plays, Shakespeare First; List Plays; Tour Sites; List Sites with Pros and Cons; 2. Scouting; Organizations That Can Help; Rights of Free Speech and Assembly; Working Conditions for the Actors and Personnel; Mapping the Site; 3. Establishing Corporate Culture; Observations; Responding to Conflicts; Running Effective Meetings; 4. Casting; Ideas and Ideals
Respect for Actors and Demands of the FormEnthusiasm for the Form; Character Basics and Physical Motion; Working in Further Detail; Techniques and Scheduling; Callback Practices and Forms; 5. Rehearsal Techniques; Introduction: Use What You Know; How Do You See?; Respect for the Audience; Respect for the Text; The Character Meeting: Establishing Individual Communication; Scheduling Rehearsal; The Three-Phase Technique: Improvisation, Work-Through, and Staging; Run-Throughs; Adapting Indoor Techniques to Outdoor Uses; A Note; 6. The Paratheatric Rehearsal Technique; Brief Description Early ExperimentsScouting and Booking; Logistic; Schedule; Blazing and Establishing Safe Practices; Improvisation Suggestions for Day One and Day Two; The Bonfire: Metaphor and Practice; Night Exercises; The Paratheatric Run; Examples of Staging Brought Back; Integrating Paratheatric Discoveries; Variations and How to Invent New Paratheatric Rehearsal Procedures; 7. On-Site Directing and Operational Practices; Practicing Nonconfrontational Conflict Resolution; Cut Procedure; The Role of the Director in Performance; 8. Organizational Approaches; Mission Statement and Incorporation Working with VolunteersInterns; Publicity: Homemade and Professional; Sponsorship; Permits, Contracts, and Letters of Agreement; Working with Designers; Working with an Assistant; Working with Crews; Trucks and Trucking; Notes for the Producer; 9. Documentation Practices; Documentarian; Photo Strategies; Video Strategies; Archiving: Print, Video, and Mailing Lists; 10. Design Issues and Aesthetic Practice; Lighting; Props; Sets; Stage Fighting; 11. Indoor Environmental or Action Theatre; Design Issues; Audience Changes and Pressures; Examples; 12. Moving a Show; Feel of the Show Moving A Midsummer Night's Dream: "Get Puck!" and Other Stories13. Notes and Observations; Dialogue with Criticism; Relationship to Academia; Sibling Institutions; 14. Spirituality; Bibliography; Index |
| Record Nr. | UNINA-9910452440403321 |
|
Sanderson Christopher Carter <1965-, >
|
||
| New York : , : Routledge, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Gorilla theatre : a practical guide to performing the new outdoor theatre anytime, anywhere / / Christopher Carter Sanderson
| Gorilla theatre : a practical guide to performing the new outdoor theatre anytime, anywhere / / Christopher Carter Sanderson |
| Autore | Sanderson Christopher Carter <1965-, > |
| Pubbl/distr/stampa | New York : , : Routledge, , 2003 |
| Descrizione fisica | 1 online resource (209 p.) |
| Disciplina | 792/.028 |
| Soggetto topico |
Acting
Theater - Production and direction |
| ISBN |
1-135-87073-X
0-87830-171-2 1-315-05995-9 1-135-87066-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover ; Half-title; Title Page; Copyright Page; Dedication ; Table of Contents; Foreword ; Acknowledgments; Introduction: About Gorilla Repertory Theatre Company, Inc; 1. Concept and Location; Inspiration; Read Plays, Shakespeare First; List Plays; Tour Sites; List Sites with Pros and Cons; 2. Scouting; Organizations That Can Help; Rights of Free Speech and Assembly; Working Conditions for the Actors and Personnel; Mapping the Site; 3. Establishing Corporate Culture; Observations; Responding to Conflicts; Running Effective Meetings; 4. Casting; Ideas and Ideals
Respect for Actors and Demands of the FormEnthusiasm for the Form; Character Basics and Physical Motion; Working in Further Detail; Techniques and Scheduling; Callback Practices and Forms; 5. Rehearsal Techniques; Introduction: Use What You Know; How Do You See?; Respect for the Audience; Respect for the Text; The Character Meeting: Establishing Individual Communication; Scheduling Rehearsal; The Three-Phase Technique: Improvisation, Work-Through, and Staging; Run-Throughs; Adapting Indoor Techniques to Outdoor Uses; A Note; 6. The Paratheatric Rehearsal Technique; Brief Description Early ExperimentsScouting and Booking; Logistic; Schedule; Blazing and Establishing Safe Practices; Improvisation Suggestions for Day One and Day Two; The Bonfire: Metaphor and Practice; Night Exercises; The Paratheatric Run; Examples of Staging Brought Back; Integrating Paratheatric Discoveries; Variations and How to Invent New Paratheatric Rehearsal Procedures; 7. On-Site Directing and Operational Practices; Practicing Nonconfrontational Conflict Resolution; Cut Procedure; The Role of the Director in Performance; 8. Organizational Approaches; Mission Statement and Incorporation Working with VolunteersInterns; Publicity: Homemade and Professional; Sponsorship; Permits, Contracts, and Letters of Agreement; Working with Designers; Working with an Assistant; Working with Crews; Trucks and Trucking; Notes for the Producer; 9. Documentation Practices; Documentarian; Photo Strategies; Video Strategies; Archiving: Print, Video, and Mailing Lists; 10. Design Issues and Aesthetic Practice; Lighting; Props; Sets; Stage Fighting; 11. Indoor Environmental or Action Theatre; Design Issues; Audience Changes and Pressures; Examples; 12. Moving a Show; Feel of the Show Moving A Midsummer Night's Dream: "Get Puck!" and Other Stories13. Notes and Observations; Dialogue with Criticism; Relationship to Academia; Sibling Institutions; 14. Spirituality; Bibliography; Index |
| Altri titoli varianti | Gorilla theater |
| Record Nr. | UNINA-9910790661703321 |
|
Sanderson Christopher Carter <1965-, >
|
||
| New York : , : Routledge, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Gorilla theatre : a practical guide to performing the new outdoor theatre anytime, anywhere / / Christopher Carter Sanderson
| Gorilla theatre : a practical guide to performing the new outdoor theatre anytime, anywhere / / Christopher Carter Sanderson |
| Autore | Sanderson Christopher Carter <1965-, > |
| Pubbl/distr/stampa | New York : , : Routledge, , 2003 |
| Descrizione fisica | 1 online resource (209 p.) |
| Disciplina | 792/.028 |
| Soggetto topico |
Acting
Theater - Production and direction |
| ISBN |
1-135-87073-X
0-87830-171-2 1-315-05995-9 1-135-87066-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover ; Half-title; Title Page; Copyright Page; Dedication ; Table of Contents; Foreword ; Acknowledgments; Introduction: About Gorilla Repertory Theatre Company, Inc; 1. Concept and Location; Inspiration; Read Plays, Shakespeare First; List Plays; Tour Sites; List Sites with Pros and Cons; 2. Scouting; Organizations That Can Help; Rights of Free Speech and Assembly; Working Conditions for the Actors and Personnel; Mapping the Site; 3. Establishing Corporate Culture; Observations; Responding to Conflicts; Running Effective Meetings; 4. Casting; Ideas and Ideals
Respect for Actors and Demands of the FormEnthusiasm for the Form; Character Basics and Physical Motion; Working in Further Detail; Techniques and Scheduling; Callback Practices and Forms; 5. Rehearsal Techniques; Introduction: Use What You Know; How Do You See?; Respect for the Audience; Respect for the Text; The Character Meeting: Establishing Individual Communication; Scheduling Rehearsal; The Three-Phase Technique: Improvisation, Work-Through, and Staging; Run-Throughs; Adapting Indoor Techniques to Outdoor Uses; A Note; 6. The Paratheatric Rehearsal Technique; Brief Description Early ExperimentsScouting and Booking; Logistic; Schedule; Blazing and Establishing Safe Practices; Improvisation Suggestions for Day One and Day Two; The Bonfire: Metaphor and Practice; Night Exercises; The Paratheatric Run; Examples of Staging Brought Back; Integrating Paratheatric Discoveries; Variations and How to Invent New Paratheatric Rehearsal Procedures; 7. On-Site Directing and Operational Practices; Practicing Nonconfrontational Conflict Resolution; Cut Procedure; The Role of the Director in Performance; 8. Organizational Approaches; Mission Statement and Incorporation Working with VolunteersInterns; Publicity: Homemade and Professional; Sponsorship; Permits, Contracts, and Letters of Agreement; Working with Designers; Working with an Assistant; Working with Crews; Trucks and Trucking; Notes for the Producer; 9. Documentation Practices; Documentarian; Photo Strategies; Video Strategies; Archiving: Print, Video, and Mailing Lists; 10. Design Issues and Aesthetic Practice; Lighting; Props; Sets; Stage Fighting; 11. Indoor Environmental or Action Theatre; Design Issues; Audience Changes and Pressures; Examples; 12. Moving a Show; Feel of the Show Moving A Midsummer Night's Dream: "Get Puck!" and Other Stories13. Notes and Observations; Dialogue with Criticism; Relationship to Academia; Sibling Institutions; 14. Spirituality; Bibliography; Index |
| Altri titoli varianti | Gorilla theater |
| Record Nr. | UNINA-9910819568403321 |
|
Sanderson Christopher Carter <1965-, >
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||
| New York : , : Routledge, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
