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Between Stage and Screen [[electronic resource] ] : Ingmar Bergman Directs / Egil Törnqvist
| Between Stage and Screen [[electronic resource] ] : Ingmar Bergman Directs / Egil Törnqvist |
| Autore | Törnqvist Egil |
| Pubbl/distr/stampa | Amsterdam, : Amsterdam University Press, 1996 |
| Descrizione fisica | 1 online resource (244 p.) |
| Disciplina | 791.430233092 |
| Collana | Film Culture in Transition |
| Soggetto topico |
Motion pictures
Radio Theater Motion pictures - Production and direction Theater - Production and direction Radio - Production and direction Music, Dance, Drama & Film Film |
| ISBN |
1-281-97960-0
9786611979607 90-485-0565-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
CONTENTS; Preface; Prologue; The Stage and the Screen; Part 1 - The Stage Director; Strindberg, The Dream Play (1970); Strindberg, The Ghost Sonata (1973); Strindberg, Miss Julie (1985); O'Neill, Long Day's Journey into Night (1988); Ibsen, A Doll's House (1989); Shakespeare, The Winter's Tale (1994); Part 2 - The Screen Director; The Seventh Seal (1957); Wild Strawberries (1957); Strindberg, Storm (1960); Persona (1966); Cries and Whispers (1973); Autumn Sonata (1978); Fanny and Alexander (1982); Part 3 - The Radio Director; Strindberg, Easter (1952); A Matter of the Soul (1990); Epilogue
Between Stage and ScreenNotes; Selected Bibliography; List of Illustrations; Index |
| Record Nr. | UNINA-9910144092103321 |
Törnqvist Egil
|
||
| Amsterdam, : Amsterdam University Press, 1996 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]]
| The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]] |
| Autore | Innes Christopher <1941-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (xi, 283 pages) : digital, PDF file(s) |
| Disciplina | 792.02/33 |
| Collana | Cambridge introductions to literature |
| Soggetto topico |
Theater - Production and direction
Theater - Production and direction - History - 20th century Theatrical producers and directors |
| ISBN |
1-107-35710-1
1-107-23348-8 1-107-34373-9 1-107-34748-3 1-107-25526-0 1-107-34498-0 1-107-34123-X 1-139-01639-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Illustrations; Acknowledgements; Introduction; Chapter 1 Traditional staging and the evolution of the director; Classical Greek theatre: director as choreographer; From Greece to Classical Rome; Medieval European staging; Playwright-managers: Renaissance and early seventeenth-century theatre; The seventeenth and eighteenth centuries: Enlightenment and the actor-manager; Introducing scenery: Philip Jacques de Loutherbourg; Henry Irving: the nineteenth-century actor-manager; The transition from traditional staging; The German stage and the function of the Intendant
The critic as director: Gotthold Lessing at the Hamburg NationaltheaterFurther reading; Chapter 2 The rise of the modern director; The Meiningen Players and the conditions for naturalism; The Meiningen influence; The theory of naturalism: Emile Zola; The naturalistic director: André Antoine and the Théâtre Libre; Symbolist theatre: a call for directorial vision; Richard Wagner: total theatre; Adolphe Appia: lighting and space; Gordon Craig, Adolphe Appia and the theory of directing; Stanislavsky and psychological realism; The Seagull; Acting 'with the body'; Further reading Chapter 3 Directors of theatricalityVsevolod Meyerhold: commedia dell'arte to biomechanics; Theatricality, stylization and the grotesque; The director as engineer: constructivism and biomechanics; Aleksandr Tairov: aestheticized theatricalization; Yevgeny Vakhtangov: 'festivity' and spectacle; Revisiting Meyerhold: Valery Fokin; The politics of theatricality: Ariane Mnouchkine; 'Masters'; Theatricality, metaphor and the 'East'; Directing in a collectivity of equals; Frank Castorf and Thomas Ostermeier: theatricality and violence; Eastern European directors: theatricality as resistance Further readingChapter 4 Epic theatre directors; Erwin Piscator's political theatre; Political staging: Piscator's Rasputin; Film and stage; Political directing: the Piscator approach; The Rasputin production: a model for epic theatre; Documentary theatre; Bertolt Brecht's epic theatre; Epic theatre and cabaret; Developing an epic style of staging and directing; Directing epic theatre: Mother Courage; The influence of epic theatre; Heiner Müller and post-Brechtian epic theatre; Postmodern epic directing: Roberto Ciulli; Further reading; Chapter 5 Total theatre: the director as auteur Gordon Craig and the Artist of the TheatreMax Reinhardt: the 'Director's Book'; Combining directorial methods: Norman Bel Geddes; Peter Brook: collective creation versus directorial vision; Robert Wilson: the 'Visual Book'; Robert Lepage: cinematic self-directing; Total theatre and directing opera: Robert Wilson, Robert Lepage, Peter Sellars; Visual stylization as musical context: Robert Wilson; Cinematic and mechanistic deconstructions of opera: Robert Lepage; Conceptual politics: Peter Sellars; Sound and space: Christoph Marthaler; Further reading; Chapter 6 Directors of ensemble theatre Giorgio Strehler, Peter Stein, Peter Brook |
| Record Nr. | UNINA-9910462874903321 |
|
Innes Christopher <1941->
|
||
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]]
| The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]] |
| Autore | Innes Christopher <1941-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (xi, 283 pages) : digital, PDF file(s) |
| Disciplina | 792.02/33 |
| Collana | Cambridge introductions to literature |
| Soggetto topico |
Theater - Production and direction
Theater - Production and direction - History - 20th century Theatrical producers and directors |
| ISBN |
1-107-35710-1
1-107-23348-8 1-107-34373-9 1-107-34748-3 1-107-25526-0 1-107-34498-0 1-107-34123-X 1-139-01639-3 |
| Classificazione | DRA000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Illustrations; Acknowledgements; Introduction; Chapter 1 Traditional staging and the evolution of the director; Classical Greek theatre: director as choreographer; From Greece to Classical Rome; Medieval European staging; Playwright-managers: Renaissance and early seventeenth-century theatre; The seventeenth and eighteenth centuries: Enlightenment and the actor-manager; Introducing scenery: Philip Jacques de Loutherbourg; Henry Irving: the nineteenth-century actor-manager; The transition from traditional staging; The German stage and the function of the Intendant
The critic as director: Gotthold Lessing at the Hamburg NationaltheaterFurther reading; Chapter 2 The rise of the modern director; The Meiningen Players and the conditions for naturalism; The Meiningen influence; The theory of naturalism: Emile Zola; The naturalistic director: André Antoine and the Théâtre Libre; Symbolist theatre: a call for directorial vision; Richard Wagner: total theatre; Adolphe Appia: lighting and space; Gordon Craig, Adolphe Appia and the theory of directing; Stanislavsky and psychological realism; The Seagull; Acting 'with the body'; Further reading Chapter 3 Directors of theatricalityVsevolod Meyerhold: commedia dell'arte to biomechanics; Theatricality, stylization and the grotesque; The director as engineer: constructivism and biomechanics; Aleksandr Tairov: aestheticized theatricalization; Yevgeny Vakhtangov: 'festivity' and spectacle; Revisiting Meyerhold: Valery Fokin; The politics of theatricality: Ariane Mnouchkine; 'Masters'; Theatricality, metaphor and the 'East'; Directing in a collectivity of equals; Frank Castorf and Thomas Ostermeier: theatricality and violence; Eastern European directors: theatricality as resistance Further readingChapter 4 Epic theatre directors; Erwin Piscator's political theatre; Political staging: Piscator's Rasputin; Film and stage; Political directing: the Piscator approach; The Rasputin production: a model for epic theatre; Documentary theatre; Bertolt Brecht's epic theatre; Epic theatre and cabaret; Developing an epic style of staging and directing; Directing epic theatre: Mother Courage; The influence of epic theatre; Heiner Müller and post-Brechtian epic theatre; Postmodern epic directing: Roberto Ciulli; Further reading; Chapter 5 Total theatre: the director as auteur Gordon Craig and the Artist of the TheatreMax Reinhardt: the 'Director's Book'; Combining directorial methods: Norman Bel Geddes; Peter Brook: collective creation versus directorial vision; Robert Wilson: the 'Visual Book'; Robert Lepage: cinematic self-directing; Total theatre and directing opera: Robert Wilson, Robert Lepage, Peter Sellars; Visual stylization as musical context: Robert Wilson; Cinematic and mechanistic deconstructions of opera: Robert Lepage; Conceptual politics: Peter Sellars; Sound and space: Christoph Marthaler; Further reading; Chapter 6 Directors of ensemble theatre Giorgio Strehler, Peter Stein, Peter Brook |
| Record Nr. | UNINA-9910786110303321 |
|
Innes Christopher <1941->
|
||
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]]
| The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]] |
| Autore | Innes Christopher <1941-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (xi, 283 pages) : digital, PDF file(s) |
| Disciplina | 792.02/33 |
| Collana | Cambridge introductions to literature |
| Soggetto topico |
Theater - Production and direction
Theater - Production and direction - History - 20th century Theatrical producers and directors |
| ISBN |
1-107-35710-1
1-107-23348-8 1-107-34373-9 1-107-34748-3 1-107-25526-0 1-107-34498-0 1-107-34123-X 1-139-01639-3 |
| Classificazione | DRA000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Illustrations; Acknowledgements; Introduction; Chapter 1 Traditional staging and the evolution of the director; Classical Greek theatre: director as choreographer; From Greece to Classical Rome; Medieval European staging; Playwright-managers: Renaissance and early seventeenth-century theatre; The seventeenth and eighteenth centuries: Enlightenment and the actor-manager; Introducing scenery: Philip Jacques de Loutherbourg; Henry Irving: the nineteenth-century actor-manager; The transition from traditional staging; The German stage and the function of the Intendant
The critic as director: Gotthold Lessing at the Hamburg NationaltheaterFurther reading; Chapter 2 The rise of the modern director; The Meiningen Players and the conditions for naturalism; The Meiningen influence; The theory of naturalism: Emile Zola; The naturalistic director: André Antoine and the Théâtre Libre; Symbolist theatre: a call for directorial vision; Richard Wagner: total theatre; Adolphe Appia: lighting and space; Gordon Craig, Adolphe Appia and the theory of directing; Stanislavsky and psychological realism; The Seagull; Acting 'with the body'; Further reading Chapter 3 Directors of theatricalityVsevolod Meyerhold: commedia dell'arte to biomechanics; Theatricality, stylization and the grotesque; The director as engineer: constructivism and biomechanics; Aleksandr Tairov: aestheticized theatricalization; Yevgeny Vakhtangov: 'festivity' and spectacle; Revisiting Meyerhold: Valery Fokin; The politics of theatricality: Ariane Mnouchkine; 'Masters'; Theatricality, metaphor and the 'East'; Directing in a collectivity of equals; Frank Castorf and Thomas Ostermeier: theatricality and violence; Eastern European directors: theatricality as resistance Further readingChapter 4 Epic theatre directors; Erwin Piscator's political theatre; Political staging: Piscator's Rasputin; Film and stage; Political directing: the Piscator approach; The Rasputin production: a model for epic theatre; Documentary theatre; Bertolt Brecht's epic theatre; Epic theatre and cabaret; Developing an epic style of staging and directing; Directing epic theatre: Mother Courage; The influence of epic theatre; Heiner Müller and post-Brechtian epic theatre; Postmodern epic directing: Roberto Ciulli; Further reading; Chapter 5 Total theatre: the director as auteur Gordon Craig and the Artist of the TheatreMax Reinhardt: the 'Director's Book'; Combining directorial methods: Norman Bel Geddes; Peter Brook: collective creation versus directorial vision; Robert Wilson: the 'Visual Book'; Robert Lepage: cinematic self-directing; Total theatre and directing opera: Robert Wilson, Robert Lepage, Peter Sellars; Visual stylization as musical context: Robert Wilson; Cinematic and mechanistic deconstructions of opera: Robert Lepage; Conceptual politics: Peter Sellars; Sound and space: Christoph Marthaler; Further reading; Chapter 6 Directors of ensemble theatre Giorgio Strehler, Peter Stein, Peter Brook |
| Record Nr. | UNINA-9910822782503321 |
|
Innes Christopher <1941->
|
||
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Contemporary mise en scene : staging theatre today / / Patrice Pavis ; translated by Joel Anderson
| Contemporary mise en scene : staging theatre today / / Patrice Pavis ; translated by Joel Anderson |
| Autore | Pavis Patrice <1947-, > |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (366 p.) |
| Disciplina | 792.0973/09041 |
| Altri autori (Persone) | AndersonJoel |
| Soggetto topico |
Theater - History - 20th century
Theater - History - 21st century Theater - Production and direction Theaters - Stage-setting and scenery |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-203-12513-4
1-283-86236-0 1-136-44851-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contemporary Mise en Scène; Title Page; Copyright Page ; Table of Contents; List of illustrations ; Acknowledgements; Foreword; 1 Where did mise en scène come from? Origins and theory; The origins of mise en scène: historical landmarks ; Steps in the evolution of mise en scène; 2 On the frontiers ofmise en scène; The stage reading; Non-mise en scène; Improvised mise en scène; 3 The difference between mise en scène and performance; Mise en scène and performance: a shaky couple; The current state of the performance and mise en scène relationship; Four examples of cooperation
Conclusions: performance studies/theatre studies4 Tendencies in French scenography; The powers of stage illusion; Fantasy and the real; Crossing the image; The echoes of space; The migration of subspaces; The silence of space; Concluding remarks; 5 The mise en jeu of contemporary texts; Combat de nègre et de chiens; Papa doit manger; Le bonheur du vent; A tous ceux qui ...; Conclusions; 6 The intercultural trap: rituality and mise en scène in the video art of Guillermo Gómez-Peña ; Current context; Ritual?; Reverse anthropology?; A body with variable identities? Mise en scène as the theatricalisation of rituals?7 Theatre in another culture: a Korean example; A season in heaven; Korean theatre seen from afar; 8 Media on the stage; Theatre and media; Technology/media; Other media in performance; Historical landmarks; Possibilities for video on stage; Effects of media on our perception; Suggestions for the analysis of media in mise en scène; Working hypotheses; Three examples; General conclusions ; 9 The deconstruction of postmodern mise en scène; Impossible erasure of the palimpsest; Deconstruction and the reconstruction of tradition The undecidability of meaningCrisis of representation and chorality; In praise of the void and of slowness; The degraded ritual of repetition; To exit representation; Deconstructing representation; Conclusions: 'To have done with the judgement of god' (Artaud) and with deconstruction?; 10 Physical theatre and the dramaturgy of the actor; May B. by Maguy Marin: touched by the other; Itsi Bitsi: the dramaturgy of the actress; Les étourdis, La Cour des grands by Macha Makeïff and Jerôme Deschamps: the body in bits; From the body art of the past to the multiple identities of the present Andromaque on the cutting edge: Michel Liard's art of looking and listeningLes ephémères du soleil: inventing collectively; 11 The splendour and the misery of interpreting the classics; The 'classical effect'; A tricky typology; The end of the radical, fascination with the present; New forms for old questions; A new relationship with tradition; Operating on the classics; A few signs of the times; General conclusions; 12 Staging calamity: mise en scène and performance at Avignon 2005; L'histoire des larmes; Je suis sang; Dieu et les esprits vivants; B.#03 Berlin; Anathème; Puur; Mue The Biography Remix |
| Record Nr. | UNINA-9910462930503321 |
|
Pavis Patrice <1947-, >
|
||
| London ; ; New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Contemporary mise en scene : staging theatre today / / Patrice Pavis ; translated by Joel Anderson
| Contemporary mise en scene : staging theatre today / / Patrice Pavis ; translated by Joel Anderson |
| Autore | Pavis Patrice <1947-, > |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (366 p.) |
| Disciplina | 792.0973/09041 |
| Altri autori (Persone) | AndersonJoel |
| Soggetto topico |
Theater - History - 20th century
Theater - History - 21st century Theater - Production and direction Theaters - Stage-setting and scenery |
| ISBN |
0-203-12513-4
1-283-86236-0 1-136-44851-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contemporary Mise en Scène; Title Page; Copyright Page ; Table of Contents; List of illustrations ; Acknowledgements; Foreword; 1 Where did mise en scène come from? Origins and theory; The origins of mise en scène: historical landmarks ; Steps in the evolution of mise en scène; 2 On the frontiers ofmise en scène; The stage reading; Non-mise en scène; Improvised mise en scène; 3 The difference between mise en scène and performance; Mise en scène and performance: a shaky couple; The current state of the performance and mise en scène relationship; Four examples of cooperation
Conclusions: performance studies/theatre studies4 Tendencies in French scenography; The powers of stage illusion; Fantasy and the real; Crossing the image; The echoes of space; The migration of subspaces; The silence of space; Concluding remarks; 5 The mise en jeu of contemporary texts; Combat de nègre et de chiens; Papa doit manger; Le bonheur du vent; A tous ceux qui ...; Conclusions; 6 The intercultural trap: rituality and mise en scène in the video art of Guillermo Gómez-Peña ; Current context; Ritual?; Reverse anthropology?; A body with variable identities? Mise en scène as the theatricalisation of rituals?7 Theatre in another culture: a Korean example; A season in heaven; Korean theatre seen from afar; 8 Media on the stage; Theatre and media; Technology/media; Other media in performance; Historical landmarks; Possibilities for video on stage; Effects of media on our perception; Suggestions for the analysis of media in mise en scène; Working hypotheses; Three examples; General conclusions ; 9 The deconstruction of postmodern mise en scène; Impossible erasure of the palimpsest; Deconstruction and the reconstruction of tradition The undecidability of meaningCrisis of representation and chorality; In praise of the void and of slowness; The degraded ritual of repetition; To exit representation; Deconstructing representation; Conclusions: 'To have done with the judgement of god' (Artaud) and with deconstruction?; 10 Physical theatre and the dramaturgy of the actor; May B. by Maguy Marin: touched by the other; Itsi Bitsi: the dramaturgy of the actress; Les étourdis, La Cour des grands by Macha Makeïff and Jerôme Deschamps: the body in bits; From the body art of the past to the multiple identities of the present Andromaque on the cutting edge: Michel Liard's art of looking and listeningLes ephémères du soleil: inventing collectively; 11 The splendour and the misery of interpreting the classics; The 'classical effect'; A tricky typology; The end of the radical, fascination with the present; New forms for old questions; A new relationship with tradition; Operating on the classics; A few signs of the times; General conclusions; 12 Staging calamity: mise en scène and performance at Avignon 2005; L'histoire des larmes; Je suis sang; Dieu et les esprits vivants; B.#03 Berlin; Anathème; Puur; Mue The Biography Remix |
| Record Nr. | UNINA-9910786593403321 |
|
Pavis Patrice <1947-, >
|
||
| London ; ; New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Contemporary mise en scene : staging theatre today / / Patrice Pavis ; translated by Joel Anderson
| Contemporary mise en scene : staging theatre today / / Patrice Pavis ; translated by Joel Anderson |
| Autore | Pavis Patrice <1947-, > |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (366 p.) |
| Disciplina | 792.0973/09041 |
| Altri autori (Persone) | AndersonJoel |
| Soggetto topico |
Theater - History - 20th century
Theater - History - 21st century Theater - Production and direction Theaters - Stage-setting and scenery |
| ISBN |
0-203-12513-4
1-283-86236-0 1-136-44851-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contemporary Mise en Scène; Title Page; Copyright Page ; Table of Contents; List of illustrations ; Acknowledgements; Foreword; 1 Where did mise en scène come from? Origins and theory; The origins of mise en scène: historical landmarks ; Steps in the evolution of mise en scène; 2 On the frontiers ofmise en scène; The stage reading; Non-mise en scène; Improvised mise en scène; 3 The difference between mise en scène and performance; Mise en scène and performance: a shaky couple; The current state of the performance and mise en scène relationship; Four examples of cooperation
Conclusions: performance studies/theatre studies4 Tendencies in French scenography; The powers of stage illusion; Fantasy and the real; Crossing the image; The echoes of space; The migration of subspaces; The silence of space; Concluding remarks; 5 The mise en jeu of contemporary texts; Combat de nègre et de chiens; Papa doit manger; Le bonheur du vent; A tous ceux qui ...; Conclusions; 6 The intercultural trap: rituality and mise en scène in the video art of Guillermo Gómez-Peña ; Current context; Ritual?; Reverse anthropology?; A body with variable identities? Mise en scène as the theatricalisation of rituals?7 Theatre in another culture: a Korean example; A season in heaven; Korean theatre seen from afar; 8 Media on the stage; Theatre and media; Technology/media; Other media in performance; Historical landmarks; Possibilities for video on stage; Effects of media on our perception; Suggestions for the analysis of media in mise en scène; Working hypotheses; Three examples; General conclusions ; 9 The deconstruction of postmodern mise en scène; Impossible erasure of the palimpsest; Deconstruction and the reconstruction of tradition The undecidability of meaningCrisis of representation and chorality; In praise of the void and of slowness; The degraded ritual of repetition; To exit representation; Deconstructing representation; Conclusions: 'To have done with the judgement of god' (Artaud) and with deconstruction?; 10 Physical theatre and the dramaturgy of the actor; May B. by Maguy Marin: touched by the other; Itsi Bitsi: the dramaturgy of the actress; Les étourdis, La Cour des grands by Macha Makeïff and Jerôme Deschamps: the body in bits; From the body art of the past to the multiple identities of the present Andromaque on the cutting edge: Michel Liard's art of looking and listeningLes ephémères du soleil: inventing collectively; 11 The splendour and the misery of interpreting the classics; The 'classical effect'; A tricky typology; The end of the radical, fascination with the present; New forms for old questions; A new relationship with tradition; Operating on the classics; A few signs of the times; General conclusions; 12 Staging calamity: mise en scène and performance at Avignon 2005; L'histoire des larmes; Je suis sang; Dieu et les esprits vivants; B.#03 Berlin; Anathème; Puur; Mue The Biography Remix |
| Record Nr. | UNINA-9910816899803321 |
|
Pavis Patrice <1947-, >
|
||
| London ; ; New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Directing Desire [[electronic resource] ] : Intimacy Choreography and Consent in the Twenty-First Century / / by Kari Barclay
| Directing Desire [[electronic resource] ] : Intimacy Choreography and Consent in the Twenty-First Century / / by Kari Barclay |
| Autore | Barclay Kari |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2023 |
| Descrizione fisica | 1 online resource (215 pages) |
| Disciplina | 792.9 |
| Soggetto topico |
Theater - History
Theater - Production and direction Actors Cultural industries Theater Contemporary Theatre and Performance Theatre Direction and Production Performers and Practitioners Theatre Industry |
| ISBN | 3-031-31222-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1. Introduction Boundary Practice -- Chapter 2. Erotic Repetitions: A Brief History of Intimacy Choreography -- Chapter 3. Sexual Script Analysis: Sex Positivity and Authorship in Intimate Scenes -- Chapter 4. “Intermediate” Pornography: Mediating Presence with the Intimacy Kit -- Chapter 5. Playing with Trauma: Race, Consent, and Culturally Responsive Intimacy -- Chapter 6. Immersive Intimacy: Violation and Transformative Justice in Immersive Performance -- Chapter 7. Conclusion: Keep in Touch. |
| Record Nr. | UNINA-9910746994203321 |
|
Barclay Kari
|
||
| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Directing scenes and senses : The thinking of Regie / / Peter M. Boenisch
| Directing scenes and senses : The thinking of Regie / / Peter M. Boenisch |
| Autore | Boenisch Peter M. |
| Pubbl/distr/stampa | Manchester : , : Manchester University Press, , 2015 |
| Descrizione fisica | 1 online resource (224 p.) |
| Disciplina | 792.02/33094 |
| Collana | Theatre theory, practice, performance |
| Soggetto topico |
Theater - Production and direction
Theater - Production and direction - Europe - History |
| Soggetto genere / forma |
History
Electronic books. |
| ISBN | 1-78499-172-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction, the dissensus of Regie : rethinking 'directors' theatre' -- Part I, Mise en scene to Mise en sens : towards an aesthetic politics of Regie. Regie beyond representation : directing the 'sensible' ; The restless spirit of Regie : Hegel, theatrality and the magic of speculative thinking ; Theatre as dialectic institution : Friedrich Schiller and the liberty of play ; The essence of the text and its actualisation : Leopold Jessner, the playwright's radical servant -- Part II, The theatral appearing of ideas : the thinking of contemporary Regie. The tremor of speculative negation : on Regie, truth and ex-position ; Seeing what is coming : on Regie, playing and appearing ; The intermedial parallax : on Regie, media and spectating ; Theatre in the age of semiocapitalism : on Regie, realism and political critique -- Conclusion : the future of Regie? |
| Record Nr. | UNINA-9910480202803321 |
|
Boenisch Peter M.
|
||
| Manchester : , : Manchester University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Directing scenes and senses : The thinking of Regie / / Peter M. Boenisch
| Directing scenes and senses : The thinking of Regie / / Peter M. Boenisch |
| Autore | Boenisch Peter M. |
| Pubbl/distr/stampa | Manchester : , : Manchester University Press, , 2015 |
| Descrizione fisica | 1 online resource (224 p.) |
| Disciplina | 792.02/33094 |
| Collana | Theatre theory, practice, performance |
| Soggetto topico |
Theater - Production and direction
Theater - Production and direction - Europe - History |
| Soggetto genere / forma | History |
| Soggetto non controllato |
Friedrich Schiller
Georg Hegel Leopold Jessner Slavoj Žižek aesthetic politics contemporary Regie directors' theatre intermedial parallax play-performance semiocapitalism speculative thinking theatral appearing truthfulness |
| ISBN |
1-78499-173-2
1-78499-172-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction, the dissensus of Regie : rethinking 'directors' theatre' -- Part I, Mise en scene to Mise en sens : towards an aesthetic politics of Regie. Regie beyond representation : directing the 'sensible' ; The restless spirit of Regie : Hegel, theatrality and the magic of speculative thinking ; Theatre as dialectic institution : Friedrich Schiller and the liberty of play ; The essence of the text and its actualisation : Leopold Jessner, the playwright's radical servant -- Part II, The theatral appearing of ideas : the thinking of contemporary Regie. The tremor of speculative negation : on Regie, truth and ex-position ; Seeing what is coming : on Regie, playing and appearing ; The intermedial parallax : on Regie, media and spectating ; Theatre in the age of semiocapitalism : on Regie, realism and political critique -- Conclusion : the future of Regie? |
| Record Nr. | UNINA-9910797602903321 |
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Boenisch Peter M.
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| Manchester : , : Manchester University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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