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Bertolt Brecht / / Philip Glahn
| Bertolt Brecht / / Philip Glahn |
| Autore | Glahn Philip |
| Pubbl/distr/stampa | London, England : , : Reaktion Books, , 2014 |
| Descrizione fisica | 1 online resource (241 p.) |
| Disciplina | 832.912 |
| Collana | RB-Critical Lives |
| Soggetto topico |
Theater - History - 19th century
Theater - History - 20th century |
| ISBN | 1-78023-301-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Bertolt Brecht; Imprint Page; Contents; Introduction; 1. Poet of Crisis, 1898-1923; 2. 'Mehr guten Sport': Brecht in Berlin, 1924-8; 3. Work, Class and the Struggle with Marxism, 1929-33; 4. Early Exile: 'Singing about Dark Times', 1933-41; 5. U.S. Exile: The Dialectics of Alienation and 'Culinary' Art, 1941-7; 6. Realpolitik: Theatre of Socialism, 1947-56; References; Select Bibliography; Acknowledgements; Photo Acknowledgements |
| Record Nr. | UNINA-9910786417303321 |
Glahn Philip
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| London, England : , : Reaktion Books, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Bertolt Brecht / / Philip Glahn
| Bertolt Brecht / / Philip Glahn |
| Autore | Glahn Philip |
| Pubbl/distr/stampa | London, England : , : Reaktion Books, , 2014 |
| Descrizione fisica | 1 online resource (241 p.) |
| Disciplina | 832.912 |
| Collana | RB-Critical Lives |
| Soggetto topico |
Theater - History - 19th century
Theater - History - 20th century |
| ISBN | 1-78023-301-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Bertolt Brecht; Imprint Page; Contents; Introduction; 1. Poet of Crisis, 1898-1923; 2. 'Mehr guten Sport': Brecht in Berlin, 1924-8; 3. Work, Class and the Struggle with Marxism, 1929-33; 4. Early Exile: 'Singing about Dark Times', 1933-41; 5. U.S. Exile: The Dialectics of Alienation and 'Culinary' Art, 1941-7; 6. Realpolitik: Theatre of Socialism, 1947-56; References; Select Bibliography; Acknowledgements; Photo Acknowledgements |
| Record Nr. | UNINA-9910806130803321 |
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Glahn Philip
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| London, England : , : Reaktion Books, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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La Conférence de sept Parfums / / Pierre Guicheney
| La Conférence de sept Parfums / / Pierre Guicheney |
| Autore | Guicheney Pierre |
| Pubbl/distr/stampa | Torino, : Accademia University Press, 2018 |
| Descrizione fisica | 1 online resource (112 p.) |
| Altri autori (Persone) | AttisaniAntonio |
| Soggetto topico |
Theater - Anthropological aspects
Theater - History - 20th century |
| Soggetto non controllato |
Grotowski
Morocco travel Nigeria |
| ISBN |
88-99982-66-X
88-99982-68-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910284455903321 |
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Guicheney Pierre
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| Torino, : Accademia University Press, 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Contemporary mise en scene : staging theatre today / / Patrice Pavis ; translated by Joel Anderson
| Contemporary mise en scene : staging theatre today / / Patrice Pavis ; translated by Joel Anderson |
| Autore | Pavis Patrice <1947-, > |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (366 p.) |
| Disciplina | 792.0973/09041 |
| Altri autori (Persone) | AndersonJoel |
| Soggetto topico |
Theater - History - 20th century
Theater - History - 21st century Theater - Production and direction Theaters - Stage-setting and scenery |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-203-12513-4
1-283-86236-0 1-136-44851-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contemporary Mise en Scène; Title Page; Copyright Page ; Table of Contents; List of illustrations ; Acknowledgements; Foreword; 1 Where did mise en scène come from? Origins and theory; The origins of mise en scène: historical landmarks ; Steps in the evolution of mise en scène; 2 On the frontiers ofmise en scène; The stage reading; Non-mise en scène; Improvised mise en scène; 3 The difference between mise en scène and performance; Mise en scène and performance: a shaky couple; The current state of the performance and mise en scène relationship; Four examples of cooperation
Conclusions: performance studies/theatre studies4 Tendencies in French scenography; The powers of stage illusion; Fantasy and the real; Crossing the image; The echoes of space; The migration of subspaces; The silence of space; Concluding remarks; 5 The mise en jeu of contemporary texts; Combat de nègre et de chiens; Papa doit manger; Le bonheur du vent; A tous ceux qui ...; Conclusions; 6 The intercultural trap: rituality and mise en scène in the video art of Guillermo Gómez-Peña ; Current context; Ritual?; Reverse anthropology?; A body with variable identities? Mise en scène as the theatricalisation of rituals?7 Theatre in another culture: a Korean example; A season in heaven; Korean theatre seen from afar; 8 Media on the stage; Theatre and media; Technology/media; Other media in performance; Historical landmarks; Possibilities for video on stage; Effects of media on our perception; Suggestions for the analysis of media in mise en scène; Working hypotheses; Three examples; General conclusions ; 9 The deconstruction of postmodern mise en scène; Impossible erasure of the palimpsest; Deconstruction and the reconstruction of tradition The undecidability of meaningCrisis of representation and chorality; In praise of the void and of slowness; The degraded ritual of repetition; To exit representation; Deconstructing representation; Conclusions: 'To have done with the judgement of god' (Artaud) and with deconstruction?; 10 Physical theatre and the dramaturgy of the actor; May B. by Maguy Marin: touched by the other; Itsi Bitsi: the dramaturgy of the actress; Les étourdis, La Cour des grands by Macha Makeïff and Jerôme Deschamps: the body in bits; From the body art of the past to the multiple identities of the present Andromaque on the cutting edge: Michel Liard's art of looking and listeningLes ephémères du soleil: inventing collectively; 11 The splendour and the misery of interpreting the classics; The 'classical effect'; A tricky typology; The end of the radical, fascination with the present; New forms for old questions; A new relationship with tradition; Operating on the classics; A few signs of the times; General conclusions; 12 Staging calamity: mise en scène and performance at Avignon 2005; L'histoire des larmes; Je suis sang; Dieu et les esprits vivants; B.#03 Berlin; Anathème; Puur; Mue The Biography Remix |
| Record Nr. | UNINA-9910462930503321 |
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Pavis Patrice <1947-, >
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||
| London ; ; New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Contemporary mise en scene : staging theatre today / / Patrice Pavis ; translated by Joel Anderson
| Contemporary mise en scene : staging theatre today / / Patrice Pavis ; translated by Joel Anderson |
| Autore | Pavis Patrice <1947-, > |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (366 p.) |
| Disciplina | 792.0973/09041 |
| Altri autori (Persone) | AndersonJoel |
| Soggetto topico |
Theater - History - 20th century
Theater - History - 21st century Theater - Production and direction Theaters - Stage-setting and scenery |
| ISBN |
0-203-12513-4
1-283-86236-0 1-136-44851-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contemporary Mise en Scène; Title Page; Copyright Page ; Table of Contents; List of illustrations ; Acknowledgements; Foreword; 1 Where did mise en scène come from? Origins and theory; The origins of mise en scène: historical landmarks ; Steps in the evolution of mise en scène; 2 On the frontiers ofmise en scène; The stage reading; Non-mise en scène; Improvised mise en scène; 3 The difference between mise en scène and performance; Mise en scène and performance: a shaky couple; The current state of the performance and mise en scène relationship; Four examples of cooperation
Conclusions: performance studies/theatre studies4 Tendencies in French scenography; The powers of stage illusion; Fantasy and the real; Crossing the image; The echoes of space; The migration of subspaces; The silence of space; Concluding remarks; 5 The mise en jeu of contemporary texts; Combat de nègre et de chiens; Papa doit manger; Le bonheur du vent; A tous ceux qui ...; Conclusions; 6 The intercultural trap: rituality and mise en scène in the video art of Guillermo Gómez-Peña ; Current context; Ritual?; Reverse anthropology?; A body with variable identities? Mise en scène as the theatricalisation of rituals?7 Theatre in another culture: a Korean example; A season in heaven; Korean theatre seen from afar; 8 Media on the stage; Theatre and media; Technology/media; Other media in performance; Historical landmarks; Possibilities for video on stage; Effects of media on our perception; Suggestions for the analysis of media in mise en scène; Working hypotheses; Three examples; General conclusions ; 9 The deconstruction of postmodern mise en scène; Impossible erasure of the palimpsest; Deconstruction and the reconstruction of tradition The undecidability of meaningCrisis of representation and chorality; In praise of the void and of slowness; The degraded ritual of repetition; To exit representation; Deconstructing representation; Conclusions: 'To have done with the judgement of god' (Artaud) and with deconstruction?; 10 Physical theatre and the dramaturgy of the actor; May B. by Maguy Marin: touched by the other; Itsi Bitsi: the dramaturgy of the actress; Les étourdis, La Cour des grands by Macha Makeïff and Jerôme Deschamps: the body in bits; From the body art of the past to the multiple identities of the present Andromaque on the cutting edge: Michel Liard's art of looking and listeningLes ephémères du soleil: inventing collectively; 11 The splendour and the misery of interpreting the classics; The 'classical effect'; A tricky typology; The end of the radical, fascination with the present; New forms for old questions; A new relationship with tradition; Operating on the classics; A few signs of the times; General conclusions; 12 Staging calamity: mise en scène and performance at Avignon 2005; L'histoire des larmes; Je suis sang; Dieu et les esprits vivants; B.#03 Berlin; Anathème; Puur; Mue The Biography Remix |
| Record Nr. | UNINA-9910786593403321 |
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Pavis Patrice <1947-, >
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||
| London ; ; New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Contemporary mise en scene : staging theatre today / / Patrice Pavis ; translated by Joel Anderson
| Contemporary mise en scene : staging theatre today / / Patrice Pavis ; translated by Joel Anderson |
| Autore | Pavis Patrice <1947-, > |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (366 p.) |
| Disciplina | 792.0973/09041 |
| Altri autori (Persone) | AndersonJoel |
| Soggetto topico |
Theater - History - 20th century
Theater - History - 21st century Theater - Production and direction Theaters - Stage-setting and scenery |
| ISBN |
0-203-12513-4
1-283-86236-0 1-136-44851-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contemporary Mise en Scène; Title Page; Copyright Page ; Table of Contents; List of illustrations ; Acknowledgements; Foreword; 1 Where did mise en scène come from? Origins and theory; The origins of mise en scène: historical landmarks ; Steps in the evolution of mise en scène; 2 On the frontiers ofmise en scène; The stage reading; Non-mise en scène; Improvised mise en scène; 3 The difference between mise en scène and performance; Mise en scène and performance: a shaky couple; The current state of the performance and mise en scène relationship; Four examples of cooperation
Conclusions: performance studies/theatre studies4 Tendencies in French scenography; The powers of stage illusion; Fantasy and the real; Crossing the image; The echoes of space; The migration of subspaces; The silence of space; Concluding remarks; 5 The mise en jeu of contemporary texts; Combat de nègre et de chiens; Papa doit manger; Le bonheur du vent; A tous ceux qui ...; Conclusions; 6 The intercultural trap: rituality and mise en scène in the video art of Guillermo Gómez-Peña ; Current context; Ritual?; Reverse anthropology?; A body with variable identities? Mise en scène as the theatricalisation of rituals?7 Theatre in another culture: a Korean example; A season in heaven; Korean theatre seen from afar; 8 Media on the stage; Theatre and media; Technology/media; Other media in performance; Historical landmarks; Possibilities for video on stage; Effects of media on our perception; Suggestions for the analysis of media in mise en scène; Working hypotheses; Three examples; General conclusions ; 9 The deconstruction of postmodern mise en scène; Impossible erasure of the palimpsest; Deconstruction and the reconstruction of tradition The undecidability of meaningCrisis of representation and chorality; In praise of the void and of slowness; The degraded ritual of repetition; To exit representation; Deconstructing representation; Conclusions: 'To have done with the judgement of god' (Artaud) and with deconstruction?; 10 Physical theatre and the dramaturgy of the actor; May B. by Maguy Marin: touched by the other; Itsi Bitsi: the dramaturgy of the actress; Les étourdis, La Cour des grands by Macha Makeïff and Jerôme Deschamps: the body in bits; From the body art of the past to the multiple identities of the present Andromaque on the cutting edge: Michel Liard's art of looking and listeningLes ephémères du soleil: inventing collectively; 11 The splendour and the misery of interpreting the classics; The 'classical effect'; A tricky typology; The end of the radical, fascination with the present; New forms for old questions; A new relationship with tradition; Operating on the classics; A few signs of the times; General conclusions; 12 Staging calamity: mise en scène and performance at Avignon 2005; L'histoire des larmes; Je suis sang; Dieu et les esprits vivants; B.#03 Berlin; Anathème; Puur; Mue The Biography Remix |
| Record Nr. | UNINA-9910816899803321 |
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Pavis Patrice <1947-, >
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| London ; ; New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Gwen Ffrangcon-Davies, twentieth-century actress [[electronic resource] /] / by Helen Grime
| Gwen Ffrangcon-Davies, twentieth-century actress [[electronic resource] /] / by Helen Grime |
| Autore | Grime Helen |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London, : Pickering & Chatto, 2013 |
| Descrizione fisica | ix, 255 p. : ill., ports |
| Disciplina | 792.028092 |
| Collana | Dramatic lives |
| Soggetto topico |
Actors - Great Britain
Theater - History - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-317-32094-8
1-84893-320-7 1-317-32095-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intro -- Acknowledgements -- List of Figures and Tables -- 1. Stories and Myths -- 2. Actresses and Femininity -- 3. Sexuality and Discretion -- 4. Archetypes and Epithets -- 5. Industry and Diversity -- 6. Pioneer and Purpose -- 7. Associations and Ambition -- 8. Resurrection and Legacy -- Notes -- Works Cited -- Index. |
| Record Nr. | UNINA-9910453119603321 |
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Grime Helen
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| London, : Pickering & Chatto, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Historical dictionary of postmodernist literature and theater / / Fran Mason
| Historical dictionary of postmodernist literature and theater / / Fran Mason |
| Autore | Mason Fran <1962-> |
| Edizione | [Second edition.] |
| Pubbl/distr/stampa | Lanham : , : Rowman & Littlefield, , [2017] |
| Descrizione fisica | 1 online resource (587 pages) |
| Disciplina | 809/.9113 |
| Collana | Historical dictionaries of literature and the arts |
| Soggetto topico |
Literature, Modern - 20th century
Theater - History - 20th century Postmodernism |
| ISBN | 1-4422-7620-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910798938603321 |
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Mason Fran <1962->
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| Lanham : , : Rowman & Littlefield, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Historical dictionary of postmodernist literature and theater / / Fran Mason
| Historical dictionary of postmodernist literature and theater / / Fran Mason |
| Autore | Mason Fran <1962-> |
| Edizione | [Second edition.] |
| Pubbl/distr/stampa | Lanham : , : Rowman & Littlefield, , [2017] |
| Descrizione fisica | 1 online resource (587 pages) |
| Disciplina | 809/.9113 |
| Collana | Historical dictionaries of literature and the arts |
| Soggetto topico |
Literature, Modern - 20th century
Theater - History - 20th century Postmodernism |
| ISBN | 1-4422-7620-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910823639803321 |
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Mason Fran <1962->
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| Lanham : , : Rowman & Littlefield, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Holocaust drama : the theater of atrocity / / Gene A. Plunka [[electronic resource]]
| Holocaust drama : the theater of atrocity / / Gene A. Plunka [[electronic resource]] |
| Autore | Plunka Gene A. <1949-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2009 |
| Descrizione fisica | 1 online resource (vi, 447 pages) : digital, PDF file(s) |
| Disciplina | 809.2/9358 |
| Collana | Cambridge studies in modern theatre |
| Soggetto topico |
Drama - 20th century - History and criticism
Theater - History - 20th century Holocaust, Jewish (1939-1945), in literature Atrocities in literature Jews in literature Memory in literature Holocaust, Jewish (1939-1945) - Psychological aspects |
| ISBN |
1-107-18938-1
0-521-18242-5 1-282-10392-X 9786612103926 0-511-57659-5 0-511-51552-9 0-511-51797-1 0-511-51443-3 0-511-51680-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Staging the banality of evil -- Culture and the Holocaust -- The Holocaust as literature of the body -- Transcending the Holocaust -- Marxism and the Holocaust -- Aryan responsibility during the Holocaust, I -- Aryan responsibility during the Holocaust, II -- Heroism and moral responsibility in the ghettoes -- Dignity in the concentration camps -- Holocaust survivors in the United States and Israel -- The survivor syndrome and the effects of the Holocaust on survivor families -- Holocaust survivor memory -- The Holocaust and collective memory. |
| Record Nr. | UNINA-9910454381903321 |
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Plunka Gene A. <1949->
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| Cambridge : , : Cambridge University Press, , 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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