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The Palgrave Encyclopedia of Global Shakespeare [[electronic resource]]
| The Palgrave Encyclopedia of Global Shakespeare [[electronic resource]] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (Approx. 1800 p. 20 illus.) |
| Disciplina | 822.33 |
| Soggetto topico |
Literature, Modern
Shakespeare, William, 1564-1616 Theater—History Shakespeare Theatre History |
| ISBN | 3-319-99378-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910485035903321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Palgrave Handbook of Musical Theatre Producers [[electronic resource] /] / edited by Laura MacDonald, William A. Everett
| The Palgrave Handbook of Musical Theatre Producers [[electronic resource] /] / edited by Laura MacDonald, William A. Everett |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (XVIII, 559 p.) |
| Disciplina | 782.1 |
| Soggetto topico |
Theater—Production and direction
Theater Performing arts Theater—History Film genres Theatre Direction and Production Theatre Industry Performing Arts Theatre History Genre |
| Soggetto genere / forma | Handbooks and manuals. |
| ISBN |
1-78684-701-9
1-137-43308-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Prologue -- 1. Overture; -- 2. Actors Act, Directors Direct, Producers…Produce?; Kathryn Edney -- Act 1. To the 1940s -- 3. Tony Pastor; Gillian Rodger -- 4. Adolf Philipp and the German-American Musical Comedy; John Koegel -- 5. George Edwardes; William A. Everett -- 6. Charles Frohman; Brian D. Valencia -- 7. Aggressive, Beleaguered, Commercial, Defiant; Marlis Schweitzer -- 8. Did the Shuberts Save Broadway?; Anthony Vickery -- 9. Sam Harris; Alisa Roost -- 10. Florenz Ziegfeld Jr.’s “Simple Idea”; Todd Decker -- 11. Feather-Footed Impresario; Maya Cantu -- 12. Alexander A. Aarons and Vinton Freedley; Jennifer Ashley Tepper and William A. Everett -- 13. Coherency; Dominic Symonds -- 14. Firm Foundations; Frank Van Straten.-15. Japanese Women’s Popular Musicals; Nobuko Anan -- Act 2. From the 1940s through the 1970s -- 16. Refining the Tastes of Broadway Audiences; Claudia Wilsch Case -- 17. More than a Producer; Paul R. Laird -- 18. Rodgers and Hammerstein; Valerie Joyce -- 19. The Nice One; Michael Schwartz -- 20. The Sparkplug and the Engineer; Dominic McHugh -- 21. Roger L. Stevens; Karen Patricia Heath -- 22. “He Could Get It for You Wholesale”; Ryan McKinney -- 23. Stuart Ostrow; Elissa Harbert -- 24. Hal Prince; Paul R. Laird -- 25. Korean Musical Theatre’s Past; Ji Hyon (Kayla) Yuh -- 26. Joseph Papp and the Public Theater; Elizabeth L. Wollman -- 27. Giora Godik; Shiraz Biggie -- 28. The West End (and Broadway) Head East; Kevin J. Wetmore, Jr. -- Act 3. Since the 1970s -- 29. The Shubert Organization; Mark E. Swartz -- 30. Emanuel Azenberg's Life in Theatre; Sarah Taylor Ellis -- 31. Cameron Mackintosh; Jessica Sternfeld -- 32. Laying Down the RUG; Kyle A. Thomas -- 33. “My American Dream”; Sir Anril Tiatco -- 34. Trading Globally in Austrian History; Laura MacDonald -- 35. Stage Entertainment’s Global Success; Sanne Thierens -- 36. West Side Story; Doug Reside -- 37. Making Musicals that Matter; Donatella Galella -- 38. Broadway Bound; Claudia Case -- 39. Our Brand Is Revival; Bryan M. Vandevender -- 40. Reclaiming, Restoring, and Reviving the American Musical; Bryan M. Vandevender -- 41. Garth Drabinsky’s “Grand Moves”; Todd Decker -- 42. Disney Theatrical Productions; Amy S. Osatinski -- 43. Against All Odds; Chris McCoy -- 44. “I am them”; Rashida Shaw -- 45. Between Broadway and the Local; Hyunjung Lee -- 46. Performing Like a Concert King or a Queen; Sir Anril Tiatco -- 47. Producing Musicals in Russia at the Turn of the Twenty-First Century; Art Babayants -- 48. David Stone; David Carlyon -- 49. ART for ART’s Sake; Stuart Hecht -- 50. Roth and Son; Laura MacDonald.-Curtain Call -- 51. New Paradigms for Broadway Producers in Popular Culture and Beyond; Mary Jo Lodge -- Biblibography -- Index. |
| Record Nr. | UNINA-9910255072403321 |
| New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Palgrave Handbook of Shakespeare's Queens [[electronic resource] /] / edited by Kavita Mudan Finn, Valerie Schutte
| The Palgrave Handbook of Shakespeare's Queens [[electronic resource] /] / edited by Kavita Mudan Finn, Valerie Schutte |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (XIX, 530 p.) |
| Disciplina | 940.903 |
| Collana | Queenship and Power |
| Soggetto topico |
Europe—History—1492-
Literature—History and criticism Literature, Modern Sociology Theater—History History of Early Modern Europe Literary History Early Modern/Renaissance Literature Gender Studies Theatre History |
| ISBN | 3-319-74518-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- I. General Studies -- 2. Stagecraft and Statecraft: Queenship and Theatricality on the Shakespearean Stage -- 3. Shakespeare's Queens and Collective Forces: Facing Aristocracy, Dealing with Crowds -- II. Queenship & Sovereignty -- 4. "I trust I may not trust thee": Queens and Royal Women's Visions of the World in King John -- 5. Cordelia, Foreign Queenship, and the Commonweal -- 6. "Tremble at patience": Constant Queens and Female Solidarity in The Two Noble Kinsmen and The Winter's Tale -- III. Queenship & Motherhood -- 7. "...to beare the name of a queene": Eleanor, Duchess of Gloucester, and Lady Macbeth: Queens and Motherhood -- 8. Womb Rhetoric: The Martial Maternity of Volumnia, Tamora, and Elizabeth I -- 9. "Good queen, my lord, good queen": Royal Mothers in Shakespeare's Plays -- IV. Queenship & Rhetoric -- 10. Margaret of Anjou and the Rhetoric of Sovereign Violence -- 11. "I can no longer hold me patient!": Margaret, Anger, and Political Voice in Richard III -- 12. Shakespeare's Cleopatra as Metatheatrical Monarch -- V. Absent/Missing Queens -- 13. "Nothing Hath Begot My Something Grief": Invisible Queenship in Shakespeare's Second Tetralogy -- 14. The Queen's Two Bodies in The Winter's Tale -- 15. The Political Aesthetics of Anne Boleyn's Queenship in Henry VIII, or All is True -- 16. The Fortification and Containment of Queen Elizabeth I's Rhetoric and Performance in Shakespeare and Fletcher's Henry VIII -- VI. Staging Queens & Contemporary Politics -- 17. The Princess' Political Mission in Love Labour's Lost: The Embassy to get Aquitaine and "all that is" Navarre's -- 18. Katherine of Aragon, Protestant Purity, and the Anxieties of Cultural Mixing in Shakespeare and Fletcher’s King Henry VIII -- 19. “The Ambition in my Love”: The Theatre of Courtly Conduct in All’s Well That Ends Well -- VII. Queenship & Intertextuality -- 20. As Wise as She is Beautiful: Reconciling Shakespeare’s Fairy Queen and Spenser’s Faerie Queene -- 21. The Princess of France: Difference and Dif(fé)rance in Love’s Labour’s Lost -- 22. “A gap in nature”: Re-writing Cleopatra Through Antony and Cleopatra’s Cosmology -- 23. En un infierno los dos: Catherine of Aragon and Anne Boleyn in Shakespeare & Fletcher’s Henry VIII and Calderón’s La cisma de Inglaterra -- VIII. Performing Queenship -- 24. Margaret of Anjou: Shakespeare's Adapted Heroine -- 25. The Bard, the Bride, and the Muse Bemused: Katherine de Valois on Film in Shakespeare’s Henry V -- 26. The “squeaking Cleopatra boy”: Performance of the Queen’s Two Bodies on the Early Modern Stage. |
| Record Nr. | UNINA-9910299792903321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Palgrave Handbook of the History of Women on Stage [[electronic resource] /] / edited by Jan Sewell, Clare Smout
| The Palgrave Handbook of the History of Women on Stage [[electronic resource] /] / edited by Jan Sewell, Clare Smout |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (850 pages) |
| Disciplina | 792.0280922 |
| Soggetto topico |
Theater—History
Theater Actors Performing arts Theatre History Performers and Practitioners Global/International Theatre and Performance Contemporary Theatre Performing Arts |
| ISBN | 3-030-23828-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. General Introduction; Jan Sewell and Clare Smout -- 2. Female Performers in the Greco-Roman World: An Introduction; Anne Duncan -- 3. The Roman Mimae: Female Performers in Ancient Rome; Anne Duncan -- 4. Ludism, Gender-Play and Roman Theatricality; Clare Foster -- 5. Women and Medieval Drama: Selected Sisters and Worshipful Wives; Sue Niebrzydowski -- 6. The First Italian Actresses, Isabella Andreini and the Commedia dell’Arte; Margaret Rose -- 7. Elizabeth I and the Dancing Stuart Queens: Female Agency and Subjectivity in Early Modern English Court Drama; Catherine Clifford -- 8. Margaret Cavendish’s Female Fairground Performers; M. A. Katritzky -- 9. Women Performers on English Stages 1660-1740; Jane Milling -- 10. Eighteenth-Century English Actresses: From Rustic Simplicity to Urban Sophistication; Laura J. Rosenthal -- 11. Late Eighteenth-Century English Actresses and Material Culture; Laura Engel -- 12. Performing the Nation State: Female Representation in Nineteenth-Century American Theatre and the American Cultural Imagination; Pam Cobrin -- 13. Death and the Working Woman: Actresses, Illness, and Labour from Rachel to Bernhardt; Roberta Barker -- 14. Ada Rehan: The Case of the Missing International Star; Lezlie C. Cross -- 15. Japanese Women on Stage: From Tradition to Modernity; Yamanashi Makiko -- 16. Leading Ladies on the Modern Greek Stage: Personal and Political Rivalries from Paraskevopoulou and Veroni to Kotopouli, Kyveli and Papadaki; Xenia Georgopoulou -- 17. British Actresses, 1900-1950: Professional Transformations; Maggie B. Gale -- 18. Serafima Birman, Sofia Giatsintova, Alla Tarasova and Olga Pyzhova: ‘Second Wave’ Russian and Soviet Actresses, Stanislavsky's System and the Moscow Art Theatre; Maria Ignatieva and Rose Whyman -- 19. Actress-Entrepreneurs of the Harlem Renaissance / New Negro Era: Anita Bush, Abbie Mitchell, Rose McClendon, Mercedes Gilbert, Venzella Jones; Cheryl Black -- 20. ‘Bad Girls’ of 1960s-1990s American Performance: Adrian Piper, Karen Finley and Carolee Schneemann; Dorothy Chansky -- 21. Birth, Copulation and Death: Feminist Theatre and Performance Practice across Four Decades; Anna Furse -- 22. Feminist Theatre: Putting Women Centre Stage; Sue Parrish -- 23. Theatre of Black Women: A Personal Account; Bernardine Evaristo -- 24. Women and Theatre, Birmingham: The Early Years (1984-1994); Polly Wright, with Jo Broadwood and Janice Connolly -- 25. Jenny Sealey of Graeae in Conversation with Clare Smout, February 2018: Gender and Disability; Jenny Sealey, with Clare Smout -- 26. Women on the Classical Kerala Stage: The Kutiyattam and Kathakali Traditions; Diane Daugherty -- 27. Negotiating Representations of Coloured Women in Post-Apartheid South African Performance; Amy Jephta -- 28. Great British Dames: Mature Actresses and their Negotiation of Celebrity in the Twenty-First Century; Mary Luckhurst -- 29. Feminist Dramaturgy in Practice: Lazarus Theatre Company’s Staging of Elizabeth Cary’s The Tragedy of Mariam; Sara Reimers and Elizabeth Schafer -- 30. Theatre Inside/Outside Prison: San Vittore Globe Theatre Company, Milan; Susan Marshall -- 31. Australasian Shakespeare: Race and the Female Star; Anna Kamaralli -- 32. Women Playing Shakespeare’s Men: Achieving Equality on the Twenty-First Century British Stage; Jami Rogers -- 33. Theatre, Education and Embodied Cognition: Young Women in a Changing World; Tracy Irish -- 34. Trans Women on Stage: Erasure, Resurgence and #notadebate; Emma Frankland. |
| Record Nr. | UNINA-9910484596203321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Partial Histories [[electronic resource] ] : A Reappraisal of Colley Cibber / / by Elaine M. McGirr
| Partial Histories [[electronic resource] ] : A Reappraisal of Colley Cibber / / by Elaine M. McGirr |
| Autore | McGirr Elaine M |
| Edizione | [1st ed. 2016.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
| Descrizione fisica | 1 online resource (IX, 210 p. 7 illus., 1 illus. in color.) |
| Disciplina | 792.09 |
| Soggetto topico |
Theater—History
Literature—History and criticism Theatre History Literary History |
| ISBN | 1-137-02719-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- 1.Portrait of an Actor -- 2.Portrait of a Theatrical Despot -- 3.Authorship, Authority and the Battle for Shakespeare -- 4.Family Portraits -- Appendix. |
| Record Nr. | UNINA-9910255257303321 |
McGirr Elaine M
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Performance and Spectatorship in Edwardian Art Writing [[electronic resource] /] / by Sophie Hatchwell
| Performance and Spectatorship in Edwardian Art Writing [[electronic resource] /] / by Sophie Hatchwell |
| Autore | Hatchwell Sophie |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2019 |
| Descrizione fisica | 1 online resource (138 pages) |
| Disciplina | 700.94209033 |
| Collana | Bernard Shaw and His Contemporaries |
| Soggetto topico |
Performing arts
Theater—History Drama Performing Arts Theatre History |
| ISBN | 3-030-17024-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: An Invitation -- 2. Characterising the Viewer -- 3. Spectatorship and Ekphrasis -- 4. Staging Spectatorship -- 5. Staging Art -- 6. Domesticity, Decoration and Role Play -- 7. Conclusion. |
| Record Nr. | UNINA-9910484612103321 |
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Hatchwell Sophie
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Performance in the Field [[electronic resource] ] : Interdisciplinary Practice-as-Research / / by David Overend
| Performance in the Field [[electronic resource] ] : Interdisciplinary Practice-as-Research / / by David Overend |
| Autore | Overend David |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 |
| Descrizione fisica | 1 online resource (200 pages) |
| Disciplina | 001.42 |
| Soggetto topico |
Site-specific theater
Performing arts Theater Theater—History Human geography Site-Specific Performance Practice-as-Research Contemporary Theatre and Performance Human Geography |
| ISBN |
9783031214257
9783031214240 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1. Introduction -- Chapter 2. Ecology -- Chapter 3. Heritage -- Chapter 4. Clubbing -- Chapter 5. Mobility -- Chapter 6. Deep Time -- Chapter 7. Conclusion./. |
| Record Nr. | UNINA-9910720093403321 |
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Overend David
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Performance Reconstruction and Spanish Golden Age Drama [[electronic resource] ] : Reviving and Revising the Comedia / / by L. Vidler
| Performance Reconstruction and Spanish Golden Age Drama [[electronic resource] ] : Reviving and Revising the Comedia / / by L. Vidler |
| Autore | Vidler L |
| Edizione | [1st ed. 2014.] |
| Pubbl/distr/stampa | New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2014 |
| Descrizione fisica | 1 online resource (198 pages) : illustrations |
| Disciplina | 862/.309 |
| Collana | Palgrave Studies in Theatre and Performance History |
| Soggetto topico |
Performing arts
Theater—History Europe—History Theater Arts Performing Arts Theatre History European History Theatre and Performance Studies |
| ISBN | 1-137-43707-3 |
| Classificazione | HIS045000PER011020PER011040 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: -- Introduction: Critical Theory and the Reconstruction of Early Modern Performance1. Revisiting Comedia Reconstruction in a Revisionist Performance Environment2. The Habitus of Corral Scenic Space3. (Re)Placing the Corral Body4. Staging the Object5. Women/Objects on the Modern and Early Modern Stage: Two Exceptional Case Studies6. Adaptation, Translation, and the Relevance of Classical Theatrical Performance7. Theory Performance. |
| Record Nr. | UNINA-9910150330903321 |
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Vidler L
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| New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Performance, Identity, and Immigration Law [[electronic resource] ] : A Theatre of Undocumentedness / / by G. Guterman
| Performance, Identity, and Immigration Law [[electronic resource] ] : A Theatre of Undocumentedness / / by G. Guterman |
| Autore | Guterman G |
| Edizione | [1st ed. 2014.] |
| Pubbl/distr/stampa | New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2014 |
| Descrizione fisica | 1 online resource (237 pages) |
| Disciplina | 792.089/68073 |
| Soggetto topico |
Political science
Theater—History Performing arts Arts Theater Political Science Theatre History Performing Arts Theatre and Performance Studies |
| ISBN | 1-137-41100-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Act 237(a)(1)(b): present in violation of law -- Act 275(a): improper entry by alien -- Act 274a: unlawful employment of aliens -- Act 212(a)(9)(b)(iii)(iii): family unity -- Act 331: alien enemies -- Act 505: appeals. |
| Record Nr. | UNINA-9910787959503321 |
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Guterman G
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| New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Performance, Identity, and Immigration Law [[electronic resource] ] : A Theatre of Undocumentedness / / by G. Guterman
| Performance, Identity, and Immigration Law [[electronic resource] ] : A Theatre of Undocumentedness / / by G. Guterman |
| Autore | Guterman G |
| Edizione | [1st ed. 2014.] |
| Pubbl/distr/stampa | New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2014 |
| Descrizione fisica | 1 online resource (237 pages) |
| Disciplina | 792.089/68073 |
| Soggetto topico |
Political science
Theater—History Performing arts Arts Theater Political Science Theatre History Performing Arts Theatre and Performance Studies |
| ISBN | 1-137-41100-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Act 237(a)(1)(b): present in violation of law -- Act 275(a): improper entry by alien -- Act 274a: unlawful employment of aliens -- Act 212(a)(9)(b)(iii)(iii): family unity -- Act 331: alien enemies -- Act 505: appeals. |
| Record Nr. | UNINA-9910817617403321 |
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Guterman G
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| New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Soggetto topico
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Theater—History
(153)
- Theatre History (150)
- Performing arts (66)
- Performing Arts (64)
- Theater (59)