Music in the galant style [[electronic resource] /] / Robert O. Gjerdingen |
Autore | Gjerdingen Robert O |
Pubbl/distr/stampa | New York, : Oxford University Press, 2007 |
Descrizione fisica | 1 online resource (792 p.) |
Disciplina | 780.9/033 |
Soggetto topico |
Music - Europe - 18th century - History and criticism
Style, Musical Musical analysis |
Soggetto genere / forma | Electronic books. |
ISBN |
1-281-16379-1
9786611163792 0-19-971836-9 1-4356-3884-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover Page; Title Page; Copyright Page; Dedication; Acknowledgments; Contents; 1 Introduction; 2 The Romanesca; 3 The Prinner; 4 The Fonte; 5 A Minuet; 6 The Do-Re-Mi; 7 The Monte; 8 A Theme And Variations; 9 The Meyer; 10 A Theme And Variations; 11 Clausulae; 12 An Andante; 13 The Quiescenza; 14 The Ponte; 15 A Grave Sostenuto; 16 The Fenaroli; 17 An Allegro; 18 The Sol-Fa-Mi; 19 An Andante; 20 The Indugio; 21 A Cantabile; 22 A Larghetto; 23 An Andantino; 24 An Andantino Affettuoso; 25 The Child Mozart; 26 An Allegro; 27 II Filo: A Poco Adagio; 28 A Model Adagio; 29 A Model Allegro
30 Summary And CadenzaAppendix A: Schema Prototypes; Appendix B: Partimenti; Notes; Index Of Music Sources; General Index |
Record Nr. | UNINA-9910451863203321 |
Gjerdingen Robert O
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New York, : Oxford University Press, 2007 | ||
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Lo trovi qui: Univ. Federico II | ||
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Music in the galant style [[electronic resource] /] / Robert O. Gjerdingen |
Autore | Gjerdingen Robert O |
Pubbl/distr/stampa | New York, : Oxford University Press, 2007 |
Descrizione fisica | 1 online resource (792 p.) |
Disciplina | 780.9/033 |
Soggetto topico |
Music - Europe - 18th century - History and criticism
Style, Musical Musical analysis |
ISBN |
0-19-772865-0
0-19-988610-5 1-281-16379-1 9786611163792 0-19-971836-9 1-4356-3884-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover Page; Title Page; Copyright Page; Dedication; Acknowledgments; Contents; 1 Introduction; 2 The Romanesca; 3 The Prinner; 4 The Fonte; 5 A Minuet; 6 The Do-Re-Mi; 7 The Monte; 8 A Theme And Variations; 9 The Meyer; 10 A Theme And Variations; 11 Clausulae; 12 An Andante; 13 The Quiescenza; 14 The Ponte; 15 A Grave Sostenuto; 16 The Fenaroli; 17 An Allegro; 18 The Sol-Fa-Mi; 19 An Andante; 20 The Indugio; 21 A Cantabile; 22 A Larghetto; 23 An Andantino; 24 An Andantino Affettuoso; 25 The Child Mozart; 26 An Allegro; 27 II Filo: A Poco Adagio; 28 A Model Adagio; 29 A Model Allegro
30 Summary And CadenzaAppendix A: Schema Prototypes; Appendix B: Partimenti; Notes; Index Of Music Sources; General Index |
Record Nr. | UNINA-9910778102403321 |
Gjerdingen Robert O
![]() |
||
New York, : Oxford University Press, 2007 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Music in the galant style [[electronic resource] /] / Robert O. Gjerdingen |
Autore | Gjerdingen Robert O |
Pubbl/distr/stampa | New York, : Oxford University Press, 2007 |
Descrizione fisica | 1 online resource (792 p.) |
Disciplina | 780.9/033 |
Soggetto topico |
Music - Europe - 18th century - History and criticism
Style, Musical Musical analysis |
ISBN |
0-19-772865-0
0-19-988610-5 1-281-16379-1 9786611163792 0-19-971836-9 1-4356-3884-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover Page; Title Page; Copyright Page; Dedication; Acknowledgments; Contents; 1 Introduction; 2 The Romanesca; 3 The Prinner; 4 The Fonte; 5 A Minuet; 6 The Do-Re-Mi; 7 The Monte; 8 A Theme And Variations; 9 The Meyer; 10 A Theme And Variations; 11 Clausulae; 12 An Andante; 13 The Quiescenza; 14 The Ponte; 15 A Grave Sostenuto; 16 The Fenaroli; 17 An Allegro; 18 The Sol-Fa-Mi; 19 An Andante; 20 The Indugio; 21 A Cantabile; 22 A Larghetto; 23 An Andantino; 24 An Andantino Affettuoso; 25 The Child Mozart; 26 An Allegro; 27 II Filo: A Poco Adagio; 28 A Model Adagio; 29 A Model Allegro
30 Summary And CadenzaAppendix A: Schema Prototypes; Appendix B: Partimenti; Notes; Index Of Music Sources; General Index |
Record Nr. | UNINA-9910813205803321 |
Gjerdingen Robert O
![]() |
||
New York, : Oxford University Press, 2007 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Text and act [[electronic resource] ] : essays on music and performance / / Richard Taruskin |
Autore | Taruskin Richard |
Pubbl/distr/stampa | New York, : Oxford University Press, 1995 |
Descrizione fisica | 1 online resource (391 p.) |
Disciplina |
781.4/3
781.43 |
Soggetto topico |
Performance practice (Music)
Style, Musical |
Soggetto genere / forma | Electronic books. |
ISBN |
1-280-45099-1
0-19-535743-4 1-60256-031-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Author's Note; INTRODUCTION; Last Thoughts First; IN THEORY; 1. On Letting the Music Speak for Itself; 2. The Limits of Authenticity: A Contribution; 3. Down with the Fence; 4. The Pastness of the Present and the Presence of the Past; 5. What-or Where-Is the Original?; 6. The Modern Sound of Early Music; 7. Tradition and Authority; IN PRACTICE; Beethoven; 8. The New Antiquity; 9. Resisting the Ninth; Mozart; 10. An Icon for Our Time; 11. A Mozart Wholly Ours; 12. Old (New) Instruments, New (Old) Tempos; Bach; 13. Backslide or Harbinger?; 14. Facing up, Finally, to Bach's Dark Vision
15. The Crooked Straight and the Rough Places PlainAntiquarian Innocence; 16. Report from Lincoln Center: The International Josquin Festival-Conference, 21-25 June 1971; 17. The Price of Literacy, or, Why We Need Musicology; 18. High, Sweet, and Loud; 19. Text and Act; Full Circle; 20. Stravinsky Lite (Even ""The Rite""); Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z |
Record Nr. | UNINA-9910450438603321 |
Taruskin Richard
![]() |
||
New York, : Oxford University Press, 1995 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Text and act [[electronic resource] ] : essays on music and performance / / Richard Taruskin |
Autore | Taruskin Richard |
Pubbl/distr/stampa | New York, : Oxford University Press, 1995 |
Descrizione fisica | 1 online resource (391 p.) |
Disciplina |
781.4/3
781.43 |
Soggetto topico |
Performance practice (Music)
Style, Musical |
ISBN |
0-19-772928-2
1-280-45099-1 0-19-535743-4 1-60256-031-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Author's Note; INTRODUCTION; Last Thoughts First; IN THEORY; 1. On Letting the Music Speak for Itself; 2. The Limits of Authenticity: A Contribution; 3. Down with the Fence; 4. The Pastness of the Present and the Presence of the Past; 5. What-or Where-Is the Original?; 6. The Modern Sound of Early Music; 7. Tradition and Authority; IN PRACTICE; Beethoven; 8. The New Antiquity; 9. Resisting the Ninth; Mozart; 10. An Icon for Our Time; 11. A Mozart Wholly Ours; 12. Old (New) Instruments, New (Old) Tempos; Bach; 13. Backslide or Harbinger?; 14. Facing up, Finally, to Bach's Dark Vision
15. The Crooked Straight and the Rough Places PlainAntiquarian Innocence; 16. Report from Lincoln Center: The International Josquin Festival-Conference, 21-25 June 1971; 17. The Price of Literacy, or, Why We Need Musicology; 18. High, Sweet, and Loud; 19. Text and Act; Full Circle; 20. Stravinsky Lite (Even ""The Rite""); Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z |
Record Nr. | UNINA-9910783362203321 |
Taruskin Richard
![]() |
||
New York, : Oxford University Press, 1995 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Text and act [[electronic resource] ] : essays on music and performance / / Richard Taruskin |
Autore | Taruskin Richard |
Pubbl/distr/stampa | New York, : Oxford University Press, 1995 |
Descrizione fisica | 1 online resource (391 p.) |
Disciplina |
781.4/3
781.43 |
Soggetto topico |
Performance practice (Music)
Style, Musical |
ISBN |
0-19-772928-2
1-280-45099-1 0-19-535743-4 1-60256-031-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Author's Note; INTRODUCTION; Last Thoughts First; IN THEORY; 1. On Letting the Music Speak for Itself; 2. The Limits of Authenticity: A Contribution; 3. Down with the Fence; 4. The Pastness of the Present and the Presence of the Past; 5. What-or Where-Is the Original?; 6. The Modern Sound of Early Music; 7. Tradition and Authority; IN PRACTICE; Beethoven; 8. The New Antiquity; 9. Resisting the Ninth; Mozart; 10. An Icon for Our Time; 11. A Mozart Wholly Ours; 12. Old (New) Instruments, New (Old) Tempos; Bach; 13. Backslide or Harbinger?; 14. Facing up, Finally, to Bach's Dark Vision
15. The Crooked Straight and the Rough Places PlainAntiquarian Innocence; 16. Report from Lincoln Center: The International Josquin Festival-Conference, 21-25 June 1971; 17. The Price of Literacy, or, Why We Need Musicology; 18. High, Sweet, and Loud; 19. Text and Act; Full Circle; 20. Stravinsky Lite (Even ""The Rite""); Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z |
Record Nr. | UNINA-9910827322203321 |
Taruskin Richard
![]() |
||
New York, : Oxford University Press, 1995 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|