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Victorian soundscapes [[electronic resource] /] / John M. Picker
| Victorian soundscapes [[electronic resource] /] / John M. Picker |
| Autore | Picker John M. <1970-> |
| Pubbl/distr/stampa | New York, : Oxford University Press, c2003 |
| Descrizione fisica | xi, 220 p. : ill |
| Disciplina | 820.9/356 |
| Soggetto topico |
English literature - 19th century - History and criticism
Sounds in literature Sound - Recording and reproducing - Great Britain - History - 19th century Speech in literature Sound in literature Voice in literature |
| ISBN |
0198034660
9780198034667 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910795715803321 |
Picker John M. <1970->
|
||
| New York, : Oxford University Press, c2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Victorian soundscapes / / John M. Picker
| Victorian soundscapes / / John M. Picker |
| Autore | Picker John M. <1970-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, : Oxford University Press, c2003 |
| Descrizione fisica | xi, 220 p. : ill |
| Disciplina | 820.9/356 |
| Soggetto topico |
English literature - 19th century - History and criticism
Sound in literature Sound - Recording and reproducing - Great Britain - History - 19th century Speech in literature Voice in literature |
| ISBN |
0198034660
9780198034667 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intro -- Contents -- Illustrations -- Introduction:The Tramp of a Fly's Footstep -- Hearing Things -- An Auscultative Age -- Nuisance and Resonance -- 1 "What the Waves Were Always Saying":Voices, Volumes -- Babbage and Dickens: A Library of Air -- "Away, with a Shriek, and a Roar, and a Rattle" -- Forever and Forever through Space -- 2 The Soundproof Study:Victorian Professional Identity and Urban Noise -- Scatterbrain London -- "Blackguard Savoyards and Herds of German Swine" -- Writers' Block -- Embodying Noise:The Leech Case -- "Great Facts" -- 3 George Eliot's Ear: New Acoustics in Daniel Deronda and Beyond -- On the Other Side of Silence -- Helmholtz and Eliot: Sympathetic Vibration -- "On the Verge of a Great Discovery":Talking Cures -- 4 The Recorded Voice from Victorian Aura to Modernist Echo -- Tennyson's Talking Machine -- "Send Me Mr. Gladstone's Voice" -- Sinful Speech -- Sound Bites -- Coda:The Victor Dog -- Appendix: Dickens's Prospectus for the Cheap Edition (1847) -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- X -- Y -- Z. |
| Record Nr. | UNINA-9910824422603321 |
|
Picker John M. <1970->
|
||
| New York, : Oxford University Press, c2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
What we say, who we are [[electronic resource] ] : Leopold Senghor, Zora Neale Hurston, and the philosophy of language / / Parker English
| What we say, who we are [[electronic resource] ] : Leopold Senghor, Zora Neale Hurston, and the philosophy of language / / Parker English |
| Autore | English Parker |
| Pubbl/distr/stampa | Lanham, Md., : Lexington Books, c2010 |
| Descrizione fisica | 1 online resource (148 p.) |
| Disciplina | 841/.914 |
| Soggetto topico |
Language and languages in literature
Speech in literature Ethnology in literature Black people - Languages |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-4616-3468-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Title Page; Copyright Page; Table of Contents; Acknowledgments; Introduction; Chapter 1: Senghor's Discussion of ""Negritude"" and Hurston's Discussion of ""Negro Expression""; Chapter 2: Performism: A View Gleaned from Senghor and from Hurston; Chapter 3: Performatives and Reflexivity in Light of Hurston's Ethnography and Fiction; Chapter 4: Exchanges of Speech; Chapter 5: Speech and Senses of Self in Their Eyes Were Watching God; Chapter 6: Performism in the World; Works Cited; Index; About the Author |
| Record Nr. | UNINA-9910462199803321 |
|
English Parker
|
||
| Lanham, Md., : Lexington Books, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
What we say, who we are [[electronic resource] ] : Leopold Senghor, Zora Neale Hurston, and the philosophy of language / / Parker English
| What we say, who we are [[electronic resource] ] : Leopold Senghor, Zora Neale Hurston, and the philosophy of language / / Parker English |
| Autore | English Parker |
| Pubbl/distr/stampa | Lanham, Md., : Lexington Books, c2010 |
| Descrizione fisica | 1 online resource (148 p.) |
| Disciplina | 841/.914 |
| Soggetto topico |
Language and languages in literature
Speech in literature Ethnology in literature Black people - Languages |
| ISBN | 1-4616-3468-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Title Page; Copyright Page; Table of Contents; Acknowledgments; Introduction; Chapter 1: Senghor's Discussion of ""Negritude"" and Hurston's Discussion of ""Negro Expression""; Chapter 2: Performism: A View Gleaned from Senghor and from Hurston; Chapter 3: Performatives and Reflexivity in Light of Hurston's Ethnography and Fiction; Chapter 4: Exchanges of Speech; Chapter 5: Speech and Senses of Self in Their Eyes Were Watching God; Chapter 6: Performism in the World; Works Cited; Index; About the Author |
| Record Nr. | UNINA-9910786355903321 |
|
English Parker
|
||
| Lanham, Md., : Lexington Books, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
What we say, who we are : Leopold Senghor, Zora Neale Hurston, and the philosophy of language / / Parker English
| What we say, who we are : Leopold Senghor, Zora Neale Hurston, and the philosophy of language / / Parker English |
| Autore | English Parker |
| Pubbl/distr/stampa | Lanham, Md., : Lexington Books, c2010 |
| Descrizione fisica | 1 online resource (148 p.) |
| Disciplina | 841/.914 |
| Soggetto topico |
Language and languages in literature
Speech in literature Ethnology in literature Blacks - Languages |
| ISBN | 1-4616-3468-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Title Page; Copyright Page; Table of Contents; Acknowledgments; Introduction; Chapter 1: Senghor's Discussion of ""Negritude"" and Hurston's Discussion of ""Negro Expression""; Chapter 2: Performism: A View Gleaned from Senghor and from Hurston; Chapter 3: Performatives and Reflexivity in Light of Hurston's Ethnography and Fiction; Chapter 4: Exchanges of Speech; Chapter 5: Speech and Senses of Self in Their Eyes Were Watching God; Chapter 6: Performism in the World; Works Cited; Index; About the Author |
| Record Nr. | UNINA-9910811946203321 |
|
English Parker
|
||
| Lanham, Md., : Lexington Books, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Who hears in Shakespeare? [[electronic resource] ] : auditory world, stage and screen / / editors, Laury Magnus, Walter W. Cannon
| Who hears in Shakespeare? [[electronic resource] ] : auditory world, stage and screen / / editors, Laury Magnus, Walter W. Cannon |
| Pubbl/distr/stampa | Madison, NJ, : Fairleigh Dickinson University Press |
| Descrizione fisica | 1 online resource (285 p.) |
| Disciplina | 792.9/5 |
| Altri autori (Persone) |
MagnusLaury
CannonWalter W. <1945-> |
| Soggetto topico |
Speech in literature
Listening in literature Voice in literature Oral communication in literature |
| Soggetto genere / forma | Electronic books. |
| ISBN |
9781611474756
1611474752 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Why was the Globe round? / Andrew Gurr -- Guarded, unguarded, and unguardable speech in late Renaissance drama / James Hirsh -- Hearing complexity : speech, reticence, and the construction of character / Walter W. Cannon -- If this be worth your hearing : theorizing gossip on Shakespeare's stage / Jennifer Holl -- Mimetic hearing and meta-hearing in Hamlet / David Bevington -- Hearing and overhearing in The tempest / David Bevington -- Asides and multiple audiences in The merchant of Venice / Anthony Burton -- And now behold the meaning : audience, interpretation, and translation in All's well that ends well and Henry V / Kathleen Kalpin Smith -- Hearing power in Measure for measure / Bernice W. Kliman -- Hark, a word in your ear : whispers, asides, and interpretation in Troilus and Cressida / Nova Myhill -- Mutes or audience to this act : eavesdroppers in Branagh's Shakespeare films / Philippa Sheppard -- Overhearing Malvolio for pleasure or pity : the letter scene and the dark house scene in Twelfth night on stage and screen / Gayle Gaskill -- But mark his gesture : hearing and seeing in Othello's eavesdropping scene / Erin Minear. |
| Record Nr. | UNINA-9910457210303321 |
| Madison, NJ, : Fairleigh Dickinson University Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Who hears in Shakespeare? [[electronic resource] ] : auditory world, stage and screen / / editors, Laury Magnus, Walter W. Cannon
| Who hears in Shakespeare? [[electronic resource] ] : auditory world, stage and screen / / editors, Laury Magnus, Walter W. Cannon |
| Pubbl/distr/stampa | Madison, NJ, : Fairleigh Dickinson University Press |
| Descrizione fisica | 1 online resource (285 p.) |
| Disciplina | 792.9/5 |
| Altri autori (Persone) |
MagnusLaury
CannonWalter W. <1945-> |
| Soggetto topico |
Speech in literature
Listening in literature Voice in literature Oral communication in literature |
| ISBN |
1-280-65952-1
9786613636454 1-61147-475-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Why was the Globe round? / Andrew Gurr -- Guarded, unguarded, and unguardable speech in late Renaissance drama / James Hirsh -- Hearing complexity : speech, reticence, and the construction of character / Walter W. Cannon -- If this be worth your hearing : theorizing gossip on Shakespeare's stage / Jennifer Holl -- Mimetic hearing and meta-hearing in Hamlet / David Bevington -- Hearing and overhearing in The tempest / David Bevington -- Asides and multiple audiences in The merchant of Venice / Anthony Burton -- And now behold the meaning : audience, interpretation, and translation in All's well that ends well and Henry V / Kathleen Kalpin Smith -- Hearing power in Measure for measure / Bernice W. Kliman -- Hark, a word in your ear : whispers, asides, and interpretation in Troilus and Cressida / Nova Myhill -- Mutes or audience to this act : eavesdroppers in Branagh's Shakespeare films / Philippa Sheppard -- Overhearing Malvolio for pleasure or pity : the letter scene and the dark house scene in Twelfth night on stage and screen / Gayle Gaskill -- But mark his gesture : hearing and seeing in Othello's eavesdropping scene / Erin Minear. |
| Record Nr. | UNINA-9910778928903321 |
| Madison, NJ, : Fairleigh Dickinson University Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Who hears in Shakespeare? : auditory world, stage and screen / / editors, Laury Magnus, Walter W. Cannon
| Who hears in Shakespeare? : auditory world, stage and screen / / editors, Laury Magnus, Walter W. Cannon |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Madison, NJ, : Fairleigh Dickinson University Press |
| Descrizione fisica | 1 online resource (285 p.) |
| Disciplina | 792.9/5 |
| Altri autori (Persone) |
MagnusLaury
CannonWalter W. <1945-> |
| Soggetto topico |
Speech in literature
Listening in literature Voice in literature Oral communication in literature |
| ISBN |
1-280-65952-1
9786613636454 1-61147-475-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Why was the Globe round? / Andrew Gurr -- Guarded, unguarded, and unguardable speech in late Renaissance drama / James Hirsh -- Hearing complexity : speech, reticence, and the construction of character / Walter W. Cannon -- If this be worth your hearing : theorizing gossip on Shakespeare's stage / Jennifer Holl -- Mimetic hearing and meta-hearing in Hamlet / David Bevington -- Hearing and overhearing in The tempest / David Bevington -- Asides and multiple audiences in The merchant of Venice / Anthony Burton -- And now behold the meaning : audience, interpretation, and translation in All's well that ends well and Henry V / Kathleen Kalpin Smith -- Hearing power in Measure for measure / Bernice W. Kliman -- Hark, a word in your ear : whispers, asides, and interpretation in Troilus and Cressida / Nova Myhill -- Mutes or audience to this act : eavesdroppers in Branagh's Shakespeare films / Philippa Sheppard -- Overhearing Malvolio for pleasure or pity : the letter scene and the dark house scene in Twelfth night on stage and screen / Gayle Gaskill -- But mark his gesture : hearing and seeing in Othello's eavesdropping scene / Erin Minear. |
| Record Nr. | UNINA-9910807193003321 |
| Madison, NJ, : Fairleigh Dickinson University Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
