The poetics of rock [[electronic resource] ] : cutting tracks, making records / / Albin J. Zak III |
Autore | Zak Albin |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2001 |
Descrizione fisica | 1 online resource (279 p.) |
Disciplina | 781.66/149 |
Soggetto topico |
Rock music - History and criticism
Sound recordings - Production and direction Sound - Recording and reproducing |
Soggetto non controllato |
artist
artistic contemporary music creative creativity engineers famous music famous musicians modern music music artist music composition music history music industry musical arrangement musicians poetics producers record artist record industry recording music recording rock and roll rock music songwriters sound engineer vinyl music vinyl records |
ISBN |
0-520-92815-6
1-59734-812-0 9786612445729 1-282-44572-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Writing Records -- 2. Tracks -- 3. Sound As Form -- 4. Places And Tools -- 5. Tracking And Mixing -- 6. Engineers And Producers -- 7. Resonance -- Notes -- Glossary -- Engineer And Producer Credits -- Recordings Cited -- Bibliography -- Index |
Record Nr. | UNINA-9910783197303321 |
Zak Albin
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Berkeley, : University of California Press, c2001 | ||
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Lo trovi qui: Univ. Federico II | ||
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The poetics of rock [[electronic resource] ] : cutting tracks, making records / / Albin J. Zak III |
Autore | Zak Albin |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2001 |
Descrizione fisica | 1 online resource (279 p.) |
Disciplina | 781.66/149 |
Soggetto topico |
Rock music - History and criticism
Sound recordings - Production and direction Sound - Recording and reproducing |
Soggetto non controllato |
artist
artistic contemporary music creative creativity engineers famous music famous musicians modern music music artist music composition music history music industry musical arrangement musicians poetics producers record artist record industry recording music recording rock and roll rock music songwriters sound engineer vinyl music vinyl records |
ISBN |
0-520-92815-6
1-59734-812-0 9786612445729 1-282-44572-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Writing Records -- 2. Tracks -- 3. Sound As Form -- 4. Places And Tools -- 5. Tracking And Mixing -- 6. Engineers And Producers -- 7. Resonance -- Notes -- Glossary -- Engineer And Producer Credits -- Recordings Cited -- Bibliography -- Index |
Record Nr. | UNINA-9910815571403321 |
Zak Albin
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Berkeley, : University of California Press, c2001 | ||
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Lo trovi qui: Univ. Federico II | ||
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Queer tracks [[electronic resource] ] : subversive strategies in rock and pop music / / by Doris Leibetseder |
Autore | Leibetseder Doris |
Pubbl/distr/stampa | Surrey, England, : Ashgate, 2012 |
Descrizione fisica | 1 online resource (237 p.) |
Disciplina | 781.64086/6 |
Collana | Ashgate popular and folk music series |
Soggetto topico |
Rock music - History and criticism
Popular music - History and criticism Gender identity in music Queer theory Music - Philosophy and aesthetics |
Soggetto genere / forma | Electronic books. |
ISBN |
1-317-07257-X
1-283-73880-5 1-4094-3703-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Cover; Contents; List of Illustrations; General Editor's Preface; Acknowledgements; Introduction Historical Prelude; Track 01: Irony - The Cutting Edge; Track 02: Parody - Gender Trouble; Track 03: Camp - Queer Revolt in Style; Track 04: Mask/Masquerade - Transforming the Gaze; Track 05: Mimesis/Mimicry - Poetic Aesthetic; Track 06: Cyborg - Transhuman; Track 07: Trans* - Border Wars?; Track 08: Dildo - Gender Blender; Fade Out: Looking Forward; Bibliography; Index |
Record Nr. | UNINA-9910461995103321 |
Leibetseder Doris
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Surrey, England, : Ashgate, 2012 | ||
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Lo trovi qui: Univ. Federico II | ||
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Queer tracks [[electronic resource] ] : subversive strategies in rock and pop music / / by Doris Leibetseder |
Autore | Leibetseder Doris |
Pubbl/distr/stampa | Surrey, England, : Ashgate, 2012 |
Descrizione fisica | 1 online resource (237 p.) |
Disciplina | 781.64086/6 |
Collana | Ashgate popular and folk music series |
Soggetto topico |
Rock music - History and criticism
Popular music - History and criticism Gender identity in music Queer theory Music - Philosophy and aesthetics |
ISBN |
1-315-60325-X
1-317-07257-X 1-283-73880-5 1-4094-3703-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Cover; Contents; List of Illustrations; General Editor's Preface; Acknowledgements; Introduction Historical Prelude; Track 01: Irony - The Cutting Edge; Track 02: Parody - Gender Trouble; Track 03: Camp - Queer Revolt in Style; Track 04: Mask/Masquerade - Transforming the Gaze; Track 05: Mimesis/Mimicry - Poetic Aesthetic; Track 06: Cyborg - Transhuman; Track 07: Trans* - Border Wars?; Track 08: Dildo - Gender Blender; Fade Out: Looking Forward; Bibliography; Index |
Record Nr. | UNINA-9910786495803321 |
Leibetseder Doris
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Surrey, England, : Ashgate, 2012 | ||
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Lo trovi qui: Univ. Federico II | ||
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Queer tracks [[electronic resource] ] : subversive strategies in rock and pop music / / by Doris Leibetseder |
Autore | Leibetseder Doris |
Pubbl/distr/stampa | Surrey, England, : Ashgate, 2012 |
Descrizione fisica | 1 online resource (237 p.) |
Disciplina | 781.64086/6 |
Collana | Ashgate popular and folk music series |
Soggetto topico |
Rock music - History and criticism
Popular music - History and criticism Gender identity in music Queer theory Music - Philosophy and aesthetics |
ISBN |
1-315-60325-X
1-317-07257-X 1-283-73880-5 1-4094-3703-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Cover; Contents; List of Illustrations; General Editor's Preface; Acknowledgements; Introduction Historical Prelude; Track 01: Irony - The Cutting Edge; Track 02: Parody - Gender Trouble; Track 03: Camp - Queer Revolt in Style; Track 04: Mask/Masquerade - Transforming the Gaze; Track 05: Mimesis/Mimicry - Poetic Aesthetic; Track 06: Cyborg - Transhuman; Track 07: Trans* - Border Wars?; Track 08: Dildo - Gender Blender; Fade Out: Looking Forward; Bibliography; Index |
Record Nr. | UNINA-9910818112403321 |
Leibetseder Doris
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Surrey, England, : Ashgate, 2012 | ||
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Lo trovi qui: Univ. Federico II | ||
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Reading the Grateful Dead [[electronic resource] ] : a critical survey / / edited by Nicholas G. Meriwether |
Pubbl/distr/stampa | Lanham, : Scarecrow Press, Inc., 2012 |
Descrizione fisica | 1 online resource (347 p.) |
Disciplina | 782.42166092/2 |
Altri autori (Persone) | MeriwetherNicholas G |
Soggetto topico |
Rock musicians - United States
Rock music - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN |
1-280-87994-7
9786613721259 0-8108-8372-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Halloween Costume Party; Acknowledgments; Permissions; Introduction; PartI. ABOUT DEAD STUDIES; Ch01. The Education of a Deadhead; Ch02. The Grateful Dead in the Academy; Ch03. Thinking About the Dead; Ch04. "The Thousand Stories Have Come 'Round to One"; Ch05. Mapping the Deadhead Social Science Trip; PartII. MUSIC AND LYRICS, MEDIUM AND MESSAGE; Ch06. How the Grateful Dead Learned to Jam; Ch07. "Terrapin Station," Postmodernism, and the Infinite; Ch08. A Super-Metacantric Analysis of "Playing in the Band"; Ch09. "And Closed My Eyes to See"
Ch10. The Dead Play Egypt, Thirty Years LaterPartIII. THE DEADHEAD EXPERIENCE; Ch11. Crowned Anarchy; Ch12. The Grateful Dead Religious Experience; Ch13. Shakedown Street; Ch14. What Are Deadheads?; Ch15. Terrapin Station Demographics and "Deadication"; Ch16. Autobiographical Memories of Grateful Dead Concerts; PartIV. SOCIETY AND HISTORY, CONTEXTS AND CURRENTS; Ch17. "And I Done Some Time"; Ch18. Nomadic Musical Audiences; Ch19. Deconstructing Deadheads; Ch20. The Psychedelic Experience, Contemporary Music, and the Grateful Dead; Ch21. "Bound to Cover Just a Little More Ground" Ch22. Jerry Garcia and Leadership Styles in the Grateful Dead PhenomenonPartV. ENCORE; Ch23. Cold Roses; Ch24. Tapes and Memories; Ch25. One Last Wish; Index; About the Editor; About the Contributors |
Record Nr. | UNINA-9910453054703321 |
Lanham, : Scarecrow Press, Inc., 2012 | ||
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Lo trovi qui: Univ. Federico II | ||
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Reading the Grateful Dead [[electronic resource] ] : a critical survey / / edited by Nicholas G. Meriwether |
Pubbl/distr/stampa | Lanham, : Scarecrow Press, Inc., 2012 |
Descrizione fisica | 1 online resource (347 p.) |
Disciplina | 782.42166092/2 |
Altri autori (Persone) | MeriwetherNicholas G |
Soggetto topico |
Rock musicians - United States
Rock music - History and criticism |
ISBN |
1-280-87994-7
9786613721259 0-8108-8372-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Halloween Costume Party; Acknowledgments; Permissions; Introduction; PartI. ABOUT DEAD STUDIES; Ch01. The Education of a Deadhead; Ch02. The Grateful Dead in the Academy; Ch03. Thinking About the Dead; Ch04. "The Thousand Stories Have Come 'Round to One"; Ch05. Mapping the Deadhead Social Science Trip; PartII. MUSIC AND LYRICS, MEDIUM AND MESSAGE; Ch06. How the Grateful Dead Learned to Jam; Ch07. "Terrapin Station," Postmodernism, and the Infinite; Ch08. A Super-Metacantric Analysis of "Playing in the Band"; Ch09. "And Closed My Eyes to See"
Ch10. The Dead Play Egypt, Thirty Years LaterPartIII. THE DEADHEAD EXPERIENCE; Ch11. Crowned Anarchy; Ch12. The Grateful Dead Religious Experience; Ch13. Shakedown Street; Ch14. What Are Deadheads?; Ch15. Terrapin Station Demographics and "Deadication"; Ch16. Autobiographical Memories of Grateful Dead Concerts; PartIV. SOCIETY AND HISTORY, CONTEXTS AND CURRENTS; Ch17. "And I Done Some Time"; Ch18. Nomadic Musical Audiences; Ch19. Deconstructing Deadheads; Ch20. The Psychedelic Experience, Contemporary Music, and the Grateful Dead; Ch21. "Bound to Cover Just a Little More Ground" Ch22. Jerry Garcia and Leadership Styles in the Grateful Dead PhenomenonPartV. ENCORE; Ch23. Cold Roses; Ch24. Tapes and Memories; Ch25. One Last Wish; Index; About the Editor; About the Contributors |
Record Nr. | UNINA-9910779254203321 |
Lanham, : Scarecrow Press, Inc., 2012 | ||
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Lo trovi qui: Univ. Federico II | ||
|
Reading the Grateful Dead [[electronic resource] ] : a critical survey / / edited by Nicholas G. Meriwether |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Lanham, : Scarecrow Press, Inc., 2012 |
Descrizione fisica | 1 online resource (347 p.) |
Disciplina | 782.42166092/2 |
Altri autori (Persone) | MeriwetherNicholas G |
Soggetto topico |
Rock musicians - United States
Rock music - History and criticism |
ISBN |
1-280-87994-7
9786613721259 0-8108-8372-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Halloween Costume Party; Acknowledgments; Permissions; Introduction; PartI. ABOUT DEAD STUDIES; Ch01. The Education of a Deadhead; Ch02. The Grateful Dead in the Academy; Ch03. Thinking About the Dead; Ch04. "The Thousand Stories Have Come 'Round to One"; Ch05. Mapping the Deadhead Social Science Trip; PartII. MUSIC AND LYRICS, MEDIUM AND MESSAGE; Ch06. How the Grateful Dead Learned to Jam; Ch07. "Terrapin Station," Postmodernism, and the Infinite; Ch08. A Super-Metacantric Analysis of "Playing in the Band"; Ch09. "And Closed My Eyes to See"
Ch10. The Dead Play Egypt, Thirty Years LaterPartIII. THE DEADHEAD EXPERIENCE; Ch11. Crowned Anarchy; Ch12. The Grateful Dead Religious Experience; Ch13. Shakedown Street; Ch14. What Are Deadheads?; Ch15. Terrapin Station Demographics and "Deadication"; Ch16. Autobiographical Memories of Grateful Dead Concerts; PartIV. SOCIETY AND HISTORY, CONTEXTS AND CURRENTS; Ch17. "And I Done Some Time"; Ch18. Nomadic Musical Audiences; Ch19. Deconstructing Deadheads; Ch20. The Psychedelic Experience, Contemporary Music, and the Grateful Dead; Ch21. "Bound to Cover Just a Little More Ground" Ch22. Jerry Garcia and Leadership Styles in the Grateful Dead PhenomenonPartV. ENCORE; Ch23. Cold Roses; Ch24. Tapes and Memories; Ch25. One Last Wish; Index; About the Editor; About the Contributors |
Record Nr. | UNINA-9910815844703321 |
Lanham, : Scarecrow Press, Inc., 2012 | ||
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Lo trovi qui: Univ. Federico II | ||
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Rock music studies |
Pubbl/distr/stampa | [Abingdon, Oxford, UK] : , : Routledge, Taylor & Francis Group, , 2014- |
Disciplina | 781.66 |
Soggetto topico |
Rock music - History and criticism
Rock music - Analysis, appreciation Rock music |
Soggetto genere / forma |
Criticism, interpretation, etc.
Periodicals. |
Soggetto non controllato | Music History & Criticism, Popular - Jazz, Rock, etc |
ISSN | 1940-1167 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Periodico |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910726499003321 |
[Abingdon, Oxford, UK] : , : Routledge, Taylor & Francis Group, , 2014- | ||
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Lo trovi qui: Univ. Federico II | ||
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Roger Waters and Pink Floyd : the concept albums / / Phil Rose |
Autore | Rose Phil <1969-> |
Pubbl/distr/stampa | Madison, [New Jersey] ; ; Teaneck, [New Jersey] : , : Fairleigh Dickinson University Press, , 2015 |
Descrizione fisica | 1 online resource (279 p.) |
Disciplina | 782.42166092/2 |
Collana | Fairleigh Dickinson University Press Series in Communication Studies |
Soggetto topico | Rock music - History and criticism |
ISBN |
1-61147-762-X
1-61147-761-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910787361203321 |
Rose Phil <1969->
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Madison, [New Jersey] ; ; Teaneck, [New Jersey] : , : Fairleigh Dickinson University Press, , 2015 | ||
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Lo trovi qui: Univ. Federico II | ||
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