Locality, regeneration & divers[c]ities [[electronic resource] /] / edited by Sarah Bennett and John Butler |
Pubbl/distr/stampa | Bristol, Eng. ; ; Portland, Or., : Intellect, 2000 |
Descrizione fisica | 158 p. : ill |
Disciplina | 701/.03 |
Altri autori (Persone) |
BennettSarah
ButlerJohn (John H.) |
Collana | Advances in art & urban futures |
Soggetto topico |
Public art
Urban renewal Art and society |
Soggetto genere / forma | Electronic books. |
ISBN |
9786610476718
1-280-47671-0 1-84150-827-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910455789103321 |
Bristol, Eng. ; ; Portland, Or., : Intellect, 2000 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Locality, regeneration & divers[c]ities [[electronic resource] /] / edited by Sarah Bennett and John Butler |
Pubbl/distr/stampa | Bristol, Eng. ; ; Portland, Or., : Intellect, 2000 |
Descrizione fisica | 158 p. : ill |
Disciplina | 701/.03 |
Altri autori (Persone) |
BennettSarah
ButlerJohn (John H.) |
Collana | Advances in art & urban futures |
Soggetto topico |
Public art
Urban renewal Art and society |
ISBN |
9786610476718
1-280-47671-0 1-84150-827-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910780153803321 |
Bristol, Eng. ; ; Portland, Or., : Intellect, 2000 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Locality, regeneration & divers[c]ities / / edited by Sarah Bennett and John Butler |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bristol, Eng. ; ; Portland, Or., : Intellect, 2000 |
Descrizione fisica | 158 p. : ill |
Disciplina | 701/.03 |
Altri autori (Persone) |
BennettSarah
ButlerJohn (John H.) |
Collana | Advances in art & urban futures |
Soggetto topico |
Public art
Urban renewal Art and society |
ISBN |
9786610476718
1-280-47671-0 1-84150-827-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Front Cover -- Preliminaries -- Contents -- Series Introduction -- Foreword -- General Introduction -- Contributors -- Section One - Women in Space -- Public Art: Between Public and Private - Jane Rendell -- Public Space -- Private Space -- Public and Private as Gendered Terms -- Between Public and Private -- Public Art: Between Theory and Practice -- In terms of place... -- In terms of processes... -- In terms of people... -- Thresholds between Public and Private/Theory and Practice -- References -- Memory and Identity in the Urban Landscape: A tale of two Barons - Sally J Morgan -- Introduction -- Memory and Landscape -- Lewis the true Baron -- Sir WH Wills, Bart -- Conclusion -- References -- Regeneration or Reparation: Death, Loss & -- Absence in Anya Gallaccio's Intensities & -- Surfaces and Forest Floor - Judith Rugg -- References -- Section Two - Divers[c]ities -- Tracing Gazes: Three Aspects of Paris - Ron Kenley -- No Beautiful Images -- A Methodology of Tracing -- References -- Vistas of the Post - Industrial City - Malcolm Miles -- Introduction -- New Cities - The Post-Industrial -- Pittsburgh -- Thresholds and Boundaries -- Art in the Post-Industrial City -- References -- Kidnapping the Bijlmer - Floris Paalman -- Introduction -- City of the Future -- Restructuring -- Vision -- Perception and Use -- References -- Art Neighbourhoods, Ports of Vitality - Jesús Pedro Lorente -- Introduction -- Arts in derelict quarters: Historical precedents and recent trends -- A tale of two cities: Liverpool and Marseilles -- Agents of the successful Creative Quarter of Liverpool -- Arty neighbourhoods at Le Panier and other districts of Marseilles -- General conclusions A new approach to the 'knock-on' effect -- References -- The Snowflake in Hell and The Baked Alaska Improbability, Intimacy and Change in the Public Realm - Jane Trowell.
i) Seduction -- ii) Ritual -- iii) The double-take or 'trompe-l'œil' -- iv) Revelatory Absurdity -- v) Longevity -- References -- Section Three - On the Ground -- Window Sills: Art of Locality - Sarah Bennett & -- Gill Melling -- Introduction -- A Question of Locality -- The Question of Community -- The Question of Collaboration -- Pollination -- Mapping Home -- Evident -- Moments -- Contingent Possibilities -- References -- Colour Matching the Chameleon - Peter Dunn -- Introduction -- Strands of Practice -- Awakenings -- References -- The Barry Job: Art, Sentiment and Commercialism - John Gingell -- Introduction -- The Artist -- The Job -- References -- Civic Participation Workshops in Sant Adrià de Besòs: A Creative Methodology - Antoni Remesar & -- Enric Pol - CER POLIS.University of Barcelona -- Objectives of the workshop -- Methodology -- The form of the proposals. Project Phase -- The communication of the proposal -- The exhibition -- The explanation to the citizens -- The visibility -- The critical analysis of the proposal -- When does the workshop conclude? -- Impact of the workshop -- Back Cover - Book Description. |
Altri titoli varianti | Locality, regeneration and divers[c]ities |
Record Nr. | UNINA-9910815797003321 |
Bristol, Eng. ; ; Portland, Or., : Intellect, 2000 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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The moving image as public art : sidewalk spectators and modes of enchantment / / Annie Dell'Aria |
Autore | Dell'Aria Annie |
Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2021] |
Descrizione fisica | 1 online resource (302 pages) |
Disciplina | 711.57 |
Collana | Experimental Film and Artists' Moving Image |
Soggetto topico | Public art |
ISBN | 3-030-65904-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Intro -- Acknowledgments -- Praise for The Moving Image as Public Art -- Contents -- About the Author -- List of Figures -- Chapter 1: Introduction -- The Moving Image as Public Art -- Moving Image Spectators and Audiences -- Art in Public Space -- The City and Its Ways of Seeing -- Situating Moving Image Artworks in Space and Place -- Chapter 2: Enchantment: Encountering Moving Images on Urban Surfaces -- Encountering Art on Mass Transit -- Bill Brand's Masstransiscope (1980) and the Enchanted Subway Ride -- The Fleeting Animation -- The Resilient Installation -- Dreamy Encounters and Nocturnal Illuminations -- Doug Aitken's SONG 1 (2012): Cinema-in-the-Round -- Cinematic Museum -- Amorous Entrancement -- Cinema Sculpture -- Chapter 3: Commercial Breaks: Intra-spectacular Public Art -- Times Square Programming from Spectacolor Messages to Midnight Moments -- Messages to the Public, 1982-1990 -- Video Art Initiatives from 2000 to 2010 -- Midnight Moment (2012-) -- Other Platforms -- The Turn Toward the Street -- Chapter 4: Screen Spaces: Zones of Interaction and Recognition -- Millennium Park as Public Art Playground -- Fountain Portraits -- The Magic Circle -- Big Screen Selfies -- Rafael Lozano-Hemmer's Spontaneous Moving Image Communities -- Shadow Play -- Under Scan -- Sandbox -- Paracinematic Parallels -- Chapter 5: The Light Festival Phenomenon -- Placemaking -- Interfaces Between the City and the Urban -- Origins -- Projecting the Future City -- Turning the City into a Canvas -- Monumental Moving Murals -- Multisensory Spectatorial Paths -- On the Future of the Future City -- Chapter 6: Precarious Platforms: The Paradox of Permanent Moving Images -- Videowalls and Shopping Malls -- Outdoor Screen Networks and Precarious Partnerships -- An Unrealized Digital Canvas -- Chapter 7: Superimposition: Forms of Moving Image Site-Specificity.
The Other Side of the Window -- Moving Image Fenestration -- Wormholes -- Hauntings -- Apparitions -- Montage Monuments -- From Figures of Great Men to a Demand for the Right to Appear -- Détournements -- Chapter 8: Postscript: Reflections from a Summer Without Public Space -- Bibliography -- Index. |
Record Nr. | UNINA-9910485013003321 |
Dell'Aria Annie | ||
Cham, Switzerland : , : Palgrave Macmillan, , [2021] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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On the w@terfront |
Pubbl/distr/stampa | [Barcelona] : , : Universitat de Barcelona, , [1998]- |
Descrizione fisica | 1 online resource |
Soggetto topico |
Public art
City planning |
Soggetto genere / forma | Periodicals. |
Formato | Materiale a stampa |
Livello bibliografico | Periodico |
Lingua di pubblicazione | eng |
Altri titoli varianti | On the waterfront |
Record Nr. | UNISA-996209892303316 |
[Barcelona] : , : Universitat de Barcelona, , [1998]- | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
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On the w@terfront |
Pubbl/distr/stampa | [Barcelona] : , : Universitat de Barcelona, , [1998]- |
Descrizione fisica | 1 online resource |
Soggetto topico |
Public art
City planning |
Soggetto genere / forma | Periodicals. |
Formato | Materiale a stampa |
Livello bibliografico | Periodico |
Lingua di pubblicazione | eng |
Altri titoli varianti | On the waterfront |
Record Nr. | UNINA-9910147041203321 |
[Barcelona] : , : Universitat de Barcelona, , [1998]- | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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The post-industrial landscape as site for creative practice : material memory / / edited by Gwen Heeney |
Pubbl/distr/stampa | Newcastle upon Tyne, UK : , : Cambridge Scholars Publishing, , [2017] |
Descrizione fisica | 1 online resource (194 pages) |
Disciplina | 701.03 |
Soggetto topico |
Art and society
Landscape architecture Public art |
Soggetto genere / forma | Electronic books. |
ISBN | 1-5275-1302-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910480455603321 |
Newcastle upon Tyne, UK : , : Cambridge Scholars Publishing, , [2017] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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The post-industrial landscape as site for creative practice : material memory / / edited by Gwen Heeney |
Pubbl/distr/stampa | Newcastle upon Tyne, UK : , : Cambridge Scholars Publishing, , [2017] |
Descrizione fisica | 1 online resource (194 pages) |
Disciplina | 701.03 |
Soggetto topico |
Art and society
Landscape architecture Public art |
ISBN | 1-5275-1302-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910796744603321 |
Newcastle upon Tyne, UK : , : Cambridge Scholars Publishing, , [2017] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The post-industrial landscape as site for creative practice : material memory / / edited by Gwen Heeney |
Pubbl/distr/stampa | Newcastle upon Tyne, UK : , : Cambridge Scholars Publishing, , [2017] |
Descrizione fisica | 1 online resource (194 pages) |
Disciplina | 701.03 |
Soggetto topico |
Art and society
Landscape architecture Public art |
ISBN | 1-5275-1302-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910822423203321 |
Newcastle upon Tyne, UK : , : Cambridge Scholars Publishing, , [2017] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Public art dialogue : PAD |
Pubbl/distr/stampa | Abingdon, UK, : Taylor & Francis |
Disciplina | 700 |
Soggetto topico | Public art |
Soggetto genere / forma | Periodicals. |
ISSN | 2150-2560 |
Formato | Materiale a stampa |
Livello bibliografico | Periodico |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910726601303321 |
Abingdon, UK, : Taylor & Francis | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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