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The Routledge companion to performance philosophy / / edited by Laura Cull Ó Maoilearca and Alice Lagaay
| The Routledge companion to performance philosophy / / edited by Laura Cull Ó Maoilearca and Alice Lagaay |
| Autore | Cull Ó Maoilearca Laura |
| Edizione | [1st.] |
| Pubbl/distr/stampa | Taylor & Francis, 2020 |
| Descrizione fisica | 1 online resource (xxv, 463 pages) |
| Disciplina | 791.01 |
| Collana | Routledge theatre and performance companions |
| Soggetto topico | Performing arts - Philosophy |
| Soggetto non controllato | Anna Seitz; Jörg Holkenbrink; dramaturgy; performance; performance studies; actors; audience; theory; practice; stage; atmosphere; academia in performance |
| ISBN |
1-00-303531-0
1-000-05691-0 1-003-03531-0 1-000-05689-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Introduction; Laura Cull Ó Maoilearca & Alice Lagaay; Part 1: Genealogies, Contexts & Traditions; 1. Suddenly the philosopher enters the stage Ira Avneri & Freddie Rokem; 2. Theravādin Buddhist Philosophy and Practice in Relation to Performance Jerri Daboo; 3. Performance Philosophy and Spirituality: The Way of Tasawwuf; Michael Ellison & Hannah McClure; 4. Whose Tempest? Performance Philosophy and/as Decolonial Cacophony; Andrés Fabián Henao Castro; 5. The Playwright as Thinker: Modern Drama and Performance Philosophy David Kornhaber; 6. Performance Philosophy seen through Nishida's 'Acting Intuition'; Mayuko Uehara & Elisabeth Belgrano; 7. Performance in Anglo-American Philosophy Anna Pakes & David Davies; 8. Performance Philosophy in Latin America -- How to Perform a Utopia called America?; Luciana Dias; 9. Diminishing Returns. On the performativity of musical sound Anthony Gritten; 10. The Philosophy of Mediality Jörg Sternagel, Elisabeth Schäfer & Volkmar Mühleis; 11. The Theatre of Research Anke Haarmann; Part 2: Questions & Debates; 12. Opening the Circle, Towards a Radical Equality: Performance Philosophy & Animals Laura Cull Ó Maoilearca; 13. Performance Philosophy as Inter-philosophical Dialogue Cosimo Zene; 14. Decolonising Performance Philosophies Melissa Blanco Borelli, Anamaría Tamayo-Duque & Cristina Fernandes Rosa; 15. Theatre-thinking: philosophy from the stage Flore Garcin-Marrou; 16. Philosophy and Theatre: Incestuous Beginnings, Looking Daggers and other Dangerous Liaisons Emmanuel Alloa & Sophie-Thérèse Krempl; 17. Aesthetics of the Invisible: Presence in Indian Performance Theory Sreenath Nair; Part 3: Methods, Techniques, Genres & Forms; 18. Performing Phenomenological Methodology Maxine Sheets-Johnstone; 19. Daring to transform academic routines Jörg Holkenbrink & Anna Seitz; 20. Resonance of Two Karen Christopher; 21. Lying Fallow Rajni Shah; 22. Play in Performance Philosophy Alice Koubová; 23. Landscape performance Tess Denman-Cleaver; 24. Re-telling the self: the lived experience of modern yoga practice Theodora Wildcroft; 25. The Think Tank: Institution as Performance Sonya Dyer; 26. Touch Naomi Woo; 27. In-Between: A Methodology of Performative Philosophy Eva Maria Gauss & Katrin Felgenhauer; 28. Africanist choreography as cultural citizenship 'Funmi Adewole; Part 4: Figures; 29. Rūmī Will Daddario; 30. Adrian Piper Lauren Fournier; 31. Diogenes Yunus Tuncel; 32. A dice-thrower Mischa Twitchin; 33. Hélène Cixous/Ariane Mnouchkine Elisabeth Schäfer, Esther Hutfless & Gertrude Postl; 34. Roger Federer Einav Katan-Schmid; 35. John Cage Anthony Gritten; 36. Confucius Mi You; 37. Rudolf Laban Juliet Chambers-Coe; Part 5: Performance as Philosophy & Philosophy as Performance; 38. Theatre As If Theory Yelena Gluzman & Esther Neff; 39. Dance as Embodied Ethics Aili Bresnahan, Einav Katan-Schmid, & Sara Houston; 40. Philosophy on Stage Arno Böhler & Suzanne Granzer; 41. Pas de Deux: Écriture Féminine Performative Tina Chanter & Tawny Andersen; 42. Onanism, Handjobs, Smut: Performances of Self-valorization Fumi Okiji; 43. Explosions of 'Creative Indifference'. Salomo Friedlaender, Sun Ra, Serendipity and the Idea of a 'Heliocentre' Alice Lagaay in conversation with Hartmut Geerken; 44. In the Making -- an incomplete consideration of the first decade of Every house has a door 2008 to 2018 as performance philosophy Will Daddario, Matthew Goulish & Lin Hixson; 45. Blackout: thinking with darkness Tru Paraha & Theron Schmidt; Index |
| Record Nr. | UNINA-9910831845303321 |
| Cull Ó Maoilearca Laura | ||
| Taylor & Francis, 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Staging Philosophy [[electronic resource] ] : Intersections of Theater, Performance, and Philosophy
| Staging Philosophy [[electronic resource] ] : Intersections of Theater, Performance, and Philosophy |
| Autore | Krasner David |
| Pubbl/distr/stampa | Ann Arbor, : University of Michigan Press, 2010 |
| Descrizione fisica | 1 online resource (343 p.) |
| Disciplina | 791.01 |
| Altri autori (Persone) | SaltzDavid Z |
| Collana | Theater: Theory/Text/Performance |
| Soggetto topico |
Performing arts -- Philosophy
Performing arts -- Social aspects Performing arts - Social aspects Performing arts - Philosophy Literature - General Languages & Literatures |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-59754-X
9786612597541 0-472-02514-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; David Krasner and David Z. Saltz, Introduction; PART I: History and Method; One: Julia A. Walker, The Text/Performance Split across the Analytic/Continental Divide; Two: Martin Puchner, Kenneth Burke: Theater, Philosophy, and the Limits of Performance; Three: Tobin Nellhaus, Critical Realism and Performance Strategies; PART II: Presence; Four: Philip Auslander, Humanoid Boogie: Reflections on Robotic Performance; Five: Noël Carroll, Philosophy and Drama: Performance, Interpretation, and Intentionality; Six: Suzanne M. Jaeger, Embodiment and Presence: The Ontology of Presence Recon
Seven: Jon Erickson, PresenceEight: Robert P. Crease and John Lutterbie, Technique; Nine: Alice Rayner, Presenting Objects, Presenting Things; PART III: Reception; Ten: David Z. Saltz, Infiction and Outfiction: The Role of Fiction in Theatrical Performance; Eleven: James R. Hamilton, Understanding Plays; Twelve: Bence Nanay, Perception, Action, and Identification in the Theater; Thirteen: David Krasner, Empathy and Theater; Fourteen: Mike Sell, The Voice of Blackness: The Black Arts Movement and Logocentrism; Fifteen: Michael L. Quinn, Theatricality, Convention, and the Principle of Charity ContributorsIndex |
| Record Nr. | UNINA-9910455582503321 |
Krasner David
|
||
| Ann Arbor, : University of Michigan Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Staging Philosophy [[electronic resource] ] : Intersections of Theater, Performance, and Philosophy
| Staging Philosophy [[electronic resource] ] : Intersections of Theater, Performance, and Philosophy |
| Autore | Krasner David |
| Pubbl/distr/stampa | Ann Arbor, : University of Michigan Press, 2010 |
| Descrizione fisica | 1 online resource (343 p.) |
| Disciplina | 791.01 |
| Altri autori (Persone) | SaltzDavid Z |
| Collana | Theater: Theory/Text/Performance |
| Soggetto topico |
Performing arts -- Philosophy
Performing arts -- Social aspects Performing arts - Social aspects Performing arts - Philosophy Literature - General Languages & Literatures |
| ISBN |
1-282-59754-X
9786612597541 0-472-02514-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; David Krasner and David Z. Saltz, Introduction; PART I: History and Method; One: Julia A. Walker, The Text/Performance Split across the Analytic/Continental Divide; Two: Martin Puchner, Kenneth Burke: Theater, Philosophy, and the Limits of Performance; Three: Tobin Nellhaus, Critical Realism and Performance Strategies; PART II: Presence; Four: Philip Auslander, Humanoid Boogie: Reflections on Robotic Performance; Five: Noël Carroll, Philosophy and Drama: Performance, Interpretation, and Intentionality; Six: Suzanne M. Jaeger, Embodiment and Presence: The Ontology of Presence Recon
Seven: Jon Erickson, PresenceEight: Robert P. Crease and John Lutterbie, Technique; Nine: Alice Rayner, Presenting Objects, Presenting Things; PART III: Reception; Ten: David Z. Saltz, Infiction and Outfiction: The Role of Fiction in Theatrical Performance; Eleven: James R. Hamilton, Understanding Plays; Twelve: Bence Nanay, Perception, Action, and Identification in the Theater; Thirteen: David Krasner, Empathy and Theater; Fourteen: Mike Sell, The Voice of Blackness: The Black Arts Movement and Logocentrism; Fifteen: Michael L. Quinn, Theatricality, Convention, and the Principle of Charity ContributorsIndex |
| Record Nr. | UNINA-9910780701503321 |
|
Krasner David
|
||
| Ann Arbor, : University of Michigan Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Staging Philosophy [[electronic resource] ] : Intersections of Theater, Performance, and Philosophy
| Staging Philosophy [[electronic resource] ] : Intersections of Theater, Performance, and Philosophy |
| Autore | Krasner David |
| Pubbl/distr/stampa | Ann Arbor, : University of Michigan Press, 2010 |
| Descrizione fisica | 1 online resource (343 p.) |
| Disciplina | 791.01 |
| Altri autori (Persone) | SaltzDavid Z |
| Collana | Theater: Theory/Text/Performance |
| Soggetto topico |
Performing arts -- Philosophy
Performing arts -- Social aspects Performing arts - Social aspects Performing arts - Philosophy Literature - General Languages & Literatures |
| ISBN |
1-282-59754-X
9786612597541 0-472-02514-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; David Krasner and David Z. Saltz, Introduction; PART I: History and Method; One: Julia A. Walker, The Text/Performance Split across the Analytic/Continental Divide; Two: Martin Puchner, Kenneth Burke: Theater, Philosophy, and the Limits of Performance; Three: Tobin Nellhaus, Critical Realism and Performance Strategies; PART II: Presence; Four: Philip Auslander, Humanoid Boogie: Reflections on Robotic Performance; Five: Noël Carroll, Philosophy and Drama: Performance, Interpretation, and Intentionality; Six: Suzanne M. Jaeger, Embodiment and Presence: The Ontology of Presence Recon
Seven: Jon Erickson, PresenceEight: Robert P. Crease and John Lutterbie, Technique; Nine: Alice Rayner, Presenting Objects, Presenting Things; PART III: Reception; Ten: David Z. Saltz, Infiction and Outfiction: The Role of Fiction in Theatrical Performance; Eleven: James R. Hamilton, Understanding Plays; Twelve: Bence Nanay, Perception, Action, and Identification in the Theater; Thirteen: David Krasner, Empathy and Theater; Fourteen: Mike Sell, The Voice of Blackness: The Black Arts Movement and Logocentrism; Fifteen: Michael L. Quinn, Theatricality, Convention, and the Principle of Charity ContributorsIndex |
| Record Nr. | UNINA-9910810825203321 |
|
Krasner David
|
||
| Ann Arbor, : University of Michigan Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Symbolon : revistă de științe teatrale
| Symbolon : revistă de științe teatrale |
| Pubbl/distr/stampa | Târgu Mureș : , : Editura Universității de Artă Teatrală din Târgu Mureș |
| Soggetto topico |
Theater
Performing arts - Philosophy |
| Soggetto genere / forma | Periodicals. |
| ISSN | 2344-4460 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | rum |
| Record Nr. | UNISA-996510069103316 |
| Târgu Mureș : , : Editura Universității de Artă Teatrală din Târgu Mureș | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Symbolon : revistă de științe teatrale
| Symbolon : revistă de științe teatrale |
| Pubbl/distr/stampa | Târgu Mureș : , : Editura Universității de Artă Teatrală din Târgu Mureș |
| Soggetto topico |
Theater
Performing arts - Philosophy |
| Soggetto genere / forma | Periodicals. |
| ISSN | 2344-4460 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | rum |
| Record Nr. | UNINA-9910647288903321 |
| Târgu Mureș : , : Editura Universității de Artă Teatrală din Târgu Mureș | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Theory of performing arts [[electronic resource] /] / by André Helbo
| Theory of performing arts [[electronic resource] /] / by André Helbo |
| Autore | Helbo André |
| Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : Benjamins, 1987 |
| Descrizione fisica | 1 online resource (161 p.) |
| Disciplina |
790.2/0141
790.20141 |
| Collana | Critical theory |
| Soggetto topico |
Performing arts - Semiotics
Performing arts - Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-35892-1
9786613358929 90-272-7900-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
THEORY OF PERFORMING ARTS; Editorial page; Title page; Copyright page; Table of contents; Foreword; I. CRITICAL THEORY AND PERFORMING ARTS; 1. A general socio-semiotic model; 1. The discourse of social sciences; 1.1. The negative image of semiotics; 1.2. Actualization - Natural language (langue) and speech (parole); 1.3. Language and society; 1.4. The relational structure; 1.5. Enunciation; 2. Methodology. Spectacular discourse; 2.1. The polysemy of convention; 2.2. Arbitrariness and observation; 2.3. The possible world; 2.4. Persusasive and interpretative doing; 2.5. Modalities
2.6. Specific rhetorics Note of the translator; Notes; 2. Towards a theatre semiotics; Notes; 3. Theatrology and literary studies; 1. What is theatrology?; 2. Theatrical production; 2.1. Identification; 2.2. Differentiation; 2.3. Text and performance; 3. Theatrical reception; 4. Montage; Notes; II. FUNDAMENTAL CONTROVERSIES; 1. Research methodology; 1. General survey; 2. Semiotics of theater; 3. Relationships to other scientific disciplines; 4. The scientific quest; Note; 2. Communication and cognition; 1. The validity of the rubrics; 2. The relevance of the concept of stimulation 3. Relevance of the concept of communication Notes; 3. Pragmatics and discourse; 1. A double delegation process; 2. Enunciation instances; 3. Ponendo tollens; Notes; 4. The code, irrelevant concept?; 1. The icon; 2. The index; 3. The signal; 4. The symbol; 5. Stereotypes; Notes; III. NEW PERSPECTIVES AND NEW INSTRUMENTS; 1. The visual paradigm and the scene; 1. Process of an encounter; 2. Semiology of the image; 3. Visual semiotics; 4. The theatrical text; 4.1. Plastic materiality; 4.2. On the relationship premanifested-linguistics-iconics; 4.3. On the verbalization of the figurated 4.4. On codes Notes; 2. Readable and visible dimensions. Opera and theater.; 1. Definitions. Why is opera theory relevant to theatrology?; 2. Theater; 3. Opera; 4. The emancipated image; 5. Enunciated historicity; 6. A poetics; 3. Reception and relation; 1. Mask, otherness; 2. The theatrical object; 3. System of the game; 4. Approach of the theatrical game; Notes; 4. Constructing coherence; 1. Methodological premises; 2. The spectacular text; 3. The components of the spectacular text; 4. Pragmatic study of the spectacular text; 5. Contextual study of the spectacular text; 6. Text and coherence 7. Conclusion 5. The spectacular paradigm; Notes; References |
| Record Nr. | UNINA-9910457550503321 |
|
Helbo André
|
||
| Amsterdam ; ; Philadelphia, : Benjamins, 1987 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Theory of performing arts [[electronic resource] /] / by André Helbo
| Theory of performing arts [[electronic resource] /] / by André Helbo |
| Autore | Helbo André |
| Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : Benjamins, 1987 |
| Descrizione fisica | 1 online resource (161 p.) |
| Disciplina |
790.2/0141
790.20141 |
| Collana | Critical theory |
| Soggetto topico |
Performing arts - Semiotics
Performing arts - Philosophy |
| ISBN |
1-283-35892-1
9786613358929 90-272-7900-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
THEORY OF PERFORMING ARTS; Editorial page; Title page; Copyright page; Table of contents; Foreword; I. CRITICAL THEORY AND PERFORMING ARTS; 1. A general socio-semiotic model; 1. The discourse of social sciences; 1.1. The negative image of semiotics; 1.2. Actualization - Natural language (langue) and speech (parole); 1.3. Language and society; 1.4. The relational structure; 1.5. Enunciation; 2. Methodology. Spectacular discourse; 2.1. The polysemy of convention; 2.2. Arbitrariness and observation; 2.3. The possible world; 2.4. Persusasive and interpretative doing; 2.5. Modalities
2.6. Specific rhetorics Note of the translator; Notes; 2. Towards a theatre semiotics; Notes; 3. Theatrology and literary studies; 1. What is theatrology?; 2. Theatrical production; 2.1. Identification; 2.2. Differentiation; 2.3. Text and performance; 3. Theatrical reception; 4. Montage; Notes; II. FUNDAMENTAL CONTROVERSIES; 1. Research methodology; 1. General survey; 2. Semiotics of theater; 3. Relationships to other scientific disciplines; 4. The scientific quest; Note; 2. Communication and cognition; 1. The validity of the rubrics; 2. The relevance of the concept of stimulation 3. Relevance of the concept of communication Notes; 3. Pragmatics and discourse; 1. A double delegation process; 2. Enunciation instances; 3. Ponendo tollens; Notes; 4. The code, irrelevant concept?; 1. The icon; 2. The index; 3. The signal; 4. The symbol; 5. Stereotypes; Notes; III. NEW PERSPECTIVES AND NEW INSTRUMENTS; 1. The visual paradigm and the scene; 1. Process of an encounter; 2. Semiology of the image; 3. Visual semiotics; 4. The theatrical text; 4.1. Plastic materiality; 4.2. On the relationship premanifested-linguistics-iconics; 4.3. On the verbalization of the figurated 4.4. On codes Notes; 2. Readable and visible dimensions. Opera and theater.; 1. Definitions. Why is opera theory relevant to theatrology?; 2. Theater; 3. Opera; 4. The emancipated image; 5. Enunciated historicity; 6. A poetics; 3. Reception and relation; 1. Mask, otherness; 2. The theatrical object; 3. System of the game; 4. Approach of the theatrical game; Notes; 4. Constructing coherence; 1. Methodological premises; 2. The spectacular text; 3. The components of the spectacular text; 4. Pragmatic study of the spectacular text; 5. Contextual study of the spectacular text; 6. Text and coherence 7. Conclusion 5. The spectacular paradigm; Notes; References |
| Record Nr. | UNINA-9910781424803321 |
|
Helbo André
|
||
| Amsterdam ; ; Philadelphia, : Benjamins, 1987 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Theory of performing arts [[electronic resource] /] / by André Helbo
| Theory of performing arts [[electronic resource] /] / by André Helbo |
| Autore | Helbo André |
| Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : Benjamins, 1987 |
| Descrizione fisica | 1 online resource (161 p.) |
| Disciplina |
790.2/0141
790.20141 |
| Collana | Critical theory |
| Soggetto topico |
Performing arts - Semiotics
Performing arts - Philosophy |
| ISBN |
1-283-35892-1
9786613358929 90-272-7900-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
THEORY OF PERFORMING ARTS; Editorial page; Title page; Copyright page; Table of contents; Foreword; I. CRITICAL THEORY AND PERFORMING ARTS; 1. A general socio-semiotic model; 1. The discourse of social sciences; 1.1. The negative image of semiotics; 1.2. Actualization - Natural language (langue) and speech (parole); 1.3. Language and society; 1.4. The relational structure; 1.5. Enunciation; 2. Methodology. Spectacular discourse; 2.1. The polysemy of convention; 2.2. Arbitrariness and observation; 2.3. The possible world; 2.4. Persusasive and interpretative doing; 2.5. Modalities
2.6. Specific rhetorics Note of the translator; Notes; 2. Towards a theatre semiotics; Notes; 3. Theatrology and literary studies; 1. What is theatrology?; 2. Theatrical production; 2.1. Identification; 2.2. Differentiation; 2.3. Text and performance; 3. Theatrical reception; 4. Montage; Notes; II. FUNDAMENTAL CONTROVERSIES; 1. Research methodology; 1. General survey; 2. Semiotics of theater; 3. Relationships to other scientific disciplines; 4. The scientific quest; Note; 2. Communication and cognition; 1. The validity of the rubrics; 2. The relevance of the concept of stimulation 3. Relevance of the concept of communication Notes; 3. Pragmatics and discourse; 1. A double delegation process; 2. Enunciation instances; 3. Ponendo tollens; Notes; 4. The code, irrelevant concept?; 1. The icon; 2. The index; 3. The signal; 4. The symbol; 5. Stereotypes; Notes; III. NEW PERSPECTIVES AND NEW INSTRUMENTS; 1. The visual paradigm and the scene; 1. Process of an encounter; 2. Semiology of the image; 3. Visual semiotics; 4. The theatrical text; 4.1. Plastic materiality; 4.2. On the relationship premanifested-linguistics-iconics; 4.3. On the verbalization of the figurated 4.4. On codes Notes; 2. Readable and visible dimensions. Opera and theater.; 1. Definitions. Why is opera theory relevant to theatrology?; 2. Theater; 3. Opera; 4. The emancipated image; 5. Enunciated historicity; 6. A poetics; 3. Reception and relation; 1. Mask, otherness; 2. The theatrical object; 3. System of the game; 4. Approach of the theatrical game; Notes; 4. Constructing coherence; 1. Methodological premises; 2. The spectacular text; 3. The components of the spectacular text; 4. Pragmatic study of the spectacular text; 5. Contextual study of the spectacular text; 6. Text and coherence 7. Conclusion 5. The spectacular paradigm; Notes; References |
| Record Nr. | UNINA-9910825544303321 |
|
Helbo André
|
||
| Amsterdam ; ; Philadelphia, : Benjamins, 1987 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Theory/theatre : an introduction / / Mark Fortier
| Theory/theatre : an introduction / / Mark Fortier |
| Autore | Fortier Mark <1953, > |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2014 |
| Descrizione fisica | 195p |
| Disciplina | 792/.01 |
| Soggetto topico |
Theater - Philosophy
Performing arts - Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-134-71922-1
0-8442-5869-5 0-203-31873-0 1-280-32732-4 0-203-14105-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Theatre, life and language : semiotics, phenomenology and deconstruction -- 2. Subjectivity and theatre : psychoanalytic, gender and reader-response theory -- 3. World and theatre : materialist, postmodern and post-colonial theory. |
| Altri titoli varianti | Theory/theater |
| Record Nr. | UNINA-9910450599703321 |
|
Fortier Mark <1953, >
|
||
| London ; ; New York : , : Routledge, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
