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Philosophy of the film [[electronic resource] ] : epistemology, ontology, aesthetics / / Ian Jarvie
| Philosophy of the film [[electronic resource] ] : epistemology, ontology, aesthetics / / Ian Jarvie |
| Autore | Jarvie I. C (Ian Charles), <1937-> |
| Pubbl/distr/stampa | New York, : Routledge & Kegan Paul, 1987 |
| Descrizione fisica | 1 online resource (409 p.) |
| Disciplina | 791.43/01 |
| Soggetto topico |
Motion pictures - Philosophy
Performing arts - Philosophy |
| ISBN |
0-415-76005-4
1-280-10405-8 1-135-79466-9 0-203-22195-8 9786610104055 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; PHILOSOPHY OF THE FILM: Epistemology, ontology, aesthetics; Copyright; CONTENTS; PREFACE; ACKNOWLEDGMENTS; INTRODUCTION: ON THE VERY IDEA OF A PHILOSOPHY OF THE FILM: CASABLANCA; 1 PHILOSOPHY AND THE FILM; 2 FILM AS PHILOSOPHY; 3 CASABLANCA AS PHILOSOPHY; 4 CONCLUSION; PART ONE MOVIES AS A PHILOSOPHICAL PROBLEM; 1 KNOWLEDGE AND EXISTENCE; 2 PLATO AND THE CAVE; 3 THE GOLDEN MOUNTAIN, USDA APPROVAL AND REALISM; 4 FILMS AND ACADEMIC PHILOSOPHY; 4.1 MUNSTERBERG; 4.2 CAVELL; 4.3 PHENOMENOLOGY, LINDEN, WEISS; PART TWO MOVIES AS AN AESTHETIC PROBLEM; 5 ART AND SCIENCE
6 AESTHETICS AND ESSENTIALISM7 ARGUMENTS AGAINST FILMS AS ART; 7.1 NEWNESS; 7.11 Less Than One Hundred Years Old; 7.12 Lack of Settled Canons; 7.13 Movies have no Established Criteria of Merit; 7.14 Shallow Traditions of Critical Discussion; 7.2 THE NATURE OF THE MEDIUM; 7.21 Mechanical Reproduction; 7.22 Variety of Forms and Uses; 7.23 Collective Authorship; 7.24 How related to the Older Arts; 7.3 MASS ART; 8 FILMS AS ART; PART THREE PHILOSOPHICAL PROBLEMS ON FILM; 9 PHILOSOPHY; 10 POPULAR PHILOSOPHY; 11 ON INTERPRETATION; 12 CITIZEN KANE AND THE ESSENCE OF A PERSON 13 RASHOMON: IS TRUTH RELATIVE?14 PERSONA: THE PERSON AS A MASK; 15 WOODY ALLEN AND THE SEARCH FOR MORAL INTEGRITY; 15.1 ANNIE HALL; 15.2 INTERIORS; 15.3 MANHATTAN; CONCLUSION; NOTES; BIBLIOGRAPHY; INDEX OF SUBJECTS; INDEX OF NAMES |
| Record Nr. | UNINA-9910814160803321 |
Jarvie I. C (Ian Charles), <1937->
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| New York, : Routledge & Kegan Paul, 1987 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Philosophy of the performing arts [[electronic resource] /] / David Davies
| Philosophy of the performing arts [[electronic resource] /] / David Davies |
| Autore | Davies David <1949-> |
| Pubbl/distr/stampa | Chichester, West Sussex ; ; Malden, MA, : Wiley-Blackwell, 2011 |
| Descrizione fisica | 1 online resource (244 p.) |
| Disciplina | 790.2 |
| Collana | Foundations of the philosophy of the arts |
| Soggetto topico |
Performing arts - Philosophy
Theater - Philosophy |
| ISBN |
9786613407559
1-4443-4344-0 1-283-40755-8 1-4443-4347-5 1-4443-4345-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Philosophy of the Performing Arts; Contents; Preface and Acknowledgments; Part One Performance and the Classical Paradigm; 1 The Nature of Artistic Performance; 1 Introduction; 2 What is a Performance?; 3 Institutional Theories of Artistic Performance; 4 Aesthetic Theories of Artistic Performance; 5 Artistic Performance and Artistic Regard; 6 Overview; 2 The Classical Paradigm I: The Nature of the Performable Work; 1 Introduction: Berthold and Magda Go to the Symphony; 2 The Multiple Nature of Performable Works; 3 Performable Works as Types
4 Varieties of Type Theories: Sonicism, Instrumentalism, and Contextualism5 Other Theories of the Performable Work; 3 The Classical Paradigm II: Appreciating Performable Works in Performance; 1 Introduction: Talking Appreciatively about Performable Works; 2 Can Performable Works Share Artistic Properties with Their Performances?; 3 The Goodman Argument; 4 Answering the Goodman Argument; 4 Authenticity in Musical Performance; 1 Introduction; 2 Authenticity in the Arts; 3 Three Notions of Historically Authentic Performance; 5 Challenges to the Classical Paradigm in Music 1 Introduction: The Classical Paradigm in the Performing Arts2 The Scope of the Paradigm in Classical Music; 3 Jazz, Rock, and the Classical Paradigm; 4 Non-Western Music and the Classical Paradigm; 6 The Scope of the Classical Paradigm: Theater, Dance, and Literature; 1 Introduction: Berthold and Magda Go to the Theater; 2 Theatrical Performances and Performable Works; 3 Challenges to the Classical Paradigm in Theater; 4 Dance and the Classical Paradigm; 5 The Novel as Performable Work?; Part Two Performance as Art; 7 Performances as Artworks 1 Introduction: Spontaneous Performance in the Arts2 The Artistic Status of Performances Outside the Classical Paradigm; 3 The Artistic Status of Performances Within the Classical Paradigm; 8 Elements of Performance I: Improvisation and Rehearsal; 1 Introduction; 2 The Nature of Improvisation; 3 Improvisation and Performable Works: Three Models; 4 Improvisation and Recording; 5 The Place of Rehearsal in the Performing Arts; 9 Elements of Performance II: Audience and Embodiment; 1 Can There Be Artistic Performance Without an Audience?; 2 Audience Response 3 The Embodied Performer and the Mirroring Receiver10 Performance Art and the Performing Arts; 1 Introduction; 2 Some Puzzling Cases; 3 What is Performance Art?; 4 When Do Works of Performance Art Involve Artistic Performances?; 5 Performance as Art: A Final Case; References; Index |
| Record Nr. | UNINA-9910141306203321 |
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Davies David <1949->
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||
| Chichester, West Sussex ; ; Malden, MA, : Wiley-Blackwell, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Philosophy of the performing arts [[electronic resource] /] / David Davies
| Philosophy of the performing arts [[electronic resource] /] / David Davies |
| Autore | Davies David <1949-> |
| Pubbl/distr/stampa | Chichester, West Sussex ; ; Malden, MA, : Wiley-Blackwell, 2011 |
| Descrizione fisica | 1 online resource (244 p.) |
| Disciplina | 790.2 |
| Collana | Foundations of the philosophy of the arts |
| Soggetto topico |
Performing arts - Philosophy
Theater - Philosophy |
| ISBN |
9786613407559
1-4443-4344-0 1-283-40755-8 1-4443-4347-5 1-4443-4345-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Philosophy of the Performing Arts; Contents; Preface and Acknowledgments; Part One Performance and the Classical Paradigm; 1 The Nature of Artistic Performance; 1 Introduction; 2 What is a Performance?; 3 Institutional Theories of Artistic Performance; 4 Aesthetic Theories of Artistic Performance; 5 Artistic Performance and Artistic Regard; 6 Overview; 2 The Classical Paradigm I: The Nature of the Performable Work; 1 Introduction: Berthold and Magda Go to the Symphony; 2 The Multiple Nature of Performable Works; 3 Performable Works as Types
4 Varieties of Type Theories: Sonicism, Instrumentalism, and Contextualism5 Other Theories of the Performable Work; 3 The Classical Paradigm II: Appreciating Performable Works in Performance; 1 Introduction: Talking Appreciatively about Performable Works; 2 Can Performable Works Share Artistic Properties with Their Performances?; 3 The Goodman Argument; 4 Answering the Goodman Argument; 4 Authenticity in Musical Performance; 1 Introduction; 2 Authenticity in the Arts; 3 Three Notions of Historically Authentic Performance; 5 Challenges to the Classical Paradigm in Music 1 Introduction: The Classical Paradigm in the Performing Arts2 The Scope of the Paradigm in Classical Music; 3 Jazz, Rock, and the Classical Paradigm; 4 Non-Western Music and the Classical Paradigm; 6 The Scope of the Classical Paradigm: Theater, Dance, and Literature; 1 Introduction: Berthold and Magda Go to the Theater; 2 Theatrical Performances and Performable Works; 3 Challenges to the Classical Paradigm in Theater; 4 Dance and the Classical Paradigm; 5 The Novel as Performable Work?; Part Two Performance as Art; 7 Performances as Artworks 1 Introduction: Spontaneous Performance in the Arts2 The Artistic Status of Performances Outside the Classical Paradigm; 3 The Artistic Status of Performances Within the Classical Paradigm; 8 Elements of Performance I: Improvisation and Rehearsal; 1 Introduction; 2 The Nature of Improvisation; 3 Improvisation and Performable Works: Three Models; 4 Improvisation and Recording; 5 The Place of Rehearsal in the Performing Arts; 9 Elements of Performance II: Audience and Embodiment; 1 Can There Be Artistic Performance Without an Audience?; 2 Audience Response 3 The Embodied Performer and the Mirroring Receiver10 Performance Art and the Performing Arts; 1 Introduction; 2 Some Puzzling Cases; 3 What is Performance Art?; 4 When Do Works of Performance Art Involve Artistic Performances?; 5 Performance as Art: A Final Case; References; Index |
| Record Nr. | UNINA-9910677718203321 |
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Davies David <1949->
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| Chichester, West Sussex ; ; Malden, MA, : Wiley-Blackwell, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The provocation of the senses in contemporary theatre / / by Stephen DiBenedetto
| The provocation of the senses in contemporary theatre / / by Stephen DiBenedetto |
| Autore | Di Benedetto Steve |
| Pubbl/distr/stampa | New York : , : Routledge, , 2010 |
| Descrizione fisica | 1 online resource (253 p.) |
| Disciplina | 792.01/3 |
| Collana | Routledge advances in theatre and performance studies |
| Soggetto topico |
Performing arts
Senses and sensation Human information processing Performing arts - Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-136-97408-3
1-136-97409-1 1-282-58651-3 9786612586514 0-203-85209-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Our sensing bodies: a multidisciplinary approach to understanding live theatrical experience -- Scintillating visions and visual perception: how light, movement and stage space capture our attention and stimulate our brains -- Attendant to touch: cutaneous stimulation and its expressive capabilities -- Noses, tongues and other surprising possibilities: harnessing olfaction and gustation in performance -- Aural landscapes: voices, noises, vibrations and other quivering stimulators of cochlear perception -- The sentient body: guiding somatic responses within performative structures. |
| Record Nr. | UNINA-9910458882303321 |
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Di Benedetto Steve
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| New York : , : Routledge, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The provocation of the senses in contemporary theatre / / by Stephen DiBenedetto
| The provocation of the senses in contemporary theatre / / by Stephen DiBenedetto |
| Autore | Di Benedetto Steve |
| Pubbl/distr/stampa | New York : , : Routledge, , 2010 |
| Descrizione fisica | 1 online resource (253 p.) |
| Disciplina | 792.01/3 |
| Collana | Routledge advances in theatre and performance studies |
| Soggetto topico |
Performing arts
Senses and sensation Human information processing Performing arts - Philosophy |
| ISBN |
1-136-97408-3
1-136-97409-1 1-282-58651-3 9786612586514 0-203-85209-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Our sensing bodies: a multidisciplinary approach to understanding live theatrical experience -- Scintillating visions and visual perception: how light, movement and stage space capture our attention and stimulate our brains -- Attendant to touch: cutaneous stimulation and its expressive capabilities -- Noses, tongues and other surprising possibilities: harnessing olfaction and gustation in performance -- Aural landscapes: voices, noises, vibrations and other quivering stimulators of cochlear perception -- The sentient body: guiding somatic responses within performative structures. |
| Record Nr. | UNINA-9910792596303321 |
|
Di Benedetto Steve
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||
| New York : , : Routledge, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The provocation of the senses in contemporary theatre / / by Stephen DiBenedetto
| The provocation of the senses in contemporary theatre / / by Stephen DiBenedetto |
| Autore | Di Benedetto Steve |
| Pubbl/distr/stampa | New York : , : Routledge, , 2010 |
| Descrizione fisica | 1 online resource (253 p.) |
| Disciplina | 792.01/3 |
| Collana | Routledge advances in theatre and performance studies |
| Soggetto topico |
Performing arts
Senses and sensation Human information processing Performing arts - Philosophy |
| ISBN |
1-136-97408-3
1-136-97409-1 1-282-58651-3 9786612586514 0-203-85209-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Our sensing bodies: a multidisciplinary approach to understanding live theatrical experience -- Scintillating visions and visual perception: how light, movement and stage space capture our attention and stimulate our brains -- Attendant to touch: cutaneous stimulation and its expressive capabilities -- Noses, tongues and other surprising possibilities: harnessing olfaction and gustation in performance -- Aural landscapes: voices, noises, vibrations and other quivering stimulators of cochlear perception -- The sentient body: guiding somatic responses within performative structures. |
| Record Nr. | UNINA-9910808418603321 |
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Di Benedetto Steve
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| New York : , : Routledge, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Re-performance, mourning and death : specters of the past / / Sarah Julius
| Re-performance, mourning and death : specters of the past / / Sarah Julius |
| Autore | Julius Sarah |
| Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2022] |
| Descrizione fisica | 1 online resource (206 pages) |
| Disciplina | 791.01 |
| Collana | Adaptation in theatre and performance |
| Soggetto topico | Performing arts - Philosophy |
| ISBN | 3-030-84774-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Book Abstract -- Contents -- List of Image -- Chapter 1: Introduction: Re-performance Now-Loss, Adaptation and Survival -- Research Methodologies -- Case Studies -- Themes and Theories -- Echoes and Traces -- Bodily Transmission: The Bodily Archive -- Haunting and Specters -- The Process of Dying -- Afterlives, Survival and Re-performance -- Chapter 2-Re-performance, Death, Mourning and Survival: A Theoretical Discourse -- Chapter 3-Abjection and Memorial: Death and Finitude -- Chapter 4-Adaptation, Echoes, Traces and Remains -- Chapter 5-Loss and Mourning -- Chapter 6-Re-performance, Adaptation, Legacy and the Future -- Chapter 7-Mourning and Memorial -- References -- Chapter 2: Re-performance, Death, Mourning and Survival: A Theoretical Discourse -- Re-performance and Temporality: The Return of the Specter -- Time Is Out of Joint -- Death, Absence and Leftovers: Dead, Not Dead and Not Not Dead -- Witnessing Loss: the Desire to Hold On -- Mourning and Melancholia -- Survival Versus Annihilation -- Transformation and Adaptation -- References -- Chapter 3: Abjection and Memorial: Death and Finitude -- Dangerous Bodies: The Risk of Contamination -- Inside/Outside: Wounds and Bodily Boundaries -- Visible Illnesses -- Surviving with Illness, the Living Corpse -- Bodily Transmission -- The Masochistic Mother Figure -- The Object of the Mother -- Bodily Transmission and the Male/Female Binary -- The Sky Remains the Same but Everything Else Changes? -- Male/Female and Masculine/Feminine -- Bodily Transmission and the Body as Archive -- Repetition, the Copy, the Fake -- Bodily Archives, Memorial and Melancholia -- References -- Chapter 4: Adaptation, Echoes, Traces and Remains -- Things Left Behind -- Bodily Remnants and Excess -- Healing and Harm -- Echoes, Traces and Repetition -- Haunting and Specters -- Interacting with the Archive.
Re-performance as Documentation -- References -- Chapter 5: Loss and Mourning -- Performing Loss -- Melancholia and Substitution -- Loss and Presence -- Performance and Loss -- Photography and Death: Presence and Time -- Film and Movement: Bodies in Process -- Presence and Absence: Photography and Dying -- The Process of Mourning -- Past, Not Past and Not Not Past -- References -- Chapter 6: Re-performance, Adaptation, Legacy and the Future -- Legacy and Passing On -- Time and Multiplicity: Past, Present and Future -- The Drive to Archive-Bodily Transmission -- Performance's Returns: The Return of the Author -- Legacy and Posthumous Authorship -- Death, Loss and Legacy -- References -- Chapter 7: Mourning and Memorial -- Monuments and Sculptures/Art and Memorial -- Memorial, Multiplicity and Rebirth -- False Documentation -- The Interrelation Between the Archive and the Bodily Archive: Substituting and Doubling -- Performative Monuments: Alternative Modes of Remembering and Memorialising -- Living Memorials -- The Temporalities of Illness and Death -- Militant Mourning, Public Grief and Grievable Lives -- References -- Chapter 8: Conclusion: Adaptation, Afterlives, Survival and Re-performance -- Echoes and Traces -- Bodily Transmission: The Bodily Archive -- Haunting and Specters -- The Process of Dying -- Afterlives, Survival and Re-performance -- Final Conclusion -- References -- Index. |
| Record Nr. | UNINA-9910508465403321 |
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Julius Sarah
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| Cham, Switzerland : , : Palgrave Macmillan, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Representation and identity from Versailles to the present [[electronic resource] ] : the performing subject / / Alan Sikes
| Representation and identity from Versailles to the present [[electronic resource] ] : the performing subject / / Alan Sikes |
| Autore | Sikes Alan |
| Edizione | [1st ed. 2007.] |
| Pubbl/distr/stampa | Basingstoke, : Palgrave Macmillan, 2007 |
| Descrizione fisica | 1 online resource (227 p.) |
| Disciplina | 792.09 |
| Collana | Palgrave studies in theatre and performance history |
| Soggetto topico |
Performing arts - History
Performing arts - Philosophy Theater - History |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-281-36320-0
9786611363208 0-230-60561-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; List of Illustrations; Credits; Acknowledgments; 1 The Performing Subject: Identity and Representation in the Modern and the Postmodern Eras; 2 Dancing with the Sun King: The Performance of Privilege in the Reign of Louis XIV; 3 "Snip Snip Here, Snip Snip There, and a Couple of Tra-La-La's": The Rise and Fall of the Castrato Singer; 4 Liberty, Equality, Festivity: Citizen Action and the Libratory Legacy of the French Revolution; 5 Smoke and Mirrors: The Hysterical Woman from Zola to Freud
6 Communism: Coming to a Screen Near You! Benjamin, Adorno, and the Politics of MediatizationConclusion: Queer Horizons-Postmodern Performativity and Political Action; Notes; Index |
| Record Nr. | UNINA-9910458184103321 |
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Sikes Alan
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| Basingstoke, : Palgrave Macmillan, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Representation and identity from Versailles to the present [[electronic resource] ] : the performing subject / / Alan Sikes
| Representation and identity from Versailles to the present [[electronic resource] ] : the performing subject / / Alan Sikes |
| Autore | Sikes Alan |
| Edizione | [1st ed. 2007.] |
| Pubbl/distr/stampa | Basingstoke, : Palgrave Macmillan, 2007 |
| Descrizione fisica | 1 online resource (227 p.) |
| Disciplina | 792.09 |
| Collana | Palgrave studies in theatre and performance history |
| Soggetto topico |
Performing arts - History
Performing arts - Philosophy Theater - History |
| ISBN |
1-281-36320-0
9786611363208 0-230-60561-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; List of Illustrations; Credits; Acknowledgments; 1 The Performing Subject: Identity and Representation in the Modern and the Postmodern Eras; 2 Dancing with the Sun King: The Performance of Privilege in the Reign of Louis XIV; 3 "Snip Snip Here, Snip Snip There, and a Couple of Tra-La-La's": The Rise and Fall of the Castrato Singer; 4 Liberty, Equality, Festivity: Citizen Action and the Libratory Legacy of the French Revolution; 5 Smoke and Mirrors: The Hysterical Woman from Zola to Freud
6 Communism: Coming to a Screen Near You! Benjamin, Adorno, and the Politics of MediatizationConclusion: Queer Horizons-Postmodern Performativity and Political Action; Notes; Index |
| Record Nr. | UNINA-9910784774703321 |
|
Sikes Alan
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||
| Basingstoke, : Palgrave Macmillan, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Representation and identity from Versailles to the present [[electronic resource] ] : the performing subject / / Alan Sikes
| Representation and identity from Versailles to the present [[electronic resource] ] : the performing subject / / Alan Sikes |
| Autore | Sikes Alan |
| Edizione | [1st ed. 2007.] |
| Pubbl/distr/stampa | Basingstoke, : Palgrave Macmillan, 2007 |
| Descrizione fisica | 1 online resource (227 p.) |
| Disciplina | 792.09 |
| Collana | Palgrave studies in theatre and performance history |
| Soggetto topico |
Performing arts - History
Performing arts - Philosophy Theater - History |
| ISBN |
1-281-36320-0
9786611363208 0-230-60561-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; List of Illustrations; Credits; Acknowledgments; 1 The Performing Subject: Identity and Representation in the Modern and the Postmodern Eras; 2 Dancing with the Sun King: The Performance of Privilege in the Reign of Louis XIV; 3 "Snip Snip Here, Snip Snip There, and a Couple of Tra-La-La's": The Rise and Fall of the Castrato Singer; 4 Liberty, Equality, Festivity: Citizen Action and the Libratory Legacy of the French Revolution; 5 Smoke and Mirrors: The Hysterical Woman from Zola to Freud
6 Communism: Coming to a Screen Near You! Benjamin, Adorno, and the Politics of MediatizationConclusion: Queer Horizons-Postmodern Performativity and Political Action; Notes; Index |
| Record Nr. | UNINA-9910810134503321 |
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Sikes Alan
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| Basingstoke, : Palgrave Macmillan, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
