Acting Queer : Gender Dissidence and the Subversion of Realism / / by Conrad Alexandrowicz |
Autore | Alexandrowicz Conrad |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (225 pages) |
Disciplina | 305.3 |
Soggetto topico |
Performing arts
Theater Actors Queer theory Gender identity Performing Arts Contemporary Theatre Performers and Practitioners Queer Theory Gender and Sexuality |
ISBN | 3-030-29318-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction: ‘Straight-looking, Straight-acting’ -- 2. ‘You’re Soaking in It’: the Influence of Hollywood -- 3. Gender Dissidence and Its Prohibitions -- 4. Gendered Movement and “Physical’ Acting -- 5. The Subversion of Realism -- 6. Queer-looking, Queer-acting -- 7. Extensions and Excursions: Acting Queer Ecology. |
Record Nr. | UNINA-9910483216703321 |
Alexandrowicz Conrad | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Actor-Network Dramaturgies : The Argentines of Paris / / by Stefano Boselli |
Autore | Boselli Stefano |
Edizione | [1st ed. 2023.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 |
Descrizione fisica | 1 online resource (297 pages) |
Disciplina | 031 |
Collana | Palgrave Studies in Theatre and Performance History |
Soggetto topico |
Theater - History
Theater Playwriting Dramatists Actors Theatre History Global and International Theatre and Performance Playwrights and Playwriting Performers and Practitioners |
ISBN | 3-031-32523-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction: Theatre Actor-Networks between Argentina and France -- 2. Copi, Savary, the Grand Magic Circus, and Other Actors: The Actor-Network Dramaturgy of Good Bye Mister Freud -- 3. A Tale of Two (and Other) Cities: The TSE Group from Buenos Aires to Paris -- 4. The Argentine Network in Paris: Lavelli, Copi, the TSE Group, and Other Stealthy Actors at the Top of French Decentralization -- 5. Conclusions: Developing an Actor-Network Dramaturgical Vision -- Synoptic Chronology of Relevant Events, 1930–1993. |
Record Nr. | UNINA-9910741191103321 |
Boselli Stefano | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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The Applied Theatre Artist : Responsivity and Expertise in Practice / / by Kay Hepplewhite |
Autore | Hepplewhite Kay |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (236 pages) : illustrations |
Disciplina |
792
301 |
Soggetto topico |
Theater
Actors Performing arts Applied Theatre Performers and Practitioners Performing Arts |
ISBN | 3-030-47268-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter 1: Introducing Responsivity and the Applied Theatre Practitioner -- Chapter 2: The Applied Theatre Artist as responsive educator: Grafted expertise and a search for the ‘golden nugget’ -- Chapter 3: The Applied Theatre Artist as responsive activist: The personal is political in a feminist approach -- Chapter 4: The Applied Theatre Artist as responsive clown: A ‘beautiful mistake’ in learning disabled theatre -- Chapter 5: The Applied Theatre Artist as responsive dialogue: The art of doing less in a creative aging project -- Chapter 6: The Applied Theatre Artist as responsive performer: Defining the role in work with young people -- Chapter 7: Responsivity and the development of Applied Theatre Practitioner -- . |
Record Nr. | UNINA-9910484986203321 |
Hepplewhite Kay | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Artistic Research in Performance through Collaboration / / edited by Martin Blain, Helen Julia Minors |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (291 pages) : illustrations |
Disciplina |
707.2
792 |
Soggetto topico |
Performing arts
Theater Actors Arts Performing Arts Performers and Practitioners Contemporary Theatre |
ISBN | 3-030-38599-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Chapter One: Introduction: Defining the Territory: Interrogating the Collaborative Processes, Issues and Concepts; Martin Blain and Helen Julia Minors -- 2. Chapter Two: The Place of Artistic Research in Higher Education; Martin Blain and Helen Julia Minors -- 3. Chapter Three: Why collaborate? Towards a Philosophy and Politics of Creative Collaboration; Mine Doğantan-Dack -- 4. Chapter Four: The Aesthetics of Collaboration; Andy Hamilton -- 5. Chapter Five: In The Bee Hive: Valuing Craft in the Cultural Industries; Alice Kettle, Helen Felcey and Amanda Ravetz -- 6. Chapter Six: The Right Thing to Play? Issues of Riff, Groove and Theme in Freely Improvised Ensemble Music: A Case Study; Adam Fairhall -- 7. Chapter Seven: Soundpainting: a Tool for Collaborating during Performance -- Helen Julia Minors -- 8. Chapter Eight: Collaboration and the Practitioner-Researcher; Tom Armstrong -- 9. Chapter Nine: Creative Industries and Copyright: Research into Collaborative Artistic Practices in Dance; Mathilde Pavis and Karen Wood -- 10. Chapter Ten: Romance and Contagion: Notes on a Conversation Between Drawing and Dance; Sally Morfill -- 11. Chapter Eleven: The Good, The God and the Guillotine: Insider/Outsider perspectives; Martin Blain and Jane Turner -- 12. Chapter Twelve: Connecting Silos: The New Arts Organisations and HEI Collaborations; Roger McKinley and Mark Wright. |
Record Nr. | UNINA-9910484258203321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Bernard Shaw on the American Stage : A Chronicle of Premieres and Notable Revivals / / by L. W. Conolly |
Autore | Conolly L. W (Leonard W.) |
Edizione | [1st ed. 2022.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 |
Descrizione fisica | 1 online resource (506 pages) |
Disciplina |
792.95
822.912 |
Collana | Bernard Shaw and His Contemporaries |
Soggetto topico |
Theater - History
Theater Playwriting Dramatists Theater - Production and direction Actors Theatre History Global and International Theatre and Performance Playwrights and Playwriting Theatre Direction and Production Performers and Practitioners |
ISBN |
9783031042416
9783031042409 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter 1: The Mansfield Years -- Chapter 2: The Daly Years -- Chapter 3: Robert Loraine and Man and Superman -- Chapter 4: The Syndicates -- Chapter 5: Eliza Comes to Broadway -- Chapter 6: The War Years -- Chapter 7: The Little Theatres -- Chapter 8: The Theatre Guild -- Chapter 9: Political Shaw -- Chapter 10: Posthumous Shaw. . |
Record Nr. | UNINA-9910590087903321 |
Conolly L. W (Leonard W.) | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Contemporary African Dance Theatre : Phenomenology, Whiteness, and the Gaze / / by Sabine Sörgel |
Autore | Sörgel Sabine |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (ix, 174 pages) : illustrations |
Disciplina |
305.8
301 |
Collana | New World Choreographies |
Soggetto topico |
Dance
Performing arts Theater Actors Ethnology—Africa Performing Arts Contemporary Theatre Performers and Practitioners Applied Theatre African Culture |
ISBN |
9783030415013
3030415015 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. This is Not a Book About African Dance -- 2. Sources and Vocabularies of Contemporary African Dance Theatre Aesthetics -- 3. White Supremacy, Necropolitics, and Anti-Capitalist Dance -- 4. Mistaken Identity: Deconstructing White Beauty and Gender Politics -- 5. Collaborative Blindness: Funding, Failure and the Ethics of Collaboration -- 6. This is a Book About Whiteness and the Gaze. |
Record Nr. | UNINA-9910483373803321 |
Sörgel Sabine | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Dance Leadership : Theory Into Practice / / by Jane M. Alexandre |
Autore | Alexandre Jane M |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (X, 212 p. 33 illus., 29 illus. in color.) |
Disciplina | 792.8 |
Soggetto topico |
Dance
Theater—Production and direction Performing arts Theater Actors Theatre Direction and Production Performing Arts Contemporary Theatre Performers and Practitioners |
ISBN | 1-137-57592-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- Chapter 1. Toward a Theoretical View of Dance Leadership -- Chapter 2. “We Think Differently in the Landscape of Dance" -- Chapter 3. “I Wanted to Be a Dance Company and not a Social Project" -- Chapter 4. “The Outcome Will Be Exciting If the Process Is Exciting" -- Chapter 5. “We Found There Were Issues We Had to Address” -- Chapter 6. “I Want to Ask Questions That Are Normally Swept Under the Carpet” -- Chapter 7. “Dance Points Us into Life” -- Chapter 8. Circling Back, Moving Forward -- Chapter 9. Enhancing the Theory -- Chapter 10. Conclusion. Bibliography. |
Record Nr. | UNINA-9910164899903321 |
Alexandre Jane M | ||
London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Dancing Across the Lifespan : Negotiating Age, Place, and Purpose / / edited by Pam Musil, Doug Risner, Karen Schupp |
Edizione | [1st ed. 2022.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 |
Descrizione fisica | 1 online resource (282 pages) : illustrations (some color) |
Disciplina |
700.454
793.3 |
Soggetto topico |
Dance
Actors Performing arts Theater Sociology Art - Study and teaching Performers and Practitioners Theatre and Performance Arts Creativity and Arts Education |
ISBN | 3-030-82866-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter 1: Introduction -- Section I: Educational Contexts -- Chapter 2: A Letter Re-Membering Ballet Class: My Young Black Self Writes Her White Ballet Teacher -- Chapter 3: The Youngest Dancers and the Curricula That Engages Them -- Chapter 4: Empowering Young Male Dancers: Perspectives of Adult-Collaborators from the Outside-In -- Chapter 5: When Students Become Teachers -- Chapter 6: Aging in Place in Higher Ed Dance: A View from Middle Age -- Section II: Social and Cultural Contexts -- Chapter 7: B-Girl at 50 -- Chapter 8: Dancing Un-Visible Bodies -- Chapter 9: Dancing While Parenting While Dancing -- Chapter 10: Aesthetic Community Building: Moving Stories of Fathers and Sons -- Chapter 11: Dance Me to the End with Love: A Duet with Neuroscience and Dance -- Section III: Artistic Contexts -- Chapter 12: Age Appropriate Ideals in Dance Competition Culture: More! More! More! -- Chapter 13: Age as Another Other: Why I Make Intergenerational Dances -- Chapter 14: Conversations on Change: A Project about Women, Dance, and Aging -- Chapter 15: Narratives on Dancing and Expiring: An “End of Life” Autoethnographic Essay -- Index. |
Record Nr. | UNINA-9910522566003321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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debbie tucker green : Critical Perspectives / / edited by Siân Adiseshiah, Jacqueline Bolton |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (355 pages) |
Disciplina |
791
822.92 |
Soggetto topico |
Theater
Performing arts Theater—Production and direction Actors Contemporary Theatre Performing Arts Theatre Direction and Production National/Regional Theatre and Performance Theatre Industry Performers and Practitioners |
ISBN | 3-030-34581-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter 1: ‘change ain’t fuckin polite, scuse my language’: situating debbie tucker green -- Part I: Dramaturgies of Resistance -- Chapter 2: Black Rage: Diasporic Empathy and Ritual in debbie tucker green’s hang -- Chapter 3: ‘What about the burn their bra bitches?’: debbie tucker green as the Willfully Emotional Subject -- Chapter 4: debbie tucker green and (the Dialectics of) Dispossession: Reframing the Ethical Encounter -- Chapter 5: Engaging with Human Rights: truth and reconciliation and hang -- Chapter 6: ‘I’m a black woman. I write black characters’: Black Mothers, the Police, and Social Justice in random and hang -- Chapter 7: ‘Almost, but not quite’: Reconciling debbie tucker green’s Dramaturgy with British Playwriting Studies -- Chapter 8: Yarns and Yearnings: Story-Layering, Signifyin’, and debbie tucker green’s Black-Feminist Anger -- Part II: Affective Encounters -- Chapter 9: sticking in the throat/keyword bitch: aesthetic discharge in debbie tucker green’s stoning mary and hang -- Chapter 10: Jumping to (and away from) Conclusions: Rhythm and Temporality in debbie tucker green’s Drama -- Chapter 11: Trading Voice and Voicing Trades: Musicality in debbie tucker green’s trade -- Chapter 12: ‘Hearing Voices’: Performing the Mind in debbie tucker green’s Dramatic-Poetics -- Chapter 13: Cartographies of Silence in debbie tucker green's truth and reconciliation -- Chapter 14: debbie tucker green and the Work of Mourning -- Chapter 15: Reflections on hang. |
Record Nr. | UNINA-9910484433603321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Directing Desire : Intimacy Choreography and Consent in the Twenty-First Century / / by Kari Barclay |
Autore | Barclay Kari |
Edizione | [1st ed. 2023.] |
Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2023 |
Descrizione fisica | 1 online resource (215 pages) |
Disciplina |
792.9
792.028092 |
Soggetto topico |
Theater - History
Theater - Production and direction Actors Cultural industries Theater Contemporary Theatre and Performance Theatre Direction and Production Performers and Practitioners Theatre Industry |
ISBN | 3-031-31222-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter 1. Introduction Boundary Practice -- Chapter 2. Erotic Repetitions: A Brief History of Intimacy Choreography -- Chapter 3. Sexual Script Analysis: Sex Positivity and Authorship in Intimate Scenes -- Chapter 4. “Intermediate” Pornography: Mediating Presence with the Intimacy Kit -- Chapter 5. Playing with Trauma: Race, Consent, and Culturally Responsive Intimacy -- Chapter 6. Immersive Intimacy: Violation and Transformative Justice in Immersive Performance -- Chapter 7. Conclusion: Keep in Touch. |
Record Nr. | UNINA-9910746994203321 |
Barclay Kari | ||
Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2023 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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