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Counterpoints : dialogues between music and the visual arts / / Philippe Junod ; translation by Saskia Brown
| Counterpoints : dialogues between music and the visual arts / / Philippe Junod ; translation by Saskia Brown |
| Autore | Junod Philippe |
| Pubbl/distr/stampa | London, UK : , : Reaktion Books Ltd, , 2017 |
| Descrizione fisica | 1 online resource (317 pages) : illustrations |
| Disciplina | 780.1 |
| Soggetto topico |
Music - Philosophy and aesthetics
Art and music Painting - Philosophy Multimedia (Art) |
| ISBN | 1-78023-859-2 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910816019103321 |
Junod Philippe
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| London, UK : , : Reaktion Books Ltd, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The crossing of the visible / / Jean-Luc Marion ; translated by James K. A. Smith
| The crossing of the visible / / Jean-Luc Marion ; translated by James K. A. Smith |
| Autore | Marion Jean-Luc <1946-> |
| Pubbl/distr/stampa | Stanford, California : , : Stanford University Press, , 2004 |
| Descrizione fisica | 1 online resource (116 pages) |
| Disciplina | 750/.1/8 |
| Collana | Cultural memory in the present |
| Soggetto topico |
Visual perception
Perspective Painting - Philosophy Phenomenology |
| ISBN | 1-5036-0271-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Preface -- 1. The crossing of the visible and the invisible -- 2. What gives -- 3. The blind at Shiloh -- 4. The prototype and the image -- Bibliographical note -- Translator’s note -- Notes |
| Record Nr. | UNINA-9910136108003321 |
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Marion Jean-Luc <1946->
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| Stanford, California : , : Stanford University Press, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Deleuze on music, painting, and the arts / / Ronald Bogue
| Deleuze on music, painting, and the arts / / Ronald Bogue |
| Autore | Bogue Ronald <1948-, > |
| Pubbl/distr/stampa | Oxon [England] : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (234 p.) |
| Disciplina | 700.1 |
| Collana | Deleuze and the Arts |
| Soggetto topico |
Aesthetics, Modern - 20th century
Music - Philosophy and aesthetics Painting - Philosophy Arts - Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-317-82768-6
1-315-82204-0 1-317-82769-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title; Copyright; Dedication; Contents; Abbreviations; Introduction; Part I: Music; Chapter One MUSICA NATURANS: DETERRITORIALIZING THE REFRAIN; Music and Cosmos in Antiquity; Rhythm and the Refrain; From Milieus to Territories; Messiaen and the Composition of Time; The Music of the Birds; Chapter Two MUSIC IN TIME: HISTORY AND BECOMING; Becoming-Woman, Becoming-Child; Transverse Becomings of Musical Invention; Classical Form, Romantic Variation; The Problem of the People; Varèse and the Modern Sound Machine; Cosmic People and the History of Discernibility
Chapter Three NATURA MUSICANS: TERRITORY AND THE REFRAINEthology and Territoriality; Von Uexküll and Musical Milieus; Ruyer and the Melodies of Developmental Biology; Structural Coupling and Natural Drift; Function and Aesthetics; The Autonomous Refrain; Part II: Painting; Chapter Four FACES; Hand and Mouth, Tool and Face; Regimes of Signs and the Faces of Power; White Wall, Black Hole; The Abstract Machine of Faciality; The Face and the Gaze; From the Gaze to the Face; Deterritorializing the Face; Primitive Heads, Christ-Face, Probe Heads; Chapter Five FORCES; The Figural Systole and DiastoleThe Brutality of Fact; Forces; Chapter Six COLOR; Analogical Modulation; Haptic and Optic; Ground and Foundation; Excursus on the Gothic Line; Haptic Colorism; Analogue Diagrammatic Modulation; Part III: The Arts; Chapter Seven SENSATION AND THE PLANE OF COMPOSITION; Sensation; Plane of Immanence, Plane of Composition; Virtual and Possible; Conclusion; Specific Domains; Elective Affinities; Notes; Works Cited; Index |
| Record Nr. | UNINA-9910463493403321 |
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Bogue Ronald <1948-, >
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| Oxon [England] : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Deleuze on music, painting, and the arts / / Ronald Bogue
| Deleuze on music, painting, and the arts / / Ronald Bogue |
| Autore | Bogue Ronald <1948-, > |
| Pubbl/distr/stampa | Oxon [England] : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (234 p.) |
| Disciplina | 700.1 |
| Collana | Deleuze and the Arts |
| Soggetto topico |
Aesthetics, Modern - 20th century
Music - Philosophy and aesthetics Painting - Philosophy Arts - Philosophy |
| ISBN |
1-317-82768-6
1-315-82204-0 1-317-82769-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title; Copyright; Dedication; Contents; Abbreviations; Introduction; Part I: Music; Chapter One MUSICA NATURANS: DETERRITORIALIZING THE REFRAIN; Music and Cosmos in Antiquity; Rhythm and the Refrain; From Milieus to Territories; Messiaen and the Composition of Time; The Music of the Birds; Chapter Two MUSIC IN TIME: HISTORY AND BECOMING; Becoming-Woman, Becoming-Child; Transverse Becomings of Musical Invention; Classical Form, Romantic Variation; The Problem of the People; Varèse and the Modern Sound Machine; Cosmic People and the History of Discernibility
Chapter Three NATURA MUSICANS: TERRITORY AND THE REFRAINEthology and Territoriality; Von Uexküll and Musical Milieus; Ruyer and the Melodies of Developmental Biology; Structural Coupling and Natural Drift; Function and Aesthetics; The Autonomous Refrain; Part II: Painting; Chapter Four FACES; Hand and Mouth, Tool and Face; Regimes of Signs and the Faces of Power; White Wall, Black Hole; The Abstract Machine of Faciality; The Face and the Gaze; From the Gaze to the Face; Deterritorializing the Face; Primitive Heads, Christ-Face, Probe Heads; Chapter Five FORCES; The Figural Systole and DiastoleThe Brutality of Fact; Forces; Chapter Six COLOR; Analogical Modulation; Haptic and Optic; Ground and Foundation; Excursus on the Gothic Line; Haptic Colorism; Analogue Diagrammatic Modulation; Part III: The Arts; Chapter Seven SENSATION AND THE PLANE OF COMPOSITION; Sensation; Plane of Immanence, Plane of Composition; Virtual and Possible; Conclusion; Specific Domains; Elective Affinities; Notes; Works Cited; Index |
| Record Nr. | UNINA-9910787722303321 |
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Bogue Ronald <1948-, >
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| Oxon [England] : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Deleuze on music, painting, and the arts / / Ronald Bogue
| Deleuze on music, painting, and the arts / / Ronald Bogue |
| Autore | Bogue Ronald <1948-, > |
| Pubbl/distr/stampa | Oxon [England] : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (234 p.) |
| Disciplina | 700.1 |
| Collana | Deleuze and the Arts |
| Soggetto topico |
Aesthetics, Modern - 20th century
Music - Philosophy and aesthetics Painting - Philosophy Arts - Philosophy |
| ISBN |
1-317-82768-6
1-315-82204-0 1-317-82769-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title; Copyright; Dedication; Contents; Abbreviations; Introduction; Part I: Music; Chapter One MUSICA NATURANS: DETERRITORIALIZING THE REFRAIN; Music and Cosmos in Antiquity; Rhythm and the Refrain; From Milieus to Territories; Messiaen and the Composition of Time; The Music of the Birds; Chapter Two MUSIC IN TIME: HISTORY AND BECOMING; Becoming-Woman, Becoming-Child; Transverse Becomings of Musical Invention; Classical Form, Romantic Variation; The Problem of the People; Varèse and the Modern Sound Machine; Cosmic People and the History of Discernibility
Chapter Three NATURA MUSICANS: TERRITORY AND THE REFRAINEthology and Territoriality; Von Uexküll and Musical Milieus; Ruyer and the Melodies of Developmental Biology; Structural Coupling and Natural Drift; Function and Aesthetics; The Autonomous Refrain; Part II: Painting; Chapter Four FACES; Hand and Mouth, Tool and Face; Regimes of Signs and the Faces of Power; White Wall, Black Hole; The Abstract Machine of Faciality; The Face and the Gaze; From the Gaze to the Face; Deterritorializing the Face; Primitive Heads, Christ-Face, Probe Heads; Chapter Five FORCES; The Figural Systole and DiastoleThe Brutality of Fact; Forces; Chapter Six COLOR; Analogical Modulation; Haptic and Optic; Ground and Foundation; Excursus on the Gothic Line; Haptic Colorism; Analogue Diagrammatic Modulation; Part III: The Arts; Chapter Seven SENSATION AND THE PLANE OF COMPOSITION; Sensation; Plane of Immanence, Plane of Composition; Virtual and Possible; Conclusion; Specific Domains; Elective Affinities; Notes; Works Cited; Index |
| Record Nr. | UNINA-9910816271003321 |
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Bogue Ronald <1948-, >
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| Oxon [England] : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Expanded painting : ontological aesthetics and the essence of colour / / Mark Titmarsh
| Expanded painting : ontological aesthetics and the essence of colour / / Mark Titmarsh |
| Autore | Titmarsh Mark |
| Pubbl/distr/stampa | [New York] : , : Bloomsbury Academic, , 2017 |
| Descrizione fisica | 1 online resource (228 pages) |
| Disciplina | 745.723 |
| Soggetto topico |
Aesthetics
Art - Philosophy Color in art Ontology Painting - Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-350-00419-7
1-350-00416-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1. The Presence of Paint -- Chapter 2. Expanded Painting -- Chapter 3. Post Aesthetics -- Chapter 4. An Ontology of Colour -- Chapter 5. The Painting of Being -- Notes -- Bibliography. |
| Record Nr. | UNINA-9910511636703321 |
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Titmarsh Mark
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| [New York] : , : Bloomsbury Academic, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Expanded painting : ontological aesthetics and the essence of colour / / Mark Titmarsh
| Expanded painting : ontological aesthetics and the essence of colour / / Mark Titmarsh |
| Autore | Titmarsh Mark |
| Pubbl/distr/stampa | [New York] : , : Bloomsbury Academic, , 2017 |
| Descrizione fisica | 1 online resource (228 pages) |
| Disciplina | 745.723 |
| Soggetto topico |
Aesthetics
Art - Philosophy Color in art Ontology Painting - Philosophy |
| ISBN |
1-350-00419-7
1-350-00416-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1. The Presence of Paint -- Chapter 2. Expanded Painting -- Chapter 3. Post Aesthetics -- Chapter 4. An Ontology of Colour -- Chapter 5. The Painting of Being -- Notes -- Bibliography. |
| Record Nr. | UNINA-9910795597703321 |
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Titmarsh Mark
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| [New York] : , : Bloomsbury Academic, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Expanded painting : ontological aesthetics and the essence of colour / / Mark Titmarsh
| Expanded painting : ontological aesthetics and the essence of colour / / Mark Titmarsh |
| Autore | Titmarsh Mark |
| Pubbl/distr/stampa | [New York] : , : Bloomsbury Academic, , 2017 |
| Descrizione fisica | 1 online resource (228 pages) |
| Disciplina | 745.723 |
| Soggetto topico |
Aesthetics
Art - Philosophy Color in art Ontology Painting - Philosophy |
| ISBN |
1-350-00419-7
1-350-00416-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1. The Presence of Paint -- Chapter 2. Expanded Painting -- Chapter 3. Post Aesthetics -- Chapter 4. An Ontology of Colour -- Chapter 5. The Painting of Being -- Notes -- Bibliography. |
| Record Nr. | UNINA-9910829042803321 |
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Titmarsh Mark
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| [New York] : , : Bloomsbury Academic, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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La guerre des arts : le paragone peinture-sculpture en Italie XVe-XVIIe siècle / / Sefy Hendler ; préface, prof. Philippe Morel
| La guerre des arts : le paragone peinture-sculpture en Italie XVe-XVIIe siècle / / Sefy Hendler ; préface, prof. Philippe Morel |
| Autore | Hendler Sefy <1972-> |
| Pubbl/distr/stampa | Rome, Italy : , : L'Erma di Bretschneider, , [2013] |
| Descrizione fisica | 1 online resource (437 pages) : illustrations (chiefly color) |
| Disciplina | 709 |
| Collana | LermArte |
| Soggetto topico |
Art, Italian - Themes, motives
Art, Baroque - Italy - Themes, motives Sculpture - Philosophy Painting - Philosophy Paragone (Aesthetics) Art, Renaissance - Italy - Themes, motives |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910132527803321 |
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Hendler Sefy <1972->
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| Rome, Italy : , : L'Erma di Bretschneider, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Inventing falsehood, making truth : Vico and Neapolitan painting / / Malcolm Bull
| Inventing falsehood, making truth : Vico and Neapolitan painting / / Malcolm Bull |
| Autore | Bull Malcolm |
| Edizione | [Course Book] |
| Pubbl/distr/stampa | Princeton, New Jersey : , : Princeton University Press, , [2013] |
| Descrizione fisica | 1 online resource (161 p.) |
| Disciplina | 759.5/73 |
| Collana |
Essays in the Arts
Essays in the arts |
| Soggetto topico |
Painting - Philosophy
Art and philosophy - Italy - History - 18th century Painting, Italian - Italy - Naples - 18th century Painting, Baroque - Italy - Naples Truth |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-4008-4974-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Prologue -- One. Vico -- Two. Icastic Painting -- Three. Fantastic Painting -- Four. Theological Painting -- Epilogue -- Notes -- Index |
| Record Nr. | UNINA-9910453609103321 |
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Bull Malcolm
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| Princeton, New Jersey : , : Princeton University Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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