Les cahiers de la Société québécoise de recherche en musique |
Pubbl/distr/stampa | Montréal, : Société québécoise de recherche en musique |
Descrizione fisica | v. ; ; 28 cm |
Soggetto topico |
Musicology - Québec (Province)
Musicologie - Québec (Province) Musique - Québec (Province) Musicology |
Soggetto genere / forma | Periodicals. |
ISSN | 1929-7394 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Periodico |
Lingua di pubblicazione | fre |
Altri titoli varianti | Cahiers de la SQRM |
Record Nr. | UNINA-9910142305303321 |
Montréal, : Société québécoise de recherche en musique | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Les cahiers de la Société québécoise de recherche en musique |
Pubbl/distr/stampa | Montréal, : Société québécoise de recherche en musique |
Descrizione fisica | 1 online resource |
Soggetto topico |
Musicology - Québec (Province)
Music - Québec (Province) Musicologie - Québec (Province) Musique - Québec (Province) Musicology |
Soggetto genere / forma | Periodicals. |
ISSN | 1929-7394 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Periodico |
Lingua di pubblicazione | fre |
Altri titoli varianti | Cahiers de la SQRM |
Record Nr. | UNINA-9910640392203321 |
Montréal, : Société québécoise de recherche en musique | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
The Christopher Small Reader [[electronic resource] /] / Christopher Small ; edited by Robert Walser |
Autore | Small Christopher <1927-2011.> |
Pubbl/distr/stampa | Middletown, Connecticut : , : Wesleyan University Press, , 2016 |
Descrizione fisica | 1 online resource (257 pages) |
Disciplina | 780 |
Collana | Music/culture |
Soggetto topico |
Musicology
Music - Social aspects Music - Philosophy and aesthetics |
Soggetto genere / forma | Electronic books. |
ISBN | 0-8195-7641-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910796324403321 |
Small Christopher <1927-2011.>
![]() |
||
Middletown, Connecticut : , : Wesleyan University Press, , 2016 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
The Christopher Small Reader [[electronic resource] /] / Christopher Small ; edited by Robert Walser |
Autore | Small Christopher <1927-2011.> |
Pubbl/distr/stampa | Middletown, Connecticut : , : Wesleyan University Press, , 2016 |
Descrizione fisica | 1 online resource (257 pages) |
Disciplina | 780 |
Collana | Music/culture |
Soggetto topico |
Musicology
Music - Social aspects Music - Philosophy and aesthetics |
Soggetto genere / forma | Electronic books. |
ISBN | 0-8195-7641-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910820463603321 |
Small Christopher <1927-2011.>
![]() |
||
Middletown, Connecticut : , : Wesleyan University Press, , 2016 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
The cultural study of music : a critical introduction / / edited by Martin Clayton, Trevor Herbert, Richard Middleton |
Edizione | [2nd ed.] |
Pubbl/distr/stampa | New York : , : Routledge, , 2012 |
Descrizione fisica | 1 online resource (481 p.) |
Disciplina | 306.4/842 |
Altri autori (Persone) |
ClaytonMartin
HerbertTrevor MiddletonRichard |
Soggetto topico |
Music - Social aspects
Musicology |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-85116-4
1-136-51473-2 0-203-14945-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover ; The Cultural Study of Music: A Critical Introduction; Copyright ; Contents ; Preface to the Second Edition ; Notes of Contributors ; Introduction: Music Studies and the Idea of Culture; Part 1: When? Musical Histories ; Chapter 1. Music and Biocultural Evolution ; Chapter 2. Music and Culture: Historiographies of Disjuncture, Ethnographies of Displacement ; Chapter 3. Historical Musicology: Is It Still Possible? ; Chapter 4. Social History and Music History ; Chapter 5. Musicology, Anthropology, History ; Part 2: Where? Locations of Music
Chapter 6. Textual Analysis or Thick Description? Chapter 7. Comparing Music, Comparing Musicology ; Chapter 8. The Destiny of "Diaspora" in Ethnomusicology ; Chapter 9. Globalization and the Politics of World Music ; Chapter 10. Contesting Difference: A Critique of Africanist Ethnomusicology ; Chapter 11. What a Difference a Name Makes: Two Instances of African-American Popular Music ; Chapter 12. Music, Space, and Place: The Geography of Music ; Chapter 13. Music and Everyday Life ; Part 3: How? Processes, Practices, and Institutions of Music ; Chapter 14. Music, Culture, and Creativity Chapter 15. Musical Autonomy Revisited Chapter 16. Music as Performance ; Chapter 17. The Cultural Study of Musical Instruments ; Chapter 18. Music Education, Cultural Capital, and Social Group Identity ; Chapter 19. Music Technology, or Technologies of Music? ; Chapter 20. Music and Material Culture ; Part 4: Whose? Social Forces and Musical Belongings ; Chapter 21. Music and Social Categories ; Chapter 22. Music and Mediation: Toward a New Sociology of Music ; Chapter 23. Music and the Social ; Chapter 24. Locating the People: Music and the Popular Chapter 25. Music and the Market: The Economics of Music in the Modern World Chapter 26. Music, Sound, and Religion ; Chapter 27. Music, Race, and the Fields of Public Culture ; Chapter 28. Music, Gender, and Sexuality ; Part 5: Who? Musical Subjectivities ; Chapter 29. What's Going On: Music, Psychology, and Ecological Theory ; Chapter 30. Musical Materials, Perception, and Listening ; Chapter 31. Music, Experience, and the Anthropology of Emotion ; Chapter 32. Towards a Political Aesthetics of Music ; Chapter 33. Music and the Subject: Three Takes Chapter 34. Of Mice and Dogs: Music, Gender, and Sexuality at the Long Fin-de-Siècle Chapter 35. Subjectivity Unbound: Music, Language, Culture ; References ; Index |
Record Nr. | UNINA-9910457948303321 |
New York : , : Routledge, , 2012 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
The cultural study of music : a critical introduction / / edited by Martin Clayton, Trevor Herbert, Richard Middleton |
Edizione | [2nd ed.] |
Pubbl/distr/stampa | New York : , : Routledge, , 2012 |
Descrizione fisica | 1 online resource (481 p.) |
Disciplina | 306.4/842 |
Altri autori (Persone) |
ClaytonMartin
HerbertTrevor MiddletonRichard |
Soggetto topico |
Music - Social aspects
Musicology |
ISBN |
1-136-51472-4
1-283-85116-4 1-136-51473-2 0-203-14945-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover ; The Cultural Study of Music: A Critical Introduction; Copyright ; Contents ; Preface to the Second Edition ; Notes of Contributors ; Introduction: Music Studies and the Idea of Culture; Part 1: When? Musical Histories ; Chapter 1. Music and Biocultural Evolution ; Chapter 2. Music and Culture: Historiographies of Disjuncture, Ethnographies of Displacement ; Chapter 3. Historical Musicology: Is It Still Possible? ; Chapter 4. Social History and Music History ; Chapter 5. Musicology, Anthropology, History ; Part 2: Where? Locations of Music
Chapter 6. Textual Analysis or Thick Description? Chapter 7. Comparing Music, Comparing Musicology ; Chapter 8. The Destiny of "Diaspora" in Ethnomusicology ; Chapter 9. Globalization and the Politics of World Music ; Chapter 10. Contesting Difference: A Critique of Africanist Ethnomusicology ; Chapter 11. What a Difference a Name Makes: Two Instances of African-American Popular Music ; Chapter 12. Music, Space, and Place: The Geography of Music ; Chapter 13. Music and Everyday Life ; Part 3: How? Processes, Practices, and Institutions of Music ; Chapter 14. Music, Culture, and Creativity Chapter 15. Musical Autonomy Revisited Chapter 16. Music as Performance ; Chapter 17. The Cultural Study of Musical Instruments ; Chapter 18. Music Education, Cultural Capital, and Social Group Identity ; Chapter 19. Music Technology, or Technologies of Music? ; Chapter 20. Music and Material Culture ; Part 4: Whose? Social Forces and Musical Belongings ; Chapter 21. Music and Social Categories ; Chapter 22. Music and Mediation: Toward a New Sociology of Music ; Chapter 23. Music and the Social ; Chapter 24. Locating the People: Music and the Popular Chapter 25. Music and the Market: The Economics of Music in the Modern World Chapter 26. Music, Sound, and Religion ; Chapter 27. Music, Race, and the Fields of Public Culture ; Chapter 28. Music, Gender, and Sexuality ; Part 5: Who? Musical Subjectivities ; Chapter 29. What's Going On: Music, Psychology, and Ecological Theory ; Chapter 30. Musical Materials, Perception, and Listening ; Chapter 31. Music, Experience, and the Anthropology of Emotion ; Chapter 32. Towards a Political Aesthetics of Music ; Chapter 33. Music and the Subject: Three Takes Chapter 34. Of Mice and Dogs: Music, Gender, and Sexuality at the Long Fin-de-Siècle Chapter 35. Subjectivity Unbound: Music, Language, Culture ; References ; Index |
Record Nr. | UNINA-9910778919103321 |
New York : , : Routledge, , 2012 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
The cultural study of music : a critical introduction / / edited by Martin Clayton, Trevor Herbert, Richard Middleton |
Edizione | [2nd ed.] |
Pubbl/distr/stampa | New York : , : Routledge, , 2012 |
Descrizione fisica | 1 online resource (481 p.) |
Disciplina | 306.4/842 |
Altri autori (Persone) |
ClaytonMartin
HerbertTrevor MiddletonRichard |
Soggetto topico |
Music - Social aspects
Musicology |
ISBN |
1-136-51472-4
1-283-85116-4 1-136-51473-2 0-203-14945-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover ; The Cultural Study of Music: A Critical Introduction; Copyright ; Contents ; Preface to the Second Edition ; Notes of Contributors ; Introduction: Music Studies and the Idea of Culture; Part 1: When? Musical Histories ; Chapter 1. Music and Biocultural Evolution ; Chapter 2. Music and Culture: Historiographies of Disjuncture, Ethnographies of Displacement ; Chapter 3. Historical Musicology: Is It Still Possible? ; Chapter 4. Social History and Music History ; Chapter 5. Musicology, Anthropology, History ; Part 2: Where? Locations of Music
Chapter 6. Textual Analysis or Thick Description? Chapter 7. Comparing Music, Comparing Musicology ; Chapter 8. The Destiny of "Diaspora" in Ethnomusicology ; Chapter 9. Globalization and the Politics of World Music ; Chapter 10. Contesting Difference: A Critique of Africanist Ethnomusicology ; Chapter 11. What a Difference a Name Makes: Two Instances of African-American Popular Music ; Chapter 12. Music, Space, and Place: The Geography of Music ; Chapter 13. Music and Everyday Life ; Part 3: How? Processes, Practices, and Institutions of Music ; Chapter 14. Music, Culture, and Creativity Chapter 15. Musical Autonomy Revisited Chapter 16. Music as Performance ; Chapter 17. The Cultural Study of Musical Instruments ; Chapter 18. Music Education, Cultural Capital, and Social Group Identity ; Chapter 19. Music Technology, or Technologies of Music? ; Chapter 20. Music and Material Culture ; Part 4: Whose? Social Forces and Musical Belongings ; Chapter 21. Music and Social Categories ; Chapter 22. Music and Mediation: Toward a New Sociology of Music ; Chapter 23. Music and the Social ; Chapter 24. Locating the People: Music and the Popular Chapter 25. Music and the Market: The Economics of Music in the Modern World Chapter 26. Music, Sound, and Religion ; Chapter 27. Music, Race, and the Fields of Public Culture ; Chapter 28. Music, Gender, and Sexuality ; Part 5: Who? Musical Subjectivities ; Chapter 29. What's Going On: Music, Psychology, and Ecological Theory ; Chapter 30. Musical Materials, Perception, and Listening ; Chapter 31. Music, Experience, and the Anthropology of Emotion ; Chapter 32. Towards a Political Aesthetics of Music ; Chapter 33. Music and the Subject: Three Takes Chapter 34. Of Mice and Dogs: Music, Gender, and Sexuality at the Long Fin-de-Siècle Chapter 35. Subjectivity Unbound: Music, Language, Culture ; References ; Index |
Record Nr. | UNINA-9910806115403321 |
New York : , : Routledge, , 2012 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Current musicology |
Pubbl/distr/stampa | New York : , : Department of Music, Columbia University |
Descrizione fisica | online resource |
Disciplina |
780.72/1
780/.01/05 |
Soggetto topico |
Musicology
Musicologie Musikwissenschaft Muziekwetenschap |
Soggetto genere / forma |
Periodicals.
Zeitschrift |
ISSN | 2640-883X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Periodico |
Lingua di pubblicazione | eng |
Record Nr. | UNISA-996197471103316 |
New York : , : Department of Music, Columbia University | ||
![]() | ||
Lo trovi qui: Univ. di Salerno | ||
|
Current musicology |
Pubbl/distr/stampa | New York : , : Department of Music, Columbia University |
Descrizione fisica | online resource |
Disciplina |
780.72/1
780/.01/05 |
Soggetto topico |
Musicology
Musicologie Musikwissenschaft Muziekwetenschap |
Soggetto genere / forma |
Periodicals.
Zeitschrift |
ISSN | 2640-883X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Periodico |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910142040803321 |
New York : , : Department of Music, Columbia University | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Decentering music [[electronic resource] ] : a critique of contemporary musical research / / Kevin Korsyn |
Autore | Korsyn Kevin Ernest |
Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2003 |
Descrizione fisica | 1 online resource (232 p.) |
Disciplina | 780/.7/2 |
Soggetto topico |
Musicology
Music theory - Research |
Soggetto genere / forma | Electronic books. |
ISBN |
1-60256-556-2
0-19-518164-6 9786610452613 0-19-510454-4 1-280-45261-7 0-19-535581-4 1-60256-118-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Part I. Introduction; Prelude; 1. Musical Research in Crisis: The Tower of Babel and the Ministry of Truth; 2. Search for an Antimethod: Begin at the Impasses; Part II. Subject, Text, Context; Prelude; 3. The Formation of Disciplinary Identities; 4. The Objects of Musical Research (1); 5. The Objects of Musical Research (2); Part III. Media, Society, Ethics; Prelude; 6. Media Conditions; 7. Music and Social Antagonisms; 8. Ethics and the Political in Musical Research; Postlude; Notes; Index; |
Record Nr. | UNINA-9910465795503321 |
Korsyn Kevin Ernest
![]() |
||
Oxford ; ; New York, : Oxford University Press, 2003 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|