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Liveness in modern music : musicians, technology, and the perception of performance / / Paul Sanden
| Liveness in modern music : musicians, technology, and the perception of performance / / Paul Sanden |
| Autore | Sanden Paul |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (221 p.) |
| Disciplina | 781.1/1 |
| Collana |
Routledge research in music
Routledge research in music |
| Soggetto topico |
Music - Performance - History
Musical perception Music - Psychological aspects |
| ISBN |
1-136-15528-7
1-283-97325-1 0-203-07851-9 1-136-15656-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A theory of liveness in mediatized music -- Hearing Glenn Gould's body : corporeal liveness in recorded music -- Reconsidering fidelity : authenticity, historicism, and liveness in the music of the White Stripes -- Interactive liveness in live electronic music -- Virtual liveness and sounding cyborgs : John Oswald's "Vane" -- Performing cyborgs : the flaying of Marsyas and turntablism. |
| Record Nr. | UNINA-9910817607703321 |
Sanden Paul
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| New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Metal, rock, and jazz [[electronic resource] ] : perception and the phenomenology of musical experience / / Harris M. Berger
| Metal, rock, and jazz [[electronic resource] ] : perception and the phenomenology of musical experience / / Harris M. Berger |
| Autore | Berger Harris M. <1966-> |
| Pubbl/distr/stampa | Hanover, N.H., : University Press of New England, c1999 |
| Descrizione fisica | 1 online resource (578 p.) |
| Disciplina | 781.65 |
| Collana | Music/culture |
| Soggetto topico |
Musical perception
Music - Philosophy and aesthetics Rock music - Ohio - Cleveland - History and criticism Rock music - Ohio - Akron - History and criticism Jazz - Ohio - Cleveland - History and criticism Jazz - Ohio - Akron - History and criticism Music - Social aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-10991-3
9786613109910 0-8195-7182-2 0-585-38754-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half title; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; 1. An Introduction to Central Issues in Ethnomusicology and Folklore: Phenomenology and Practice Theory; I. The Ethnography of Musical Practice; 2. Commercial Hard Rock in Cleveland, Ohio: Dia Pason and Max Panic; 3. Heavy Metal in Akron, Ohio: Winter's Bane and Sin-Eater; 4. Two Jazz Scenes in Northeast Ohio; II. The Organization of Musical Experience and the Practice of Perception; 5. The Organization of Attention in Two Jazz Scenes
6. The Organization of Attention in the Rock and Metal Scenes7. Tonality, Temporality, and the Intending Subject (1): Chris Ozimek and "Turn for the Worse"; 8. Tonality, Temporality, and the Perceptual Subject (2): Dann Saladin and "The Final Silencing"; 9. Conclusions: Perceptual Practice and Social Context; III. Music, Experience, and Society: Death Metal and Deindustrialization in an American City; 10. Death Metal Perspectives: Affect, Purpose, and the Social Life of Music; 11. A Critical Dialogue on the Politics of the Metal Underground: Race, Class, and Consequence 12. Conclusion: The Scope of EthnomusicologyNotes; Glossary; Selected Bibliography; Index |
| Record Nr. | UNINA-9910455661203321 |
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Berger Harris M. <1966->
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| Hanover, N.H., : University Press of New England, c1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Metal, rock, and jazz [[electronic resource] ] : perception and the phenomenology of musical experience / / Harris M. Berger
| Metal, rock, and jazz [[electronic resource] ] : perception and the phenomenology of musical experience / / Harris M. Berger |
| Autore | Berger Harris M. <1966-> |
| Pubbl/distr/stampa | Hanover, N.H., : University Press of New England, c1999 |
| Descrizione fisica | 1 online resource (578 p.) |
| Disciplina | 781.65 |
| Collana | Music/culture |
| Soggetto topico |
Musical perception
Music - Philosophy and aesthetics Rock music - Ohio - Cleveland - History and criticism Rock music - Ohio - Akron - History and criticism Jazz - Ohio - Cleveland - History and criticism Jazz - Ohio - Akron - History and criticism Music - Social aspects |
| ISBN |
1-283-10991-3
9786613109910 0-8195-7182-2 0-585-38754-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half title; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; 1. An Introduction to Central Issues in Ethnomusicology and Folklore: Phenomenology and Practice Theory; I. The Ethnography of Musical Practice; 2. Commercial Hard Rock in Cleveland, Ohio: Dia Pason and Max Panic; 3. Heavy Metal in Akron, Ohio: Winter's Bane and Sin-Eater; 4. Two Jazz Scenes in Northeast Ohio; II. The Organization of Musical Experience and the Practice of Perception; 5. The Organization of Attention in Two Jazz Scenes
6. The Organization of Attention in the Rock and Metal Scenes7. Tonality, Temporality, and the Intending Subject (1): Chris Ozimek and "Turn for the Worse"; 8. Tonality, Temporality, and the Perceptual Subject (2): Dann Saladin and "The Final Silencing"; 9. Conclusions: Perceptual Practice and Social Context; III. Music, Experience, and Society: Death Metal and Deindustrialization in an American City; 10. Death Metal Perspectives: Affect, Purpose, and the Social Life of Music; 11. A Critical Dialogue on the Politics of the Metal Underground: Race, Class, and Consequence 12. Conclusion: The Scope of EthnomusicologyNotes; Glossary; Selected Bibliography; Index |
| Record Nr. | UNINA-9910780026003321 |
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Berger Harris M. <1966->
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| Hanover, N.H., : University Press of New England, c1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Metal, rock, and jazz [[electronic resource] ] : perception and the phenomenology of musical experience / / Harris M. Berger
| Metal, rock, and jazz [[electronic resource] ] : perception and the phenomenology of musical experience / / Harris M. Berger |
| Autore | Berger Harris M. <1966-> |
| Pubbl/distr/stampa | Hanover, N.H., : University Press of New England, c1999 |
| Descrizione fisica | 1 online resource (578 p.) |
| Disciplina | 781.65 |
| Collana | Music/culture |
| Soggetto topico |
Musical perception
Music - Philosophy and aesthetics Rock music - Ohio - Cleveland - History and criticism Rock music - Ohio - Akron - History and criticism Jazz - Ohio - Cleveland - History and criticism Jazz - Ohio - Akron - History and criticism Music - Social aspects |
| ISBN |
1-283-10991-3
9786613109910 0-8195-7182-2 0-585-38754-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half title; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; 1. An Introduction to Central Issues in Ethnomusicology and Folklore: Phenomenology and Practice Theory; I. The Ethnography of Musical Practice; 2. Commercial Hard Rock in Cleveland, Ohio: Dia Pason and Max Panic; 3. Heavy Metal in Akron, Ohio: Winter's Bane and Sin-Eater; 4. Two Jazz Scenes in Northeast Ohio; II. The Organization of Musical Experience and the Practice of Perception; 5. The Organization of Attention in Two Jazz Scenes
6. The Organization of Attention in the Rock and Metal Scenes7. Tonality, Temporality, and the Intending Subject (1): Chris Ozimek and "Turn for the Worse"; 8. Tonality, Temporality, and the Perceptual Subject (2): Dann Saladin and "The Final Silencing"; 9. Conclusions: Perceptual Practice and Social Context; III. Music, Experience, and Society: Death Metal and Deindustrialization in an American City; 10. Death Metal Perspectives: Affect, Purpose, and the Social Life of Music; 11. A Critical Dialogue on the Politics of the Metal Underground: Race, Class, and Consequence 12. Conclusion: The Scope of EthnomusicologyNotes; Glossary; Selected Bibliography; Index |
| Record Nr. | UNINA-9910821302403321 |
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Berger Harris M. <1966->
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| Hanover, N.H., : University Press of New England, c1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music, math, and mind : the physics and neuroscience of music / / David Sulzer
| Music, math, and mind : the physics and neuroscience of music / / David Sulzer |
| Autore | Soldier Dave <1956-> |
| Pubbl/distr/stampa | New York, New York : , : Columbia University Press, , [2021] |
| Descrizione fisica | 1 online resource (310 pages) : illustrations |
| Disciplina | 781.1 |
| Soggetto topico |
Musical perception
Music - Acoustics and physics Music - Physiological aspects |
| ISBN |
0231550502
9780231550505 0231193785 9780231193788 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introductory of sound – The math of pitch, scales, and harmony – Waves and harmonics – The math of sound and resonance – Math and rhythmic structure – Brain mechanisms of rhythm – Neural mechanisms of emotion – Ear physiology: how air waves become sound – Deep brain physiology of sound – Sound disorders, illusions, and hallucinations – Animal sound, song, and music. |
| Record Nr. | UNINA-9910554229403321 |
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Soldier Dave <1956->
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| New York, New York : , : Columbia University Press, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The musical neurons / / edited by Bruno Colombo
| The musical neurons / / edited by Bruno Colombo |
| Pubbl/distr/stampa | Cham, Switzerland : , : Springer, , [2022] |
| Descrizione fisica | 1 online resource (169 pages) |
| Disciplina | 823.808 |
| Collana | Neurocultural Health and Wellbeing Series |
| Soggetto topico |
Music - Psychological aspects
Music - Physiological aspects Musical perception Neurosciences Music Neurology Music - psychology Brain - physiology |
| ISBN |
9783031081323
9783031081316 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preface -- Introduction -- Music for brain pleasure -- Colored notes: physiological and pathological features -- Music and creativity: the auditory mirror system as a link between emotions and musical cognition -- The history of rhythm -- Music as sleep aid -- Music in Dementia: from impairmet in musical recognition to musical interventions -- Treating Parkinson's disease; the role of musicotherapy -- It thrills my soul to hear the song: musicolepsia -- Music and semiotic -- Flute and other musical instruments -- Neurological diseases in popular music -- Conclusions. |
| Record Nr. | UNINA-9910595058903321 |
| Cham, Switzerland : , : Springer, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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On voice / / edited by Walter Bernhart and Lawrence Kramer ; contributors Delia da Sousa Correa [and eleven others]
| On voice / / edited by Walter Bernhart and Lawrence Kramer ; contributors Delia da Sousa Correa [and eleven others] |
| Pubbl/distr/stampa | Amsterdam, Netherlands : , : Rodopi, , 2014 |
| Descrizione fisica | 1 online resource (241 p.) |
| Disciplina | 780.89 |
| Collana | Word and Music Studies |
| Soggetto topico |
Ethnomusicology
Music - Acoustics and physics Music - Psychological aspects Musical perception Musicology |
| Soggetto genere / forma | Electronic books. |
| ISBN | 94-012-1068-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminary Material -- “Her throat, full of aching, grieving beauty”: Reflections on Voice in the Operatic Adaptations of The Great Gatsby and Sophie’s Choice / Michael Halliwell -- The Vocal Persona of Jussi Björling / Simon Williams -- The Voice of/in Opera / Lawrence Kramer -- Resonances and Dissonances: Listening to Waltraud Meier’s Envoicing of Isolde / Laura Wahlfors -- From Vox alias Phoné to Voice: A Few Terminological Observations / Albrecht Riethmüller -- Indefiniteness, Ethereality, and Unarticulated Meaning: Breath, Music and the Problem of ‘Voice’ in Poe’s “Ligeia” / Charity McAdams -- Voice and Vocation in the Novels of George Eliot / Delia da Sousa Correa -- Voice and Presence in Music and Literature Virginia Woolf’s The Waves / Birgitte Stougaard Pedersen -- The Mahlerian Mask: On Heine’s Voice and Visage in Post-War Germany / Axel Englund -- Voice and Voices in Oratorios: On Sacred and Other Voices / Gerold W. Gruber -- Schubert’s Instrumental Voice: Vocality in Melodic Construction in the Late Works / Robert Samuels -- Composing Voices and Ravel’s L’Heure espagnole / Jessie Fillerup -- La Castrata and the Voices in My Head / David Francis Urrows -- Homer Simpson’s “Doh!”: Singsong between Music and Speech / Albrecht Riethmüller -- Notes on Contributors. |
| Record Nr. | UNINA-9910464603003321 |
| Amsterdam, Netherlands : , : Rodopi, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
On voice / / edited by Walter Bernhart and Lawrence Kramer ; contributors Delia da Sousa Correa [and eleven others]
| On voice / / edited by Walter Bernhart and Lawrence Kramer ; contributors Delia da Sousa Correa [and eleven others] |
| Pubbl/distr/stampa | Amsterdam, Netherlands : , : Rodopi, , 2014 |
| Descrizione fisica | 1 online resource (241 p.) |
| Disciplina | 780.89 |
| Collana | Word and Music Studies |
| Soggetto topico |
Ethnomusicology
Music - Acoustics and physics Music - Psychological aspects Musical perception Musicology |
| ISBN | 94-012-1068-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminary Material -- “Her throat, full of aching, grieving beauty”: Reflections on Voice in the Operatic Adaptations of The Great Gatsby and Sophie’s Choice / Michael Halliwell -- The Vocal Persona of Jussi Björling / Simon Williams -- The Voice of/in Opera / Lawrence Kramer -- Resonances and Dissonances: Listening to Waltraud Meier’s Envoicing of Isolde / Laura Wahlfors -- From Vox alias Phoné to Voice: A Few Terminological Observations / Albrecht Riethmüller -- Indefiniteness, Ethereality, and Unarticulated Meaning: Breath, Music and the Problem of ‘Voice’ in Poe’s “Ligeia” / Charity McAdams -- Voice and Vocation in the Novels of George Eliot / Delia da Sousa Correa -- Voice and Presence in Music and Literature Virginia Woolf’s The Waves / Birgitte Stougaard Pedersen -- The Mahlerian Mask: On Heine’s Voice and Visage in Post-War Germany / Axel Englund -- Voice and Voices in Oratorios: On Sacred and Other Voices / Gerold W. Gruber -- Schubert’s Instrumental Voice: Vocality in Melodic Construction in the Late Works / Robert Samuels -- Composing Voices and Ravel’s L’Heure espagnole / Jessie Fillerup -- La Castrata and the Voices in My Head / David Francis Urrows -- Homer Simpson’s “Doh!”: Singsong between Music and Speech / Albrecht Riethmüller -- Notes on Contributors. |
| Record Nr. | UNINA-9910786837003321 |
| Amsterdam, Netherlands : , : Rodopi, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
On voice / / edited by Walter Bernhart and Lawrence Kramer ; contributors Delia da Sousa Correa [and eleven others]
| On voice / / edited by Walter Bernhart and Lawrence Kramer ; contributors Delia da Sousa Correa [and eleven others] |
| Pubbl/distr/stampa | Amsterdam, Netherlands : , : Rodopi, , 2014 |
| Descrizione fisica | 1 online resource (241 p.) |
| Disciplina | 780.89 |
| Collana | Word and Music Studies |
| Soggetto topico |
Ethnomusicology
Music - Acoustics and physics Music - Psychological aspects Musical perception Musicology |
| ISBN | 94-012-1068-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminary Material -- “Her throat, full of aching, grieving beauty”: Reflections on Voice in the Operatic Adaptations of The Great Gatsby and Sophie’s Choice / Michael Halliwell -- The Vocal Persona of Jussi Björling / Simon Williams -- The Voice of/in Opera / Lawrence Kramer -- Resonances and Dissonances: Listening to Waltraud Meier’s Envoicing of Isolde / Laura Wahlfors -- From Vox alias Phoné to Voice: A Few Terminological Observations / Albrecht Riethmüller -- Indefiniteness, Ethereality, and Unarticulated Meaning: Breath, Music and the Problem of ‘Voice’ in Poe’s “Ligeia” / Charity McAdams -- Voice and Vocation in the Novels of George Eliot / Delia da Sousa Correa -- Voice and Presence in Music and Literature Virginia Woolf’s The Waves / Birgitte Stougaard Pedersen -- The Mahlerian Mask: On Heine’s Voice and Visage in Post-War Germany / Axel Englund -- Voice and Voices in Oratorios: On Sacred and Other Voices / Gerold W. Gruber -- Schubert’s Instrumental Voice: Vocality in Melodic Construction in the Late Works / Robert Samuels -- Composing Voices and Ravel’s L’Heure espagnole / Jessie Fillerup -- La Castrata and the Voices in My Head / David Francis Urrows -- Homer Simpson’s “Doh!”: Singsong between Music and Speech / Albrecht Riethmüller -- Notes on Contributors. |
| Record Nr. | UNINA-9910827609903321 |
| Amsterdam, Netherlands : , : Rodopi, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Sound actions : conceptualizing musical instruments / / Alexander Refsum Jensenius
| Sound actions : conceptualizing musical instruments / / Alexander Refsum Jensenius |
| Autore | Jensenius Alexander Refsum |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cambridge : , : The MIT Press, , 2022 |
| Descrizione fisica | 1 online resource (267 pages) |
| Disciplina | 781.1/1 |
| Soggetto topico |
Music - Performance - Psychological aspects
Music - Psychological aspects Musical instruments Musical perception |
| Soggetto non controllato |
MUSIC / History & Criticism
MUSIC / Instruction & Study / Theory TECHNOLOGY & ENGINEERING / Acoustics & Sound |
| ISBN |
0-262-37221-5
0-262-37220-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Acknowledgments ix -- Prelude xi -- Part I Musicking -- 1 Music as an Active Process 3 -- 2 Music as an Embodied Process 23 -- 3 Musical Instruments 39 -- Part II Embodiment -- 4 Music-Related Body Motion 53 -- 5 Functional Aspects 71 -- 6 Representations of Sound Actions 85 -- Part III Interaction -- 7 Action-Sound Couplings 99 -- 8 Action-Sound Mappings 123 -- 9 Spatiotemporality 159 -- Part IV Affection -- 10 From Ivory to Silicone 177 -- Acknowledgments ix -- Prelude xi -- Part I Musicking -- 1 Music as an Active Process 3 -- 2 Music as an Embodied Process 23 -- 3 Musical Instruments 39 -- Part II Embodiment -- 4 Music-Related Body Motion 53 -- 5 Functional Aspects 71 -- 6 Representations of Sound Actions 85 -- Part III Interaction -- 7 Action-Sound Couplings 99 -- 8 Action-Sound Mappings 123 -- 9 Spatiotemporality 159 -- Part IV Affection -- 10 From Ivory to Silicone 177. |
| Record Nr. | UNINA-9910647208203321 |
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Jensenius Alexander Refsum
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| Cambridge : , : The MIT Press, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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