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Music theory spectrum
| Music theory spectrum |
| Pubbl/distr/stampa | Berkeley, Calif., : University of California Press |
| Descrizione fisica | 1 online resource |
| Disciplina | 781 |
| Soggetto topico |
Music theory
Théorie musicale |
| Soggetto genere / forma | Periodicals. |
| ISSN | 1533-8339 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Altri titoli varianti | Spectrum |
| Record Nr. | UNISA-996218522203316 |
| Berkeley, Calif., : University of California Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Music theory spectrum
| Music theory spectrum |
| Pubbl/distr/stampa | Berkeley, Calif., : University of California Press |
| Descrizione fisica | 1 online resource |
| Disciplina | 781 |
| Soggetto topico |
Music theory
Théorie musicale |
| Soggetto genere / forma | Periodicals. |
| ISSN | 1533-8339 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Altri titoli varianti | Spectrum |
| Record Nr. | UNINA-9910146793903321 |
| Berkeley, Calif., : University of California Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music theory through improvisation [[electronic resource] ] : a new approach to musicianship training / / Edward Sarath
| Music theory through improvisation [[electronic resource] ] : a new approach to musicianship training / / Edward Sarath |
| Autore | Sarath Ed |
| Pubbl/distr/stampa | New York ; ; Abingdon, Oxon, : Routledge, 2009 |
| Descrizione fisica | 1 online resource (386 p.) |
| Disciplina | 781 |
| Soggetto topico |
Music theory
Jazz - Instruction and study Improvisation (Music) |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-135-21527-8
1-282-31548-X 9786612315480 0-203-87347-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Music Theory Through Improvisation; Title Page; Copyright Page; Table of Contents; Preface; Acknowledgments; Chapter 1 Improvisation Across Boundaries: A Trans-stylistic Approach; Getting Started; Non-syntactic Catalysts; Tension and Release, Variety and Unity, Motion and Stability; Melody; Ostinato, Motive, Sequence; Antecedent-consequent Structure; Melodic Contour; Pitch-based Melodic Improvising; Pulse-based Improvising; Form-based Improvising; Graphic Formal Analysis; The Inner Dimensions of Improvisation; Silence; Solo Pieces; Free or Open Collective Improvising; Clarity of Ideas
Transparency, Laying Out, and SoloingEndings; Culminating Exercises; Concluding Thoughts: Template for Artistic Development; Listening Resources; Further Reading; Chapter 2 Music Fundamentals; Staff, Clefs, Scales; Key Signatures; Major Scale; Minor Scale; Intervals; Modes; Pentatonic Scales; Aural Transposition; Melodic Cells; Aural Transposition with Pentatonic Scales; Chapter 3 Modality and Rhythm I: Time Feels; Importance of Aural Immersion; Core Elements of Time Feels; Further Aural Immersion Strategies; Modal Etude 1; Two-player Improvisation Practice Frameworks Rhythmic Templates for Time-feel Grooves and Melodic ImprovisingListening Resources: Time-feel-based Music with African and African-American Roots; Suggested Recordings; Further Reading; Chapter 4 Modality and Rhythm II: Small Group Framework; Call and Response; Strategies for Generating New Ideas; Mode-rhythmic Formats; Minor Blues; Indian Rhythmic Practices; Small Group Ensemble Performance and Project Format; Chapter 5 Basic Tonal Materials: Triads and Seventh Chords; Triads; Seventh Chords; Two Roman Numeral Systems; Inversions; Close Position and Open Position or Spread Voicings Keyboard RealizationFortification Exercises: Aural and Analytical; Modes; Modemaster Drills; Chapter 6 Harmonic Functions; Tonic-Subdominant-Dominant Functions; The Dominant Seventh Chord; Cadence; Keyboard Application; Improvising on the II-V-I Progression; Integrating Diverse Forms of Musical Knowledge; Chord-scale Analysis; II-V-I in Minor; Writing and Analysis Exercises; Voice Leading; Idiomatic Progressions; Turnarounds; Free-tonicization Strategies Level I; Chapter 7 Swing: Global Rhythmic Gateway; Elements of Swing; Swing Articulation; Blues; Transcription Format Scale and Chord Exercises for Cultivating the Swing ConceptChapter 8 Melodic Line Construction and Harmonization; Composing Melodic Lines on Chord Changes; Diatonic Target Notes; Problems with the Root of the Major Seventh Chord in the Melody; Melodic Analysis; Guide Tones; Written Application; Incorporating Guide Tones in Melodic Lines; Two Approaches to Composing Melodies on Chord Changes; Harmonizing Melodic Lines; Top-down Harmonization at the Keyboard; Harmonic Rhythm; Small Group Application; Chapter 9 Chord Inversion Present and Past; Chord Inversion in Jazz; Non-harmonic Tones Analysis of Bach Chorales |
| Record Nr. | UNINA-9910455301803321 |
Sarath Ed
|
||
| New York ; ; Abingdon, Oxon, : Routledge, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music theory through improvisation [[electronic resource] ] : a new approach to musicianship training / / Edward Sarath
| Music theory through improvisation [[electronic resource] ] : a new approach to musicianship training / / Edward Sarath |
| Autore | Sarath Ed |
| Pubbl/distr/stampa | New York ; ; Abingdon, Oxon, : Routledge, 2009 |
| Descrizione fisica | 1 online resource (386 p.) |
| Disciplina | 781 |
| Soggetto topico |
Music theory
Jazz - Instruction and study Improvisation (Music) |
| ISBN |
1-135-21527-8
1-282-31548-X 9786612315480 0-203-87347-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Music Theory Through Improvisation; Title Page; Copyright Page; Table of Contents; Preface; Acknowledgments; Chapter 1 Improvisation Across Boundaries: A Trans-stylistic Approach; Getting Started; Non-syntactic Catalysts; Tension and Release, Variety and Unity, Motion and Stability; Melody; Ostinato, Motive, Sequence; Antecedent-consequent Structure; Melodic Contour; Pitch-based Melodic Improvising; Pulse-based Improvising; Form-based Improvising; Graphic Formal Analysis; The Inner Dimensions of Improvisation; Silence; Solo Pieces; Free or Open Collective Improvising; Clarity of Ideas
Transparency, Laying Out, and SoloingEndings; Culminating Exercises; Concluding Thoughts: Template for Artistic Development; Listening Resources; Further Reading; Chapter 2 Music Fundamentals; Staff, Clefs, Scales; Key Signatures; Major Scale; Minor Scale; Intervals; Modes; Pentatonic Scales; Aural Transposition; Melodic Cells; Aural Transposition with Pentatonic Scales; Chapter 3 Modality and Rhythm I: Time Feels; Importance of Aural Immersion; Core Elements of Time Feels; Further Aural Immersion Strategies; Modal Etude 1; Two-player Improvisation Practice Frameworks Rhythmic Templates for Time-feel Grooves and Melodic ImprovisingListening Resources: Time-feel-based Music with African and African-American Roots; Suggested Recordings; Further Reading; Chapter 4 Modality and Rhythm II: Small Group Framework; Call and Response; Strategies for Generating New Ideas; Mode-rhythmic Formats; Minor Blues; Indian Rhythmic Practices; Small Group Ensemble Performance and Project Format; Chapter 5 Basic Tonal Materials: Triads and Seventh Chords; Triads; Seventh Chords; Two Roman Numeral Systems; Inversions; Close Position and Open Position or Spread Voicings Keyboard RealizationFortification Exercises: Aural and Analytical; Modes; Modemaster Drills; Chapter 6 Harmonic Functions; Tonic-Subdominant-Dominant Functions; The Dominant Seventh Chord; Cadence; Keyboard Application; Improvising on the II-V-I Progression; Integrating Diverse Forms of Musical Knowledge; Chord-scale Analysis; II-V-I in Minor; Writing and Analysis Exercises; Voice Leading; Idiomatic Progressions; Turnarounds; Free-tonicization Strategies Level I; Chapter 7 Swing: Global Rhythmic Gateway; Elements of Swing; Swing Articulation; Blues; Transcription Format Scale and Chord Exercises for Cultivating the Swing ConceptChapter 8 Melodic Line Construction and Harmonization; Composing Melodic Lines on Chord Changes; Diatonic Target Notes; Problems with the Root of the Major Seventh Chord in the Melody; Melodic Analysis; Guide Tones; Written Application; Incorporating Guide Tones in Melodic Lines; Two Approaches to Composing Melodies on Chord Changes; Harmonizing Melodic Lines; Top-down Harmonization at the Keyboard; Harmonic Rhythm; Small Group Application; Chapter 9 Chord Inversion Present and Past; Chord Inversion in Jazz; Non-harmonic Tones Analysis of Bach Chorales |
| Record Nr. | UNINA-9910778475203321 |
|
Sarath Ed
|
||
| New York ; ; Abingdon, Oxon, : Routledge, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music theory through improvisation [[electronic resource] ] : a new approach to musicianship training / / Edward Sarath
| Music theory through improvisation [[electronic resource] ] : a new approach to musicianship training / / Edward Sarath |
| Autore | Sarath Ed |
| Pubbl/distr/stampa | New York ; ; Abingdon, Oxon, : Routledge, 2009 |
| Descrizione fisica | 1 online resource (386 p.) |
| Disciplina | 781 |
| Soggetto topico |
Music theory
Jazz - Instruction and study Improvisation (Music) |
| ISBN |
1-135-21527-8
1-282-31548-X 9786612315480 0-203-87347-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Music Theory Through Improvisation; Title Page; Copyright Page; Table of Contents; Preface; Acknowledgments; Chapter 1 Improvisation Across Boundaries: A Trans-stylistic Approach; Getting Started; Non-syntactic Catalysts; Tension and Release, Variety and Unity, Motion and Stability; Melody; Ostinato, Motive, Sequence; Antecedent-consequent Structure; Melodic Contour; Pitch-based Melodic Improvising; Pulse-based Improvising; Form-based Improvising; Graphic Formal Analysis; The Inner Dimensions of Improvisation; Silence; Solo Pieces; Free or Open Collective Improvising; Clarity of Ideas
Transparency, Laying Out, and SoloingEndings; Culminating Exercises; Concluding Thoughts: Template for Artistic Development; Listening Resources; Further Reading; Chapter 2 Music Fundamentals; Staff, Clefs, Scales; Key Signatures; Major Scale; Minor Scale; Intervals; Modes; Pentatonic Scales; Aural Transposition; Melodic Cells; Aural Transposition with Pentatonic Scales; Chapter 3 Modality and Rhythm I: Time Feels; Importance of Aural Immersion; Core Elements of Time Feels; Further Aural Immersion Strategies; Modal Etude 1; Two-player Improvisation Practice Frameworks Rhythmic Templates for Time-feel Grooves and Melodic ImprovisingListening Resources: Time-feel-based Music with African and African-American Roots; Suggested Recordings; Further Reading; Chapter 4 Modality and Rhythm II: Small Group Framework; Call and Response; Strategies for Generating New Ideas; Mode-rhythmic Formats; Minor Blues; Indian Rhythmic Practices; Small Group Ensemble Performance and Project Format; Chapter 5 Basic Tonal Materials: Triads and Seventh Chords; Triads; Seventh Chords; Two Roman Numeral Systems; Inversions; Close Position and Open Position or Spread Voicings Keyboard RealizationFortification Exercises: Aural and Analytical; Modes; Modemaster Drills; Chapter 6 Harmonic Functions; Tonic-Subdominant-Dominant Functions; The Dominant Seventh Chord; Cadence; Keyboard Application; Improvising on the II-V-I Progression; Integrating Diverse Forms of Musical Knowledge; Chord-scale Analysis; II-V-I in Minor; Writing and Analysis Exercises; Voice Leading; Idiomatic Progressions; Turnarounds; Free-tonicization Strategies Level I; Chapter 7 Swing: Global Rhythmic Gateway; Elements of Swing; Swing Articulation; Blues; Transcription Format Scale and Chord Exercises for Cultivating the Swing ConceptChapter 8 Melodic Line Construction and Harmonization; Composing Melodic Lines on Chord Changes; Diatonic Target Notes; Problems with the Root of the Major Seventh Chord in the Melody; Melodic Analysis; Guide Tones; Written Application; Incorporating Guide Tones in Melodic Lines; Two Approaches to Composing Melodies on Chord Changes; Harmonizing Melodic Lines; Top-down Harmonization at the Keyboard; Harmonic Rhythm; Small Group Application; Chapter 9 Chord Inversion Present and Past; Chord Inversion in Jazz; Non-harmonic Tones Analysis of Bach Chorales |
| Record Nr. | UNINA-9910810924903321 |
|
Sarath Ed
|
||
| New York ; ; Abingdon, Oxon, : Routledge, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music theory through musical theatre : putting it together / / John Franceschina
| Music theory through musical theatre : putting it together / / John Franceschina |
| Autore | Franceschina John Charles <1947-> |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2015 |
| Descrizione fisica | 1 online resource (465 p.) |
| Disciplina | 782.1/11 |
| Soggetto topico |
Musical theater - Instruction and study
Music theory |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-19-999958-9
0-19-999957-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Music Theory through Musical TheatrePutting It Together; Copyright; Contents; For Teachers; For Students; Part One THE LEAD SHEET; 1 Basic Concepts for Reading, Writing, and Appreciating Music; Pitch, Staff, Clef, and Ledger Lines; Recognizing Pitches on the Piano Keyboard; Accidentals: Sharps, Flats, and Naturals; Double Sharps and Double Flats; Notes and Rhythm; Augmentation and Diminution; Dots and Ties; Rests; Meter and Time Signature; Simple Time Signatures; Other Simple Time Signatures; Compound Time Signatures; Infrequently Used Time Signatures; Tuplets; Beaming; Syncopation
Musical Terms and SymbolsPickup Measures; Repeat Signs; Tempo Marks; Articulations; Dynamics; Expression Marks; 2 Major and Minor Scales; Major Scales; Key Signatures; Identifying Major Scales; Sight-Singing; Minor Scales; Writing Minor Scales; Identifying Minor Scales; Names of Scale Degrees; The Circle of Fifths; The Harmonic Minor Scale; The Melodic Minor Scale; Singing Minor Scales; The Major-Minor Scale (Mode Mixture); Modal Shifts; Performing Major and Minor Scales; 3 Modes and Other Scales; Modes; "Minor" Modes; Writing and Singing the "Minor" Modes; The Locrian Mode; "Major" Modes Writing and Singing the "Major" ModesOther Scales: Pentatonic, Whole-Tone, and Chromatic; 4 Intervals; Perfect Intervals; Identifying the Qualitative Nature of Intervals; Major Intervals; Minor Intervals; Diminished Intervals; Augmented Intervals; The Tritone; Harmonic Intervals; Inversions of Intervals; Compound Intervals; Consonance and Dissonance; Review Quiz; Unit Test 1; Part Two THE ARRANGEMENT; 5 Triads, Seventh Chords, and Nonharmonic Tones; Harmony with Chords; Chord Tones; Inversions of Chords; Singing Chords; Seventh Chords; Seventh Chord Inversions; Singing Seventh Chords Nonchord TonesNeighbor Tones; Passing Tones; Suspensions and Retardations; The Appoggiatura; Escape Tones; The Anticipation; Changing Tones; Pedal Tones; Free Tones; 6 Chord Progressions and Sixth Chords; Numbering Chords in Major Scales with Roman Numerals; Numbering Chords in Minor Scales with Roman Numerals; Numbering Diatonic Seventh Chords with Roman Numerals; Diatonic Chord Accompaniments; Alternating Bass; Chord Functionality; Harmonic Movement; Sight-Reading and Transposition; Major and Minor Sixth Chords; Review Quiz; Unit Test 2; 7 Singing Counterpoint 1; Counterpoint and Polyphony Species CounterpointFirst Species Counterpoint; Dramatic Use of First Species Counterpoint; Second Species Counterpoint; Dramatic Use of Second Species Counterpoint; 8 Singing Counterpoint 2; Third Species Counterpoint; Dramatic Use of Third Species Counterpoint; Fourth Species Counterpoint; Dramatic Use of Fourth Species Counterpoint; Fifth Species Counterpoint; Dramatic Use of Fifth Species Counterpoint; Fugue; Review Quiz; Unit Test 3; 9 Chromatically Altered Chords; Secondary Dominants; Secondary Functions of the Leading Tone Chord; Common Tone Diminished Chords; Passing Diminished Chords Neapolitan and Augmented Sixth Chords |
| Record Nr. | UNINA-9910460277903321 |
|
Franceschina John Charles <1947->
|
||
| New York, New York : , : Oxford University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music theory through musical theatre : putting it together / / John Franceschina
| Music theory through musical theatre : putting it together / / John Franceschina |
| Autore | Franceschina John Charles <1947-> |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2015 |
| Descrizione fisica | 1 online resource (465 p.) |
| Disciplina | 782.1/11 |
| Soggetto topico |
Musical theater - Instruction and study
Music theory |
| ISBN |
0-19-999958-9
0-19-999957-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Music Theory through Musical TheatrePutting It Together; Copyright; Contents; For Teachers; For Students; Part One THE LEAD SHEET; 1 Basic Concepts for Reading, Writing, and Appreciating Music; Pitch, Staff, Clef, and Ledger Lines; Recognizing Pitches on the Piano Keyboard; Accidentals: Sharps, Flats, and Naturals; Double Sharps and Double Flats; Notes and Rhythm; Augmentation and Diminution; Dots and Ties; Rests; Meter and Time Signature; Simple Time Signatures; Other Simple Time Signatures; Compound Time Signatures; Infrequently Used Time Signatures; Tuplets; Beaming; Syncopation
Musical Terms and SymbolsPickup Measures; Repeat Signs; Tempo Marks; Articulations; Dynamics; Expression Marks; 2 Major and Minor Scales; Major Scales; Key Signatures; Identifying Major Scales; Sight-Singing; Minor Scales; Writing Minor Scales; Identifying Minor Scales; Names of Scale Degrees; The Circle of Fifths; The Harmonic Minor Scale; The Melodic Minor Scale; Singing Minor Scales; The Major-Minor Scale (Mode Mixture); Modal Shifts; Performing Major and Minor Scales; 3 Modes and Other Scales; Modes; "Minor" Modes; Writing and Singing the "Minor" Modes; The Locrian Mode; "Major" Modes Writing and Singing the "Major" ModesOther Scales: Pentatonic, Whole-Tone, and Chromatic; 4 Intervals; Perfect Intervals; Identifying the Qualitative Nature of Intervals; Major Intervals; Minor Intervals; Diminished Intervals; Augmented Intervals; The Tritone; Harmonic Intervals; Inversions of Intervals; Compound Intervals; Consonance and Dissonance; Review Quiz; Unit Test 1; Part Two THE ARRANGEMENT; 5 Triads, Seventh Chords, and Nonharmonic Tones; Harmony with Chords; Chord Tones; Inversions of Chords; Singing Chords; Seventh Chords; Seventh Chord Inversions; Singing Seventh Chords Nonchord TonesNeighbor Tones; Passing Tones; Suspensions and Retardations; The Appoggiatura; Escape Tones; The Anticipation; Changing Tones; Pedal Tones; Free Tones; 6 Chord Progressions and Sixth Chords; Numbering Chords in Major Scales with Roman Numerals; Numbering Chords in Minor Scales with Roman Numerals; Numbering Diatonic Seventh Chords with Roman Numerals; Diatonic Chord Accompaniments; Alternating Bass; Chord Functionality; Harmonic Movement; Sight-Reading and Transposition; Major and Minor Sixth Chords; Review Quiz; Unit Test 2; 7 Singing Counterpoint 1; Counterpoint and Polyphony Species CounterpointFirst Species Counterpoint; Dramatic Use of First Species Counterpoint; Second Species Counterpoint; Dramatic Use of Second Species Counterpoint; 8 Singing Counterpoint 2; Third Species Counterpoint; Dramatic Use of Third Species Counterpoint; Fourth Species Counterpoint; Dramatic Use of Fourth Species Counterpoint; Fifth Species Counterpoint; Dramatic Use of Fifth Species Counterpoint; Fugue; Review Quiz; Unit Test 3; 9 Chromatically Altered Chords; Secondary Dominants; Secondary Functions of the Leading Tone Chord; Common Tone Diminished Chords; Passing Diminished Chords Neapolitan and Augmented Sixth Chords |
| Record Nr. | UNINA-9910797122603321 |
|
Franceschina John Charles <1947->
|
||
| New York, New York : , : Oxford University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music theory through musical theatre : putting it together / / John Franceschina
| Music theory through musical theatre : putting it together / / John Franceschina |
| Autore | Franceschina John Charles <1947-> |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2015 |
| Descrizione fisica | 1 online resource (465 p.) |
| Disciplina | 782.1/11 |
| Soggetto topico |
Musical theater - Instruction and study
Music theory |
| ISBN |
0-19-999958-9
0-19-999957-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Music Theory through Musical TheatrePutting It Together; Copyright; Contents; For Teachers; For Students; Part One THE LEAD SHEET; 1 Basic Concepts for Reading, Writing, and Appreciating Music; Pitch, Staff, Clef, and Ledger Lines; Recognizing Pitches on the Piano Keyboard; Accidentals: Sharps, Flats, and Naturals; Double Sharps and Double Flats; Notes and Rhythm; Augmentation and Diminution; Dots and Ties; Rests; Meter and Time Signature; Simple Time Signatures; Other Simple Time Signatures; Compound Time Signatures; Infrequently Used Time Signatures; Tuplets; Beaming; Syncopation
Musical Terms and SymbolsPickup Measures; Repeat Signs; Tempo Marks; Articulations; Dynamics; Expression Marks; 2 Major and Minor Scales; Major Scales; Key Signatures; Identifying Major Scales; Sight-Singing; Minor Scales; Writing Minor Scales; Identifying Minor Scales; Names of Scale Degrees; The Circle of Fifths; The Harmonic Minor Scale; The Melodic Minor Scale; Singing Minor Scales; The Major-Minor Scale (Mode Mixture); Modal Shifts; Performing Major and Minor Scales; 3 Modes and Other Scales; Modes; "Minor" Modes; Writing and Singing the "Minor" Modes; The Locrian Mode; "Major" Modes Writing and Singing the "Major" ModesOther Scales: Pentatonic, Whole-Tone, and Chromatic; 4 Intervals; Perfect Intervals; Identifying the Qualitative Nature of Intervals; Major Intervals; Minor Intervals; Diminished Intervals; Augmented Intervals; The Tritone; Harmonic Intervals; Inversions of Intervals; Compound Intervals; Consonance and Dissonance; Review Quiz; Unit Test 1; Part Two THE ARRANGEMENT; 5 Triads, Seventh Chords, and Nonharmonic Tones; Harmony with Chords; Chord Tones; Inversions of Chords; Singing Chords; Seventh Chords; Seventh Chord Inversions; Singing Seventh Chords Nonchord TonesNeighbor Tones; Passing Tones; Suspensions and Retardations; The Appoggiatura; Escape Tones; The Anticipation; Changing Tones; Pedal Tones; Free Tones; 6 Chord Progressions and Sixth Chords; Numbering Chords in Major Scales with Roman Numerals; Numbering Chords in Minor Scales with Roman Numerals; Numbering Diatonic Seventh Chords with Roman Numerals; Diatonic Chord Accompaniments; Alternating Bass; Chord Functionality; Harmonic Movement; Sight-Reading and Transposition; Major and Minor Sixth Chords; Review Quiz; Unit Test 2; 7 Singing Counterpoint 1; Counterpoint and Polyphony Species CounterpointFirst Species Counterpoint; Dramatic Use of First Species Counterpoint; Second Species Counterpoint; Dramatic Use of Second Species Counterpoint; 8 Singing Counterpoint 2; Third Species Counterpoint; Dramatic Use of Third Species Counterpoint; Fourth Species Counterpoint; Dramatic Use of Fourth Species Counterpoint; Fifth Species Counterpoint; Dramatic Use of Fifth Species Counterpoint; Fugue; Review Quiz; Unit Test 3; 9 Chromatically Altered Chords; Secondary Dominants; Secondary Functions of the Leading Tone Chord; Common Tone Diminished Chords; Passing Diminished Chords Neapolitan and Augmented Sixth Chords |
| Record Nr. | UNINA-9910812453903321 |
|
Franceschina John Charles <1947->
|
||
| New York, New York : , : Oxford University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Musica theorica
| Musica theorica |
| Pubbl/distr/stampa | [Brasil] : , : Associação Brasileira de Teoria e Análise Musical, , 2016- |
| Descrizione fisica | 1 online resource |
| Soggetto topico |
Music theory
Musical analysis Music - Brazil |
| ISSN | 2525-5541 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | por |
| Altri titoli varianti |
Revista da Associação Brasileira de Teoria e Análise Musical
Journal of the Brazilian Society for Music Theory and Analysis |
| Record Nr. | UNINA-9910705078803321 |
| [Brasil] : , : Associação Brasileira de Teoria e Análise Musical, , 2016- | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Musica theorica
| Musica theorica |
| Pubbl/distr/stampa | [Brasil] : , : Associação Brasileira de Teoria e Análise Musical, , 2016- |
| Descrizione fisica | 1 online resource |
| Soggetto topico |
Music theory
Musical analysis Music - Brazil |
| ISSN | 2525-5541 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | por |
| Altri titoli varianti |
Revista da Associação Brasileira de Teoria e Análise Musical
Journal of the Brazilian Society for Music Theory and Analysis |
| Record Nr. | UNISA-996523368003316 |
| [Brasil] : , : Associação Brasileira de Teoria e Análise Musical, , 2016- | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Soggetto topico
-
Music theory
(114)
- Music (17)
- Musical analysis (16)
- Théorie musicale (12)
- Music - Philosophy and aesthetics (9)