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Theory into practice : : Composition, Performance and the Listening Experience / / Nicholas Cook, Peter Johnson, Hans Zender
| Theory into practice : : Composition, Performance and the Listening Experience / / Nicholas Cook, Peter Johnson, Hans Zender |
| Autore | Cook Nicholas <1950-> |
| Pubbl/distr/stampa | Leuven, : Leuven University Press, 2021 |
| Descrizione fisica | 1 online resource (119 p.) : : ill., music ; |
| Disciplina | 781 |
| Altri autori (Persone) |
ZenderHans
JohnsonPeter <1945 April 30-> |
| Collana | Collected writings of the Orpheus Institute |
| Soggetto topico |
Composition (Music)
Music theory Musical analysis |
| Soggetto genere / forma | Electronic books. |
| Soggetto non controllato | musical composition; performance; listening experience; analysis |
| ISBN | 94-6166-432-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Words about music, or analysis versus performance / Nicolas Cook -- Performance and the listening experience : Bach's "Erbarme Dich" / Peter Johnson -- A roadmap for Orpheus? About non-linear codes of music for the descent into its Underworld / Hans Zender. |
| Record Nr. | UNINA-9910502687603321 |
Cook Nicholas <1950->
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| Leuven, : Leuven University Press, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Tijdschrift voor muziektheorie
| Tijdschrift voor muziektheorie |
| Pubbl/distr/stampa | Amsterdam, : Donemus |
| Descrizione fisica | 1 online resource |
| Soggetto topico |
Music theory
Muziektheorie Music Musiktheorie Zeitschrift |
| Soggetto genere / forma | Periodicals. |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | dut |
| Altri titoli varianti |
Zeitschrift für Musiktheorie
Journal of music theory Nederlands tijdschrift voor muziektheorie Niederländische Zeitschrift für Musiktheorie Dutch journal of music theory |
| Record Nr. | UNINA-9910330946403321 |
| Amsterdam, : Donemus | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Tonal pitch space [[electronic resource] /] / Fred Lerdahl
| Tonal pitch space [[electronic resource] /] / Fred Lerdahl |
| Autore | Lerdahl Fred <1943-> |
| Pubbl/distr/stampa | Oxford, : Oxford University Press, c2001 |
| Descrizione fisica | 1 online resource (430 p.) |
| Disciplina | 781.2/3 |
| Soggetto topico |
Music theory
Musical analysis Musical pitch Tonality |
| Soggetto genere / forma | Electronic books. |
| ISBN |
9786610845132
1-280-84513-9 0-19-534637-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; 1 THEORETICAL FOUNDATIONS; Overview of GTTM; Goals; Idealizations; The rule system; A representative analysis; Rhythmic structure; Time-span reduction; Principles of prolongational reduction; Constructing a prolongational analysis; Observations and comparisons; Issues in prolongational theory; Prolongational good form; On strict branching; Toward an enrichment of the grouping component; Abstractions and transformations of surface events; 2 DIATONIC SPACE; The concept of pitch space; Tonal and event hierarchies; Previous approaches; The basic space; The pitch-class level
Pitch-class and pitch proximity Reflections on steps; Linear completion; The chordal level; Chord proximity within a region; Chordal space and harmonic progression; The regional level; Chord proximity across regions; Regional space; Remarks on Schoenberg space; Combined geometrical representations; The principle of the shortest path; Empirical issues; Issues of quantification; Evidence and explanation; 3 PATHS IN PITCH SPACE; Prolongational paths; The concept of pitch-space paths; Paths in regional space; Paths in chordal/regional space; Paths in scale-degree space; Pc/chordal paths Regional prolongations Parallel mixture; Collapsing regional space; Two applications; Narrative paths; Parsifal's journey to redemption; Compositional use of the Weber space; A note on semantic paths; 4 TONAL TENSION AND ATTRACTION; The harmonic tension model; Tension and pitch space; Sequential and hierarchical tension; A hierarchical tension analysis; Reformulation of the interaction principle; Melodic tension; Anchoring and asymmetry; The melodic attraction rule; Historical precedents; Attractional asymmetries; Attractions and expectations; An attractional approach to harmony Voice-leading attractionsAttractional context; Two attractional analyses; Tension, attraction, and expression; The relationship between tension and attraction; Connections with other theories; 5 PROLONGATIONAL FUNCTIONS; Finding the tonic; General principles; Three tonic-finding analyses; Function as prolongational position; On Riemannian functionality; The function rule; Some functional analyses; Issues concerning functionality; Functions and schemas; The sentence; Galant gambits; Schematic tension; 6 CHROMATIC TONAL SPACES; Pitch space in evolution; Constructing chromatic spaces Triadic/octatonic space Triadic/hexatonic space; On the generality of the chord distance rule; Nontriadic octatonic spaces; Whole-tone and mystic spaces; Related issues; Constraints on basic spaces; Tonal attractions in chromatic spaces; Finding the preferred space; Measuring interspatial distances; A metrical analogy; Formal parallelisms; Metrical attractions; Interaction of tonal and metrical attractions; 7 PROLONGATIONS IN CHROMATIC SPACES; Analyses of triadic chromatic tonal music; Some passages in Wagner; A Debussy analysis; A note on neoclassic Stravinsky Psychoacoustic factors in prolongational analysis |
| Record Nr. | UNINA-9910465798503321 |
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Lerdahl Fred <1943->
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| Oxford, : Oxford University Press, c2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Tonal pitch space [[electronic resource] /] / Fred Lerdahl
| Tonal pitch space [[electronic resource] /] / Fred Lerdahl |
| Autore | Lerdahl Fred <1943-> |
| Pubbl/distr/stampa | Oxford, : Oxford University Press, c2001 |
| Descrizione fisica | 1 online resource (430 p.) |
| Disciplina | 781.2/3 |
| Soggetto topico |
Music theory
Musical analysis Musical pitch Tonality |
| ISBN |
9786610845132
1-280-84513-9 0-19-534637-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; 1 THEORETICAL FOUNDATIONS; Overview of GTTM; Goals; Idealizations; The rule system; A representative analysis; Rhythmic structure; Time-span reduction; Principles of prolongational reduction; Constructing a prolongational analysis; Observations and comparisons; Issues in prolongational theory; Prolongational good form; On strict branching; Toward an enrichment of the grouping component; Abstractions and transformations of surface events; 2 DIATONIC SPACE; The concept of pitch space; Tonal and event hierarchies; Previous approaches; The basic space; The pitch-class level
Pitch-class and pitch proximity Reflections on steps; Linear completion; The chordal level; Chord proximity within a region; Chordal space and harmonic progression; The regional level; Chord proximity across regions; Regional space; Remarks on Schoenberg space; Combined geometrical representations; The principle of the shortest path; Empirical issues; Issues of quantification; Evidence and explanation; 3 PATHS IN PITCH SPACE; Prolongational paths; The concept of pitch-space paths; Paths in regional space; Paths in chordal/regional space; Paths in scale-degree space; Pc/chordal paths Regional prolongations Parallel mixture; Collapsing regional space; Two applications; Narrative paths; Parsifal's journey to redemption; Compositional use of the Weber space; A note on semantic paths; 4 TONAL TENSION AND ATTRACTION; The harmonic tension model; Tension and pitch space; Sequential and hierarchical tension; A hierarchical tension analysis; Reformulation of the interaction principle; Melodic tension; Anchoring and asymmetry; The melodic attraction rule; Historical precedents; Attractional asymmetries; Attractions and expectations; An attractional approach to harmony Voice-leading attractionsAttractional context; Two attractional analyses; Tension, attraction, and expression; The relationship between tension and attraction; Connections with other theories; 5 PROLONGATIONAL FUNCTIONS; Finding the tonic; General principles; Three tonic-finding analyses; Function as prolongational position; On Riemannian functionality; The function rule; Some functional analyses; Issues concerning functionality; Functions and schemas; The sentence; Galant gambits; Schematic tension; 6 CHROMATIC TONAL SPACES; Pitch space in evolution; Constructing chromatic spaces Triadic/octatonic space Triadic/hexatonic space; On the generality of the chord distance rule; Nontriadic octatonic spaces; Whole-tone and mystic spaces; Related issues; Constraints on basic spaces; Tonal attractions in chromatic spaces; Finding the preferred space; Measuring interspatial distances; A metrical analogy; Formal parallelisms; Metrical attractions; Interaction of tonal and metrical attractions; 7 PROLONGATIONS IN CHROMATIC SPACES; Analyses of triadic chromatic tonal music; Some passages in Wagner; A Debussy analysis; A note on neoclassic Stravinsky Psychoacoustic factors in prolongational analysis |
| Record Nr. | UNINA-9910792229003321 |
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Lerdahl Fred <1943->
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| Oxford, : Oxford University Press, c2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Tonal pitch space / / Fred Lerdahl
| Tonal pitch space / / Fred Lerdahl |
| Autore | Lerdahl Fred <1943-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Oxford, : Oxford University Press, c2001 |
| Descrizione fisica | 1 online resource (430 p.) |
| Disciplina | 781.2/3 |
| Soggetto topico |
Music theory
Musical analysis Musical pitch Tonality |
| ISBN |
9786610845132
1-280-84513-9 0-19-534637-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; 1 THEORETICAL FOUNDATIONS; Overview of GTTM; Goals; Idealizations; The rule system; A representative analysis; Rhythmic structure; Time-span reduction; Principles of prolongational reduction; Constructing a prolongational analysis; Observations and comparisons; Issues in prolongational theory; Prolongational good form; On strict branching; Toward an enrichment of the grouping component; Abstractions and transformations of surface events; 2 DIATONIC SPACE; The concept of pitch space; Tonal and event hierarchies; Previous approaches; The basic space; The pitch-class level
Pitch-class and pitch proximity Reflections on steps; Linear completion; The chordal level; Chord proximity within a region; Chordal space and harmonic progression; The regional level; Chord proximity across regions; Regional space; Remarks on Schoenberg space; Combined geometrical representations; The principle of the shortest path; Empirical issues; Issues of quantification; Evidence and explanation; 3 PATHS IN PITCH SPACE; Prolongational paths; The concept of pitch-space paths; Paths in regional space; Paths in chordal/regional space; Paths in scale-degree space; Pc/chordal paths Regional prolongations Parallel mixture; Collapsing regional space; Two applications; Narrative paths; Parsifal's journey to redemption; Compositional use of the Weber space; A note on semantic paths; 4 TONAL TENSION AND ATTRACTION; The harmonic tension model; Tension and pitch space; Sequential and hierarchical tension; A hierarchical tension analysis; Reformulation of the interaction principle; Melodic tension; Anchoring and asymmetry; The melodic attraction rule; Historical precedents; Attractional asymmetries; Attractions and expectations; An attractional approach to harmony Voice-leading attractionsAttractional context; Two attractional analyses; Tension, attraction, and expression; The relationship between tension and attraction; Connections with other theories; 5 PROLONGATIONAL FUNCTIONS; Finding the tonic; General principles; Three tonic-finding analyses; Function as prolongational position; On Riemannian functionality; The function rule; Some functional analyses; Issues concerning functionality; Functions and schemas; The sentence; Galant gambits; Schematic tension; 6 CHROMATIC TONAL SPACES; Pitch space in evolution; Constructing chromatic spaces Triadic/octatonic space Triadic/hexatonic space; On the generality of the chord distance rule; Nontriadic octatonic spaces; Whole-tone and mystic spaces; Related issues; Constraints on basic spaces; Tonal attractions in chromatic spaces; Finding the preferred space; Measuring interspatial distances; A metrical analogy; Formal parallelisms; Metrical attractions; Interaction of tonal and metrical attractions; 7 PROLONGATIONS IN CHROMATIC SPACES; Analyses of triadic chromatic tonal music; Some passages in Wagner; A Debussy analysis; A note on neoclassic Stravinsky Psychoacoustic factors in prolongational analysis |
| Record Nr. | UNINA-9910820711403321 |
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Lerdahl Fred <1943->
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| Oxford, : Oxford University Press, c2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Vestnik muzykalʹnoĭ nauki
| Vestnik muzykalʹnoĭ nauki |
| Pubbl/distr/stampa | Novosibirsk : , : Novosibirskai͡a gosudarstvennai͡a konservatorii͡a im. M.I. Glinki, , [2013]- |
| Descrizione fisica | 1 online resource |
| Soggetto topico |
Musicology - Russia (Federation)
Music theory - History Music - Russia (Federation) - History and criticism Music Music theory Musicology |
| Soggetto genere / forma |
Criticism, interpretation, etc.
History Periodicals. |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | rus |
| Altri titoli varianti | Journal of musical science |
| Record Nr. | UNINA-9910439045603321 |
| Novosibirsk : , : Novosibirskai͡a gosudarstvennai͡a konservatorii͡a im. M.I. Glinki, , [2013]- | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Vestnik muzykalʹnoĭ nauki
| Vestnik muzykalʹnoĭ nauki |
| Pubbl/distr/stampa | Novosibirsk : , : Novosibirskai͡a gosudarstvennai͡a konservatorii͡a im. M.I. Glinki, , [2013]- |
| Descrizione fisica | 1 online resource |
| Soggetto topico |
Musicology - Russia (Federation)
Music theory - History Music - Russia (Federation) - History and criticism Music Music theory Musicology |
| Soggetto genere / forma |
Criticism, interpretation, etc.
History Periodicals. |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | rus |
| Altri titoli varianti | Journal of musical science |
| Record Nr. | UNISA-996404427403316 |
| Novosibirsk : , : Novosibirskai͡a gosudarstvennai͡a konservatorii͡a im. M.I. Glinki, , [2013]- | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Voix, souffle de l'émotion / / Claudia Schweitzer
| Voix, souffle de l'émotion / / Claudia Schweitzer |
| Autore | Schweitzer Claudia |
| Pubbl/distr/stampa | Lyon : , : ENS Éditions, , 2022 |
| Descrizione fisica | 1 online resource (201 pages) |
| Disciplina | 781 |
| Collana | Langages |
| Soggetto topico | Music theory |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910724332403321 |
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Schweitzer Claudia
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| Lyon : , : ENS Éditions, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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What is a cadence? : theoretical and analytical perspectives on cadences in the classical repertoire / / Markus Neuwirth and Pieter Bergé (eds)
| What is a cadence? : theoretical and analytical perspectives on cadences in the classical repertoire / / Markus Neuwirth and Pieter Bergé (eds) |
| Pubbl/distr/stampa | Leuven [Belgium] : , : Leuven University Press, , [2015] |
| Descrizione fisica | 1 online resource (346 p.) |
| Disciplina | 781.2 |
| Soggetto topico |
Cadences (Music)
Music - History and criticism Music theory |
| Soggetto genere / forma | Electronic books. |
| ISBN | 94-6166-173-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction:What Is a Cadence?; Harmony and Cadence in Gjerdingen's "Prinner"; Beyond 'Harmony': The Cadence in the Partitura Tradition; The Half Cadence and Related Analytic Fictions; Fuggir la Cadenza, or The Art of Avoiding Cadential Closure; The Mystery of the Cadential Six-Four; The Mozartean Half Cadence; "Hauptruhepuncte des Geistes": Punctuation Schemas and the Late-Eighteenth-Century Sonata; The Perception of Cadential Closure; Towards a Syntax of the Classical Cadence; List of Contributors; Index |
| Record Nr. | UNINA-9910460971503321 |
| Leuven [Belgium] : , : Leuven University Press, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
What is a cadence? : theoretical and analytical perspectives on cadences in the classical repertoire / / Markus Neuwirth and Pieter Bergé (eds)
| What is a cadence? : theoretical and analytical perspectives on cadences in the classical repertoire / / Markus Neuwirth and Pieter Bergé (eds) |
| Pubbl/distr/stampa | Leuven [Belgium] : , : Leuven University Press, , [2015] |
| Descrizione fisica | 1 online resource (346 p.) |
| Disciplina | 781.2 |
| Soggetto topico |
Cadences (Music)
Music - History and criticism Music theory |
| ISBN | 94-6166-173-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction:What Is a Cadence?; Harmony and Cadence in Gjerdingen's "Prinner"; Beyond 'Harmony': The Cadence in the Partitura Tradition; The Half Cadence and Related Analytic Fictions; Fuggir la Cadenza, or The Art of Avoiding Cadential Closure; The Mystery of the Cadential Six-Four; The Mozartean Half Cadence; "Hauptruhepuncte des Geistes": Punctuation Schemas and the Late-Eighteenth-Century Sonata; The Perception of Cadential Closure; Towards a Syntax of the Classical Cadence; List of Contributors; Index |
| Record Nr. | UNINA-9910797005603321 |
| Leuven [Belgium] : , : Leuven University Press, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Soggetto topico
-
Music theory
(114)
- Music (17)
- Musical analysis (16)
- Théorie musicale (12)
- Music - Philosophy and aesthetics (9)