Autore	Katz Mark <1970->
Edizione	[Rev. ed.]
Pubbl/distr/stampa	Berkeley, : University of California Press, c2010
Descrizione fisica	1 online resource (xiv, 320 p.)
Disciplina	781.49
Soggetto topico	Sound recording industry Music and technology
Soggetto non controllato	entertaining expanded conclusion and bibliography from edison to internet fully revised history of sound recording informative mashups and auto tune recent developments in file sharing sound recordings impact on musical life technological transformation that changed music technology is catalyst tool for preservation of music updated wide ranging
ISBN	1-282-76403-9 9786612764035 0-520-94735-5
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Frontmatter -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGMENTS -- INTRODUCTION -- 1. CAUSES -- 2. MAKING AMERICA MORE MUSICAL THE PHONOGRAPH AND "GOOD MUSIC " -- 3. CAPTURING JAZZ -- 4. AESTHETICS OUT OF EXIGENCY. VIOLIN VIBRATO AND THE PHONOGRAPH -- 5. THE RISE AND FALL OF GRAMMOPHONMUSIK -- 6. THE TURNTABLE AS WEAPON. UNTDERSTANDING THE HIP-HOP DJ BATTLE -- 7. MUSIC IN 1s AND 0s THE ART AND POLITICS OF DIGITAL SAMPLING -- 8. LISTENING IN CYBERSPACE -- CONCLUSION -- NOTES -- BIBLIOGRAPHY -- SUPPLEMENTARY WEB MATERIALS -- INDEX
Altri titoli varianti	How technology has changed music
Record Nr.	UNINA-9910785150303321

Pubbl/distr/stampa	Torino : , : G. Giappichelli Editore, , [2018]
Descrizione fisica	1 online resource (81 pages)
Disciplina	780.07
Collana	Fondazione Franco e Marilisa Caligara. Quaderni
Soggetto topico	Music - Social aspects Music and technology
ISBN	88-921-7449-5
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	ita
Record Nr.	UNINA-9910795532803321

Autore	Best Curwen <1965->
Pubbl/distr/stampa	Jamaica : , : University of the West Indies Press, , 2004
Descrizione fisica	1 online resource (268 p.)
Disciplina	781.6/4/09729
Soggetto topico	Popular music - Caribbean Area - History and criticism Music and technology Electronic music Calypso (Music) - Caribbean Area - History and criticism Gospel music - Caribbean Area - History and criticism Sex in music
Soggetto genere / forma	Electronic books.
ISBN	1-4356-2838-1
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Reading culture as multi-tracked -- Sounding Calypso's muted tracks, past and present : Barbados + St. Lucia -- Towards a Caribbean gospel aesthetic -- Discourses on AIDS (+ sex) in Caribbean music -- Finding the new hardcore in Caribbean music -- Music video to web streaming : cultural ventriloquism @ the leading edge -- The "big technology" question.
Record Nr.	UNINA-9910451564003321

Edizione	[Erste Auflage.]
Pubbl/distr/stampa	Bielefeld : , : wbv Publikation, , 2023
Descrizione fisica	1 online resource (380 pages)
Disciplina	781.4
Collana	Berufsbildung, Arbeit und Innovation
Soggetto topico	Music and technology
Soggetto non controllato	Nachhaltigkeit; Berufsbildung; duale Ausbildung; Industrie; Ausbildungsordnung; Curriculumentwicklung; Berufsschule; Transformation; Mechatronik; Elektrotechnik; Sanitärtechnik; Heizungstechnik; Klimatechnik; Informationstechnik; IT-Berufe; Kommunikationstechnologie; OpenLibrary 2022
ISBN	3-7639-7350-8
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	ger
Altri titoli varianti	Digitalisierung und Nachhaltigkeit gestalten lernen
Record Nr.	UNINA-9910727270303321

Autore	Burgess Richard James
Pubbl/distr/stampa	New York : , : Oxford University Press, , 2014
Descrizione fisica	1 online resource (265 p.)
Disciplina	781.4909
Soggetto topico	Sound recording industry - History Sound recordings - Production and direction - History Sound - Recording and reproducing - History Sound recordings - History Music and technology
ISBN	0-19-938501-7 0-19-935718-8
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Cover; The History of Music Production; Copyright; Dedication; CONTENTS; List of Illustrations; Preface; Introduction; 1 Beginnings; Understanding Sound; Toward Recording; The Phonograph; The First Producers; 2 The Acoustic Period; Acoustic Recording; International Expansion; The Third Major Label; The Sooys; Documentation of Cultural Expression; The End of an Era; 3 The Electric Period; Toward Electric Recording; Better Sound; Country Music; Further Technological Foundations; The Calm before the Storm; The Thirties and Forties; Radio, Film, and Tape Innovations 4 Economic and Societal OverlayCyclical Decline; One Thing after Another: The Thirties through the War; Recovery; 5 The Studio Is Interactive; Toward Greater Control; Magnetic Tape Recording; Defining Some Terms; Mastering; Editing; Sound on Sound; Overdubbing; Summing up Tape's Impact; The Microgroove LP; 6 The Post-World War II Reconstruction of the Recording Industry; After the War; The Boom in Independent Labels; The Fifties; Radio DJs; 7 Mobile Music; More Music for More People; Music Anywhere: Radio on the Move; My Music on the Move; My Music Anywhere; 8 Expanding the Palette Electric Instruments and AmplifiersSynthesizers; Genre Hybridization; 9 Some Key Producers; The Objective; Review of Early Producers; Mitch Miller; Leiber and Stoller; Phil Spector; Sam Phillips; Steve Sholes; Norrie Paramor; Joe Meek; Brian Wilson; George Martin; Holland, Dozier, and Holland; Teo Macero; King Tubby; Prince; Rick Rubin; Quincy Jones; Robert John "Mutt" Lange; Dr. Dre; Max Martin; 10 The Sixties and Seventies; Cultural and Creative Revolution; The Sixties; Mix Automation; The Seventies; 11 Toward the Digital Age; Digital Recording; Hip Hop; The State of the Eighties The Sound of the EightiesThe Look of the Eighties; Shiny Silver Discs; Singles; Mixing; Dance Music; Remixes; Further Eighties Developments; Mergers and Acquisitions; The Internet and the World Wide Web; 12 The Nineties; The Corporate State; The Charts and SoundScan; Alternative Rock; Toward Music Online; Progress with Digitized Data; Digital Radio; Millennials; Preparing the Way for Napster; 13 Periods of Standards and Stability; Proprietary versus Open Systems; Standards; 14 Deconstructing the Studio; Democratizing Technologies; Improvised Environments; When Is a Home Not a Home?; Freedom 15 Random Access Recording TechnologyWhy Random Access?; The Beginnings of Random Access for Producers; Drum Machines, Next Generation Sequencers, and MIDI; The Beginnings of Random Access Digital Recording; Convergence and Integration; 16 Transformative/Disruptive Technologies and the Value of Music; Definitions of Terms; The Industry at the Turn of the 21st Century; Missed Opportunity; Oh, Wait; No Big Surprises; What a Great Idea; What Happened to Vertical Integration?; An Idea Whose Time Had Come; Denial and Inaction; The Consequences; The Digital Disruption and Producer Income Performance Royalties
Record Nr.	UNINA-9910786554203321