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The Edinburgh companion to Shakespeare and the arts [[electronic resource] /] / edited by Mark Thornton Burnett, Adrian Streete and Ramona Wray
| The Edinburgh companion to Shakespeare and the arts [[electronic resource] /] / edited by Mark Thornton Burnett, Adrian Streete and Ramona Wray |
| Autore | Thornton Burnett Mark |
| Pubbl/distr/stampa | Edinburgh, : Edinburgh University Press, 2011 |
| Descrizione fisica | 1 online resource (601 p.) |
| Disciplina | 822.33 |
| Altri autori (Persone) |
BurnettMark Thornton
StreeteAdrian WrayRamona <1971-> |
| Collana | Edinburgh Companions to Literature and the Humanities |
| Soggetto topico |
Art and literature
Literature Music and literature |
| ISBN |
0-7486-5229-9
1-78268-242-2 1-283-37004-2 9786613370044 0-7486-3524-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Shakespeare and the book -- pt. 2. Shakespeare and music -- pt. 3. Shakespeareon stage and in performance3 -- pt. 4. Shakespeare and youth culture -- pt. 5. Shakespeare, visual and material culture -- pt. 6. Shakespeare, media and culture. |
| Record Nr. | UNINA-9910824970103321 |
Thornton Burnett Mark
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| Edinburgh, : Edinburgh University Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Emancipating pragmatism [[electronic resource] ] : Emerson, jazz, and experimental writing / / Michael Magee
| Emancipating pragmatism [[electronic resource] ] : Emerson, jazz, and experimental writing / / Michael Magee |
| Autore | Magee Michael <1971-> |
| Pubbl/distr/stampa | Tuscaloosa, : University of Alabama Press, c2004 |
| Descrizione fisica | 1 online resource (263 p.) |
| Disciplina | 814/.3 |
| Collana | Modern and contemporary poetics |
| Soggetto topico |
Literature, Experimental - History and criticism
Jazz - History and criticism Pragmatism in literature Music and literature Race in literature Poetics |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8173-8204-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgments; Abbreviations; 1. Toward a Theory of Democratic Symbolic Action; 2. The Motives of Emancipated Prose: Emerson and the Collaborating Reader; 3. Ralph Waldo's Blues, Take 2: Ellison's Changes; 4. Tribes of New York: Frank O'Hara, Amiri Baraka, and the Poetics of the Five Spot; Epilogue; Notes; Index |
| Record Nr. | UNINA-9910453889803321 |
|
Magee Michael <1971->
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| Tuscaloosa, : University of Alabama Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Emancipating pragmatism [[electronic resource] ] : Emerson, jazz, and experimental writing / / Michael Magee
| Emancipating pragmatism [[electronic resource] ] : Emerson, jazz, and experimental writing / / Michael Magee |
| Autore | Magee Michael <1971-> |
| Pubbl/distr/stampa | Tuscaloosa, : University of Alabama Press, c2004 |
| Descrizione fisica | 1 online resource (263 p.) |
| Disciplina | 814/.3 |
| Collana | Modern and contemporary poetics |
| Soggetto topico |
Literature, Experimental - History and criticism
Jazz - History and criticism Pragmatism in literature Music and literature Race in literature Poetics |
| ISBN | 0-8173-8204-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgments; Abbreviations; 1. Toward a Theory of Democratic Symbolic Action; 2. The Motives of Emancipated Prose: Emerson and the Collaborating Reader; 3. Ralph Waldo's Blues, Take 2: Ellison's Changes; 4. Tribes of New York: Frank O'Hara, Amiri Baraka, and the Poetics of the Five Spot; Epilogue; Notes; Index |
| Record Nr. | UNINA-9910782143603321 |
|
Magee Michael <1971->
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||
| Tuscaloosa, : University of Alabama Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Emancipating pragmatism [[electronic resource] ] : Emerson, jazz, and experimental writing / / Michael Magee
| Emancipating pragmatism [[electronic resource] ] : Emerson, jazz, and experimental writing / / Michael Magee |
| Autore | Magee Michael <1971-> |
| Pubbl/distr/stampa | Tuscaloosa, : University of Alabama Press, c2004 |
| Descrizione fisica | 1 online resource (263 p.) |
| Disciplina | 814/.3 |
| Collana | Modern and contemporary poetics |
| Soggetto topico |
Literature, Experimental - History and criticism
Jazz - History and criticism Pragmatism in literature Music and literature Race in literature Poetics |
| ISBN | 0-8173-8204-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgments; Abbreviations; 1. Toward a Theory of Democratic Symbolic Action; 2. The Motives of Emancipated Prose: Emerson and the Collaborating Reader; 3. Ralph Waldo's Blues, Take 2: Ellison's Changes; 4. Tribes of New York: Frank O'Hara, Amiri Baraka, and the Poetics of the Five Spot; Epilogue; Notes; Index |
| Record Nr. | UNINA-9910823660703321 |
|
Magee Michael <1971->
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| Tuscaloosa, : University of Alabama Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Essays on literature and music, 1985-2013, by Walter Bernhart / / edited by Werner Wolf
| Essays on literature and music, 1985-2013, by Walter Bernhart / / edited by Werner Wolf |
| Autore | Bernhart Walter |
| Pubbl/distr/stampa | Leiden ; ; Boston : , : Brill/Rodopi, , 2015 |
| Descrizione fisica | 1 online resource (515 p.) |
| Disciplina | 780.9 |
| Altri autori (Persone) | WolfWerner <1955-> |
| Collana | Word and Music Studies |
| Soggetto topico |
Music and literature
Music - History and criticism Literature - History and criticism Literature Music |
| Soggetto genere / forma |
Criticism, interpretation, etc.
Electronic books. |
| ISBN | 90-04-30274-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminary Material / Werner Wolf -- Theorie und Praxis der Vertonung in den elisabethanischen Airs [1985] / Werner Wolf -- The Iconic Quality of Poetic Rhythm [1986] / Werner Wolf -- Examples of Byron’s Impact on 19th-Century German and Austrian Music [1987] / Werner Wolf -- Setting a Poem: The Composer’s Choice For or Against Interpretation [1988] / Werner Wolf -- Zweimal ‘Johnny’: Der treulose Herzensbrecher bei Brecht/Weill und Auden/Britten [1991] / Werner Wolf -- Prekäre angewandte Opernästhetik: Auden’s ‘sekundäre Welt’ und Hans Werner Henzes Elegie für junge Liebende [1994] / Werner Wolf -- An Exegetic Composer: Benjamin Britten’s Journey of the Magi [1995] / Werner Wolf -- ‘Kalogenetic’ Functions of Prosody: An Exercise in Comparative Poetics [1995] / Werner Wolf -- How Final Can a Theory of Verse Be? Toward a Pragmatics of Metrics [1996] / Werner Wolf -- ‘Proportion’ in Elizabethan Poetry and Music [1996] / Werner Wolf -- Cardillac, the Criminal Artist: A Challenge to Opera as a Musico-Literary Form [1997] / Werner Wolf -- Iconicity and Beyond in “Lullaby for Jumbo”: Semiotic Functions of Poetic Rhythm [1999] / Werner Wolf -- Some Reflections on Literary Genres and Music [1999] / Werner Wolf -- Die Ambivalenz der Unschuld: Benjamin Britten auf der Suche nach dem kindlichen Sein [1999] / Werner Wolf -- A Profile in Retrospect: Calvin S. Brown as a Musico-Literary Scholar [2000] / Werner Wolf -- Typologische Überlegungen zum Melodrama [2000] / Werner Wolf -- Three Types of Song Cycles: The Variety of Britten’s ‘Charms’ [2001] / Werner Wolf -- Parsifal for Our Times: Young Artists Show the Way from Interpretation to Cyberstaging [2001] / Werner Wolf -- The Turn of the Screw: Ein Glanzstück der Literaturoper [2002] / Werner Wolf -- The ‘Destructiveness of Music’: Functional Intermedia Disharmony in Popular Songs [2002] / Werner Wolf -- Peter Grimes: Auf George Crabbes Spuren zwischen Realismus und Romantik [2003] / Werner Wolf -- Masterminding Word and Music Studies: A Tribute to Steven P. Scher [2002] / Werner Wolf -- The Rake’s Progress: Klassizistische Oper zwischen Moralität, Märchen, Mythos und Groteske [2004] / Werner Wolf -- Der ‘postmoderne’ Rosenkavalier [2005] / Werner Wolf -- ‘Die lustigen Weiber’ proben den Aufstand: Transzendiertes Biedermeier in Otto Nicolais Oper [2005] / Werner Wolf -- Narrative Framing in Schumann’s Piano Pieces [2006] / Werner Wolf -- ‘Musikalische Verse’: “Ich weiß nicht, was soll es bedeuten” [2006] / Werner Wolf -- Myth-making Opera: David Malouf’s and Michael Berkeley’s Jane Eyre [2007] / Werner Wolf -- Words and Music as Partners in Song: ‘Perfect Marriage’ – ‘Uneasy Flirtation’ – ‘Coercive Tension’ – ‘Shared Indifference’ – ‘Total Destruction’ [2007] / Werner Wolf -- “Liebling der ganzen Welt”: Sir Walter Scott als Inspiration für die romantische Oper und Donizettis Lucia di Lammermoor [2008] / Werner Wolf -- From Novel to Song via Myth: Wuthering Heights as a Case of Popular Intermedial Adaptation [2008] / Werner Wolf -- What Can Music Do to a Poem? New Intermedial Perspectives of Literary Studies [2008] / Werner Wolf -- “... pour out forgiveness like a wine”: Can Music “say an existence is wrong”? [2009] / Werner Wolf. |
| Record Nr. | UNINA-9910460369803321 |
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Bernhart Walter
|
||
| Leiden ; ; Boston : , : Brill/Rodopi, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Essays on literature and music, 1985-2013, by Walter Bernhart / / edited by Werner Wolf
| Essays on literature and music, 1985-2013, by Walter Bernhart / / edited by Werner Wolf |
| Autore | Bernhart Walter |
| Pubbl/distr/stampa | Leiden ; ; Boston : , : Brill/Rodopi, , 2015 |
| Descrizione fisica | 1 online resource (515 p.) |
| Disciplina | 780.9 |
| Altri autori (Persone) | WolfWerner <1955-> |
| Collana | Word and Music Studies |
| Soggetto topico |
Music and literature
Music - History and criticism Literature - History and criticism Literature Music |
| Soggetto genere / forma | Criticism, interpretation, etc. |
| ISBN | 90-04-30274-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminary Material / Werner Wolf -- Theorie und Praxis der Vertonung in den elisabethanischen Airs [1985] / Werner Wolf -- The Iconic Quality of Poetic Rhythm [1986] / Werner Wolf -- Examples of Byron’s Impact on 19th-Century German and Austrian Music [1987] / Werner Wolf -- Setting a Poem: The Composer’s Choice For or Against Interpretation [1988] / Werner Wolf -- Zweimal ‘Johnny’: Der treulose Herzensbrecher bei Brecht/Weill und Auden/Britten [1991] / Werner Wolf -- Prekäre angewandte Opernästhetik: Auden’s ‘sekundäre Welt’ und Hans Werner Henzes Elegie für junge Liebende [1994] / Werner Wolf -- An Exegetic Composer: Benjamin Britten’s Journey of the Magi [1995] / Werner Wolf -- ‘Kalogenetic’ Functions of Prosody: An Exercise in Comparative Poetics [1995] / Werner Wolf -- How Final Can a Theory of Verse Be? Toward a Pragmatics of Metrics [1996] / Werner Wolf -- ‘Proportion’ in Elizabethan Poetry and Music [1996] / Werner Wolf -- Cardillac, the Criminal Artist: A Challenge to Opera as a Musico-Literary Form [1997] / Werner Wolf -- Iconicity and Beyond in “Lullaby for Jumbo”: Semiotic Functions of Poetic Rhythm [1999] / Werner Wolf -- Some Reflections on Literary Genres and Music [1999] / Werner Wolf -- Die Ambivalenz der Unschuld: Benjamin Britten auf der Suche nach dem kindlichen Sein [1999] / Werner Wolf -- A Profile in Retrospect: Calvin S. Brown as a Musico-Literary Scholar [2000] / Werner Wolf -- Typologische Überlegungen zum Melodrama [2000] / Werner Wolf -- Three Types of Song Cycles: The Variety of Britten’s ‘Charms’ [2001] / Werner Wolf -- Parsifal for Our Times: Young Artists Show the Way from Interpretation to Cyberstaging [2001] / Werner Wolf -- The Turn of the Screw: Ein Glanzstück der Literaturoper [2002] / Werner Wolf -- The ‘Destructiveness of Music’: Functional Intermedia Disharmony in Popular Songs [2002] / Werner Wolf -- Peter Grimes: Auf George Crabbes Spuren zwischen Realismus und Romantik [2003] / Werner Wolf -- Masterminding Word and Music Studies: A Tribute to Steven P. Scher [2002] / Werner Wolf -- The Rake’s Progress: Klassizistische Oper zwischen Moralität, Märchen, Mythos und Groteske [2004] / Werner Wolf -- Der ‘postmoderne’ Rosenkavalier [2005] / Werner Wolf -- ‘Die lustigen Weiber’ proben den Aufstand: Transzendiertes Biedermeier in Otto Nicolais Oper [2005] / Werner Wolf -- Narrative Framing in Schumann’s Piano Pieces [2006] / Werner Wolf -- ‘Musikalische Verse’: “Ich weiß nicht, was soll es bedeuten” [2006] / Werner Wolf -- Myth-making Opera: David Malouf’s and Michael Berkeley’s Jane Eyre [2007] / Werner Wolf -- Words and Music as Partners in Song: ‘Perfect Marriage’ – ‘Uneasy Flirtation’ – ‘Coercive Tension’ – ‘Shared Indifference’ – ‘Total Destruction’ [2007] / Werner Wolf -- “Liebling der ganzen Welt”: Sir Walter Scott als Inspiration für die romantische Oper und Donizettis Lucia di Lammermoor [2008] / Werner Wolf -- From Novel to Song via Myth: Wuthering Heights as a Case of Popular Intermedial Adaptation [2008] / Werner Wolf -- What Can Music Do to a Poem? New Intermedial Perspectives of Literary Studies [2008] / Werner Wolf -- “... pour out forgiveness like a wine”: Can Music “say an existence is wrong”? [2009] / Werner Wolf. |
| Record Nr. | UNINA-9910797355403321 |
|
Bernhart Walter
|
||
| Leiden ; ; Boston : , : Brill/Rodopi, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Essays on literature and music, 1985-2013, by Walter Bernhart / / edited by Werner Wolf
| Essays on literature and music, 1985-2013, by Walter Bernhart / / edited by Werner Wolf |
| Autore | Bernhart Walter |
| Pubbl/distr/stampa | Leiden ; ; Boston : , : Brill/Rodopi, , 2015 |
| Descrizione fisica | 1 online resource (515 p.) |
| Disciplina | 780.9 |
| Altri autori (Persone) | WolfWerner <1955-> |
| Collana | Word and Music Studies |
| Soggetto topico |
Music and literature
Music - History and criticism Literature - History and criticism Literature Music |
| Soggetto genere / forma | Criticism, interpretation, etc. |
| ISBN | 90-04-30274-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminary Material / Werner Wolf -- Theorie und Praxis der Vertonung in den elisabethanischen Airs [1985] / Werner Wolf -- The Iconic Quality of Poetic Rhythm [1986] / Werner Wolf -- Examples of Byron’s Impact on 19th-Century German and Austrian Music [1987] / Werner Wolf -- Setting a Poem: The Composer’s Choice For or Against Interpretation [1988] / Werner Wolf -- Zweimal ‘Johnny’: Der treulose Herzensbrecher bei Brecht/Weill und Auden/Britten [1991] / Werner Wolf -- Prekäre angewandte Opernästhetik: Auden’s ‘sekundäre Welt’ und Hans Werner Henzes Elegie für junge Liebende [1994] / Werner Wolf -- An Exegetic Composer: Benjamin Britten’s Journey of the Magi [1995] / Werner Wolf -- ‘Kalogenetic’ Functions of Prosody: An Exercise in Comparative Poetics [1995] / Werner Wolf -- How Final Can a Theory of Verse Be? Toward a Pragmatics of Metrics [1996] / Werner Wolf -- ‘Proportion’ in Elizabethan Poetry and Music [1996] / Werner Wolf -- Cardillac, the Criminal Artist: A Challenge to Opera as a Musico-Literary Form [1997] / Werner Wolf -- Iconicity and Beyond in “Lullaby for Jumbo”: Semiotic Functions of Poetic Rhythm [1999] / Werner Wolf -- Some Reflections on Literary Genres and Music [1999] / Werner Wolf -- Die Ambivalenz der Unschuld: Benjamin Britten auf der Suche nach dem kindlichen Sein [1999] / Werner Wolf -- A Profile in Retrospect: Calvin S. Brown as a Musico-Literary Scholar [2000] / Werner Wolf -- Typologische Überlegungen zum Melodrama [2000] / Werner Wolf -- Three Types of Song Cycles: The Variety of Britten’s ‘Charms’ [2001] / Werner Wolf -- Parsifal for Our Times: Young Artists Show the Way from Interpretation to Cyberstaging [2001] / Werner Wolf -- The Turn of the Screw: Ein Glanzstück der Literaturoper [2002] / Werner Wolf -- The ‘Destructiveness of Music’: Functional Intermedia Disharmony in Popular Songs [2002] / Werner Wolf -- Peter Grimes: Auf George Crabbes Spuren zwischen Realismus und Romantik [2003] / Werner Wolf -- Masterminding Word and Music Studies: A Tribute to Steven P. Scher [2002] / Werner Wolf -- The Rake’s Progress: Klassizistische Oper zwischen Moralität, Märchen, Mythos und Groteske [2004] / Werner Wolf -- Der ‘postmoderne’ Rosenkavalier [2005] / Werner Wolf -- ‘Die lustigen Weiber’ proben den Aufstand: Transzendiertes Biedermeier in Otto Nicolais Oper [2005] / Werner Wolf -- Narrative Framing in Schumann’s Piano Pieces [2006] / Werner Wolf -- ‘Musikalische Verse’: “Ich weiß nicht, was soll es bedeuten” [2006] / Werner Wolf -- Myth-making Opera: David Malouf’s and Michael Berkeley’s Jane Eyre [2007] / Werner Wolf -- Words and Music as Partners in Song: ‘Perfect Marriage’ – ‘Uneasy Flirtation’ – ‘Coercive Tension’ – ‘Shared Indifference’ – ‘Total Destruction’ [2007] / Werner Wolf -- “Liebling der ganzen Welt”: Sir Walter Scott als Inspiration für die romantische Oper und Donizettis Lucia di Lammermoor [2008] / Werner Wolf -- From Novel to Song via Myth: Wuthering Heights as a Case of Popular Intermedial Adaptation [2008] / Werner Wolf -- What Can Music Do to a Poem? New Intermedial Perspectives of Literary Studies [2008] / Werner Wolf -- “... pour out forgiveness like a wine”: Can Music “say an existence is wrong”? [2009] / Werner Wolf. |
| Record Nr. | UNINA-9910821057703321 |
|
Bernhart Walter
|
||
| Leiden ; ; Boston : , : Brill/Rodopi, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Essays on performativity and on surveying the field [[electronic resource] /] / edited by Walter Bernhart in collaboration with Michael Halliwell
| Essays on performativity and on surveying the field [[electronic resource] /] / edited by Walter Bernhart in collaboration with Michael Halliwell |
| Pubbl/distr/stampa | Amsterdam ; ; New York, : Rodopi, 2011 |
| Descrizione fisica | 1 online resource (302 p.) |
| Disciplina | 780 |
| Altri autori (Persone) |
BernhartWalter
HalliwellMichael <1950-> |
| Collana | Word and music studies |
| Soggetto topico |
Music and literature
Music - Philosophy and aesthetics |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-39473-0
9786613572653 94-012-0745-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminary Material -- Performativity and the Musical Work of Art / Tobias Janz -- Text vs. Act: The Bearbeitungsfrage and the ‘Romantic Baroque’ / David Francis Urrows -- The Act of Performance as Mahlerian Topic / Robert Samuels -- Politics, Music and Irony in Alejo Carpentier’s Novel La consagración de la primavera (The Rite of Spring) / Katia Chornik -- Musical Performativity in the Fiction of Katherine Mansfield / Delia da Sousa Correa -- Rhythmical Ambivalence of Poetry Performance: The Case of Elizabethan Verse / Walter Bernhart -- “Music will keep out temporary ideas”: W. B. Yeats’s Radio Performances / Adrian Paterson -- ‘The Invisible’ / ‘The Inaudible’: Aspects of Performativity in Celan and Leibowitz / Axel Englund -- Romantic Opera and the Virtuoso / Simon Williams and Santa Barbara -- Sexing Song: Brigitte Fassbaender’s Winterreise / Lawrence Kramer -- Vocal Embodiment and Performing Language in Waiting for the Barbarians: Philip Glass’s Adaptation of J. M. Coetzee’s Novel / Michael Halliwell -- Operatic Hyperreality in the Twenty-First Century: Performance Documentation in High-Definition Quality / Bernhard Kuhn -- Jazz Novels and the Textualization of Musical Performance / Emily Petermann -- Charles Mingus and Performative Composing / Mario Dunkel -- Wittgenstein and Schoenberg on Performativity of Music as Method for Philosophy / Katrin Eggers -- Seeing Words and Music as a Painter Might: The Interart Aesthetic / Peter Dayan -- Milan Kundera’s Polyphonic Novels and the Poetics of Divestment / David Mosley -- Notes on Contributors. |
| Record Nr. | UNINA-9910451984603321 |
| Amsterdam ; ; New York, : Rodopi, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Essays on performativity and on surveying the field [[electronic resource] /] / edited by Walter Bernhart in collaboration with Michael Halliwell
| Essays on performativity and on surveying the field [[electronic resource] /] / edited by Walter Bernhart in collaboration with Michael Halliwell |
| Pubbl/distr/stampa | Amsterdam ; ; New York, : Rodopi, 2011 |
| Descrizione fisica | 1 online resource (302 p.) |
| Disciplina | 780 |
| Altri autori (Persone) |
BernhartWalter
HalliwellMichael <1950-> |
| Collana | Word and music studies |
| Soggetto topico |
Music and literature
Music - Philosophy and aesthetics |
| ISBN |
1-280-39473-0
9786613572653 94-012-0745-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminary Material -- Performativity and the Musical Work of Art / Tobias Janz -- Text vs. Act: The Bearbeitungsfrage and the ‘Romantic Baroque’ / David Francis Urrows -- The Act of Performance as Mahlerian Topic / Robert Samuels -- Politics, Music and Irony in Alejo Carpentier’s Novel La consagración de la primavera (The Rite of Spring) / Katia Chornik -- Musical Performativity in the Fiction of Katherine Mansfield / Delia da Sousa Correa -- Rhythmical Ambivalence of Poetry Performance: The Case of Elizabethan Verse / Walter Bernhart -- “Music will keep out temporary ideas”: W. B. Yeats’s Radio Performances / Adrian Paterson -- ‘The Invisible’ / ‘The Inaudible’: Aspects of Performativity in Celan and Leibowitz / Axel Englund -- Romantic Opera and the Virtuoso / Simon Williams and Santa Barbara -- Sexing Song: Brigitte Fassbaender’s Winterreise / Lawrence Kramer -- Vocal Embodiment and Performing Language in Waiting for the Barbarians: Philip Glass’s Adaptation of J. M. Coetzee’s Novel / Michael Halliwell -- Operatic Hyperreality in the Twenty-First Century: Performance Documentation in High-Definition Quality / Bernhard Kuhn -- Jazz Novels and the Textualization of Musical Performance / Emily Petermann -- Charles Mingus and Performative Composing / Mario Dunkel -- Wittgenstein and Schoenberg on Performativity of Music as Method for Philosophy / Katrin Eggers -- Seeing Words and Music as a Painter Might: The Interart Aesthetic / Peter Dayan -- Milan Kundera’s Polyphonic Novels and the Poetics of Divestment / David Mosley -- Notes on Contributors. |
| Record Nr. | UNINA-9910779176203321 |
| Amsterdam ; ; New York, : Rodopi, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Essays on performativity and on surveying the field [[electronic resource] /] / edited by Walter Bernhart in collaboration with Michael Halliwell
| Essays on performativity and on surveying the field [[electronic resource] /] / edited by Walter Bernhart in collaboration with Michael Halliwell |
| Pubbl/distr/stampa | Amsterdam ; ; New York, : Rodopi, 2011 |
| Descrizione fisica | 1 online resource (302 p.) |
| Disciplina | 780 |
| Altri autori (Persone) |
BernhartWalter
HalliwellMichael <1950-> |
| Collana | Word and music studies |
| Soggetto topico |
Music and literature
Music - Philosophy and aesthetics |
| ISBN |
1-280-39473-0
9786613572653 94-012-0745-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminary Material -- Performativity and the Musical Work of Art / Tobias Janz -- Text vs. Act: The Bearbeitungsfrage and the ‘Romantic Baroque’ / David Francis Urrows -- The Act of Performance as Mahlerian Topic / Robert Samuels -- Politics, Music and Irony in Alejo Carpentier’s Novel La consagración de la primavera (The Rite of Spring) / Katia Chornik -- Musical Performativity in the Fiction of Katherine Mansfield / Delia da Sousa Correa -- Rhythmical Ambivalence of Poetry Performance: The Case of Elizabethan Verse / Walter Bernhart -- “Music will keep out temporary ideas”: W. B. Yeats’s Radio Performances / Adrian Paterson -- ‘The Invisible’ / ‘The Inaudible’: Aspects of Performativity in Celan and Leibowitz / Axel Englund -- Romantic Opera and the Virtuoso / Simon Williams and Santa Barbara -- Sexing Song: Brigitte Fassbaender’s Winterreise / Lawrence Kramer -- Vocal Embodiment and Performing Language in Waiting for the Barbarians: Philip Glass’s Adaptation of J. M. Coetzee’s Novel / Michael Halliwell -- Operatic Hyperreality in the Twenty-First Century: Performance Documentation in High-Definition Quality / Bernhard Kuhn -- Jazz Novels and the Textualization of Musical Performance / Emily Petermann -- Charles Mingus and Performative Composing / Mario Dunkel -- Wittgenstein and Schoenberg on Performativity of Music as Method for Philosophy / Katrin Eggers -- Seeing Words and Music as a Painter Might: The Interart Aesthetic / Peter Dayan -- Milan Kundera’s Polyphonic Novels and the Poetics of Divestment / David Mosley -- Notes on Contributors. |
| Record Nr. | UNINA-9910813647603321 |
| Amsterdam ; ; New York, : Rodopi, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
