Autore	Tarasti Eero
Pubbl/distr/stampa	Berlin ; ; Boston, : De Gruyter Mouton, c2012
Descrizione fisica	1 online resource (508 p.)
Disciplina	302.222 780.14
Collana	Semiotics, communication and cognition
Soggetto topico	Music - Semiotics Music - Philosophy and aesthetics
Soggetto genere / forma	Electronic books.
ISBN	1-283-85709-X 1-61451-141-1
Classificazione	LR 55520
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Frontmatter -- Contents -- Preface -- Prelude: Music - A Philosophico-Semiotic Approach -- Chapter 1. Introduction to a Philosophy of Music -- Part I. THE CLASSICAL STYLE -- Chapter 2. Mozart, or, the Idea of a Continuous Avant-garde -- Chapter 3. Existential and Transcendental Analysis of Music -- Chapter 4. Listening to Beethoven: Universal or National, Classic or Romantic? -- Part II. The Romantic Era -- Chapter 5. The irony of romanticism -- Chapter 6. "... ein leiser Ton gezogen ...": Robert Schumann's Fantasie in C major (op. 17) in the light of existential semiotics -- Chapter 7. Brahms and the "Lyric I": A Hermeneutic Sign Analysis -- Chapter 8. Brünnhilde's Choice; or, a Journey into Wagnerian Semiosis: Intuitions and Hypotheses -- Chapter 9. Do Wagner's leitmotifs have a system? -- Part III. Rhetorics and Synaesthesias -- Chapter 10. Proust and Wagner -- Chapter 11. Rhetoric and Musical Discourse -- Chapter 12. The semiosis of light in music: from synaesthesias to narratives -- Chapter 13. The implicit musical semiotics of Marcel Proust -- Chapter 14. M. K. Čiurlionis and the interrelationships of arts -- Chapter 15. Čiurlionis, Sibelius and Nietzsche: Three profiles and interpretations -- Part IV. In the Slavonic World -- Chapter 16. An essay on Russian music -- Chapter 17. The stylistic development of a composer as a cognition of the musicologist: Bohuslav Martinů -- Postlude I -- Chapter 18. Do Semantic Aspects of Music Have a Notation? -- Postlude II -- Chapter 19. Music - Superior Communication -- Glossary of Terms -- Bibliography -- Index of persons and musical works
Record Nr.	UNINA-9910452842303321

Autore	Tarasti Eero
Edizione	[1st ed.]
Pubbl/distr/stampa	Berlin ; ; Boston, : De Gruyter Mouton, c2012
Descrizione fisica	1 online resource (508 p.)
Disciplina	302.222 780.14
Collana	Semiotics, communication and cognition
Soggetto topico	Music - Semiotics Music - Philosophy and aesthetics
Soggetto non controllato	Classical Music Communication Studies Musicology Philosophy Semiotics
ISBN	1-283-85709-X 1-61451-141-1
Classificazione	LR 55520
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Frontmatter -- Contents -- Preface -- Prelude: Music - A Philosophico-Semiotic Approach -- Chapter 1. Introduction to a Philosophy of Music -- Part I. THE CLASSICAL STYLE -- Chapter 2. Mozart, or, the Idea of a Continuous Avant-garde -- Chapter 3. Existential and Transcendental Analysis of Music -- Chapter 4. Listening to Beethoven: Universal or National, Classic or Romantic? -- Part II. The Romantic Era -- Chapter 5. The irony of romanticism -- Chapter 6. "... ein leiser Ton gezogen ...": Robert Schumann's Fantasie in C major (op. 17) in the light of existential semiotics -- Chapter 7. Brahms and the "Lyric I": A Hermeneutic Sign Analysis -- Chapter 8. Brünnhilde's Choice; or, a Journey into Wagnerian Semiosis: Intuitions and Hypotheses -- Chapter 9. Do Wagner's leitmotifs have a system? -- Part III. Rhetorics and Synaesthesias -- Chapter 10. Proust and Wagner -- Chapter 11. Rhetoric and Musical Discourse -- Chapter 12. The semiosis of light in music: from synaesthesias to narratives -- Chapter 13. The implicit musical semiotics of Marcel Proust -- Chapter 14. M. K. Čiurlionis and the interrelationships of arts -- Chapter 15. Čiurlionis, Sibelius and Nietzsche: Three profiles and interpretations -- Part IV. In the Slavonic World -- Chapter 16. An essay on Russian music -- Chapter 17. The stylistic development of a composer as a cognition of the musicologist: Bohuslav Martinů -- Postlude I -- Chapter 18. Do Semantic Aspects of Music Have a Notation? -- Postlude II -- Chapter 19. Music - Superior Communication -- Glossary of Terms -- Bibliography -- Index of persons and musical works
Record Nr.	UNINA-9910816184503321

Autore	Monelle Raymond <1937->
Edizione	[Course Book]
Pubbl/distr/stampa	Princeton, N.J., : Princeton University Press, c2000
Descrizione fisica	1 online resource
Disciplina	780/.1/4
Altri autori (Persone)	HattenRobert
Soggetto topico	Music - Semiotics
Soggetto genere / forma	Electronic books.
ISBN	1400814472 1-4008-2403-6 1-282-79002-1 9786612790027 1-4008-1447-2
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Front matter -- CONTENTS -- FOREWORD / Hatten, Robert S. -- PREFACE -- 1. The Wordless Song -- 2. The Search for Topics -- 3. Topic and Leitmotiv -- 4. The Temporal Image -- 5. Genre and Structure -- 6. Text and Subjectivity -- 7. Mahler and Gustav -- 8. Allegory and Deconstruction -- 9. New Beginnings -- BIBLIOGRAPHY -- INDEX
Record Nr.	UNINA-9910455514503321