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Musikalische norm um 1700 / / herausgegeben von Rainer Bayreuther
| Musikalische norm um 1700 / / herausgegeben von Rainer Bayreuther |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berlin ; ; New York, : De Gruyter, 2010 |
| Descrizione fisica | 1 online resource (239 p.) |
| Disciplina |
709.033
780.9033 709.0330000000 |
| Altri autori (Persone) | BayreutherRainer |
| Collana | Fruhe neuzeit |
| Soggetto topico |
Music theory - Europe - History
Music - Europe - History and criticism |
| ISBN |
1-282-91223-2
9786612912238 3-11-023345-2 |
| Classificazione | LR 55540 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter -- Inhalt -- Einleitung -- Perspektiven des Normbegriffs für die Erforschung der Musik um 1700 -- Galante Geltung -- Rules, License and Taste in 17th-Century French Music Theory: From Mersenne to Rameau -- »Musicus ecclecticus« -- ›Humane Nature‹ und Musik bei Roger North -- ›Regel‹ versus ›Geschmack‹ -- Johann David Heinichen und der »Musicalische Horribilicribrifax« -- Das Erwecken von »allerhand Regungen« in Telemanns Kirchenmusik und die Fuge -- Die normative Struktur des decorum -- Normvermittlung bei Christian Thomasius -- ›Varietas‹ - ›Artifizialität‹ - ›Irregolarità‹ -- Backmatter |
| Record Nr. | UNINA-9910809395303321 |
| Berlin ; ; New York, : De Gruyter, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Power and image in early modern Europe [[electronic resource] /] / edited by Jessica Goethals, Valerie McGuire and Gaoheng Zhang
| Power and image in early modern Europe [[electronic resource] /] / edited by Jessica Goethals, Valerie McGuire and Gaoheng Zhang |
| Pubbl/distr/stampa | Newcastle, : Cambridge Scholars, 2008 |
| Descrizione fisica | 1 online resource (203 p.) |
| Disciplina | 700.94 |
| Altri autori (Persone) |
GoethalsJessica
McGuireValerie ZhangGaoheng |
| Soggetto topico |
Art, European
European literature - Renaissance, 1450-1600 - History and criticism Music - Europe - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-33450-6
9786612334504 1-4438-1216-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. I. Consolidating power and hegemony through image negotiation -- pt. II. The mobile referent and constructions of self and nation -- pt. III. Departures from the Orthodox : re-imaging convention and culture. |
| Record Nr. | UNINA-9910456774503321 |
| Newcastle, : Cambridge Scholars, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Power and image in early modern Europe [[electronic resource] /] / edited by Jessica Goethals, Valerie McGuire and Gaoheng Zhang
| Power and image in early modern Europe [[electronic resource] /] / edited by Jessica Goethals, Valerie McGuire and Gaoheng Zhang |
| Pubbl/distr/stampa | Newcastle, : Cambridge Scholars, 2008 |
| Descrizione fisica | 1 online resource (203 p.) |
| Disciplina | 700.94 |
| Altri autori (Persone) |
GoethalsJessica
McGuireValerie ZhangGaoheng |
| Soggetto topico |
Art, European
European literature - Renaissance, 1450-1600 - History and criticism Music - Europe - History and criticism |
| ISBN |
1-282-33450-6
9786612334504 1-4438-1216-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. I. Consolidating power and hegemony through image negotiation -- pt. II. The mobile referent and constructions of self and nation -- pt. III. Departures from the Orthodox : re-imaging convention and culture. |
| Record Nr. | UNINA-9910780617603321 |
| Newcastle, : Cambridge Scholars, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Power and image in early modern Europe / / edited by Jessica Goethals, Valerie McGuire and Gaoheng Zhang
| Power and image in early modern Europe / / edited by Jessica Goethals, Valerie McGuire and Gaoheng Zhang |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Newcastle, : Cambridge Scholars, 2008 |
| Descrizione fisica | 1 online resource (203 p.) |
| Disciplina | 700.94 |
| Altri autori (Persone) |
GoethalsJessica
McGuireValerie ZhangGaoheng |
| Soggetto topico |
Art, European
European literature - Renaissance, 1450-1600 - History and criticism Music - Europe - History and criticism |
| ISBN |
1-282-33450-6
9786612334504 1-4438-1216-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. I. Consolidating power and hegemony through image negotiation -- pt. II. The mobile referent and constructions of self and nation -- pt. III. Departures from the Orthodox : re-imaging convention and culture. |
| Record Nr. | UNINA-9910822637803321 |
| Newcastle, : Cambridge Scholars, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
What Makes Music European [[electronic resource] ] : Looking beyond Sound
| What Makes Music European [[electronic resource] ] : Looking beyond Sound |
| Autore | Sorce Keller Marcello |
| Pubbl/distr/stampa | Lanham, : Scarecrow Press, 2011 |
| Descrizione fisica | 1 online resource (333 p.) |
| Disciplina |
780.94
781.620094 |
| Collana | Europea: Ethnomusicologies and Modernities |
| Soggetto topico |
Music - Europe - History and criticism
Music -- Europe -- History and criticism Music - Europe - Philosophy and aesthetics Music -- Europe -- Philosophy and aesthetics Music - Political aspects - Europe Music -- Political aspects -- Europe Music - Social aspects - Europe Music -- Social aspects -- Europe Music - History and criticism - Europe Music - Philosophy and aesthetics - Europe Music Music, Dance, Drama & Film Music History & Criticism, General |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-66992-6
9786613646859 0-8108-7673-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Series Editors' Foreword; Preface; Introduction; Part I: Who Makes the Music (Why We All Are "Composers"); 1 Composing as We Think of It, Composing as We Do It; 2 Oral Transmission; 3 Improvisation and the Collective Dimension; 4 When "We" Get the Music; Part II: Originality, Ideology, and Taste; 5 Should Music Be Original, and How Original Can It Be; 6 Why People Identify with Organized Sound; 7 Why Is Music So Ideological; 8 How Can We Face So Many Different Musics; 9 Why Do We Misunderstand the Music of All Times and Places; 10 How Much of a Good Thing
11 Musical Gardens and Greenhouses versus Woods and PrairiesPart III: The Tangible Aspects of Music Making; 12 The Social Value of Music; 13 Musical Value and Its Locations; Conclusions; Appendix; References; Index; About the Author |
| Record Nr. | UNINA-9910457204003321 |
Sorce Keller Marcello
|
||
| Lanham, : Scarecrow Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
What Makes Music European [[electronic resource] ] : Looking beyond Sound
| What Makes Music European [[electronic resource] ] : Looking beyond Sound |
| Autore | Sorce Keller Marcello |
| Pubbl/distr/stampa | Lanham, : Scarecrow Press, 2011 |
| Descrizione fisica | 1 online resource (333 p.) |
| Disciplina |
780.94
781.620094 |
| Collana | Europea: Ethnomusicologies and Modernities |
| Soggetto topico |
Music - Europe - History and criticism
Music -- Europe -- History and criticism Music - Europe - Philosophy and aesthetics Music -- Europe -- Philosophy and aesthetics Music - Political aspects - Europe Music -- Political aspects -- Europe Music - Social aspects - Europe Music -- Social aspects -- Europe Music - History and criticism - Europe Music - Philosophy and aesthetics - Europe Music Music, Dance, Drama & Film Music History & Criticism, General |
| ISBN |
1-280-66992-6
9786613646859 0-8108-7673-6 |
| Classificazione | 9,2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Series Editors' Foreword; Preface; Introduction; Part I: Who Makes the Music (Why We All Are "Composers"); 1 Composing as We Think of It, Composing as We Do It; 2 Oral Transmission; 3 Improvisation and the Collective Dimension; 4 When "We" Get the Music; Part II: Originality, Ideology, and Taste; 5 Should Music Be Original, and How Original Can It Be; 6 Why People Identify with Organized Sound; 7 Why Is Music So Ideological; 8 How Can We Face So Many Different Musics; 9 Why Do We Misunderstand the Music of All Times and Places; 10 How Much of a Good Thing
11 Musical Gardens and Greenhouses versus Woods and PrairiesPart III: The Tangible Aspects of Music Making; 12 The Social Value of Music; 13 Musical Value and Its Locations; Conclusions; Appendix; References; Index; About the Author |
| Record Nr. | UNINA-9910778934403321 |
|
Sorce Keller Marcello
|
||
| Lanham, : Scarecrow Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
What Makes Music European : Looking beyond Sound
| What Makes Music European : Looking beyond Sound |
| Autore | Sorce Keller Marcello |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Lanham, : Scarecrow Press, 2011 |
| Descrizione fisica | 1 online resource (333 p.) |
| Disciplina |
780.94
781.620094 |
| Collana | Europea: Ethnomusicologies and Modernities |
| Soggetto topico |
Music - Europe - History and criticism
Music -- Europe -- History and criticism Music - Europe - Philosophy and aesthetics Music -- Europe -- Philosophy and aesthetics Music - Political aspects - Europe Music -- Political aspects -- Europe Music - Social aspects - Europe Music -- Social aspects -- Europe Music - History and criticism - Europe Music - Philosophy and aesthetics - Europe Music Music, Dance, Drama & Film Music History & Criticism, General |
| ISBN |
1-280-66992-6
9786613646859 0-8108-7673-6 |
| Classificazione | 9,2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Series Editors' Foreword; Preface; Introduction; Part I: Who Makes the Music (Why We All Are "Composers"); 1 Composing as We Think of It, Composing as We Do It; 2 Oral Transmission; 3 Improvisation and the Collective Dimension; 4 When "We" Get the Music; Part II: Originality, Ideology, and Taste; 5 Should Music Be Original, and How Original Can It Be; 6 Why People Identify with Organized Sound; 7 Why Is Music So Ideological; 8 How Can We Face So Many Different Musics; 9 Why Do We Misunderstand the Music of All Times and Places; 10 How Much of a Good Thing
11 Musical Gardens and Greenhouses versus Woods and PrairiesPart III: The Tangible Aspects of Music Making; 12 The Social Value of Music; 13 Musical Value and Its Locations; Conclusions; Appendix; References; Index; About the Author |
| Record Nr. | UNINA-9910807195603321 |
|
Sorce Keller Marcello
|
||
| Lanham, : Scarecrow Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
