A companion to contemporary French cinema / / edited by Alistair Fox [and four others] |
Pubbl/distr/stampa | Chichester, England : , : Wiley-Blackwell, , 2015 |
Descrizione fisica | 1 online resource (1692 p.) |
Disciplina | 791.430944 |
Collana | Wiley Blackwell companions to national cinemas |
Soggetto topico |
Motion pictures - France - History - 20th century
Motion pictures - France - History - 21st century |
ISBN |
1-118-58544-5
1-118-58536-4 1-118-58540-2 1-118-58542-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Series page; Title page; Copyright page; List of Contributors; Acknowledgments; Editorial Practice; Introduction; Contexts: Institutional, Political, Cultural, and Economic; Characteristics of Contemporary French Cinema; Thematic Preoccupations; Trends, Developments, and the Future of French Cinema; Part I: Economic, Institutional, and Political Contexts; 1 The Political Economy of French Cinema; Changing Patterns of Cinema Attendance; Cinematic Production and Its Outcomes; The Competitiveness of French Cinema and Market Share; Concentration and Diversity
The Transformation of the Pool of TheatersThe Future of Cinematic Theaters; Conclusion; 2 "Do We Have the Right to Exist?" French Cinema, Culture, and World Trade; France; Europe: Television Without Frontiers; Cultural Exception: GATT; Cultural Diversity: MAI/UNESCO; Conclusion; 3 Historicizing Contemporary French Blockbusters; A Tentative Typology; "Cultural Diversity" or Cultural Crisis?; The Second Lang Plan (1989-1993); The Maturation of a "Forced Marriage"; StudioCanal in the Crosshairs; A New Oligopoly?; Conclusion; 4 Moving Between Screens The Role of Television in the Financing of CinemaArte as a Stimulus and Sponsor of the New Cinema; A Cinema of Collections; Realism and Television; The Revival of Documentary; Films/Telefilms: A Play of Mirrors; "Television Films" and Cinema Formatting; From Comic Television to Comedy in Cinemas; Cinema and Televised Series; Conclusion; 5 Contemporary Political Cinema; Taking Stock: Working-Class Histories and the Exit from Fordism; Outsiders and Victims, Ethics and Politics; Political Effectiveness; New Departures?; 6 Diasporic and Postcolonial Cinema in France from the 1990s to the Present Auteur-led Productions and the "Return" of the Politicalin Diasporic and Postcolonial Cinema Since the 1990sFrom Margins to the Mainstream: Postcolonial Comedy and the Mainstreaming of Maghrebi-French Filmmakers in the 2000s; Memorializing Colonial History: From Neo-Colonial to "Counter-Heritage" Cinema; Return Narratives in Diasporic Cinema of the 2000s; Beyond Ethnicity? Reconfiguring Difference in Diasporic Cinema; Part II: Auteurs and Auteurism; 7 The Veterans of the New Wave, Their Heirs, and Contemporary French Cinema; The Extraordinary Fecundity of the Veterans of the New Wave The Quartet of Founding Members: Chabrol, Rohmer, Rivette, GodardThe "Left Bank" of the New Wave; A Problematical Legacy; Epilogue: The Enduring Influence of Bresson and Pialat; 8 Was There a Young French Cinema?; To What Does the Term "Young French Cinema" Refer?; The Arrival of the New Cinema; The Counter-Attack of Positif; Maturity and Defining Parameters; New Appraisals, New Perspectives; Consensus and Uncertainties; What Remains of the Young French Cinema?; 9 Auteurism, Personal Cinema, and the Fémis Generation; Characteristics of Auteur Cinema; Categories of Auteur Directors Auteurist Styles |
Record Nr. | UNINA-9910208956103321 |
Chichester, England : , : Wiley-Blackwell, , 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
A companion to contemporary French cinema / / edited by Alistair Fox [and four others] |
Pubbl/distr/stampa | Chichester, England : , : Wiley-Blackwell, , 2015 |
Descrizione fisica | 1 online resource (1692 p.) |
Disciplina | 791.430944 |
Collana | Wiley Blackwell companions to national cinemas |
Soggetto topico |
Motion pictures - France - History - 20th century
Motion pictures - France - History - 21st century |
ISBN |
1-118-58544-5
1-118-58536-4 1-118-58540-2 1-118-58542-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Series page; Title page; Copyright page; List of Contributors; Acknowledgments; Editorial Practice; Introduction; Contexts: Institutional, Political, Cultural, and Economic; Characteristics of Contemporary French Cinema; Thematic Preoccupations; Trends, Developments, and the Future of French Cinema; Part I: Economic, Institutional, and Political Contexts; 1 The Political Economy of French Cinema; Changing Patterns of Cinema Attendance; Cinematic Production and Its Outcomes; The Competitiveness of French Cinema and Market Share; Concentration and Diversity
The Transformation of the Pool of TheatersThe Future of Cinematic Theaters; Conclusion; 2 "Do We Have the Right to Exist?" French Cinema, Culture, and World Trade; France; Europe: Television Without Frontiers; Cultural Exception: GATT; Cultural Diversity: MAI/UNESCO; Conclusion; 3 Historicizing Contemporary French Blockbusters; A Tentative Typology; "Cultural Diversity" or Cultural Crisis?; The Second Lang Plan (1989-1993); The Maturation of a "Forced Marriage"; StudioCanal in the Crosshairs; A New Oligopoly?; Conclusion; 4 Moving Between Screens The Role of Television in the Financing of CinemaArte as a Stimulus and Sponsor of the New Cinema; A Cinema of Collections; Realism and Television; The Revival of Documentary; Films/Telefilms: A Play of Mirrors; "Television Films" and Cinema Formatting; From Comic Television to Comedy in Cinemas; Cinema and Televised Series; Conclusion; 5 Contemporary Political Cinema; Taking Stock: Working-Class Histories and the Exit from Fordism; Outsiders and Victims, Ethics and Politics; Political Effectiveness; New Departures?; 6 Diasporic and Postcolonial Cinema in France from the 1990s to the Present Auteur-led Productions and the "Return" of the Politicalin Diasporic and Postcolonial Cinema Since the 1990sFrom Margins to the Mainstream: Postcolonial Comedy and the Mainstreaming of Maghrebi-French Filmmakers in the 2000s; Memorializing Colonial History: From Neo-Colonial to "Counter-Heritage" Cinema; Return Narratives in Diasporic Cinema of the 2000s; Beyond Ethnicity? Reconfiguring Difference in Diasporic Cinema; Part II: Auteurs and Auteurism; 7 The Veterans of the New Wave, Their Heirs, and Contemporary French Cinema; The Extraordinary Fecundity of the Veterans of the New Wave The Quartet of Founding Members: Chabrol, Rohmer, Rivette, GodardThe "Left Bank" of the New Wave; A Problematical Legacy; Epilogue: The Enduring Influence of Bresson and Pialat; 8 Was There a Young French Cinema?; To What Does the Term "Young French Cinema" Refer?; The Arrival of the New Cinema; The Counter-Attack of Positif; Maturity and Defining Parameters; New Appraisals, New Perspectives; Consensus and Uncertainties; What Remains of the Young French Cinema?; 9 Auteurism, Personal Cinema, and the Fémis Generation; Characteristics of Auteur Cinema; Categories of Auteur Directors Auteurist Styles |
Record Nr. | UNINA-9910828846303321 |
Chichester, England : , : Wiley-Blackwell, , 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Empire films and the crisis of colonialism, 1946-1959 / / Jon Cowans |
Autore | Cowans Jon |
Pubbl/distr/stampa | Baltimore : , : Johns Hopkins University Press, , [2015] |
Descrizione fisica | 1 online resource (448 p.) |
Disciplina | 791.43/6581 |
Soggetto topico |
Imperialism in motion pictures
Motion pictures - Great Britain - History - 20th century Motion pictures - France - History - 20th century Motion pictures - United States - History - 20th century Motion pictures - Political aspects |
Soggetto genere / forma | Electronic books. |
ISBN | 1-4214-1642-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
""Cover""; ""Contents""; ""Acknowledgments""; ""Introduction""; ""PART I: THE PERSISTENCE OF EMPIRE: COLONIALIST FILMS IN THE DECOLONIZATION ERA""; ""1 The White Woman�s Burden""; ""2 Heroes of Empire""; ""3 Westerns""; ""PART II: COMING TO TERMS: CONFRONTING INSURGENCY AND DECOLONIZATION""; ""4 The British Empire and Decolonization""; ""5 The French Empire and Decolonization""; ""6 Americans in Postwar Asia""; ""PART III: DANGEROUS LIAISONS: INTERRACIAL COUPLES IN FILMS""; ""7 Miscegenation in Westerns""; ""8 Romance across the Pacific""
""9 Black-White Couples and Internal Decolonization""""Conclusion""; ""Appendix A: Attitudes toward Indians and U.S. Conquest in Westerns""; ""Appendix B: Outcomes of Interracial Romance in Miscegenation Films""; ""Notes""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""X""; ""Z"" |
Record Nr. | UNINA-9910460392903321 |
Cowans Jon | ||
Baltimore : , : Johns Hopkins University Press, , [2015] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Empire films and the crisis of colonialism, 1946-1959 / / Jon Cowans |
Autore | Cowans Jon |
Pubbl/distr/stampa | Baltimore : , : Johns Hopkins University Press, , [2015] |
Descrizione fisica | 1 online resource (448 p.) |
Disciplina | 791.43/6581 |
Soggetto topico |
Imperialism in motion pictures
Motion pictures - Great Britain - History - 20th century Motion pictures - France - History - 20th century Motion pictures - United States - History - 20th century Motion pictures - Political aspects |
ISBN | 1-4214-1642-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
""Cover""; ""Contents""; ""Acknowledgments""; ""Introduction""; ""PART I: THE PERSISTENCE OF EMPIRE: COLONIALIST FILMS IN THE DECOLONIZATION ERA""; ""1 The White Woman�s Burden""; ""2 Heroes of Empire""; ""3 Westerns""; ""PART II: COMING TO TERMS: CONFRONTING INSURGENCY AND DECOLONIZATION""; ""4 The British Empire and Decolonization""; ""5 The French Empire and Decolonization""; ""6 Americans in Postwar Asia""; ""PART III: DANGEROUS LIAISONS: INTERRACIAL COUPLES IN FILMS""; ""7 Miscegenation in Westerns""; ""8 Romance across the Pacific""
""9 Black-White Couples and Internal Decolonization""""Conclusion""; ""Appendix A: Attitudes toward Indians and U.S. Conquest in Westerns""; ""Appendix B: Outcomes of Interracial Romance in Miscegenation Films""; ""Notes""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""X""; ""Z"" |
Record Nr. | UNINA-9910797291903321 |
Cowans Jon | ||
Baltimore : , : Johns Hopkins University Press, , [2015] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Empire films and the crisis of colonialism, 1946-1959 / / Jon Cowans |
Autore | Cowans Jon |
Pubbl/distr/stampa | Baltimore : , : Johns Hopkins University Press, , [2015] |
Descrizione fisica | 1 online resource (448 p.) |
Disciplina | 791.43/6581 |
Soggetto topico |
Imperialism in motion pictures
Motion pictures - Great Britain - History - 20th century Motion pictures - France - History - 20th century Motion pictures - United States - History - 20th century Motion pictures - Political aspects |
ISBN | 1-4214-1642-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
""Cover""; ""Contents""; ""Acknowledgments""; ""Introduction""; ""PART I: THE PERSISTENCE OF EMPIRE: COLONIALIST FILMS IN THE DECOLONIZATION ERA""; ""1 The White Woman�s Burden""; ""2 Heroes of Empire""; ""3 Westerns""; ""PART II: COMING TO TERMS: CONFRONTING INSURGENCY AND DECOLONIZATION""; ""4 The British Empire and Decolonization""; ""5 The French Empire and Decolonization""; ""6 Americans in Postwar Asia""; ""PART III: DANGEROUS LIAISONS: INTERRACIAL COUPLES IN FILMS""; ""7 Miscegenation in Westerns""; ""8 Romance across the Pacific""
""9 Black-White Couples and Internal Decolonization""""Conclusion""; ""Appendix A: Attitudes toward Indians and U.S. Conquest in Westerns""; ""Appendix B: Outcomes of Interracial Romance in Miscegenation Films""; ""Notes""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""X""; ""Z"" |
Record Nr. | UNINA-9910818286603321 |
Cowans Jon | ||
Baltimore : , : Johns Hopkins University Press, , [2015] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
French cinema and the Great War : remembrance and representation / / edited by Marcelline Block, Barry Nevin ; contributors, Fernando Gabriel Pagnoni Berns [and eight others] |
Pubbl/distr/stampa | Lanham, Maryland : , : Rowman & Littlefield, , 2016 |
Descrizione fisica | 1 online resource (206 p.) |
Disciplina | 791.43/658403 |
Collana | Film and History |
Soggetto topico |
World War, 1914-1918 - Motion pictures and the war
War films - France - History and criticism Motion pictures - France - History - 20th century Psychic trauma in motion pictures Culture in motion pictures Collective memory - France |
ISBN | 1-4422-6098-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Foreword; Acknowledgments; Introduction; I: Recording and Remembering theGreat War; 1 Germaine Dulac's Le Cinéma au service de l'histoire (1935); 2 War Changes Everything; 3 An Anti-Archive of World War I; 4 Expressing Pacifist Views through the Recovery of World War I's Silenced Voices in Jean-Jacques Annaud's La victoire en chantant (1976), Bertrand Tavernier's Capitaine Conan (1996), and Jean-Pierre Jeunet's Un long dimanche de fiançailles (2004); II: Women at the Front; 5 Unexpected Heroines in French and American Patriotic War Films; 6 Women's Voices, Memory, and the War
7 "Love and Nothing But"* in La Vie et rien d'autre (Bertrand Tavernier, 1989) and Joyeux Noël (Christian Carion, 2005)III: Interrogating Commemoration: Jean Renoir's La Grande Illusion (1937); 8 "Une mémoire de pierre"; 9 Re-membering the War; 10 The French Aristocracy at War in La Grande Illusion (1937) and La Règle du jeu (1939); 11 "Un homme lui, un héros!"; Index; About the Editors and Contributors |
Record Nr. | UNINA-9910797947903321 |
Lanham, Maryland : , : Rowman & Littlefield, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
French cinema and the Great War : remembrance and representation / / edited by Marcelline Block, Barry Nevin ; contributors, Fernando Gabriel Pagnoni Berns [and eight others] |
Pubbl/distr/stampa | Lanham, Maryland : , : Rowman & Littlefield, , 2016 |
Descrizione fisica | 1 online resource (206 p.) |
Disciplina | 791.43/658403 |
Collana | Film and History |
Soggetto topico |
World War, 1914-1918 - Motion pictures and the war
War films - France - History and criticism Motion pictures - France - History - 20th century Psychic trauma in motion pictures Culture in motion pictures Collective memory - France |
ISBN | 1-4422-6098-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Foreword; Acknowledgments; Introduction; I: Recording and Remembering theGreat War; 1 Germaine Dulac's Le Cinéma au service de l'histoire (1935); 2 War Changes Everything; 3 An Anti-Archive of World War I; 4 Expressing Pacifist Views through the Recovery of World War I's Silenced Voices in Jean-Jacques Annaud's La victoire en chantant (1976), Bertrand Tavernier's Capitaine Conan (1996), and Jean-Pierre Jeunet's Un long dimanche de fiançailles (2004); II: Women at the Front; 5 Unexpected Heroines in French and American Patriotic War Films; 6 Women's Voices, Memory, and the War
7 "Love and Nothing But"* in La Vie et rien d'autre (Bertrand Tavernier, 1989) and Joyeux Noël (Christian Carion, 2005)III: Interrogating Commemoration: Jean Renoir's La Grande Illusion (1937); 8 "Une mémoire de pierre"; 9 Re-membering the War; 10 The French Aristocracy at War in La Grande Illusion (1937) and La Règle du jeu (1939); 11 "Un homme lui, un héros!"; Index; About the Editors and Contributors |
Record Nr. | UNINA-9910814329503321 |
Lanham, Maryland : , : Rowman & Littlefield, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
French film in Britain [[electronic resource] ] : sex, art and cinephilia / / Lucy Mazdon and Catherine Wheatley |
Autore | Mazdon Lucy |
Pubbl/distr/stampa | New York, : Berghahn Books, 2013 |
Descrizione fisica | 1 online resource (248 p.) |
Disciplina | 791.43094409/04 |
Altri autori (Persone) | WheatleyCatherine |
Soggetto topico |
Motion pictures, French - Great Britain
Motion pictures - France - History - 20th century |
Soggetto genere / forma | Electronic books. |
ISBN | 0-85745-379-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- The advent of sound, a changing film culture (1925-39) -- Cinema goes to war (1939-1950) -- 'Saucy and naughty and witty and chic': can French films fill the gap? (1950-1959) -- The French new wave on British shores (1959-1970) -- 'A new low in French films': changing perceptions of French cinema (1970-1982) -- Video saved the French film? (1982-2002). |
Record Nr. | UNINA-9910453116303321 |
Mazdon Lucy | ||
New York, : Berghahn Books, 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
French film in Britain [[electronic resource] ] : sex, art and cinephilia / / Lucy Mazdon and Catherine Wheatley |
Autore | Mazdon Lucy |
Pubbl/distr/stampa | New York, : Berghahn Books, 2013 |
Descrizione fisica | 1 online resource (248 p.) |
Disciplina | 791.43094409/04 |
Altri autori (Persone) | WheatleyCatherine |
Soggetto topico |
Motion pictures, French - Great Britain
Motion pictures - France - History - 20th century |
Soggetto non controllato |
archival research
art history artistic audiences british film culture british film cinema continental films culture detailed history engaging europe european film industry film distribution film exhibition film history film markets film society foreign films french cinema french films historical history criticism hollywood humor and drama page turner performing arts pop culture retrospective romance |
ISBN |
1-80073-012-8
0-85745-379-3 |
Classificazione | HD 402 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- The advent of sound, a changing film culture (1925-39) -- Cinema goes to war (1939-1950) -- 'Saucy and naughty and witty and chic': can French films fill the gap? (1950-1959) -- The French new wave on British shores (1959-1970) -- 'A new low in French films': changing perceptions of French cinema (1970-1982) -- Video saved the French film? (1982-2002). |
Record Nr. | UNINA-9910779842503321 |
Mazdon Lucy | ||
New York, : Berghahn Books, 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
French film in Britain : sex, art and cinephilia / / Lucy Mazdon and Catherine Wheatley |
Autore | Mazdon Lucy |
Edizione | [1st ed.] |
Pubbl/distr/stampa | New York, : Berghahn Books, 2013 |
Descrizione fisica | 1 online resource (248 p.) |
Disciplina |
791.43094409/04
791.4309440904 |
Altri autori (Persone) | WheatleyCatherine |
Soggetto topico |
Motion pictures, French - Great Britain
Motion pictures - France - History - 20th century |
Soggetto non controllato |
archival research
art history artistic audiences british film culture british film cinema continental films culture detailed history engaging europe european film industry film distribution film exhibition film history film markets film society foreign films french cinema french films historical history criticism hollywood humor and drama page turner performing arts pop culture retrospective romance |
ISBN |
1-80073-012-8
0-85745-379-3 |
Classificazione | HD 402 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- The advent of sound, a changing film culture (1925-39) -- Cinema goes to war (1939-1950) -- 'Saucy and naughty and witty and chic': can French films fill the gap? (1950-1959) -- The French new wave on British shores (1959-1970) -- 'A new low in French films': changing perceptions of French cinema (1970-1982) -- Video saved the French film? (1982-2002). |
Record Nr. | UNINA-9910814623503321 |
Mazdon Lucy | ||
New York, : Berghahn Books, 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|