Journal of Chinese cinemas |
Pubbl/distr/stampa | [Bristol, UK], : Intellect |
Soggetto topico |
Motion pictures - China
Motion pictures - Taiwan Drama & Theater Arts Motion pictures Filmkunst |
Soggetto genere / forma | Periodicals. |
Soggetto non controllato | Film |
ISSN | 1750-807X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Periodico |
Lingua di pubblicazione | eng |
Altri titoli varianti | JCC |
Record Nr. | UNISA-996197312603316 |
[Bristol, UK], : Intellect | ||
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Lo trovi qui: Univ. di Salerno | ||
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Journal of Chinese cinemas |
Pubbl/distr/stampa | [Bristol, UK], : Intellect |
Soggetto topico |
Motion pictures - China
Motion pictures - Taiwan Drama & Theater Arts Motion pictures Filmkunst |
Soggetto genere / forma | Periodicals. |
Soggetto non controllato | Film |
ISSN | 1750-807X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Periodico |
Lingua di pubblicazione | eng |
Altri titoli varianti | JCC |
Record Nr. | UNINA-9910262854803321 |
[Bristol, UK], : Intellect | ||
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Lo trovi qui: Univ. Federico II | ||
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Journal of Chinese Film Studies |
Pubbl/distr/stampa | Berlin, Germany : , : Walter de Gruyter GmbH., , 2021- |
Descrizione fisica | 1 online resource |
Soggetto topico |
Motion pictures - China
Motion pictures - History Motion pictures |
Soggetto genere / forma |
History
Periodicals. |
ISSN | 2702-2285 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Periodico |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910799261003321 |
Berlin, Germany : , : Walter de Gruyter GmbH., , 2021- | ||
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Lo trovi qui: Univ. Federico II | ||
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Playing to the World's Biggest Audience : The Globalization of Chinese Film and TV / / Michael Curtin |
Autore | Curtin Michael |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2007] |
Descrizione fisica | 1 online resource (355 p.) |
Disciplina | 791.430951 |
Soggetto topico |
Motion pictures - China
Motion picture industry - China Motion pictures - Taiwan Motion picture industry - Taiwan Television broadcasting - China Television broadcasting - Taiwan |
Soggetto genere / forma | Electronic books. |
ISBN |
1-282-44576-6
1-4294-9458-1 9786612445767 0-520-94073-3 1-4337-0877-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction: Media Capital in Chinese Film and Television -- 1. The Pan-Chinese Studio System and Capitalist Paternalism -- 2. Independent Studios and the Golden Age of Hong Kong Cinema -- 3. Hyperproduction Erodes Overseas Circulation -- 4. Hollywood Takes Charge in Taiwan -- 5. The Globalization of Hong Kong Television -- 6. Strange Bedfellows in Cross-Strait Drama Production -- 7. Market Niches and Expanding Aspirations in Taiwan -- 8. Singapore: From State Paternalism to Regional Media Hub -- 9. Reterritorializing Star TV in the PRC -- 10. Global Satellites Pursuing Local Audiences and Panregional Efficiencies -- 11. The Promise of Broadband and the Problem of Content -- 12. From Movies to Multimedia: Connecting Infrastructure and Content -- Conclusion: Structural Adjustment and the Future of Chinese Media -- Industry Interviews -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910457737103321 |
Curtin Michael
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Berkeley, CA : , : University of California Press, , [2007] | ||
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Lo trovi qui: Univ. Federico II | ||
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Playing to the World's Biggest Audience : The Globalization of Chinese Film and TV / / Michael Curtin |
Autore | Curtin Michael |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2007] |
Descrizione fisica | 1 online resource (355 p.) |
Disciplina | 791.430951 |
Soggetto topico |
Motion pictures - China
Motion picture industry - China Motion pictures - Taiwan Motion picture industry - Taiwan Television broadcasting - China Television broadcasting - Taiwan |
ISBN |
1-282-44576-6
1-4294-9458-1 9786612445767 0-520-94073-3 1-4337-0877-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction: Media Capital in Chinese Film and Television -- 1. The Pan-Chinese Studio System and Capitalist Paternalism -- 2. Independent Studios and the Golden Age of Hong Kong Cinema -- 3. Hyperproduction Erodes Overseas Circulation -- 4. Hollywood Takes Charge in Taiwan -- 5. The Globalization of Hong Kong Television -- 6. Strange Bedfellows in Cross-Strait Drama Production -- 7. Market Niches and Expanding Aspirations in Taiwan -- 8. Singapore: From State Paternalism to Regional Media Hub -- 9. Reterritorializing Star TV in the PRC -- 10. Global Satellites Pursuing Local Audiences and Panregional Efficiencies -- 11. The Promise of Broadband and the Problem of Content -- 12. From Movies to Multimedia: Connecting Infrastructure and Content -- Conclusion: Structural Adjustment and the Future of Chinese Media -- Industry Interviews -- Notes -- Bibliography -- Index |
Record Nr. | UNISA-996248240303316 |
Curtin Michael
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Berkeley, CA : , : University of California Press, , [2007] | ||
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Lo trovi qui: Univ. di Salerno | ||
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Playing to the World's Biggest Audience : The Globalization of Chinese Film and TV / / Michael Curtin |
Autore | Curtin Michael |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2007] |
Descrizione fisica | 1 online resource (355 p.) |
Disciplina | 791.430951 |
Soggetto topico |
Motion pictures - China
Motion picture industry - China Motion pictures - Taiwan Motion picture industry - Taiwan Television broadcasting - China Television broadcasting - Taiwan |
Soggetto non controllato |
business and industry
capitalism capitalist paternalism china chinese commercial studios chinese film chinese media chinese television cold war cultural globalization cultural studies east asian youth culture economics global china market global chinese audience globalization history hong kong cinema hong kong independent studios infrastructure media capital media studies multimedia pan chinese studio system screen industry singapore taiwan world trade organization |
ISBN |
1-282-44576-6
1-4294-9458-1 9786612445767 0-520-94073-3 1-4337-0877-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction: Media Capital in Chinese Film and Television -- 1. The Pan-Chinese Studio System and Capitalist Paternalism -- 2. Independent Studios and the Golden Age of Hong Kong Cinema -- 3. Hyperproduction Erodes Overseas Circulation -- 4. Hollywood Takes Charge in Taiwan -- 5. The Globalization of Hong Kong Television -- 6. Strange Bedfellows in Cross-Strait Drama Production -- 7. Market Niches and Expanding Aspirations in Taiwan -- 8. Singapore: From State Paternalism to Regional Media Hub -- 9. Reterritorializing Star TV in the PRC -- 10. Global Satellites Pursuing Local Audiences and Panregional Efficiencies -- 11. The Promise of Broadband and the Problem of Content -- 12. From Movies to Multimedia: Connecting Infrastructure and Content -- Conclusion: Structural Adjustment and the Future of Chinese Media -- Industry Interviews -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910784420803321 |
Curtin Michael
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Berkeley, CA : , : University of California Press, , [2007] | ||
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Lo trovi qui: Univ. Federico II | ||
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Playing to the World's Biggest Audience : The Globalization of Chinese Film and TV / / Michael Curtin |
Autore | Curtin Michael |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2007] |
Descrizione fisica | 1 online resource (355 p.) |
Disciplina | 791.430951 |
Soggetto topico |
Motion pictures - China
Motion picture industry - China Motion pictures - Taiwan Motion picture industry - Taiwan Television broadcasting - China Television broadcasting - Taiwan |
Soggetto non controllato |
business and industry
capitalism capitalist paternalism china chinese commercial studios chinese film chinese media chinese television cold war cultural globalization cultural studies east asian youth culture economics global china market global chinese audience globalization history hong kong cinema hong kong independent studios infrastructure media capital media studies multimedia pan chinese studio system screen industry singapore taiwan world trade organization |
ISBN |
1-282-44576-6
1-4294-9458-1 9786612445767 0-520-94073-3 1-4337-0877-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction: Media Capital in Chinese Film and Television -- 1. The Pan-Chinese Studio System and Capitalist Paternalism -- 2. Independent Studios and the Golden Age of Hong Kong Cinema -- 3. Hyperproduction Erodes Overseas Circulation -- 4. Hollywood Takes Charge in Taiwan -- 5. The Globalization of Hong Kong Television -- 6. Strange Bedfellows in Cross-Strait Drama Production -- 7. Market Niches and Expanding Aspirations in Taiwan -- 8. Singapore: From State Paternalism to Regional Media Hub -- 9. Reterritorializing Star TV in the PRC -- 10. Global Satellites Pursuing Local Audiences and Panregional Efficiencies -- 11. The Promise of Broadband and the Problem of Content -- 12. From Movies to Multimedia: Connecting Infrastructure and Content -- Conclusion: Structural Adjustment and the Future of Chinese Media -- Industry Interviews -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910811352503321 |
Curtin Michael
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Berkeley, CA : , : University of California Press, , [2007] | ||
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Lo trovi qui: Univ. Federico II | ||
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Postsocialism and cultural politics : China in the last decade of the Twentieth Century / / Xudong Zhang |
Autore | Zhang Xudong |
Pubbl/distr/stampa | Durham : , : Duke University Press, , 2008 |
Descrizione fisica | 1 online resource (x, 346 pages) |
Disciplina | 951.05/9 |
Collana | Post-Contemporary Interventions |
Soggetto topico |
Politics and culture - Political aspects - China
Chinese literature - Political aspects - China Motion pictures - China Postmodernism - China Post-communism |
ISBN |
9780822388937
0822388936 9780822342120 9780822342304 0822342308 082234212X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Part I: Intellectual Discourse: National and Global Determinations -- One. The return of the political: the making of the post-Tiananmen intellectual field -- Two. Nationalism, Mass Culture, and Intellectual Strategies in the 1990s -- Three. Postmodernism and Postsocialist society: cultural politics after the "New Era"; Part II: Literary discourse: narrative possibilities of postsocialism -- Four. Shanghai nostalgia: mourning and allegory in Wang Anyi's literary production in the 1990s
Five. Toward a critical iconography: Shanghai, "minor literature," and the unmaking of a modern Chinese mythology -- Six. "Demonic realism" and the "socialist market economy": language game, natural history, and social allegory in Mo Yan's The Republic of wine; Part III: Cinematic discourse: universality, singularity, and the everyday World -- Seven. National trauma, global allegory: construction of collective memory in Tian Zhuangzhuang's the blue kite -- Eight. Narrative, culture, and legitimacy: repetition and singularity in Zhang Yimou's the story of Qiu Ju. |
Record Nr. | UNINA-9910777993503321 |
Zhang Xudong
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Durham : , : Duke University Press, , 2008 | ||
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Lo trovi qui: Univ. Federico II | ||
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Postsocialism and cultural politics : China in the last decade of the Twentieth Century / / Xudong Zhang |
Autore | Zhang Xudong |
Pubbl/distr/stampa | Durham : , : Duke University Press, , 2008 |
Descrizione fisica | 1 online resource (x, 346 pages) |
Disciplina | 951.05/9 |
Collana | Post-Contemporary Interventions |
Soggetto topico |
Politics and culture - Political aspects - China
Chinese literature - Political aspects - China Motion pictures - China Postmodernism - China Post-communism |
ISBN |
9780822388937
0822388936 9780822342120 9780822342304 0822342308 082234212X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Part I: Intellectual Discourse: National and Global Determinations -- One. The return of the political: the making of the post-Tiananmen intellectual field -- Two. Nationalism, Mass Culture, and Intellectual Strategies in the 1990s -- Three. Postmodernism and Postsocialist society: cultural politics after the "New Era"; Part II: Literary discourse: narrative possibilities of postsocialism -- Four. Shanghai nostalgia: mourning and allegory in Wang Anyi's literary production in the 1990s
Five. Toward a critical iconography: Shanghai, "minor literature," and the unmaking of a modern Chinese mythology -- Six. "Demonic realism" and the "socialist market economy": language game, natural history, and social allegory in Mo Yan's The Republic of wine; Part III: Cinematic discourse: universality, singularity, and the everyday World -- Seven. National trauma, global allegory: construction of collective memory in Tian Zhuangzhuang's the blue kite -- Eight. Narrative, culture, and legitimacy: repetition and singularity in Zhang Yimou's the story of Qiu Ju. |
Record Nr. | UNINA-9910809846303321 |
Zhang Xudong
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Durham : , : Duke University Press, , 2008 | ||
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Lo trovi qui: Univ. Federico II | ||
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The Rey Chow reader [[electronic resource] /] / edited by Paul Bowman |
Autore | Chow Rey |
Pubbl/distr/stampa | New York, : Columbia University Press, c2010 |
Descrizione fisica | 1 online resource (321 p.) |
Disciplina | 306.2 |
Altri autori (Persone) | BowmanPaul <1971-> |
Soggetto topico |
Culture
Politics and culture Social change Poststructuralism Motion pictures - China Motion pictures and transnationalism Motion pictures and globalization Culture in motion pictures |
Soggetto genere / forma | Electronic books. |
ISBN |
1-280-66590-4
9786613642837 0-231-52078-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Modernity and postcolonial ethnicity. The age of the world target: atomic bombs, alterity, area studies -- The postcolonial difference: lessons in cultural legitimation -- From Writing diaspora: introduction: leading questions -- Brushes with the-other-as-face: stereotyping and cross-ethnic representation -- The politics of admittance: female sexual agency, miscegenation, and the formation of community in Frantz Fanon -- When whiteness feminizes : some consequences of a supplementary logic -- Filmic visuality and transcultural politics. Film and cultural identity -- Seeing modern China : toward a theory of ethnic spectatorship -- The dream of a butterfly -- Film as ethnography, or, Translation between cultures in the postcolonial world -- A filmic staging of postwar geotemporal politics: on Akira Kurosawa's No regrets for our youth, sixty years later -- From Sentimental fabulations, contemporary Chinese films: attachment in the age of global visibility -- The political economy of vision in Happy times and Not one less, or, a different type of migration. |
Record Nr. | UNINA-9910462521703321 |
Chow Rey
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New York, : Columbia University Press, c2010 | ||
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Lo trovi qui: Univ. Federico II | ||
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