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Representing the Eighteenth Century in Film and Television, 2000–2015 [[electronic resource] /] / by Karen Bloom Gevirtz
| Representing the Eighteenth Century in Film and Television, 2000–2015 [[electronic resource] /] / by Karen Bloom Gevirtz |
| Autore | Gevirtz Karen Bloom |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (134 pages) : illustrations |
| Disciplina | 791.43023 |
| Collana | Palgrave Pivot |
| Soggetto topico |
Motion pictures—Great Britain
Motion pictures—United States Film genres Literature, Modern—18th century British Cinema and TV American Cinema and TV Genre Eighteenth-Century Literature |
| ISBN | 3-319-56267-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Gulliver’s Travels: Silly, Silly, Silly Stories -- 3. Poldark: The Vampire that We Need -- 4. Austenland: The Past is a Foreign Theme Park -- 5. Crusoe and Crossbones: Longitude and Liberalism. |
| Record Nr. | UNINA-9910255061103321 |
Gevirtz Karen Bloom
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Screening Modern Irish Fiction and Drama [[electronic resource] /] / edited by R. Barton Palmer, Marc C. Conner
| Screening Modern Irish Fiction and Drama [[electronic resource] /] / edited by R. Barton Palmer, Marc C. Conner |
| Edizione | [1st ed. 2016.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2016 |
| Descrizione fisica | 1 online resource (XV, 266 p. 27 illus., 18 illus. in color.) |
| Disciplina | 791.4301 |
| Collana | Palgrave Studies in Adaptation and Visual Culture |
| Soggetto topico |
Motion pictures
Ethnology—Europe Motion pictures—Great Britain British literature Motion picture authorship Cultural policy Film Theory British Culture British Cinema and TV British and Irish Literature Screenwriting Cultural Policy and Politics |
| ISBN | 3-319-40928-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: Modern Irish Drama and Fiction on Screen. Barton Palmer and Marc Conner -- 1. Liam O’Flaherty’s The Informer and the aesthetics of terror. Homer Pettey -- 2. Deconstructing Political Adaptations: Sean O’Casey’s The Plough and the Stars. Laurence Raw -- 3. Genre and Charisma in Shaw’s Major Barbara. Doug McFarland -- 4. Lewin’s Wilde: Aestheticism, Moralism, and Hollywood. Edward Adams -- 5. ‘Wonderful and Incomparable Beauty’: Adapting Period Aesthetic for The Importance of Being Earnest. Jennifer Jenkins -- 6. The Quiet Man: From Story to Film. Michael Patrick Gillespie -- 7. The Girl with Green Eyes. R. Barton Palmer -- 8. John Huston’s ‘The Dead’. Coilin Owens -- 9. Sheridan’s Supercrip: Daniel Day-Lewis and the Wonder of My Left Foot. Tiffany Gilbert -- 10. Roddy Doyle’s The Barrytown Trilogy and Filming Ireland’s ‘New Picture’. Julieann Ulin -- 11. 1960s Popular Culture in 1960s Provincial Ireland: Neil Jordan’s The Butcher Boy. Michael Kissane -- 12. The Ritual of Memory in Friel’s Dancing at Lughnasa. Marc Conner. . |
| Record Nr. | UNINA-9910155311103321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Surveillance and Terror in Post-9/11 British and American Television [[electronic resource] /] / by Darcie Rives-East
| Surveillance and Terror in Post-9/11 British and American Television [[electronic resource] /] / by Darcie Rives-East |
| Autore | Rives-East Darcie |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (265 pages) |
| Disciplina | 812.02508 |
| Soggetto topico |
Motion pictures—Great Britain
Motion pictures—United States Terrorism Political violence British Cinema and TV American Cinema and TV Terrorism and Political Violence |
| ISBN | 3-030-16900-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: Surveillance and Terror in Post-9/11 British and American Television -- 2. Captive Viewers: Prisons, Captivity, and Social Control -- 3. Policing, Surveillance, and Terror—and the Return of Sherlock Holmes -- 4. We Spy: Espionage and the National Intelligence Agency -- 5. Conclusion: The Double Conditioning of Viewers, Surveillance, and Television. |
| Record Nr. | UNINA-9910485028103321 |
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Rives-East Darcie
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Through the Black Mirror [[electronic resource] ] : Deconstructing the Side Effects of the Digital Age / / edited by Terence McSweeney, Stuart Joy
| Through the Black Mirror [[electronic resource] ] : Deconstructing the Side Effects of the Digital Age / / edited by Terence McSweeney, Stuart Joy |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (290 pages) |
| Disciplina | 302.231 |
| Soggetto topico |
Digital media
Motion pictures—Great Britain Motion pictures Digital/New Media British Cinema and TV Close Reading |
| ISBN | 3-030-19458-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: Read that back to yourself and ask if you live in a sane society, Terence McSweeney and Stuart Joy -- Part I -- “The National Anthem”, Terrorism and Digital Media, Fran Pheasant Kelly -- “Fifteen Million Merits”: Gamification, Spectacle, and Neoliberal Aspiration, Mark R. Johnson -- Enhanced Memory: “The Entire History of You”, Henry Jenkins -- Part II -- Making Room for Our Personal Posthuman Prisons: “Be Right Back”, Andrew Schopp -- Charlie Brooker’s “White Bear”: Ideological State Apparatuses, Perversions of Courtly Love, and Curatorial Violence, Paul Petrovic -- Political apathy, the ex post facto allegory and Waldo’s Trumpian moment, Terence McSweeney -- We Have Only Ourselves to Fear: Reflections on AI through the Black Mirror of “White Christmas”, Christine Muller -- Part III -- The Planned Obsolescence of “Nosedive”, Sean Redmond -- Augmented Reality Bites: “Playtest” and the Unstable Now, Soraya Murray -- Shame, Stigma and Identification in “Shut Up and Dance”, Stuart Joy -- Unreal City: Nostalgia, Authenticity, and Posthumanity in “San Junipero”, Isra Daraiseh and M. Keith Booker -- Deviating The Other: Inspecting the Bounds of Progress in “Men Against Fire”, Ana Dosen -- On Killer Bees and GCHQ: “Hated in the Nation”, James Smith -- Part IV -- Dethroning the King of Space: Toxic White Masculinity and the Revised Adventure Narrative in “USS Callister”, Steffen Hankte -- “Arkangel”: Postscript on Families of Control, George F. McHendry, Jr. -- The Sovereignty of Truth: Memory and Morality in “Crocodile”, Jossalyn G. Larson -- Stop Me If You Think You’ve Heard This One Before: Relationships and Late Capitalism in “Hang the DJ”, Aidan Power -- Killing the Creator in “Metalhead”, Barbara Gurr -- Hope, with Teeth: On “Black Museum”, Gerry Canavan -- Change Your Past, Your Present, Your Future: Interactive Narratives and Trauma in Bandersnatch, Terence McSweeney and Stuart Joy. |
| Record Nr. | UNINA-9910484155203321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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War Representation in British Cinema and Television [[electronic resource] ] : From Suez to Thatcher, and Beyond / / by Kevin M. Flanagan
| War Representation in British Cinema and Television [[electronic resource] ] : From Suez to Thatcher, and Beyond / / by Kevin M. Flanagan |
| Autore | Flanagan Kevin M |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (xi, 224 pages) : illustrations |
| Disciplina | 791.43658 |
| Collana | Britain and the World |
| Soggetto topico |
Motion pictures—Great Britain
Ethnology—Europe World War, 1939-1945 Great Britain—History British Cinema and TV British Culture History of World War II and the Holocaust History of Britain and Ireland |
| ISBN | 3-030-30203-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1. Introduction: Towards an Alternative Tradition of War Representation -- Chapter 2. “For Christ’s Sake, We’re Surrounded!”: Tragedy, Bleakness, Cynicism and Existentialism in British War Cinema, 1957-1977 -- Chapter 3. Comic Alternatives to the “Pleasure Culture of War” -- Chapter 4. On Screen and at Arm’s Length: Social Class and the Simulation of Combat -- Chapter 5. The Bomb and After: Fantasies of Apocalypse and Decline -- Chapter 6. Conclusion: The Legacies of the 1960s and 1970s War Representation, From Thatcher to Brexit. |
| Record Nr. | UNINA-9910483810003321 |
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Flanagan Kevin M
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Soggetto topico
-
Motion pictures—Great Britain
(35)
- British Cinema and TV (34)
- British Culture (15)
- Ethnology—Europe (15)
- Motion pictures (10)