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Scissors, paper, stone [[electronic resource] ] : expressions of memory in contemporary photographic art / / Martha Langford
| Scissors, paper, stone [[electronic resource] ] : expressions of memory in contemporary photographic art / / Martha Langford |
| Autore | Langford Martha |
| Pubbl/distr/stampa | Montreal, : McGill-Queen's University Press, 2007 |
| Descrizione fisica | 1 online resource (365 p.) |
| Disciplina | 700/.1/08 |
| Soggetto topico |
Memory in art
Photography, Artistic Photography - Canada |
| ISBN |
1-282-86730-X
9786612867309 0-7735-7686-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : scissors, paper, stone -- Remembering and forgetting -- Lives of the artists -- Reflections on reflection -- A forgotten man -- Memory/false memory -- Memory and imagination -- Exchange places -- Object-image-memory -- Persistent paths -- Mimics -- Memory and history -- Agit-prompters -- Repossessions -- The pictures that we have -- Flashbulb memories? -- Markers -- Conclusion : is photography an art of memory? |
| Record Nr. | UNINA-9910813544303321 |
Langford Martha
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| Montreal, : McGill-Queen's University Press, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Viewing photography in post-dictatorship Latin America : visual interruptions, 1997-2016 / / David Rojinsky
| Viewing photography in post-dictatorship Latin America : visual interruptions, 1997-2016 / / David Rojinsky |
| Autore | Rojinsky David |
| Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2022] |
| Descrizione fisica | 1 online resource (305 pages) |
| Disciplina | 909 |
| Soggetto topico |
Collective memory
Historiography and photography Memory in art |
| ISBN |
9783031175909
9783031175893 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Acknowledgements -- Contents -- Abbreviations -- List of Figures -- Chapter 1: Visual Interruptions -- Visual Politics and Photographic Memory Art -- The Index and the Beholder -- Visual Interruptions in Memory Art -- Identification and Disidentification Photographs -- Positioning the Viewer -- Between Affect and Critical Inquiry -- Taking Position on a Global Historical Memory -- References -- Chapter 2: Vernacular Presence -- Early Human Rights Archives -- Oppositional Photography in the 1980s -- A Post-Dictatorship Photographic Aesthetic -- Family Photography and the Family Trope -- Marking Irreparable Family Loss -- Vernacular Photographies in Love against Oblivion -- Your Photographs -- Beyond Identification: Empathic Vision -- Techniques of Interrupted Viewing -- Visual Politics, Memory, and Gallery Installations -- References -- Chapter 3: Imagined Genealogies -- The National Photo-Album -- The Argentine Family as Contested Trope -- From Victimhood to Photographic Memory Art, 1997-2016 -- Lucila Quieto's Filiación (2013-2016) -- Obama-Macri and the Fortieth Anniversary -- The End of Photography and the Trace of History -- Reviewing Arqueología de la ausencia (Archaeology of Absence) -- Sitios de Memoria (2008-2012) (Memory Sites)42 -- Family Frames and Geopolitical Histories -- References -- Chapter 4: Memory Walls -- Photographic Counter-Monuments -- Urban Interventions in Chile under Military Rule -- The Continued Relevance of Luz Donoso's Interventions -- Formulación 335 (Formulation 335) -- Interventions in the Street and the Endless Banner -- The Rise and Fall of the Memory Wall -- Other Walls of Faces -- The Afterlife of the Memory Wall: Nécrosis (2015) -- Aesthetic Reframing and the Critical Gaze -- Imprints of Historical Decay -- References -- Chapter 5: Absent Gazes -- Turning the Page in Post-Dictatorship Uruguay.
Visual Politics and the Photography of Protest -- Reframing the Archive in Uruguayan Art Photography -- Absent Gazes -- From Exile to Memory -- Absent Gazes in the Street (2008-2009) -- Faces of the Other -- Hauntology and Justice -- Rejecting the Face -- A National Work of Mourning -- Nomadic Images, Memorials and Shopping Centres -- References -- Chapter 6: Never Again! -- Guatemala. Never Again: Texts and Images -- Visual Clarification -- The Invisibility of Guatemala's Past -- On the Global Stage -- An Angelic Intervention -- Of Documents and Monuments -- Projected Faces in Guatemala City -- An International Aesthetic of Urban Intervention -- The Global Angel and Holocaust Discourse -- From Universal Victimhood to the Angel of the Present -- References -- Chapter 7: Disappeared (Epilogue) -- Photojournalism, Revolution and Celebrity -- The Ideological End(S) of Photojournalism -- Global Disappearance -- Interrupting Affect. Interrupting Time? -- References -- Index. |
| Record Nr. | UNINA-9910633938903321 |
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Rojinsky David
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| Cham, Switzerland : , : Palgrave Macmillan, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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