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Music theory through improvisation [[electronic resource] ] : a new approach to musicianship training / / Edward Sarath
| Music theory through improvisation [[electronic resource] ] : a new approach to musicianship training / / Edward Sarath |
| Autore | Sarath Ed |
| Pubbl/distr/stampa | New York ; ; Abingdon, Oxon, : Routledge, 2009 |
| Descrizione fisica | 1 online resource (386 p.) |
| Disciplina | 781 |
| Soggetto topico |
Music theory
Jazz - Instruction and study Improvisation (Music) |
| ISBN |
1-135-21527-8
1-282-31548-X 9786612315480 0-203-87347-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Music Theory Through Improvisation; Title Page; Copyright Page; Table of Contents; Preface; Acknowledgments; Chapter 1 Improvisation Across Boundaries: A Trans-stylistic Approach; Getting Started; Non-syntactic Catalysts; Tension and Release, Variety and Unity, Motion and Stability; Melody; Ostinato, Motive, Sequence; Antecedent-consequent Structure; Melodic Contour; Pitch-based Melodic Improvising; Pulse-based Improvising; Form-based Improvising; Graphic Formal Analysis; The Inner Dimensions of Improvisation; Silence; Solo Pieces; Free or Open Collective Improvising; Clarity of Ideas
Transparency, Laying Out, and SoloingEndings; Culminating Exercises; Concluding Thoughts: Template for Artistic Development; Listening Resources; Further Reading; Chapter 2 Music Fundamentals; Staff, Clefs, Scales; Key Signatures; Major Scale; Minor Scale; Intervals; Modes; Pentatonic Scales; Aural Transposition; Melodic Cells; Aural Transposition with Pentatonic Scales; Chapter 3 Modality and Rhythm I: Time Feels; Importance of Aural Immersion; Core Elements of Time Feels; Further Aural Immersion Strategies; Modal Etude 1; Two-player Improvisation Practice Frameworks Rhythmic Templates for Time-feel Grooves and Melodic ImprovisingListening Resources: Time-feel-based Music with African and African-American Roots; Suggested Recordings; Further Reading; Chapter 4 Modality and Rhythm II: Small Group Framework; Call and Response; Strategies for Generating New Ideas; Mode-rhythmic Formats; Minor Blues; Indian Rhythmic Practices; Small Group Ensemble Performance and Project Format; Chapter 5 Basic Tonal Materials: Triads and Seventh Chords; Triads; Seventh Chords; Two Roman Numeral Systems; Inversions; Close Position and Open Position or Spread Voicings Keyboard RealizationFortification Exercises: Aural and Analytical; Modes; Modemaster Drills; Chapter 6 Harmonic Functions; Tonic-Subdominant-Dominant Functions; The Dominant Seventh Chord; Cadence; Keyboard Application; Improvising on the II-V-I Progression; Integrating Diverse Forms of Musical Knowledge; Chord-scale Analysis; II-V-I in Minor; Writing and Analysis Exercises; Voice Leading; Idiomatic Progressions; Turnarounds; Free-tonicization Strategies Level I; Chapter 7 Swing: Global Rhythmic Gateway; Elements of Swing; Swing Articulation; Blues; Transcription Format Scale and Chord Exercises for Cultivating the Swing ConceptChapter 8 Melodic Line Construction and Harmonization; Composing Melodic Lines on Chord Changes; Diatonic Target Notes; Problems with the Root of the Major Seventh Chord in the Melody; Melodic Analysis; Guide Tones; Written Application; Incorporating Guide Tones in Melodic Lines; Two Approaches to Composing Melodies on Chord Changes; Harmonizing Melodic Lines; Top-down Harmonization at the Keyboard; Harmonic Rhythm; Small Group Application; Chapter 9 Chord Inversion Present and Past; Chord Inversion in Jazz; Non-harmonic Tones Analysis of Bach Chorales |
| Record Nr. | UNINA-9910778475203321 |
Sarath Ed
|
||
| New York ; ; Abingdon, Oxon, : Routledge, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music theory through improvisation : a new approach to musicianship training / / Edward Sarath
| Music theory through improvisation : a new approach to musicianship training / / Edward Sarath |
| Autore | Sarath Ed |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York ; ; Abingdon, Oxon, : Routledge, 2009 |
| Descrizione fisica | 1 online resource (386 p.) |
| Disciplina | 781 |
| Soggetto topico |
Music theory
Jazz - Instruction and study Improvisation (Music) |
| ISBN |
1-135-21527-8
1-282-31548-X 9786612315480 0-203-87347-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Music Theory Through Improvisation; Title Page; Copyright Page; Table of Contents; Preface; Acknowledgments; Chapter 1 Improvisation Across Boundaries: A Trans-stylistic Approach; Getting Started; Non-syntactic Catalysts; Tension and Release, Variety and Unity, Motion and Stability; Melody; Ostinato, Motive, Sequence; Antecedent-consequent Structure; Melodic Contour; Pitch-based Melodic Improvising; Pulse-based Improvising; Form-based Improvising; Graphic Formal Analysis; The Inner Dimensions of Improvisation; Silence; Solo Pieces; Free or Open Collective Improvising; Clarity of Ideas
Transparency, Laying Out, and SoloingEndings; Culminating Exercises; Concluding Thoughts: Template for Artistic Development; Listening Resources; Further Reading; Chapter 2 Music Fundamentals; Staff, Clefs, Scales; Key Signatures; Major Scale; Minor Scale; Intervals; Modes; Pentatonic Scales; Aural Transposition; Melodic Cells; Aural Transposition with Pentatonic Scales; Chapter 3 Modality and Rhythm I: Time Feels; Importance of Aural Immersion; Core Elements of Time Feels; Further Aural Immersion Strategies; Modal Etude 1; Two-player Improvisation Practice Frameworks Rhythmic Templates for Time-feel Grooves and Melodic ImprovisingListening Resources: Time-feel-based Music with African and African-American Roots; Suggested Recordings; Further Reading; Chapter 4 Modality and Rhythm II: Small Group Framework; Call and Response; Strategies for Generating New Ideas; Mode-rhythmic Formats; Minor Blues; Indian Rhythmic Practices; Small Group Ensemble Performance and Project Format; Chapter 5 Basic Tonal Materials: Triads and Seventh Chords; Triads; Seventh Chords; Two Roman Numeral Systems; Inversions; Close Position and Open Position or Spread Voicings Keyboard RealizationFortification Exercises: Aural and Analytical; Modes; Modemaster Drills; Chapter 6 Harmonic Functions; Tonic-Subdominant-Dominant Functions; The Dominant Seventh Chord; Cadence; Keyboard Application; Improvising on the II-V-I Progression; Integrating Diverse Forms of Musical Knowledge; Chord-scale Analysis; II-V-I in Minor; Writing and Analysis Exercises; Voice Leading; Idiomatic Progressions; Turnarounds; Free-tonicization Strategies Level I; Chapter 7 Swing: Global Rhythmic Gateway; Elements of Swing; Swing Articulation; Blues; Transcription Format Scale and Chord Exercises for Cultivating the Swing ConceptChapter 8 Melodic Line Construction and Harmonization; Composing Melodic Lines on Chord Changes; Diatonic Target Notes; Problems with the Root of the Major Seventh Chord in the Melody; Melodic Analysis; Guide Tones; Written Application; Incorporating Guide Tones in Melodic Lines; Two Approaches to Composing Melodies on Chord Changes; Harmonizing Melodic Lines; Top-down Harmonization at the Keyboard; Harmonic Rhythm; Small Group Application; Chapter 9 Chord Inversion Present and Past; Chord Inversion in Jazz; Non-harmonic Tones Analysis of Bach Chorales |
| Record Nr. | UNINA-9910810924903321 |
|
Sarath Ed
|
||
| New York ; ; Abingdon, Oxon, : Routledge, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music therapy improvisation for groups : essential leadership competencies / / Susan C. Gardstrom
| Music therapy improvisation for groups : essential leadership competencies / / Susan C. Gardstrom |
| Autore | Gardstrom Susan C. |
| Pubbl/distr/stampa | Gilsum, New Hampshire : , : Barcelona Publishers, , 2007 |
| Descrizione fisica | 1 online resource (175 p.) |
| Disciplina | 781.36 |
| Soggetto topico |
Improvisation (Music)
Music therapy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-36700-9
9786613367006 1-891278-70-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright; Acknowledgments; Table of Contents; Chapter One: Introduction; Essential Competencies; Suggestions for Using This Book; Chapter Two: Terms and Nomenclature of Improvisation; Foundational Definitions; Methods, Procedures, Techniques; Referential and Nonreferential Improvisations; Givens; Improvisation Versus a Drum Circle; Chapter Three: Instruments of Improvisation; Instrumentarium; Mallets; Getting to Know Your Instruments; Ambidexterity; Selecting the Instruments; Quality; Number; Types; Client Age; Cautions; Needs and Objectives; The Therapist's Instrument
Arranging the EnvironmentPresenting the Instruments; Sound Vocabulary; Chapter Four: Musical Elements of Improvisation; Rhythmic Elements; Language and Rhythm; Tonal Elements; Textural Elements; Dynamic Elements; Timbral Elements; Chapter Five: Structures for Improvisation; Session Structures; Selecting and Presenting Givens and Referents; Selection; Presentation; Chapter Six: Nonmusical Facilitation Skills (Verbal & Gestural); Starting and Stopping; Starting; Stopping; Communicating During Improvisation; Movement; Physical Assistance; Chapter Seven: Musical Facilitation Skills Techniques of EmpathyImitating; Synchronizing; Incorporating; Pacing; Reflecting; Structuring Techniques; Rhythmic Grounding; Tonal Centering; Elicitation Techniques; Repeating; Modeling; Making Spaces; Interjecting; Redirection Techniques; Introducing Change; Intensifying; Intimacy Techniques; Sharing Instruments; Bonding; Soliloquizing; Procedural Techniques; Receding; Referential Techniques; Free Associating; Emotional Exploration Techniques; Holding; Doubling; Contrasting; Splitting; Transferring; Chapter Eight: Making Sense of What We Hear: The IAPs Improvisation Assessment Profiles (IAPs)Intramusical Relationships; Intermusical Relationships; The Profiles; Salience; Integration; Variability; Tension; Congruence; Autonomy; Summary and Caveats; Chapter Nine: Verbal Skills; To Process or Not to Process; Focal Point of Verbal Processing; Role of the Therapist; Verbal Techniques; Probe; Reflection of Feeling; Clarification; Checking Out; Self-Disclosure; Summary; Chapter Ten: Closing; Appendix A--Essential Competencies for Clinical Improvisation; Appendix B--Exercises; Appendix C--Referents for Clinical Music Improvisation Appendix D--Harmonic Progressions/VampsAppendix E--Givens/Parameters; Appendix F--IAP Profiles and Scales; References |
| Record Nr. | UNINA-9910461627303321 |
|
Gardstrom Susan C.
|
||
| Gilsum, New Hampshire : , : Barcelona Publishers, , 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music therapy improvisation for groups : essential leadership competencies / / Susan C. Gardstrom
| Music therapy improvisation for groups : essential leadership competencies / / Susan C. Gardstrom |
| Autore | Gardstrom Susan C. |
| Pubbl/distr/stampa | Gilsum, New Hampshire : , : Barcelona Publishers, , 2007 |
| Descrizione fisica | 1 online resource (175 p.) |
| Disciplina | 781.36 |
| Soggetto topico |
Improvisation (Music)
Music therapy |
| ISBN |
1-283-36700-9
9786613367006 1-891278-70-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright; Acknowledgments; Table of Contents; Chapter One: Introduction; Essential Competencies; Suggestions for Using This Book; Chapter Two: Terms and Nomenclature of Improvisation; Foundational Definitions; Methods, Procedures, Techniques; Referential and Nonreferential Improvisations; Givens; Improvisation Versus a Drum Circle; Chapter Three: Instruments of Improvisation; Instrumentarium; Mallets; Getting to Know Your Instruments; Ambidexterity; Selecting the Instruments; Quality; Number; Types; Client Age; Cautions; Needs and Objectives; The Therapist's Instrument
Arranging the EnvironmentPresenting the Instruments; Sound Vocabulary; Chapter Four: Musical Elements of Improvisation; Rhythmic Elements; Language and Rhythm; Tonal Elements; Textural Elements; Dynamic Elements; Timbral Elements; Chapter Five: Structures for Improvisation; Session Structures; Selecting and Presenting Givens and Referents; Selection; Presentation; Chapter Six: Nonmusical Facilitation Skills (Verbal & Gestural); Starting and Stopping; Starting; Stopping; Communicating During Improvisation; Movement; Physical Assistance; Chapter Seven: Musical Facilitation Skills Techniques of EmpathyImitating; Synchronizing; Incorporating; Pacing; Reflecting; Structuring Techniques; Rhythmic Grounding; Tonal Centering; Elicitation Techniques; Repeating; Modeling; Making Spaces; Interjecting; Redirection Techniques; Introducing Change; Intensifying; Intimacy Techniques; Sharing Instruments; Bonding; Soliloquizing; Procedural Techniques; Receding; Referential Techniques; Free Associating; Emotional Exploration Techniques; Holding; Doubling; Contrasting; Splitting; Transferring; Chapter Eight: Making Sense of What We Hear: The IAPs Improvisation Assessment Profiles (IAPs)Intramusical Relationships; Intermusical Relationships; The Profiles; Salience; Integration; Variability; Tension; Congruence; Autonomy; Summary and Caveats; Chapter Nine: Verbal Skills; To Process or Not to Process; Focal Point of Verbal Processing; Role of the Therapist; Verbal Techniques; Probe; Reflection of Feeling; Clarification; Checking Out; Self-Disclosure; Summary; Chapter Ten: Closing; Appendix A--Essential Competencies for Clinical Improvisation; Appendix B--Exercises; Appendix C--Referents for Clinical Music Improvisation Appendix D--Harmonic Progressions/VampsAppendix E--Givens/Parameters; Appendix F--IAP Profiles and Scales; References |
| Record Nr. | UNINA-9910789691303321 |
|
Gardstrom Susan C.
|
||
| Gilsum, New Hampshire : , : Barcelona Publishers, , 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music therapy improvisation for groups : essential leadership competencies / / Susan C. Gardstrom
| Music therapy improvisation for groups : essential leadership competencies / / Susan C. Gardstrom |
| Autore | Gardstrom Susan C. |
| Pubbl/distr/stampa | Gilsum, New Hampshire : , : Barcelona Publishers, , 2007 |
| Descrizione fisica | 1 online resource (175 p.) |
| Disciplina | 781.36 |
| Soggetto topico |
Improvisation (Music)
Music therapy |
| ISBN |
1-283-36700-9
9786613367006 1-891278-70-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright; Acknowledgments; Table of Contents; Chapter One: Introduction; Essential Competencies; Suggestions for Using This Book; Chapter Two: Terms and Nomenclature of Improvisation; Foundational Definitions; Methods, Procedures, Techniques; Referential and Nonreferential Improvisations; Givens; Improvisation Versus a Drum Circle; Chapter Three: Instruments of Improvisation; Instrumentarium; Mallets; Getting to Know Your Instruments; Ambidexterity; Selecting the Instruments; Quality; Number; Types; Client Age; Cautions; Needs and Objectives; The Therapist's Instrument
Arranging the EnvironmentPresenting the Instruments; Sound Vocabulary; Chapter Four: Musical Elements of Improvisation; Rhythmic Elements; Language and Rhythm; Tonal Elements; Textural Elements; Dynamic Elements; Timbral Elements; Chapter Five: Structures for Improvisation; Session Structures; Selecting and Presenting Givens and Referents; Selection; Presentation; Chapter Six: Nonmusical Facilitation Skills (Verbal & Gestural); Starting and Stopping; Starting; Stopping; Communicating During Improvisation; Movement; Physical Assistance; Chapter Seven: Musical Facilitation Skills Techniques of EmpathyImitating; Synchronizing; Incorporating; Pacing; Reflecting; Structuring Techniques; Rhythmic Grounding; Tonal Centering; Elicitation Techniques; Repeating; Modeling; Making Spaces; Interjecting; Redirection Techniques; Introducing Change; Intensifying; Intimacy Techniques; Sharing Instruments; Bonding; Soliloquizing; Procedural Techniques; Receding; Referential Techniques; Free Associating; Emotional Exploration Techniques; Holding; Doubling; Contrasting; Splitting; Transferring; Chapter Eight: Making Sense of What We Hear: The IAPs Improvisation Assessment Profiles (IAPs)Intramusical Relationships; Intermusical Relationships; The Profiles; Salience; Integration; Variability; Tension; Congruence; Autonomy; Summary and Caveats; Chapter Nine: Verbal Skills; To Process or Not to Process; Focal Point of Verbal Processing; Role of the Therapist; Verbal Techniques; Probe; Reflection of Feeling; Clarification; Checking Out; Self-Disclosure; Summary; Chapter Ten: Closing; Appendix A--Essential Competencies for Clinical Improvisation; Appendix B--Exercises; Appendix C--Referents for Clinical Music Improvisation Appendix D--Harmonic Progressions/VampsAppendix E--Givens/Parameters; Appendix F--IAP Profiles and Scales; References |
| Record Nr. | UNINA-9910810410903321 |
|
Gardstrom Susan C.
|
||
| Gilsum, New Hampshire : , : Barcelona Publishers, , 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Noise orders [[electronic resource] ] : jazz, improvisation, and architecture / / David P. Brown
| Noise orders [[electronic resource] ] : jazz, improvisation, and architecture / / David P. Brown |
| Autore | Brown David <1965-> |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2006 |
| Descrizione fisica | 1 online resource (193 p.) |
| Disciplina | 781.65/117 |
| Soggetto topico |
Music and architecture
Jazz - Analysis, appreciation Improvisation (Music) |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8166-9595-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Compositional imperatives: Mondrian and boogie-woogie -- What is the body supposed to be doing? John Cage and Rahsaan Roland Kirk -- Now's the time: temporalities of Louis Armstrong and Le Corbusier -- Function, flexibility, and improvisation: the AACM and Mies Van Der Rohe -- Diagrams, conduction, and the contemporary city. |
| Record Nr. | UNINA-9910451649503321 |
|
Brown David <1965->
|
||
| Minneapolis, : University of Minnesota Press, c2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Noise orders [[electronic resource] ] : jazz, improvisation, and architecture / / David P. Brown
| Noise orders [[electronic resource] ] : jazz, improvisation, and architecture / / David P. Brown |
| Autore | Brown David <1965-> |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2006 |
| Descrizione fisica | 1 online resource (193 p.) |
| Disciplina | 781.65/117 |
| Soggetto topico |
Music and architecture
Jazz - Analysis, appreciation Improvisation (Music) |
| ISBN | 0-8166-9595-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Compositional imperatives: Mondrian and boogie-woogie -- What is the body supposed to be doing? John Cage and Rahsaan Roland Kirk -- Now's the time: temporalities of Louis Armstrong and Le Corbusier -- Function, flexibility, and improvisation: the AACM and Mies Van Der Rohe -- Diagrams, conduction, and the contemporary city. |
| Record Nr. | UNINA-9910784108203321 |
|
Brown David <1965->
|
||
| Minneapolis, : University of Minnesota Press, c2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Noise orders [[electronic resource] ] : jazz, improvisation, and architecture / / David P. Brown
| Noise orders [[electronic resource] ] : jazz, improvisation, and architecture / / David P. Brown |
| Autore | Brown David <1965-> |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2006 |
| Descrizione fisica | 1 online resource (193 p.) |
| Disciplina | 781.65/117 |
| Soggetto topico |
Music and architecture
Jazz - Analysis, appreciation Improvisation (Music) |
| ISBN | 0-8166-9595-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Compositional imperatives: Mondrian and boogie-woogie -- What is the body supposed to be doing? John Cage and Rahsaan Roland Kirk -- Now's the time: temporalities of Louis Armstrong and Le Corbusier -- Function, flexibility, and improvisation: the AACM and Mies Van Der Rohe -- Diagrams, conduction, and the contemporary city. |
| Record Nr. | UNINA-9910819933303321 |
|
Brown David <1965->
|
||
| Minneapolis, : University of Minnesota Press, c2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Ornamentation and improvisation in Mozart / / Frederick Neumann
| Ornamentation and improvisation in Mozart / / Frederick Neumann |
| Autore | Neumann Frederick |
| Pubbl/distr/stampa | Princeton, N.J., : Princeton University Press, c1986 |
| Descrizione fisica | 1 online resource (x, 301 p. ) : music ; |
| Disciplina | 780/.92/4 |
| Soggetto topico |
Embellishment (Music)
Improvisation (Music) |
| ISBN |
0-691-09130-7
0-691-02711-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996248185703316 |
|
Neumann Frederick
|
||
| Princeton, N.J., : Princeton University Press, c1986 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Pratiques de l'improvisation : journées d'études à la Manufacture des 5 et 6 juin 2015 / / sous la direction de Serge Margel
| Pratiques de l'improvisation : journées d'études à la Manufacture des 5 et 6 juin 2015 / / sous la direction de Serge Margel |
| Pubbl/distr/stampa | Lausanne, Switzerland : , : BSN Press, , 2016 |
| Descrizione fisica | 1 online resource (188 pages) |
| Collana | Contrario Campus |
| Soggetto topico | Improvisation (Music) |
| ISBN |
2-940516-64-2
2-940516-62-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910151939203321 |
| Lausanne, Switzerland : , : BSN Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
